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Joined: February 08 2008
Location: Location
Status: Offline
Points: 28772
Posted: December 12 2010 at 20:43
NecronCommander wrote:
I couldn't study listening to Kraftwerk; it sounds too goofy to me and it'd be distracting.
Well that's because Kraftwerk (past Tone Float and Kraftwerk 1 & 2) sounds goofy. Imagine them without the vocals or poppy sound, and with a lot more experimentation/skill in the electronics department, and add in occasional real drums and you've got Klaus Schulze.
Joined: September 17 2009
Location: Madison, WI
Status: Offline
Points: 16122
Posted: December 12 2010 at 20:47
SaltyJon wrote:
NecronCommander wrote:
I couldn't study listening to Kraftwerk; it sounds too goofy to me and it'd be distracting.
Well that's because Kraftwerk (past Tone Float and Kraftwerk 1 & 2) sounds goofy. Imagine them without the vocals or poppy sound, and with a lot more experimentation/skill in the electronics department, and add in occasional real drums and you've got Klaus Schulze.
That sounds a little more appealing, maybe I'll look into that, but what I said before is my general opinion on most electronic music.
Joined: February 08 2008
Location: Location
Status: Offline
Points: 28772
Posted: December 12 2010 at 20:51
NecronCommander wrote:
SaltyJon wrote:
NecronCommander wrote:
I couldn't study listening to Kraftwerk; it sounds too goofy to me and it'd be distracting.
Well that's because Kraftwerk (past Tone Float and Kraftwerk 1 & 2) sounds goofy. Imagine them without the vocals or poppy sound, and with a lot more experimentation/skill in the electronics department, and add in occasional real drums and you've got Klaus Schulze.
That sounds a little more appealing, maybe I'll look into that, but what I said before is my general opinion on most electronic music.
If you've tried Tangerine Dream and don't like them, you won't like Klaus Schulze either most likely.
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NecronCommander wrote:
Imagine them without the vocals or poppy sound, and with a lot more experimentation/skill in the electronics department, and add in occasional real drums and you've got Klaus Schulze. 
