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SoulMachineMatrix View Drop Down
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Direct Link To This Post Topic: Looking to Get More Progressive
    Posted: September 08 2010 at 20:05
Hi,

I've been playing guitar for about 5-7 years... can't remember haha. But I'm heavily into Bands like Scar Symmetry, Meshuggah etc etc...

But have fallen in love with Kaipa and similar sounds... I'm looking to get more influenced. I'm a self taught guitarist thats been heavily into metal, looking to expand. Can anyone send me in the right directions to get into playing/writing/jamming jazz fusion. I love per Nilssons playing, and have since discovered Eric Johnson etc etc.

This may be a dooshey question, but where do I start to get that kind of smoothness in soloing, improvising, composing etc.

I'm not into the fast as anything playing;unless its done right, more into the smoothness, and building from there. Not just pick and hope shred.

If anyone can push me into the right direction; for guitar, and similar bands/recommend bands in that genre.

Thanks,
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Direct Link To This Post Posted: September 09 2010 at 09:32
Play the Eminor scale from Andrea Segovia's book of scales. The scale itself contains the jump system. Practice alternate right hand picking slowly and play the scale at a slow pace. Down-up-down-up. Each time you jump positions throughout the scale, take a deep breath and prepair yourself for the jump. You can also grab notes from this scale and form your own patterns to improvise off in a jazz/fusion piece.

Playing a scale such as this one will direct you into developing smoothness with  the various awkward positions on guitar. Buy the book and it is originally applied to Classical guitar however, utilize it for the development of other styles. Smoothness in soloing is a technique with has to develop over years. You can also learn interesting passages from George Benson, taking them and doing something else with them. Composing dependes on your knowledge of chord inversions and open chord structures like Pat Metheny might use. After practicing 10 new chords that may consist of 6 fret stretches, natural ideas may form in your mind and you will be writing as a result of hearing various chord voicings. You have to experiment. 
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Direct Link To This Post Posted: September 09 2010 at 10:27
I think the best solution is actually to wait a while. Get to know a lot of jazz fusion and prog rock! Once you can comfortably say that you've heard most of the classic albums, you'll have learned so much more than I can possibly tell you. Smile

Check out my YouTube channel! http://www.youtube.com/user/demiseoftime
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SoulMachineMatrix View Drop Down
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Direct Link To This Post Posted: September 09 2010 at 18:27
Well, could anyone give me a list of good fusion bands? Like where to start with it, its a genre I haven't been able to find much in... besides looking in the archives and randomly selecting a band and looking them up.

But I'd prefer to be sent in the right direction with a couple of referrals.

Thnx.Sleepy 
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Direct Link To This Post Posted: September 09 2010 at 18:57
Listen, practice, play along with stuff on your stereo. 

I'm a big fan of Eric Johnson, too.  Hope to see him here before too long.  The Electromagnets are in the house. Big smile
Released date are often when it it impacted you but recorded dates are when it really happened...

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Direct Link To This Post Posted: September 09 2010 at 21:37
You're in a good situation with wanting smoothness and not just craving speed.  It separates you from all the bedroom guitarists who care about nothing but showing off and playing fast (Dream Theatre, Yngwie Malmsteen, and all that garbage where they take amount of notes>what the notes are)
Which of you to gain me, tell, will risk uncertain pains of hell?
I will not forgive you if you will not take the chance.
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Direct Link To This Post Posted: September 09 2010 at 22:08
Yeah I like speed, I mean of coarse for the right moments. But speed is only good if its smooth, I like to think of it like... there are 'arpeggios' and 'sweeps' in my opinion and arpeggios are incorporated into solos and songs and those who do them understand them inside out, whereas sweeps are used by people who only know 1 - 3 'patterns' usually consisting of the three string or five string shapes and have no idea how to use them except for in a triplet (I think that's the right word?) or 3/4 timing.

I'm somewhere between these to types myself, I'm self taught, learnt from tabs, and have missed a lot of the more important theory side of things, and am currently going back and learning it all and mainly learning how to use arpeggios through listening to Holdsworth (abstractly), MacAlpine, Moore, Vai, Nilsson and just reticently Johnson (all of previous mentioned have been discovered within the last 4-5 months) and I always thought people like Vai (as in... song with mainly solos) to be massive w**kers, but know see them intelligent w**kers haha, the somewhat good kind... I hadn't really herd much except for stuff like children of Bodom - a band which... got old very fast for me, but back a few years was right into and they basically are the sweepers in my opinion (though could defiantly be wrong) but after discovering Scar Symmetry and hearing Per's playing I was overwhelmed by the inventivness and composition of the solos and songs.

The idea of (I've been reading some lessons on jazz...) having 'neutral' guitar... i.e knowing when to sit back and when to jump in and have found that I have always been that sort of musician, but now much more consciously.

My goal as a guitarist is to have fun, but also compose some music that speaks for me haha, sounds corny but its true. But I like the idea of neutral sound (I love the half-whole scale for metal ;) and playing with neutral to ... what's the word for... going from a neutral sounding scale to major/minor or something? Anyway... playing with that, making the transition to a chorus etc from neutral scale to a non neutral giving it more bearing... anyway could be wayy off, and I've been dribbling on.

;) I am enjoying this community, as been surrounded by 'if its not metal I don't like it' and 'if it is I don't like it...' it's nice to see more people who like music for music.

:)

thanks again.
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Direct Link To This Post Posted: September 29 2010 at 18:22
To get proggy you have to listen to a lot of prog and it will influence automatically your playing style.
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