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Atavachron View Drop Down
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Direct Link To This Post Posted: September 07 2010 at 02:24
mmmm, love a good odd siggie !


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Direct Link To This Post Posted: September 07 2010 at 02:56
Originally posted by Mike_Zed Mike_Zed wrote:

the Turn It on Again's 13/4 is amazing, because of how Collins managed to make it seem like a C signature (C = 4/4). I think that's my favourite odd time-sig.

This thread seems like a nice idea to me. If we had a composer / drummer among us maybe he'd like to show us an unusual pattern of his idea.
 
C=4/4 ?
 
Could you explain this, please ?
 
Confused
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Direct Link To This Post Posted: September 07 2010 at 03:05
Originally posted by himtroy himtroy wrote:

The beginning of Indiscipline is pretty wild.  I've never even figured out what it is.  I'm pretty sure it has a lot to do with playing on up beats, then down beats alternating.  But who the hell knows, and Bruford's crazy drumming doesn't help at all.  

Caravan does lots of 6/8 and 5/8 alternating, or it could be viewed as 11/8, either way it's awkward sounding.  
 
Bruford's a genius, imo....he can even make 4/4 sound strange. Surely the most unpredictable rock drummer ever.......he makes me gasp, sometimes !!  Shocked
 
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Direct Link To This Post Posted: September 07 2010 at 03:14
Originally posted by D4y dr34m3r D4y dr34m3r wrote:

 
anyone into jazz/jazz fusion??
 
 
I live for jazz/jazz-fusion. Thumbs Up
 
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Direct Link To This Post Posted: September 07 2010 at 07:22
Originally posted by Rabid Rabid wrote:

Originally posted by Mike_Zed Mike_Zed wrote:

the Turn It on Again's 13/4 is amazing, because of how Collins managed to make it seem like a C signature (C = 4/4). I think that's my favourite odd time-sig.

This thread seems like a nice idea to me. If we had a composer / drummer among us maybe he'd like to show us an unusual pattern of his idea.
 
C=4/4 ?
 
Could you explain this, please ?
 
Confused


With pleasure. The 'C' symbol stands for 'tempus imperfectum' (which does not make any sense but that's music we're talking about) - a medieval symbol that stands for the 4/4 time signature. It is also used nowadays in western musical notation alongside a "semicircle" with a vertical line through ("tempus perfectum diminutum") a symbol for 2/2.
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Direct Link To This Post Posted: September 07 2010 at 15:03
Originally posted by Atavachron Atavachron wrote:

mmmm, love a good odd siggie !
Wink

Originally posted by Mr ProgFreak Mr ProgFreak wrote:



Big smile
Great! Polyrithmic, dont? Heard 10/4, maybe a not triple compound 9, cant hear very well the bass line (which i use to orient mysef) 


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Direct Link To This Post Posted: September 07 2010 at 16:20
Originally posted by Mike_Zed Mike_Zed wrote:

Originally posted by Rabid Rabid wrote:

Originally posted by Mike_Zed Mike_Zed wrote:

the Turn It on Again's 13/4 is amazing, because of how Collins managed to make it seem like a C signature (C = 4/4). I think that's my favourite odd time-sig.

This thread seems like a nice idea to me. If we had a composer / drummer among us maybe he'd like to show us an unusual pattern of his idea.
 
C=4/4 ?
 
Could you explain this, please ?
 
Confused


With pleasure. The 'C' symbol stands for 'tempus imperfectum' (which does not make any sense but that's music we're talking about) - a medieval symbol that stands for the 4/4 time signature. It is also used nowadays in western musical notation alongside a "semicircle" with a vertical line through ("tempus perfectum diminutum") a symbol for 2/2.
 
Thanks...thought you meant tempus imperfectum Prolatio minor  Smile
 
 
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Direct Link To This Post Posted: September 07 2010 at 16:49
Originally posted by Gerinski Gerinski wrote:

It does not need to be an extremely complicated time signature, I love even how good prog bands can make a song in a simple 3/4 while totally avoiding it sounding like a waltz or a polonaise.
 
Seconded....I've worked with a few drummers who only seem to be able to count the beats, without elaborating.
 
The trick IS (appparently).....to work with a drummer the calibre of Bill Bruford.
 
I WISH !!!!   LOL  Wink
 
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Direct Link To This Post Posted: September 07 2010 at 17:03
Originally posted by Negoba Negoba wrote:

If you want insanity try counting the intro to "Firth of Fifth" instead of just doing it by feel.


Been a while. Doesn't that jump from 13/16 to 15/16 and then to 7/8 after the piano part?
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Direct Link To This Post Posted: September 07 2010 at 18:12
Hi,
 
I still think that when you feel something you are not concerned with the time or how many notes ... and when you record it ... wow ... it came out like this or that. And if you don't know what this means, I doubt that you will be as good or worth while the discussion of some many people here! Doing what someone else did is not going to get you the discussion!
 
I can appreciate the musicianship and the talent to do odd things, but I really doubt that someone sat down a la Stravinsky and wrote those time signatures on paper before they played it ... why can we not give credit where credit is due, to the musicians and their ability to create new sounds, new things, the beauty of which we sit here and describe as time ...
 
I still wonder how you can put a "time" on a feeling! It's just so wrong!
 
Cynically I could say that the future will be all DAW/Time anyway and the freedom to create new music's will die ... ciao progressive anything! Hello copies and more copies!


Edited by moshkito - September 07 2010 at 18:13
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Direct Link To This Post Posted: September 07 2010 at 19:18
Tool's "Schism" is probably the most peculiarly-metered song to ever become a big radio hit.  (They've jokingly said it's in 6.5/8.)

I get a kick out of non-proggers using odd meters.  Soundgarden used 7 fairly often, like on "Outshined".

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Direct Link To This Post Posted: September 08 2010 at 04:36
Love threads like this! I learn so much! (I have never studied music or musicology or whatever you call it.)
 
My intuition tells me that it's unusual or non-4/4 rhythms that make music interesting and engaging for me. It's like it engages my mental/math side of the brain and brings "awe" and "amazement" into my music listening experience. What's nice is when this is joined by "beauty" and "emotion"-appreciating part of my brain, as in the classic masterpieces by Genesis. 

Q: What signatures do Oceansize use? A lot of their music really brings me in.


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Direct Link To This Post Posted: September 08 2010 at 05:33
Celestial Terrestrial Commuters by Mahavishnu Orchestra - 19/16
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Direct Link To This Post Posted: September 08 2010 at 18:36
Man, I want to hear this song now:  It's not prog, but it is in odd time signatures:

Partially in 59/48

  • Evol by Damian LeGassick alternates a rhythm notated as five beats in the time of seven with another in 59/48 time.[238]

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Direct Link To This Post Posted: September 08 2010 at 19:15
Moshkito, i think you dont understood the objective of the forum. Its not to give a name, or a time for a feeling. It's just to listen, compare and enjoy hearing a odd time signature and the sensation that it brings to the music. And, yes. I think its normal that a composer sit down, define a time signature and make a song on it. You can idealize your song before making it. Bach did that (his songs are matematically writen, not "emotionally"). 
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Direct Link To This Post Posted: September 18 2010 at 03:07
Personally, I love Univers Zero's presage use of odd time sigs. It really have that great crazy rhythmic feel, without getting to complex. And the bizarre harmonies on top of that, make it sound even cooler!
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Direct Link To This Post Posted: September 18 2010 at 07:24
Originally posted by Nilsen Nilsen wrote:

Personally, I love Univers Zero's presage use of odd time sigs. It really have that great crazy rhythmic feel, without getting to complex. And the bizarre harmonies on top of that, make it sound even cooler!

Another Zero fan.  I'm new to them but am becoming a big fan.  My sense of time signatures is just instinctive though.  I couldn't identify or play to a particular time signature.  I can't listen to anything and identify what key it's in.  I am drawn to the complex in music though.

By the way can anyone tell me if the Darryl Hall song Something In 4/4 Time actually is?  Or 2/4 time?  It does have some things that rhyme. LOL


Edited by Slartibartfast - September 18 2010 at 07:29
Released date are often when it it impacted you but recorded dates are when it really happened...

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Direct Link To This Post Posted: September 18 2010 at 13:07
Interesting view on odd meters was discussed in the recent progarchives interview with The Psychedelic Ensemble. 
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Direct Link To This Post Posted: September 18 2010 at 22:14
The Uzbek band Fromuz has a song called "13th August" which is largely in 13/8 time.  And, this is laikely where the song title comes from.  (In date-month notation, August 13th is 13th August, or 13/8)
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Direct Link To This Post Posted: September 18 2010 at 22:25

as usual, I have a poll about time signatures here and here. 7/4 is PA users' favorite.

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