Do the Beatles get too much credit..

 

Go listen the the American Graffiti soundtrack.  Now go listen to the first couple of Beatles albums.

 

Then tell me who was innovating.

, I ain't gonna read it.Too much negative energy..LOL

 

They deserve the status as being THE MOST INFLUENTIAL ROCK/POP BAND EVER.

 

Get back to me when you can find evidence of a rock group—any  rock group in 1966, but, perhaps even more notably, using multitrack recording to produce something like "Tomorrow Never Knows" and then using their platform as the Most Popular Band in the world to expose millions of listeners to those new sounds

 

If anything the Beatles were the biggest influence overall on early progressive rockers and psychedelic rock.

The Beatles had influences like everyone else but they came in sounding like no one else "A Hard Day's Night", "I Want to Hold Your Hand", "If I Fell" etc,. The early Kinks, Yardbirds, and The Rolling Stones  all sounded like blues wannabees.

 

The fact the Beatles were the main cog in the British Invasion and George Harrison use of the Ricky12 string guitar really launched folk-rock. The chord usage on songs like "If I Fell" floored people like Bob Dylan and The Byrds and was miles ahead of people like the Rolling Stones and the blues based peers. People like Brian Wilson thought Rubber Soul was the first album that was a complete statement.

 

 

Are you kidding me - from a pop music song structure to recording engineering standpoint - you're hard pressed to NOT hear the Beatles influence everywhere in modern pop recordings.   Music progresses and people create different styles and techniques. The psychedelic use as a studio instrument for example like loops, varispeeding, backward tape was already a different style than say Brian Wilson or Phil Spector.

Strawberry Fields Forever" was constructed uniquely..

There are edits of three sections taken from two different takes. 0:00 to 0:55 is take 7, 0:55 to 1:00 is another section of take 7, and 1:00 to end is take 26. It is fairly well known that take 26 was really faster and in a higher key, and that slowing it down to match the tempo also brought into the same key. The idea of the edit is credited to the songwriter, John Lennon, while its execution, involving the manipulation of tape speed and the use of the 5-second bridge segment, is credited to the producer, George Martin.

It's unlikely that many (or any) recordings done prior to 1962 featured splicing of tape to combine takes or bouncing of tracks. 2 track tape machines (later 4, 8, 16, 24 and on) were not widely available until Studer and Telefunken devloped them their versions in the late 50's/early 60's. Prior to that recordings were mainly made direct to disc - making combining takes impossible. Later in the 60's, some of those direct to disc performances were transferred to tape and performances could then be edited/combined after that.

It's a fact that The Beatles' ideas and demands pushed engineers like Norman Smith, Geoff Emerick, Chris Thomas, Glynn Johns, Alan Parsons etc. to develop new techniques that formed the groundwork for modern digital editing we see today with Protools, etc.

Knowing an recording engineer. I promise you that if you read up on Beatles recording techniques you'll be astounded at how many things their engineers did for the first time as crazy, rule-breaking ideas, experiments, etc. that have since become common practice in modern day recording and editing. Necessity was the mother of invention in their case.

Are you kidding me - from a pop music song structure to recording engineering standpoint - you're hard pressed to NOT hear the Beatles influence everywhere in modern pop recordings. Let's see: some of these not of course invented by the Beatles but certainly invented new ways in using these techniques in creating a rock sound.

Use of heavy limiting on drums and guitar (pioneered on Revolver, rarely if ever used before by anyone) - everywhere these days
High use of treble and equalization of guitars and vocals (rare before Beatles Rubber Soul) - everywhere afterwards
Key changes in middle 8/bridges of songs - everywhere
Use of weird/experimental guitar chords in pop songs (VERY IN ROCK MUSIC before the Beatles) - now everywhere
Artificial Double Tracking - invented by Beatles Engineer Ken Townsend, now used in one form or another on almost every song by anyone
Guitar fuzz box/distortion pedal on bass used by the Beatles "Think For Yourself"  during Rubber Soul sessions. You might hear these nowadays too
Pioneering use of vocal effects like phasing/revolving Leslie/etc. - pioneered by the Beatles on Revolver, used extensively on Sgt Peppers - used everywhere you hear any slightly psychedelic sounding song
Direct Injection (DI) bass and guitar rock recordings - used by Beatles engineers on Revolver and later. Prominent on distorted guitar on Revolution - used by virtually everyone nowadays
Use of editing - Used by the Beatles first to combine multiple takes of songs into one - nowadays this is done on virtually every modern pop recording using computer technology like Pro-tools
Varispeed recording (speeding up or slowing down recordings to alter the characteristics of instruments or voice) - used extensively by the Beatles first on Revolver and afterwards - now used commonly
The list could go on an on.