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Anthony H. View Drop Down
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Direct Link To This Post Topic: The Most Challenging Prog You've Ever Heard
    Posted: June 13 2010 at 16:25
By "challenging", I'm talking about progressive music that's so strange, inaccessible, experimental, complex, and/or "out there" that even an experienced proghead would need to get used to it. What are some bands/artists that could fit into this category?
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Direct Link To This Post Posted: June 13 2010 at 16:28
The Early Progressive Age of Pink Floyd (1969-1972)
Music is some kind of art.
-- Anonymous
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Direct Link To This Post Posted: June 13 2010 at 16:30
That was the case with me and Gentle Giant.
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Direct Link To This Post Posted: June 13 2010 at 16:30
Henry Cow's Concerts maybe, if you are not a fan of improvisation it would be hard to sit through.
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Direct Link To This Post Posted: June 13 2010 at 16:31
Any Avant stuff takes a long time. Fantomas, for example.
"The meaning of life is to give life meaning."-Arjen Lucassen
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Direct Link To This Post Posted: June 13 2010 at 17:00
Satan Alfa Beel Atem

TD's Zeit

Art Zoyd and Univers Zero take some work to appreciate too
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Direct Link To This Post Posted: June 13 2010 at 17:05
 In the 70's, I'd have said some of the early (Lizard, Islands) King Crimson.

 In this era, I'd have to go with Mars Volta. Definitely an acquired taste.
"Nothing is at last sacred but the integrity of one's own mind" * Ralph Waldo Emerson
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Direct Link To This Post Posted: June 13 2010 at 17:09
Originally posted by beebs beebs wrote:



 In this era, I'd have to go with Mars Volta. Definitely an acquired taste.


That's just because the singer has a horrible voiceDead
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Direct Link To This Post Posted: June 13 2010 at 17:12

Early Pink Floyd?  Early King Crimson?  The Mars Volta?  They are not exactly a walk in the park, don't get me wrong, but they are definitely not up there when it comes to the most challenging Prog.  For me, the most challenging Prog listening experience in recent months was a Ruins album.  It didn't make me cringe, but it is definitely a tough nut to crack.  I need to get more adjusted to Koenjihyakkei before I try them again.  Henry Cow's improvisations can be pretty brutal as Matt stated, as well as some of Fred Frith's and John Zorn's freak-outs.

Neal Morse's voice can also be an incredibly challening experience for me, but that's a different story.Tongue


Edited by UndercoverBoy - June 13 2010 at 17:13
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Direct Link To This Post Posted: June 13 2010 at 17:40
For me it depends, not only on how out there it is but also on style. I found Heresie to be a pretty enjoyable album from the first listen, but hearing samples from Sleepytime Gorilla Museum of Natural History, it seems a fair bit more challenging. Still a good one to pick up though
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Direct Link To This Post Posted: June 13 2010 at 17:44
I think there's a difference between challenging and just plain boredom. I can't get into the majority of avant music, but I love Leg End by Henry Cow. To me Gentle Giant was always a "challenging" band, because despite their melodies there was always something about their music throwing you off of being able to simply listen to the music.

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Direct Link To This Post Posted: June 13 2010 at 18:26
For "challenging", read complete crap in most cases.

Gentle Giant is an honorable exception.
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Direct Link To This Post Posted: June 13 2010 at 18:27
My first impulse was to say that the free improvisation sections of Henry Cow, John Zorn, and whoever else listed here that secretly would prefer playing free jazz, are probably the most difficult, but now that I think about it I think Otomo Yoshide probably has the most challenging discography on here. Consume Red is 5 second sample looped for 45 minutes, and Cathode is high pitched droning sine waves. I can't even take the repetition of the Ground Zero stuff or the drone of Sachiko M, and I love avant-garde music. 
Originally posted by Hercules Hercules wrote:

For "challenging", read complete crap in most cases.
Are we going to start this nonsense again?
Originally posted by Captain Clutch Captain Clutch wrote:

Satan Alfa Beel Atem
I think the intention was to talk about albums that are on here. If we want to talk about any challenging music at all, we could talk forever about music that's more avant-garde than the albums rocky enough to be here, but that wouldn't really be relevant, would it? 

I will agree, though, that Satan is possibly the most unbearable album I've ever heard.


Edited by Henry Plainview - June 13 2010 at 18:32
if you own a sodastream i hate you
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Direct Link To This Post Posted: June 13 2010 at 18:27
Someone not even on PA, Chicago Underground Duo. Their album Boca Negra had me really reaching.
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Direct Link To This Post Posted: June 13 2010 at 18:28
Electric Silence by Dzyan
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Direct Link To This Post Posted: June 13 2010 at 18:36
Originally posted by Henry Plainview Henry Plainview wrote:

Originally posted by Captain Clutch Captain Clutch wrote:

Satan Alfa Beel Atem
I think the intention was to talk about albums that are on here. If we want to talk about any challenging music at all, we could talk forever about music that's more avant-garde than the albums rocky enough to be here, but that wouldn't really be relevant, would it? 

I will agree, though, that Satan is possibly the most unbearable album I've ever heard.


Originally posted by Anthony H. Anthony H. wrote:

progressive music that's so strange, inaccessible, experimental, complex, and/or "out there" that even an experienced proghead would need to get used to it. What are some bands/artists that could fit into this category?


Doesn't say anything about "on PA"
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Direct Link To This Post Posted: June 13 2010 at 18:47
I liked bands like King Crimson and Gentle Giant pretty early on, even some weirder ones like Kayo Dot. The most challenging music, I found to get into was The Flower Kings. Though that might have more to do with their music being overly cheesy than anything (Church of Your Heart, though a good song, had me turning the CD off the first few times LOL)
'Yeah, thats.. Whatever you're talking about for ya' - Zapp brannigan
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Direct Link To This Post Posted: June 13 2010 at 18:57
I don't think "inaccessible" should be seen as a synonym of "terrible", or "so bad it took me a lifetime to begin to like it". It should be about complex stuff but GREAT. 
I mean, from how I see it, a very "inaccessible" but VERY good band is Tool. You have complex themes, complex lyrics, complex artwork, very complex music but in the end it all falls into place and what comes out is a masterpiece. I've been listening to progressive for most of my life but it took me a full year to really get into Lateralus, and I mean to get into it DEEP. How can they have such a wide success when they write some of the most complex sh*t I've ever seen/heard, on so many levels, remains a mystery to me.

I could make an album with only farts in it and that wouldn't make it "challenging" and "inaccessible", it would just be bad. So I don't see the point in naming weird sh*t that makes no sense. Again, it's not inaccessible, it's meaningless. 
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Direct Link To This Post Posted: June 13 2010 at 19:11
Originally posted by Captain Clutch Captain Clutch wrote:

 
Doesn't say anything about "on PA"
The topic title says prog, which is progressive rock. I wasn't intending to bitch at you, I was just saying I don't think he meant for us to veer off into a discussion about Keith Rowe and Merzbow.
Originally posted by Camel666 Camel666 wrote:

I could make an album with only farts in it and that wouldn't make it "challenging" and "inaccessible", it would just be bad. So I don't see the point in naming weird sh*t that makes no sense. Again, it's not inaccessible, it's meaningless. 
Here we go again, all the way to the examples of things that nobody does to complain about music you don't like. No, music that is too avant-garde for you is not meaningless! And by what method do you assign meaning?
if you own a sodastream i hate you
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Direct Link To This Post Posted: June 13 2010 at 19:20
The hardest thing for me to get into are the free-form avant-jazz stuff like John Zorn, Henry Cow, and newer Kayo Dot.

Otherwise, I find it really hard to get into some of the really mellotron-drenched symphonic stuff.  Just a personal taste.
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