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Topic ClosedDT... already a prog legend?

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Direct Link To This Post Posted: February 17 2010 at 15:07
Originally posted by jampa17 jampa17 wrote:

Originally posted by CCVP CCVP wrote:

Originally posted by jampa17 jampa17 wrote:

Originally posted by CCVP CCVP wrote:

Originally posted by jampa17 jampa17 wrote:

This can evolve to a new question then.... DT is more popular on latin countries... or not...???


I don't know. . . But I am surely going to their gig next moth Tongue.
 
Shut up...!! I don't have any single near gig...!!! I'm mad about it...!!! Angry


Well, neither do I Cry. I have to travel between 550 and 900 kilometers to see any gig from any international band. But still I don't need to leave my country.

Isn't any Mexico city near enough so u can go see Legendary Theater?
 
1500 kilometers to Mexico DF... and is very expensive... like 500 dollars... so I can't do it... I have too much to pay (inlcuding the recording of my bands first album) so... I wish... but I can't... Cry


Damn, that is very expensive! Here, at least for domestic flights, it is possible to find bargains such as 40 dollars for an airplane ticket. It is a conspiracy against prog metal, that's what I say.
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Direct Link To This Post Posted: February 17 2010 at 15:17
Originally posted by CCVP CCVP wrote:

Originally posted by jampa17 jampa17 wrote:

Originally posted by CCVP CCVP wrote:

Originally posted by jampa17 jampa17 wrote:

Originally posted by CCVP CCVP wrote:

Originally posted by jampa17 jampa17 wrote:

This can evolve to a new question then.... DT is more popular on latin countries... or not...???


I don't know. . . But I am surely going to their gig next moth Tongue.
 
Shut up...!! I don't have any single near gig...!!! I'm mad about it...!!! Angry


Well, neither do I Cry. I have to travel between 550 and 900 kilometers to see any gig from any international band. But still I don't need to leave my country.

Isn't any Mexico city near enough so u can go see Legendary Theater?
 
1500 kilometers to Mexico DF... and is very expensive... like 500 dollars... so I can't do it... I have too much to pay (inlcuding the recording of my bands first album) so... I wish... but I can't... Cry


Damn, that is very expensive! Here, at least for domestic flights, it is possible to find bargains such as 40 dollars for an airplane ticket. It is a conspiracy against prog metal, that's what I say.
 
Yeah... I could drive all the way but I seriously doubt here at my job they gonna give me four day off to do it so... I'll keep praying they came to Central America... wether it's Guatemala or Costa Rica... I surely go to see them... but seems like It won't be this year though... maybe the will come when they will be named formally a "legend"... Wink
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Direct Link To This Post Posted: February 17 2010 at 15:36
How about Caracas? Is it any closer? (i don't think so, but anyway . . . .)
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Direct Link To This Post Posted: February 17 2010 at 15:54
Nope... more than 2000 km... so... nope... I think is near more to you than for me..
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Direct Link To This Post Posted: February 17 2010 at 16:02
I've read all of the past 9 pages (though there will probably be more between starting this post and posting it), and rather than pick individual posts and comment on them, please indulge me while I make some broad observations.
 
Why did Google Translate translate one of the Spanish words into Japanese? Confused
 
a-hem... anyway...
 
There is no formal definition of "Legend" when applied to the arts (or sports for that matter). In general terms (when applied to a person or group of people) it means "of extraordinary accomplishment" or it can mean "a hero" - in practical terms it means something that will be remembered.
 
We use it as a colloquialism - a slang term to describe something that has achieved some level of status, or has influenced or changed something. It is completely subjective.
 
You cannot apply mathematics, logic, argument or pollstering to determine whether something is a "Legend" - it is just an appellation (honorary name) given in recognition of achievement.
 
 
I have been a "fan" of Progressive Rock since the late 1960s - I know the legends of my youth because I grew up with them. I also lived through the birth and rise of Metal and adopted that genre of music because it fires me more than any other genre. For me the marriage of Prog and Metal was the perfect combination - more so than with any other Genre because both were formed from the same root and both were part of the musical landscape of my youth that helped form my musical vocabulary.
 
In the 80s Neo prog was derided for copying the style of music from a mere 5 years earlier, something that it still gets slammed for today even though when looking back down the tunnel (vision) of the last 30 years both Neo prog and Prog Rock are ancient and practically contemporary. Yet many people behave like they are separated by decades, like the 80s are recent times and the 70s were part of some legendary mythological era. To some people Metal suffers that same stigma when compared to Rock - their birth and development were not that far apart (years not decades) - the only difference is that metal has continued to develop where as rock has become ingrained and intractable - everything in modern rock references back in time, metal is reaching forward while still looking back (in my opinion). If I want innovation and experimentation I'll turn to Metal for that whereas 30 years ago I would have been looking to Rock - we don't have a subgenres called Extreme/Technical Rock or Experimental Rock (more's the pity).
 
To be blunt - the 70s were not that great, most of the music was as bad then as it is now and a few pillars of light shone through then as they do now - we remember them as legends and quietly forget those that did not shine. Aside from a very select few, most of the Prog bands of the 70s we know and revere today were not that popular at the time, they were never legends in their own lifetimes - In their day so-called 2nd tier bands like Gentle Giant were not that well known, not that well liked and not widely respected, their current legendary status is anecdotal, a modern mythology. 
 
Some people like to divide a band into separate eras to isolate the ones they like from the ones they do not, but they were all the same band - Barrett-era, Waters/Gilmour-era, Gilmour-era; Phillips-era, Hackett-era, Mayhew-era, Gabriel-era, Collins-era, Wilson-era; Kaye-era, Howe-era, Wakeman-era, Moraz-era, Bruford-era, White-era, Buggles-era, Rabin-era; Fish-era, Hogarth-era; Collins-era, Dommici-era, LaBrie-era, Moore-era, Sherinian-era, Rudess-era... Some of those line-ups were indeed Legendary and some undeniably forgettable, but the bands themselves are Legend regardless of line-up because at some point in their careers' they did something that was memorable, something that changed the musical landscape, they did something that other bands could not do and they all did it within a broad genre known as Prog. For some brief moments in very long careers each of those bands lead where others followed. And each of them touched and inspired a whole generation of fans and other musicians. They all made a mark. For that reason we call them "Legend"
 
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Direct Link To This Post Posted: February 17 2010 at 16:03
Not actually. it is over 5000km till Boa Vista and at least another 1000km until Caracas. Brazil is freaking enormous. 
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Direct Link To This Post Posted: February 17 2010 at 16:08
Originally posted by Dean Dean wrote:

I've read all of the past 9 pages (though there will probably be more between starting this post and posting it), and rather than pick individual posts and comment on them, please indulge me while I make some broad observations.
 
Why did Google Translate translate one of the Spanish words into Japanese? Confused
 
a-hem... anyway...
 
There is no formal definition of "Legend" when applied to the arts (or sports for that matter). In general terms (when applied to a person or group of people) it means "of extraordinary accomplishment" or it can mean "a hero" - in practical terms it means something that will be remembered.
 
We use it as a colloquialism - a slang term to describe something that has achieved some level of status, or has influenced or changed something. It is completely subjective.
 
You cannot apply mathematics, logic, argument or pollstering to determine whether something is a "Legend" - it is just an appellation (honorary name) given in recognition of achievement.
 
 
I have been a "fan" of Progressive Rock since the late 1960s - I know the legends of my youth because I grew up with them. I also lived through the birth and rise of Metal and adopted that genre of music because it fires me more than any other genre. For me the marriage of Prog and Metal was the perfect combination - more so than with any other Genre because both were formed from the same root and both were part of the musical landscape of my youth that helped form my musical vocabulary.
 
In the 80s Neo prog was derided for copying the style of music from a mere 5 years earlier, something that it still gets slammed for today even though when looking back down the tunnel (vision) of the last 30 years both Neo prog and Prog Rock are ancient and practically contemporary. Yet many people behave like they are separated by decades, like the 80s are recent times and the 70s were part of some legendary mythological era. To some people Metal suffers that same stigma when compared to Rock - their birth and development were not that far apart (years not decades) - the only difference is that metal has continued to develop where as rock has become ingrained and intractable - everything in modern rock references back in time, metal is reaching forward while still looking back (in my opinion). If I want innovation and experimentation I'll turn to Metal for that whereas 30 years ago I would have been looking to Rock - we don't have a subgenres called Extreme/Technical Rock or Experimental Rock (more's the pity).
 
To be blunt - the 70s were not that great, most of the music was as bad then as it is now and a few pillars of light shone through then as they do now - we remember them as legends and quietly forget those that did not shine. Aside from a very select few, most of the Prog bands of the 70s we know and revere today were not that popular at the time, they were never legends in their own lifetimes - In their day so-called 2nd tier bands like Gentle Giant were not that well known, not that well liked and not widely respected, their current legendary status is anecdotal, a modern mythology. 
 
Some people like to divide a band into separate eras to isolate the ones they like from the ones they do not, but they were all the same band - Barrett-era, Waters/Gilmour-era, Gilmour-era; Phillips-era, Hackett-era, Mayhew-era, Gabriel-era, Collins-era, Wilson-era; Kaye-era, Howe-era, Wakeman-era, Moraz-era, Bruford-era, White-era, Buggles-era, Rabin-era; Fish-era, Hogarth-era; Collins-era, Dommici-era, LaBrie-era, Moore-era, Sherinian-era, Rudess-era... Some of those line-ups were indeed Legendary and some undeniably forgettable, but the bands themselves are Legend regardless of line-up because at some point in their careers' they did something that was memorable, something that changed the musical landscape, they did something that other bands could not do and they all did it within a broad genre known as Prog. For some brief moments in very long careers each of those bands lead where others followed. And each of them touched and inspired a whole generation of fans and other musicians. They all made a mark. For that reason we call them "Legend"


Possibly the best post of the entire thread. ClapClapClap

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Direct Link To This Post Posted: February 17 2010 at 16:15
http://upload.wikimedia.org/wikipedia/en/5/51/Dream_theater_in_1985.jpg

MYUNG: OMG GUYZ! DID YOU HEAR?!?!  WE'RE LEGENZZZZZZZZZZ!!!!!!

PORTNOY: LEGENZZZZZZZZZZ

PETRUCCI: THAT'S HOT.  I COULD TOTALLY GO FOR TACOS NOW

PORTNOY: TACOZZZZZZZZZZ
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Direct Link To This Post Posted: February 17 2010 at 16:17
Originally posted by Epignosis Epignosis wrote:

http://upload.wikimedia.org/wikipedia/en/5/51/Dream_theater_in_1985.jpg

MYUNG: OMG GUYZ! DID YOU HEAR?!?!  WE'RE LEGENZZZZZZZZZZ!!!!!!

PORTNOY: LEGENZZZZZZZZZZ

PETRUCCI: THAT'S HOT.  I COULD TOTALLY GO FOR TACOS NOW

PORTNOY: TACOZZZZZZZZZZ
 
Possibly the best post of the entire thread. ClapClapClap

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Direct Link To This Post Posted: February 17 2010 at 16:20
Originally posted by Epignosis Epignosis wrote:

http://upload.wikimedia.org/wikipedia/en/5/51/Dream_theater_in_1985.jpg

MYUNG: OMG GUYZ! DID YOU HEAR?!?!  WE'RE LEGENZZZZZZZZZZ!!!!!!

PORTNOY: LEGENZZZZZZZZZZ

PETRUCCI: THAT'S HOT.  I COULD TOTALLY GO FOR TACOS NOW

PORTNOY: TACOZZZZZZZZZZ


Hey! We're having tacos tonight tooWinkLOL!
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Direct Link To This Post Posted: February 17 2010 at 16:25
Yes Dean for many members of PA, the 70's are a mythological age, i imagine when they listen to Miles Davis albums of the 50's the are thinking that,  the musicians are in jurasic times!
 
Not many years have pass by and even the music of composers of the 18 and 19 century are still vital and fresh.




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Direct Link To This Post Posted: February 17 2010 at 16:30
Originally posted by Alberto Muñoz Alberto Muñoz wrote:

Yes Dean for many members of PA, the 70's are a mythological age, i imagine when they listen to Miles Davis albums of the 50's the are thinking that,  the musicians are in jurasic times!
 
Not many years have pass by and even the music of composers of the 18 and 19 century are still vital and fresh.
Smile if the 80s are current then so are the 70s, if the 70s are ancient then so are the 80s - it's all relative and subjective.
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Direct Link To This Post Posted: February 17 2010 at 16:46
Originally posted by Dean Dean wrote:

Originally posted by Alberto Muñoz Alberto Muñoz wrote:

Yes Dean for many members of PA, the 70's are a mythological age, i imagine when they listen to Miles Davis albums of the 50's the are thinking that,  the musicians are in jurasic times!
 
Not many years have pass by and even the music of composers of the 18 and 19 century are still vital and fresh.
Smile if the 80s are current then so are the 70s, if the 70s are ancient then so are the 80s - it's all relative and subjective.
 
Completely agree! Also this reminds me of a certain blues guitar player called Blind Blake and he' s a legend because his guitar playing style was so complex that many guitar player can figure out how to play his music.
 
 
 




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Direct Link To This Post Posted: February 17 2010 at 16:50
Originally posted by Ivan_Melgar_M Ivan_Melgar_M wrote:

Originally posted by Raff Raff wrote:

Ivan, could you expand a bit on the reasons why you are not sure DT are prog?
 
As I said, I don't find any structure at all, for me is like a contest between 4 very talented musicians wanting to play the most complex solo.
 
That's opposite of Prog to me.
 
But musicians like  Ruddess and Portnoy have proved been excellent Prog musicians.
 
Iván


Conflicting opinions again? Confused

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Direct Link To This Post Posted: February 17 2010 at 16:57
Originally posted by J-Man J-Man wrote:

Originally posted by Ivan_Melgar_M Ivan_Melgar_M wrote:

Originally posted by Raff Raff wrote:

Ivan, could you expand a bit on the reasons why you are not sure DT are prog?
 
As I said, I don't find any structure at all, for me is like a contest between 4 very talented musicians wanting to play the most complex solo.
 
That's opposite of Prog to me.
 
But musicians like  Ruddess and Portnoy have proved been excellent Prog musicians.
 
Iván


Conflicting opinions again? Confused
 
Before Iván comes and tell you to read previous posts before, I'll tell you:
 
Iván says that Mike Portnoy and Rudess have proven to be excellent Prog musicians due to their relation with projects like Transatlantic and Dixie Dregs(I suppose that's the one he means by Rudess).


Edited by The Quiet One - February 17 2010 at 16:59
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Direct Link To This Post Posted: February 17 2010 at 16:59
No, Jeff, I believe Ivan is referring to Rudess' and Portnoy's solo work (the latter is also a member of Transatlantic, as you know better than I do).


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Direct Link To This Post Posted: February 17 2010 at 17:20
Originally posted by The Quiet One The Quiet One wrote:

Originally posted by J-Man J-Man wrote:

Originally posted by Ivan_Melgar_M Ivan_Melgar_M wrote:

Originally posted by Raff Raff wrote:

Ivan, could you expand a bit on the reasons why you are not sure DT are prog?
 
As I said, I don't find any structure at all, for me is like a contest between 4 very talented musicians wanting to play the most complex solo.
 
That's opposite of Prog to me.
 
But musicians like  Ruddess and Portnoy have proved been excellent Prog musicians.
 
Iván


Conflicting opinions again? Confused
 
Before Iván comes and tell you to read previous posts before, I'll tell you:
 
Iván says that Mike Portnoy and Rudess have proven to be excellent Prog musicians due to their relation with projects like Transatlantic and Dixie Dregs(I suppose that's the one he means by Rudess).


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Direct Link To This Post Posted: February 17 2010 at 18:17
Originally posted by Raff Raff wrote:

No, Jeff, I believe Ivan is referring to Rudess' and Portnoy's solo work (the latter is also a member of Transatlantic, as you know better than I do).


 
Hi Raff, you know me betterClap
 
You should remember when we received Jordan Ruddess recommended to Symphonic and what a great surprise his music was for people like us who are not particularly DT fans, he wasn't accepted in the genre, but moved to Crosover, but I remember we both loved his music, specially "Feeding the Wheel"
 
Also heard Rudess in Encores Legends & Paradox with musicians such as Robert Berry, Simon Phillips, Marc Bonilla, Jerry Goodman and Mark Wood playing incredible renditions of "Karn Evil 9" and "Hoedown".
 
And in the case of Portnoy, his work with Liquid Tension Experiment, Transatlantic and even with Neal Morse (who is not my cup of tea) where he shows what a great team member he is (Not counting Working Man, a spectacular release).
 
The problem is that I'm starting to take it personal, people say Dream Theater sucks with no arguments and nobody says a word, I dare to say DT is not a legend and that I'm not 100% sure if they are a Prog band and people start to change what I say, missunderstand (in some cases intentionally) my words, and try to find incoherences as in this case when I was talking about Portnoy and Rudess in other bands or projects,
 
Seems that fans are more ready to listen their favorite band sucks with no argument than to listen people who don't like the band but gives moderate opinions with arguments..
 
In this thread it has been invented that I said;
  1. I hate Prog Metal
  2. Prog Metal is not Prog (whejn as a fact I said I loved Symphony X and PoS)
  3. That DT is not a Prog Metal band (The most I said is that I'm not 100% sure they are a Progressive Rock band).
  4. That I don't want Prog Metal in Prog Archives

When I haven't said none of those statements once.

I believe it's better to say X band sucks with no argument and place a stupid smiley than to try to present arguments of what you believe.
 
Cheers Raff and thanks.
 
Iván
 
            
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Direct Link To This Post Posted: February 17 2010 at 18:24
Originally posted by Ivan_Melgar_M Ivan_Melgar_M wrote:

I believe it's better to say X band sucks with no argument and place a stupid smiley than to try to present arguments of what you believe.
 
Iván
 
You should take it as a compliment.  Anyone who says band X sucks can be ignored without problem, but when a respected collaborator says something they believe then it is seen as a statement of "fact" and must be challenged or the world will stop turning on its axis.  Wink
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Direct Link To This Post Posted: February 17 2010 at 18:26
Thanks Dean, I'm not particularly egomaniac to feel resoected (Hey, I been called almost ignorant in this thread), but get your póint. Wink
 
Iván


Edited by Ivan_Melgar_M - February 17 2010 at 18:28
            
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