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Abstrakt View Drop Down
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Direct Link To This Post Posted: December 12 2009 at 17:58
Originally posted by TODDLER TODDLER wrote:

In 1980 I was booked to play a club at the South Jersey shore area. We were your basic top 40 cover band combined with some jazz instrumentals and blues. We played 4 fourty minute sets and received an encore. The club owner approached me and said that he wanted us to leave asap. He said to me: You have a female singer who is black. We do not want black people in our venue he said. I was really pissed! I turned to this guy and said: What? Are you completely nuts? She just tore the house down! We received 2 encores and the people loved her and you are holding a grudge about the color of her skin? I really went off on this guy and in the end he did not pay us.



What a jerk! Angry
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Direct Link To This Post Posted: December 13 2009 at 04:00
In 1978 i played in a band called de-deprss and the scuts.
Somebody had the bright idea to play an evening gig on the roof of a local supermarket.
The gig was going fine until it was chucking out time at the local pub over the road. Brett Fester the vocallist decided it would be funny to launch a beer bottle at the crowd whilst repeatedly singing "wan*ers at them.
 
Needless to say the gig ended in a riot ,in which the supermarket windows were smashed and the shop was "relieved " of all its cigarettes and booze.
 
Someone phoned the police and we were arrested.
Good news is we were released without charge as the drummers dad owned the shop.
 
We made the local paper and the publicity doubled our fanbase..............................HAPPY DAYS
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Direct Link To This Post Posted: December 15 2009 at 21:59
I once played in this classic rock cover band.

And I remember doing this weird job, first of it was a long car ride and the further we went into the countryside the more I wondered, then suddently we stopped at a gas-station.
I thought we were getting something, but then the guys started unloading.
Yup thats right, tonights gig`s at a gas station in the middle of nowhere,

It was hard psyching up to that gig, I quit after that showSmile
http://daccord-music.com/home.cfm
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Direct Link To This Post Posted: December 19 2009 at 20:31
OK, back in about 1992/93, the day started with me getting my new flying V guitar which I'd been waiting for a couple of months to get. I worked in a music store so I spent some time setting it all up real nice so I could use it that night for a show we had. Just before the show, I was joking with a friend of mine, "tonight, would be a great night to break a string" because there weren't many people there. So about 5 songs in of course string breaks on my new V, and the other guitar is still in it's case 'cause I just never really break strings. So I tell our drummer, "hey just do a drum solo for a bit" (which he always wants to do, he's a drummer) He starts his solo while I grab my other guitar and get ready to go into another song and what do ya know, he breaks his kick drum skin and double kick pedal. Needless to say it was quite a short set and a quiet ride home.

The bitter harvest of a barren land, I'm painting pictures you don't understand.
(Fates Warning)
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Direct Link To This Post Posted: December 23 2009 at 14:50
In high school jazz band I played drums and we took a bus out to a gig about 100 miles away. The other drummer forget to bring most of the drums and cymbals. He was the older one so our director gave him the responsibility. All we had was a snare and a ride. We had to borrow a junk set from one of the other schools performing that day, put the ride on a hi-hat stand, snare on a chair, kicked the bass with our feet because we had no pedal.

I've been playing professionally since then, and have had a few not-so-great gigs but nothing like that.
Life is like a beanstalk... isn't it?
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Direct Link To This Post Posted: December 23 2009 at 15:14
Worts gig : Larry Coryell opening up for Jean Luc Ponty during his coke days at the St Denis Theatre in Montréal. Came out so strung out that he couldn't even plug in his electric. Then a roadie came out and handed him an Ovation electro-acoustic. He just basically f**ked around and didn't really play anything that was recognizable. He came on with Ponty's band for the encore which was Egocentric Molecules. I felt bad for Larry because he was and still is one of my favourite guitarists of all time. I went to that gig to see Coryell more than Ponty but wasn't completely disappointed because Ponty had a smoking band with two guitarists Darryl Stuermer ( Genesis )  and Joachim Leovano. 
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Direct Link To This Post Posted: January 06 2010 at 10:15
Originally posted by trench62 trench62 wrote:

In 1978 i played in a band called de-deprss and the scuts.
Somebody had the bright idea to play an evening gig on the roof of a local supermarket.
The gig was going fine until it was chucking out time at the local pub over the road. Brett Fester the vocallist decided it would be funny to launch a beer bottle at the crowd whilst repeatedly singing "wan*ers at them.
 
Needless to say the gig ended in a riot ,in which the supermarket windows were smashed and the shop was "relieved " of all its cigarettes and booze.
 
Someone phoned the police and we were arrested.
Good news is we were released without charge as the drummers dad owned the shop.
 
We made the local paper and the publicity doubled our fanbase..............................HAPPY DAYS
I find this to be a truly strange experience. I am captivated by the set of events which took place at the gig. If you let the story set into your mind.
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Direct Link To This Post Posted: January 06 2010 at 11:34
Originally posted by mrcozdude mrcozdude wrote:

Originally posted by TODDLER TODDLER wrote:

In 1983 I was booked to play at a very large venue somewhere in the mountains of Northern P.A.  The owner promised 2 grand for 2 nights. He put us in a 2 story house and just the top floor was available for sleeping. As we went to sleep, we heard nightmarish screams in the house. We turned on the lights and there was a huge parrot in a cage. This thing made me want to extinguish a cigarette in the flesh sockets above my head. On the second night we were hit with a massive snowstorm. As we were packing up. we witnessed our drummer going into a fit of anger with the owner. The owner had now went back on his word and was offering only thirteen hundred.

In the late 80's, I was broke and joined a top 40 cover band. They offered between 5 to 6 hundred a week. to perform la-de-da 80's top 40 songs. The lead vocalist and keyboardist hired me, the bass player and drummer all in the same day, on the spot, at the audition. They played the Atlantic City Casino for 2 years. I wore a penguin suit and drove home with the sun in my face every morning. It was brought to my attention a few months down the road from band members that our 2 band leaders were gay. I really thought nothing of it in particular. I had already been in the entertainment business for 12 years at that time and understood that it was their preference. Many entertainers and musicians on the road just happened to be gay. I never entered into it. Various performers that I worked with had a preference to be gay and all of the musicians (for the most part), in those bands that were straight excepted it and kept a steady professional friendship going. After we left the casino gigs, we were booked at a rock club. Club owners were hiring DJ'S for the weekends instead of bands so money was tight. Our singer had a wide vocal range and covered many a difficult feat. The drummer, bass player and me were leaving the club that night and walking to our cars when we were approached by at least 20 guys yelling at us and saying that they were going to kick our ass because we were gay. I turned to the leader and said, we just finished our job here and we are now going home to our wives and children. He then screamed at me, But your singers are gay! I just couldn't reach this guy and so my bass player jumped in and handled the situation well. He somehow talked them out of it. I couldn't believe they wanted to harm us over such an issue. Talk about having your butt in a sling. We were lucky to get out of that mess. They had baseball bats and were ready to crack our teeth and bust our heads  I should have quit then. I was in a terrible car accident on the way to a gig and suffered from extreme head injury. I asked them to cancel for a week so that I could recover and they threatened to fire me. I sat on a stool with a bad head injury playing 80's garbage rock just to make a fast buck and pay the bills. .  .

 


You need to write a book. Shocked


Has any of these events ever made anyone here reconsider music professionally?
I spent close to 30 years on the road with every type of band conceivable to mankind and I have been in the past, pretty much an ideal candidate for psychiatric treatment because of it. Well, the life style you know? From age 7 to 18 I spent my youth in a room with my father teaching me guitar. All I did was study and had no real contact with the outside world. At 18, and going on the road was a shock to my reality but, I carried a chip on my shoulder regarding society as a whole and it was not a very healthy experience. There is a vast level of criminal activity in the music business. For 5 years I performed with bands that were in higher circles (so to speak), and the crime was very organized.. It was actually scary to sit in your Holiday Inn room and ponder over this junk. I was touring on that circuit with Hackett, Dixie Dregs, Renaissance, Ian Hunter, Happy the Man, sometimes....Nektar. I was paid one hundred dollars a night. Rooms were paid for by the corporation. They paid me 25 dollars an hour to rehearse and meals were paid for as well. We traveled on a bus and sometimes limos. Transportation was provided and all the money I made was kept in my wallet for the most part. It was a great experience because I got to work with brilliant musicians. They were usually 10 or 12 years older than me and they were my teachers on the road. Playing this circuit was totally insane. You never knew who was going to pop up in the venue or backstage. Famous comedians and musicians that I listened to when I was a kid. I learned a great deal about the music business in this hands on type situation. Doc Seversion and his band from the old Johnny Carson show were touring this circuit and a punk rock band called The A's. Eventually one day  Steve Hackett just disappeared. He just vanished off the circuit and fled to England. He was suppose to play the western United States but bailed out for some reason or other. The circuit that I was playing was known at that time as the "Has Been Circuit" or simply the "Celebrity Circuit".  As everyone knows around that particular time, prog was on it's way out and promotion was becoming less and less. I jumped onto that circuit at the very bitter end of things.

Punk was smothering prog to death. Happy the Man were breaking up and everything in that world for me, was falling apart. The business was rapidly changing. That's when I started to lose money and the worthwhile cause of playing original prog to art rock audiences seemed a difficult  task to endure. The record companies wanted to mold us into this new generation which was the 80's. All the great guitar players I knew were pissed. Why do we have to play this crap? Many of them took the studio session route instead. I basically did the same and recorded guitar parts in N.Y. recording studios. But anyway, enough of that, It was strange to see this change happening and to be in the middle of it all. Even though playing prog and making a decent living became obsolete in reality, it was simply a fun experience for me.
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Direct Link To This Post Posted: January 13 2010 at 18:18
The following happened this past Monday.
 
Me and a group of friends performed at this thing at my school, a pageant of sorts where you give out all those "high school yearbook awards". There was a good deal of lame entertainment before us, so we decided to end the show with a bang: Boston's Foreplay/Long Time, complete with a few girls on backing vocals, matching on-stage attire that made us look like Trans-Siberian Orchestra, 150 pounds of dry ice, strobe lights, lasers....the whole shebang. And I was in charge.
 
So, over the course of about 3 weeks, I assembled a hodgepodge tech crew and gave them all specific instructions as to what to do. We rehearsed to the point that we sounded fantastic, if I do say so myself. I had cleared all our plans with the school employee who would be working sound and lights, and he knew what was going on. All is good in the world.
 
 The night of the performance comes. We get onstage and set up our equipment. We try to turn on the keyboard and turn on our amps, and they do not turn on. We can't figure out for the life of us what's going on, and the audience is getting restless. Thank goodness, one of the people that was onstage after receiving an award is a real big equipment geek, and he simply pressed the reset button on our power strip. Felt like fools, we did. But we had power, so we were happy.
 
Curtain rises. The crowd is ecstatic to see a band onstage, as we predicted they would be (the name of our band was All Out Of Bubblegum, if there are any They Live fans that happen to read this LOL). However, the lights do not dim, as they were supposed to. We are startled for a second, and I'm thinking of ways I can hurt the light/sound guy, but I cue the keyboard player, and he starts the song. Badly. Now I'm not knocking this guy, he's a fantastic musician, but the thing is that I had heard him play it flawlessly a number of times. Oh well, this stuff is bound to happen at a show, as I've learned, so I let it go. Then, however, we notice that the dry ice is....less than impressive. We had bought enough to cover the stage, and then some. I couldn't figure out why the only smoke we got was an embarrassing little white puff that crept from stage right. Would have been better to have no smoke at all. Oh well. But wait a second....where's the strobe? Well, the person operating the strobe decided (probably correctly) that it was not needed, due to the auditorium being nearly fully lit and the lack of dry ice (dry ice, dark rooms, and strobe lights are peas in a pod). Ok. Fine, I tell myself, let's just make up for it with a good musical show, even if the special effects are faulty.
 
So we play Foreplay, and it goes swimmingly. We get to Long Time, the girls come out, I'm ready to go with the intro solo, everything's all good.....Oh come on, man! Angry He missed the laser cue. Then, when they were turned on, they looked....pretty bad. They were of the variety that cover the walls and ceiling of the room, you know. But the room was still pretty well lit. I guess we didn't want anyone to hurt themselves because it was dark?
 
So the music itself had its own problems. The mix was terrible (that's because the aforementioned school employee, who works the sound at all school functions, is practically deaf. Believe me, it's the source of much ironic bliss). The vocal mics were WAY too low, and none of our singers could be heard a real shame, when you consider the practice we had done to pick out the harmonies and reproduce them. My guitar was far too loud, although one could argue that a guitar is never too loud Evil Smile. The playing was pretty good, until we got to the big solo in the middle of the song, and I stunk it up. Missing strings with my pick? What am I, an 11-year-old Smoke on the Water Youtube cover-er? Thinking that the show needed some salvaging, and quick, I ended the show with a Townsend-esque leap into the air on the final downbeat in a disgustingly generic rock'n'roll move.
 
I unplugged the guitar angrily, acknowledged the surprisingly enthusiastic audience, and walked backstage, where I threw my pick to the ground in anger. The thing about my dissatisfaction with the performance is no big deal by any means, but the annoying part was....after the show, numerous people came up and congratulated us on a fantastic show. I thanked them, but all of you know it....there's nothing more annoying than being told you were great when you know that it could have been SO much better. That's me, the little perfectionist.
 
So that's my novella.
 
(Oh, and on one final side note....I completely hate that song. It's just one of those crowd-pleasing things. Next time, I'm playing what I want on an acoustic guitar, alone, with one mic. No mix to screw up, no other people to forget their assignments, no special effects to go wrong...)


Edited by Tarquin Underspoon - January 13 2010 at 18:20
"WAAAAAAOOOOOUGH!    WAAAAAAAUUUUGGHHHH!!   WAAAAAOOOO!!!"

-The Great Gig in the Sky
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Direct Link To This Post Posted: January 14 2010 at 00:43
It was 1991, my old band played a joint called the Carteret Hill Bowl. It was literally a bowling alley with a stage over the lanes. The crowd there was shockingly redneck, and they had no intentions whatsoever of listening to our brand of heavy psychedelic funk. They began flashing the lights for us to stop halfway through one song - the drummer mistook that signal for a light show and thought that they loved us, so he extended the song into a 25 minute jam. By this time the crowd was livid. We packed our stuff, and a car followed us until we reached the city limits and then turned around!
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Direct Link To This Post Posted: January 14 2010 at 09:32
Originally posted by jplanet jplanet wrote:

It was 1991, my old band played a joint called the Carteret Hill Bowl. It was literally a bowling alley with a stage over the lanes. The crowd there was shockingly redneck, and they had no intentions whatsoever of listening to our brand of heavy psychedelic funk. They began flashing the lights for us to stop halfway through one song - the drummer mistook that signal for a light show and thought that they loved us, so he extended the song into a 25 minute jam. By this time the crowd was livid. We packed our stuff, and a car followed us until we reached the city limits and then turned around!
What a great story.
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Direct Link To This Post Posted: January 14 2010 at 09:47
This is frustrating and disturbing. In the early 80's during extensive travel our manager or band leader would be in charge of hiring sound techs. We had a different one every week. During some point of a gig, a guy would stop in and slide a few hundred dollars into the sound techs pocket and say: "If you make them sound like crap, the money is yours". My drummer would somehow get wind of this and fire the soundman. This went on for about 2 months. As it turns out, this guy or whoever would proposition the soundman, were musicians from various bands that our manager booked. They were angry over the fact that our manager was dating our singer and as a result we obtained the better gigs, while they performed in rat holes.
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Direct Link To This Post Posted: February 04 2010 at 19:53
The worst I have ever been to was Chuck Berry at the Edinburgh Playhouse a few years ago. After coming on stage about 30 minutes late. He stumbled his way through a number of hits lasting a total of 60 minutes Dead. Throughout this hour his guitar tone was TERRIBLE, he forgot the words to two of his songs and started to play the same song twice. While all this was happening his band were watching him intensely for any signals to him flaking out as they were local hired guns.

After all this came his last song of the set "Roll Over Beethoven" where he then asked a number of people to get up on stage and dance. The number of people grew as the song went on and out the corner of my eye I could see a rather drunken looking man dancing at the front of the stage. On the very last chord of the night this man lept of the stage(one of the best stage dives I have seen) and landed right on top of a row of elderly woman. This was a fully seated theatre... He was then dragged out by security with his hand up his back.

Legendary.
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