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paganinio View Drop Down
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Direct Link To This Post Topic: How progressive was Mozart and why?
    Posted: August 15 2009 at 03:22
Educate me please. IMO the majority of Mozart's music (that I heard) is:
1. boring,
2. too tender,
3. causing me to fall asleep,
4. conservative (not sure about this one, but why else would it sound so boring and tender?)
5. old-fashioned (I can't help but feel this. The fact that Bach was much more exciting than Mozart should tell us something, right?).
 
6. too peaceful, I mean, where's the CONFLICT??
Beethoven is to Beatles what Mozart is to Elvis or some swing pop/R&B singer. (very roughly)
 
7. too soft. If Beethoven were Hard Rock, Mozart would be Soft Rock. You don't see many soft rock fans on this forums do you? However Mozart manages to get away with writing soft music.


Edited by paganinio - August 15 2009 at 03:30
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Direct Link To This Post Posted: August 15 2009 at 05:28
Originally posted by paganinio paganinio wrote:

Educate me please. IMO the majority of Mozart's music (that I heard) is:
1. boring,
2. too tender,
3. causing me to fall asleep,
4. conservative (not sure about this one, but why else would it sound so boring and tender?)
5. old-fashioned (I can't help but feel this. The fact that Bach was much more exciting than Mozart should tell us something, right?).
 
6. too peaceful, I mean, where's the CONFLICT??
Beethoven is to Beatles what Mozart is to Elvis or some swing pop/R&B singer. (very roughly)
 
7. too soft. If Beethoven were Hard Rock, Mozart would be Soft Rock. You don't see many soft rock fans on this forums do you? However Mozart manages to get away with writing soft music.

you have to see every musician in his time. if you think Mozart was tender you have not heard much of him; a lot of his works were very progressive for the time, like his Dissonanzenquartett, which for modern ears does not appear to be dissonant at all, but for the time it was written in was extremely dissonant.
and have you ever heard "Don Giovanni"? in my honest opinion the most complete opera ever; every aspect of human life is in it. what's more, Mozart makes fun of all people with his music, and his librettist Lorenzo da Ponte is a congenial partner.
here links to YouTube videos of the Dissonanzenquartett, with the Alban berg quartet playing it:

1st movement: http://tinyurl.com/opsrz9
2nd movement: http://tinyurl.com/phdhfc
3rd movement: http://tinyurl.com/png48n
4th movement: http:// tinyurl.com/p9vb5z

but Mozart was also very progressive in the form of his music; he expanded the concept of symphony which Haydn had created, especially in his later symphonies. he explored chromatic harmony to a degree which was very rare at his time, and many of his piano concerts were very innovative too. just listen to his piano conceerto no. 24, which is quite dark.

1st movement (part 1): http://www.youtube.com/watch?v=hiA4R7RjiqQ
1st movement (part 2): http://www.youtube.com/watch?v=TTCyi1k37QM
2nd movement: http://www.youtube.com/watch?v=rSAW_HeW5Bs
3rd movement: http://www.youtube.com/watch?v=bJ3W363-56E

certainly even a person who is unfamiliar with classical music can hear how dark this concerto is.

his symphony in g-minor (KV 550) is very dark too.

1st movement: http://tinyurl.com/pxbwr4
2nd movement: http://tinyurl.com/q63bwl
3rd movement: http://tinyurl.com/qov7bw
4th movement: http://tinyurl.com/r4svfq

I know there are some people who mistake the first movement for hapopy music; they should listen again. this is dark stuff. the beginning of the symphony is very progressive; it starts with the accompaniment and not with the first theme, which was highly unusual at that time. just one example of Mozart's progressiveness.

the problem with Mozart is: although there are a lot of rough edges in his music, there has been a tendency to soften them, especially by the Wiener Philharmoniker. although they are a very famous orchestra, don't listen to them when they play Mozart; they sweeten him to no end. they have a kind of "Unser süßer Wolferl" ("Our sweet Wollferl") mentality which ruins their renditions





Edited by BaldJean - August 15 2009 at 08:47


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Direct Link To This Post Posted: August 15 2009 at 07:50
You can't be expecting some of the things found in progressive rock. His music does have movements, complexity, and a variety of moods, but it doesn't have any of the rock elements you're expecting. I personally don't love Mozart, but, while compositions remain similar between classical and prog, they still aren't the SAME.

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Direct Link To This Post Posted: August 15 2009 at 08:36
Originally posted by paganinio paganinio wrote:

However Mozart manages to get away with writing soft music.

Yeah, that should never be permitted.  Soft music is so awful and boring. Tongue

I noticed you didn't use the term bland.  I'm not a huge fan of Wolfgang, but I'd have to take serious issue with that if you did.

Have you ever been hit in the head with a soft rock? LOL

That just brought back a memory of a family visit to Disneyworld many many years ago.  I remember a gift shop where the had these fake chunks of granite that were actually made of foam.  I didn't get one, but I did get a werewolf mask, or maybe that was at the Ripley's believe it or not museum, but I do digress...


Edited by Slartibartfast - August 22 2009 at 00:37
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Direct Link To This Post Posted: August 21 2009 at 18:03
maybe your first impression wasnt good. lots of music doesnt click with me first time around. give it at least a 2nd or 3rd chance

you seem like you'd enjoy 20th century classical anyway (Stravinsky, Varese, Holst, Zappa, Debussy, etc...)
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Direct Link To This Post Posted: August 21 2009 at 20:14
It is not unreasonable to think of Mozart as a pop musician
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Direct Link To This Post Posted: August 21 2009 at 20:15
Originally posted by darkshade darkshade wrote:

maybe your first impression wasnt good. lots of music doesnt click with me first time around. give it at least a 2nd or 3rd chance

you seem like you'd enjoy 20th century classical anyway (Stravinsky, Varese, Holst, Zappa, Debussy, etc...)


yes, and Bartok, Schoenberg, Honegger, etc.


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Direct Link To This Post Posted: August 21 2009 at 20:59
Why would Beethoven be hard rock? Hard rock is terrible.
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Direct Link To This Post Posted: August 22 2009 at 00:37
Mozart was this progressive.  As to why he chose to be so?  Well, that's anyone's guess.

Up next, my theory about the brontosaurus and what it is too.


Edited by Slartibartfast - August 22 2009 at 00:38
Released date are often when it it impacted you but recorded dates are when it really happened...

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Direct Link To This Post Posted: August 22 2009 at 02:13
1. boring,    certainly not, have you heard "Eine Kleine Nacht Musik" - FIREWORKS!
 
2. too tender, I guess what you mean, though listen to Symphony 40/41,
 
3. causing me to fall asleep, some of his music is very soothing and relaxing, and yes one may fall asleep..
 
4. conservative (not sure about this one, but why else would it sound so boring and tender?)  Mozart was progressive in his time though within the constraints of the conservatism of his sponsors
 
5. old-fashioned (I can't help but feel this. The fact that Bach was much more exciting than Mozart should tell us something, right?).  very old fashioned music? it was written in the 18th century, very old fashioned! Mozart had to earn a living and write what his clients wanted.
 
6. too peaceful, I mean, where's the CONFLICT??  Music in the 18thC was not meant to be conflicting, it was written for worship, dancing or background music at functions.
Beethoven is to Beatles what Mozart is to Elvis or some swing pop/R&B singer. (very roughly)
 
7. too soft. If Beethoven were Hard Rock, Mozart would be Soft Rock. You don't see many soft rock fans on this forums do you? However Mozart manages to get away with writing soft music.
this sort of style by Beethoven and Tchaikovsky came much later when composers were competing to fill concert halls and had something to say politically, the Napoleonic wars influenced many of their compositions like "Eroica" , "Nelson Mass" , "Wellington's Victory" and "1812 Overture".
 
 


Edited by mystic fred - August 22 2009 at 02:14
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Direct Link To This Post Posted: August 22 2009 at 02:26
Originally posted by Atavachron Atavachron wrote:

It is not unreasonable to think of Mozart as a pop musician

Mozart was the first composer who decided to work free-lance; all other composers wrote their compositions because some noblemen had ordered them. Mozart was the first to try making a living by composing first and then trying to find someone who was interested in it. that does not mean he did not write compositions for which he had a request, but he was the first who broke the boundaries. that alone makes him very progressive.
anyone who thinks Mozart was soft should listen to the sound examples I gave. just listening to "Don Giovanni" alone should blow that opinion to pieces.
for those who are not familiar withn the opera: at the beginning of the second act Don Giovanni invited the statue of the commendatore (whom he killed at the beginning of the opera) to join him for dinner, and the statue now appears.
there are several clips of that scene on YouTube; it is interesting to compare them; in one version you don't even see the handshake. take your pick:
http://www.youtube.com/watch?v=IptAkeiLzwU
http://www.youtube.com/watch?v=dK1_vm0FMAU&feature=related
http://www.youtube.com/watch?v=Ue72gvJvpi8&feature=related
http://www.youtube.com/watch?v=jATcM8X29zc&feature=related
http://www.youtube.com/watch?v=2Hf9z0qoE50&feature=related
http://www.youtube.com/watch?v=PH4gJWCV-8U&feature=related
http://www.youtube.com/watch?v=JStPRk62QdI&feature=related
http://www.youtube.com/watch?v=KCgAueYwpqs&NR=1
http://www.youtube.com/watch?v=_lf-lu0yfBU&feature=related
if this is soft to you your ears need a cleansing


Edited by BaldJean - August 22 2009 at 05:50


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Direct Link To This Post Posted: August 22 2009 at 02:49
Originally posted by BaldJean BaldJean wrote:

Originally posted by Atavachron Atavachron wrote:

It is not unreasonable to think of Mozart as a pop musician

Mozart was the first composer who decided to work free-lance; all other composers wrote their compositions because some noblemen had ordered them. Mozart was the first to try making a living by composing first and then trying to find someone who was interested in it. that does not mean he did not write compositions for which he had a request, but he was the first who broke the boundaries. that alone makes him very progressive.
anyone who thinks Mozart was soft should listen to the sound examples I gave. just listening to "Don Giovanni" alone should blow that opinion to pieces.
for those who are not familiar withn the opera: at the beginning of the second act Don Giovanni invited the statue of the commendatore (whom he killed at the beginning of the opera) to join him for dinner, and the statue now appears.
there are several clips of that scene on YouTube; it is interesting to compare them; in one version you don't even see the handshake. take your pick:
http://www.youtube.com/watch?v=IptAkeiLzwU
http://www.youtube.com/watch?v=dK1_vm0FMAU&feature=related
http://www.youtube.com/watch?v=Ue72gvJvpi8&feature=related
http://www.youtube.com/watch?v=jATcM8X29zc&feature=related
http://www.youtube.com/watch?v=2Hf9z0qoE50&feature=related
http://www.youtube.com/watch?v=PH4gJWCV-8U&feature=related
http://www.youtube.com/watch?v=JStPRk62QdI&feature=related
if this is soft to you your ears need a cleansing


it is not unreasonable to think of Mozart as a pop musician



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Direct Link To This Post Posted: August 22 2009 at 03:12
Originally posted by Atavachron Atavachron wrote:

Originally posted by BaldJean BaldJean wrote:

Originally posted by Atavachron Atavachron wrote:

It is not unreasonable to think of Mozart as a pop musician

Mozart was the first composer who decided to work free-lance; all other composers wrote their compositions because some noblemen had ordered them. Mozart was the first to try making a living by composing first and then trying to find someone who was interested in it. that does not mean he did not write compositions for which he had a request, but he was the first who broke the boundaries. that alone makes him very progressive.
anyone who thinks Mozart was soft should listen to the sound examples I gave. just listening to "Don Giovanni" alone should blow that opinion to pieces.
for those who are not familiar withn the opera: at the beginning of the second act Don Giovanni invited the statue of the commendatore (whom he killed at the beginning of the opera) to join him for dinner, and the statue now appears.
there are several clips of that scene on YouTube; it is interesting to compare them; in one version you don't even see the handshake. take your pick:
http://www.youtube.com/watch?v=IptAkeiLzwU
http://www.youtube.com/watch?v=dK1_vm0FMAU&feature=related
http://www.youtube.com/watch?v=Ue72gvJvpi8&feature=related
http://www.youtube.com/watch?v=jATcM8X29zc&feature=related
http://www.youtube.com/watch?v=2Hf9z0qoE50&feature=related
http://www.youtube.com/watch?v=PH4gJWCV-8U&feature=related
http://www.youtube.com/watch?v=JStPRk62QdI&feature=related
if this is soft to you your ears need a cleansing


it is not unreasonable to think of Mozart as a pop musician

it depends on what you mean when you say "pop". those who are familiar with his biography are well aware that he lost popularity towards the end of his short life, simply because he went his own way. for modern ears it is not easy to hear, but the common opinion about him at his time was that his compositions became increasingly bizarre, and he lost a lot of the popularity he once had. he died as a pauper, at the age of 36. we will never know what could have become of him had he lived longer.
since Schönberg is one of your favorite composers you should be well aware that he much admired the old masters, and he made different arrangements for several compositions of Mozart which he then played with his "Verein für musikalische Privataufführungen"


Edited by BaldJean - August 22 2009 at 05:40


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Direct Link To This Post Posted: August 22 2009 at 04:38
"Requiem" is pretty dark, I hear Crimson influences here and there, but very little in his music reminds me of Gabriel-era Genesis and nothing of Dream Theater, so I don't know how progressive Mozart is. Wink
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Direct Link To This Post Posted: December 22 2009 at 19:20
Mozart was very progressive for his time - he was also a drug addict and and alcoholic - could be why his music leaned toward the calming side - I remember those days - It was called head music. 
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Direct Link To This Post Posted: December 28 2009 at 12:58
could you guys please say innovative or creative instead of progressive?
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Direct Link To This Post Posted: January 05 2010 at 15:59
Originally posted by DJPuffyLemon DJPuffyLemon wrote:

could you guys please say innovative or creative instead of progressive?
 
Aren't innovative, creative, and progressive essentially the same thing?
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Direct Link To This Post Posted: January 07 2010 at 20:36
I don't think Mozart was all that different from his contemporaries. In fact they weren't progressive (innovative, creative...) as they returned to earlier classicism, ignoring much of the innovation and depth of for instance Bach. Some of that man's stuff even sounds chromatic (I didn't check, it just sounds more daring)

That being said Mozart is awesome (judgement based on his symphonies and piano concertos)
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Direct Link To This Post Posted: January 08 2010 at 05:53
It's true that (JS) Bach was overlooked by later generations, who felt that his music sounded "outdated" - but Mozart was an exception. He studied the master's work in-depth, and was a keen student of all things Baroque. He completely reworked Handel's "Acis and Galatea", for example.
 
He did not so much write in the style of his times, as use as much as he needed to maintain support for his own music whilst pushing his own boundaries. He complained to his wife that his pay was "too much for what I do, too little for what I could do".
 
The evidence for Mozart's harmony writing becoming more and more adventurous as he developed is clear in the surviving scores. I don't see why this shouldn't be regarded as progressing, because the quality of writing in his later works (Clarinet Concerto, Symphony 40, Requiem, Don Giovanni, Magic Flute et al) is as breathtaking as some of Bach's greatest work.
 
For truly adventurous harmony (and musical humour, if you know where to look!), revisit "Ein Musikalischer Spass", KV 522, which contains all kinds of dissonant harmonies and virtually avante-garde writing styles. This very popular work often gets overlooked by "serious" music students, simply because the main themes are so simple. This fact in itself is one of the "jokes", however, and puts much of his more "serious" work into perspective.
 
Mozart had complete mastery of contrapuntal writing styles - and the talent to adapt it to suit the music he was paid to write - but ultimately had to hide most of his prodigious talent beneath superficially appealing music, because that is what his patrons demanded. On the surface, therefore, his music can often sound "twee". Let's not forget that he was a significant influence on both Beethoven and Haydn - the upcoming and the previous musical generations!
 
As has been pointed out, he died a pauper - his lifestyle outstripping his rather modest income on an all-too-frequent basis, despite late successes he appeared to have in gaining independent patronage.
 
This latter act alone is remarkably progressive for a musician of that time.
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Direct Link To This Post Posted: January 09 2010 at 06:24
^ Great we actually have people here who really know their stuff, I'm just a goof going by my what my ears and my heart tell me. Smile
Interesting reading, thanks.
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