Epignosis Debut Album Available |
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Petrovsk Mizinski
Prog Reviewer Joined: December 24 2007 Location: Ukraine Status: Offline Points: 25210 |
Posted: April 02 2009 at 10:22 | ||||
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Petrovsk Mizinski
Prog Reviewer Joined: December 24 2007 Location: Ukraine Status: Offline Points: 25210 |
Posted: April 02 2009 at 11:14 | ||||
Well indeed, composition is always the first and foremost.
If it ain't good music of course people wont listen and I'm no exception. But there is a difference to me at least, between a production with grit that can add feeling to the overall thing(as a fan of stoner/sludge metal, believe me I like some grit in my sound if the genre calls for it) and a production that leaves the impression of an amateurish production which you don't want to do. As much as I hate to say it, you're album falls into the latter category. If I were to review your album, the production job itself would be enough for me to rate it a star lower than it otherwise could have been if the production were tighter. Some of the levels in the mix made me cringe at times. Sure, lead guitar parts can be boosted a bit in the mix, but some of the lead stuff was just overwhelming the rest of the tracks in the mix. And given this album isn't meant to be a guitar solo orientated thing, I'm sure that's not what you would be aiming for. Do you do much EQ-ing on the guitar tracks after you record them? Post EQ is important, but with Line 6 PODs, post EQ is absolutely necessary. The high end isn't too fizzy as I can hear (high end fizz is a common problem in PODs), so I imagine you did some post EQ-ing. Backing off the mids in Post-EQ may have helped the lead guitars to sit in the mix better. You may be happy with the tone though, so at least, back off the volume on the lead guitar track a tadto help them sit a bit tighter in the mix I think had you spent 2-4 weeks on internet forums, posting clips and asking for opinions, it would have made a drastic difference. Still not professional (I mean, hey, I'm so sound engineer either and couldn't afford to pay one) but it would have sounded that bit closer to a good production. Parts that seem they should be more subtle having too much power and parts that are meant to be more powerful come across as weaker, due to the weak mix and mastering job. When a production has the ability to add power or subtlety to something and isn't done correctly, it really robs the music of some dynamics. And this is where people are wrong when they say that production can't affect how good the music is. That really is just plain wrong. Think about it folks.........dynamics is one of the fundamental elements of music. I, and so many other musicians (and I'd imagine sound engineers) dimiss anyone that tells me that the production can't affect the end result, but it does. Show people 2 differnet mixes/mastering jobs, of the same song. Show them the first one, which is poorly done and overblows subtle bits out of proportion and makes the powerful bits underwhelming. Add to this, the mix of tracks is bad, so instruments are not fitting into the mix well and things sound pretty washed out. They'll like it if the compositions are good, sure. Then show them a mix that allows the music to come to life with better dynamics and none of that washed out sound. Instantly, they will start having more positive reactions to the music, not purely because of the mixing/mastering, but because now the music has become more powerful and forceful with the added dynamics, which is an element of music. People are hearing the music and not the production per se, but as a direct and indirect result of better production, the music itself sounds better. Sorry if that didn't come across as totally clear (my lack of English skills coming into play......don't be hard on me forumites, I dropped out of high school, haha), but you get what I mean now? As for grit, I think that certain styles of music need gritty production. I'm talking about sludge metal, stoner metal and stuff like that, reallly 'dirty and down' kinda music. Your music doesn't strike me as music that benefits from grit, it's very 'clean' music and an appropriate production would be well suited to that I think. I will put this serious suggestion forward: Give yourself a month, post up clips on various sites, even just the PA Musicians Exchange section if the idea of signing up to other sites ain't your thing (but ideally you want to be going to sites with forum boards dedicated to musicians, as I do regularly) , of clips of your stuff and ask how it can be improved production wise. After that month, offer people a remixed and remastered versions of the album that has resulted from the opinions of the brains of knowledgeable forum board members . You'll be surprised beyond what you can imagine how much positive reaction you get. People are gonna start commenting on how now it breathes better and it's more alive. And even if they don't understand the process behind mixing and mastering, that wont matter, because the music will improve overall because I feel it will put the dynamics back in the mix that your current production job is robbing. Listen to those old production jobs versus the newer ones and it will blow your mind, not just everyone else's. Despite it not being the kind of music I'm into these days, your album has a lot of potential. You're a good song writer, a great guitarist who really knows how to play and your compositions are very nice and fairly detailed. The production robs of it more potential than you realize. Edited by Petrovsk Mizinski - April 02 2009 at 11:17 |
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Epignosis
Special Collaborator Honorary Collaborator Joined: December 30 2007 Location: Raeford, NC Status: Offline Points: 32524 |
Posted: April 02 2009 at 11:36 | ||||
I appreciate your thoughtful response.
I think I concede the recommendation that someone else do the mixing and mastering because I've heard my stuff so much in the course of recording it (I'm about sick of it, really ) that it sounds "right" to me. Even if I fully understood the ins and outs of audio production, I would still rather someone else do the job. Which costs around $500 really (based on estimates I obtained from last year). Perhaps I'll have the money for that for the next project, but as it is, I'm personally happy with what I did. Honest. I know many others are also, and I also know I can't please everyone. That's one of the reasons I made sure to post fairly lengthy samples so that people can get a good picture of the overall sound and judge it for themselves. To be honest with you, though, I don't know too many people that are as mindful of production. I know I'm not one of them (Vapor Trails is my favorite Rush album, for example- and its production is horrible). But thanks for the tips. I'll probably copy and paste what you said so I can reference it, if that's okay. Edited by Epignosis - April 02 2009 at 11:38 |
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Petrovsk Mizinski
Prog Reviewer Joined: December 24 2007 Location: Ukraine Status: Offline Points: 25210 |
Posted: April 02 2009 at 19:09 | ||||
Sure man, no problems.
BTW, what brand of studio monitors were you using out of interest? |
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Epignosis
Special Collaborator Honorary Collaborator Joined: December 30 2007 Location: Raeford, NC Status: Offline Points: 32524 |
Posted: April 02 2009 at 19:14 | ||||
Cheap. Got em at Wal-Mart I think. By the way, I listened to my music again today in the car, and honestly, I like how it sounds. I really do. |
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Dean
Special Collaborator Retired Admin and Amateur Layabout Joined: May 13 2007 Location: Europe Status: Offline Points: 37575 |
Posted: April 02 2009 at 19:42 | ||||
It has to sound good in the real-world - in the car, through iPlod ear-buds and on the cheapest, crappiest hi-fi money can buy and not just through professional headphones or studio monitors. One of the major studios in the 60s use to have a little 4" mono speaker as one of their studio monitors so they could hear what the track would sound like played through a typical transistor radio.
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What?
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JLocke
Prog Reviewer Joined: November 18 2007 Status: Offline Points: 4900 |
Posted: April 06 2009 at 11:01 | ||||
Any news about Epignosis' inclusion?
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JLocke
Prog Reviewer Joined: November 18 2007 Status: Offline Points: 4900 |
Posted: April 06 2009 at 11:01 | ||||
Good! I'm not the only one who listens to his own music! I thought I was super vain, or something,
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Epignosis
Special Collaborator Honorary Collaborator Joined: December 30 2007 Location: Raeford, NC Status: Offline Points: 32524 |
Posted: April 06 2009 at 11:12 | ||||
Not vain. I could care less if I ever heard that album again. I listened to it again to consider Harry's criticisms. After thousands of listens (in part or in full), I can say I'm burned out on hearing my first album. |
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Dean
Special Collaborator Retired Admin and Amateur Layabout Joined: May 13 2007 Location: Europe Status: Offline Points: 37575 |
Posted: April 06 2009 at 11:13 | ||||
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What?
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JLocke
Prog Reviewer Joined: November 18 2007 Status: Offline Points: 4900 |
Posted: April 06 2009 at 11:15 | ||||
It's worse for me, man. Trust me. I only have one full song recorded at this point, and after listening to it multiple times trying to hear anomylies and/or mistakes, I am about to go insane. If I hear that crappy, squeely guitar solo again . . . !
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Epignosis
Special Collaborator Honorary Collaborator Joined: December 30 2007 Location: Raeford, NC Status: Offline Points: 32524 |
Posted: April 06 2009 at 11:19 | ||||
See, that's what I was talking about in an earlier post. Sometimes those "anomalies" are treasures, and those "mistakes" are right as rain. Most of my favorite bits of my work happened quite by accident, and I believe over-analyzing everything would ruin any hope of my music having a more "organic" sound. |
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Epignosis
Special Collaborator Honorary Collaborator Joined: December 30 2007 Location: Raeford, NC Status: Offline Points: 32524 |
Posted: April 06 2009 at 11:21 | ||||
#5, huh? Somebody's a fanboy! |
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Dean
Special Collaborator Retired Admin and Amateur Layabout Joined: May 13 2007 Location: Europe Status: Offline Points: 37575 |
Posted: April 06 2009 at 11:24 | ||||
Almost - I've recorded over 250 tracks - so even I can't listen to half my stuff |
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Padraic
Special Collaborator Honorary Collaborator Joined: February 16 2006 Location: Pennsylvania Status: Offline Points: 31169 |
Posted: April 06 2009 at 11:51 | ||||
Your musical compatibility with darqdean is
Music you have in common includes Gong, Mahavishnu Orchestra, Opeth, Rush and Porcupine Tree. |
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Epignosis
Special Collaborator Honorary Collaborator Joined: December 30 2007 Location: Raeford, NC Status: Offline Points: 32524 |
Posted: July 10 2009 at 16:04 | ||||
Yay- I'm in the celebrated halls of my beloved favorite website.
I just wanted to point out that there's a free streaming mp3 here available for anyone to listen to it ("No Shadow of Turning," the longest song on the album), so if you haven't heard me and you are curious, please, go and hear: http://www.progarchives.com/artist.asp?id=4642 Again, here is the link to purchase and download the album: http://www.mymusicsite.com/MediaDetails/AlbumMediaList.aspx?albumid=2926 Thank you everyone for your support. |
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Negoba
Prog Reviewer Joined: July 24 2008 Location: Big Muddy Status: Offline Points: 5208 |
Posted: July 10 2009 at 16:30 | ||||
Studio Monitors are absolutely not the kind of speakers you want to listen to music to for pleasure....they're so you can mix something and have it work on a home stereo, in the car, etc. There are so many times I've mixed something to where it sounds great in the headphones and take it to the car and it sounds like blech. Especially if you use stereo field alot.
Congrats on inclusion Mr. Epignosis. The sampled track certainly shows a degree of mastery of symphonic prog sound that's beyond my songwriting ability. I've been meaning to get the whole album, and I'll lend a review once i've given the time the music deserves.
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You are quite a fine person, and I am very fond of you. But you are only quite a little fellow, in a wide world, after all.
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J-Man
Prog Reviewer Joined: August 07 2008 Location: Philadelphia,PA Status: Offline Points: 7826 |
Posted: July 10 2009 at 16:45 | ||||
Alright Robert- I loved the samples. I'm going to download the album soon.
btw, I see you now have an artist page on PA. Once I download it I'll write a review (you should write one too). |
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Check out my YouTube channel! http://www.youtube.com/user/demiseoftime |
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JLocke
Prog Reviewer Joined: November 18 2007 Status: Offline Points: 4900 |
Posted: July 10 2009 at 22:17 | ||||
Yeah, the album is great. I'm glad Robert finally got included. It was looooooong overdue.
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J-Man
Prog Reviewer Joined: August 07 2008 Location: Philadelphia,PA Status: Offline Points: 7826 |
Posted: August 17 2009 at 10:21 | ||||
Robert,
I got your album last night, and WOW! I am blown away! I listened to it twice last night, and twice this morning. My favorite song is probably An Everlasting Kingdom or No Shadow Turning, but the whole album is really good! It's definitely getting a 4 or 5 star review from me. Great job! -Jeff |
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Check out my YouTube channel! http://www.youtube.com/user/demiseoftime |
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