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BaldJean View Drop Down
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Direct Link To This Post Posted: August 08 2009 at 12:14
Originally posted by chopper chopper wrote:

When did The Stranglers ever sound like Yes and Genesis?

many many times. but I have given up fighting for the Stranglers. most people in here confuse image with music when it comes to the Stranglers. anyone who listens to them with an open mind should realize how very progressive they are. I once made a checklist of the criteria which are being used to decide whether a band is prog or not, and the Stranglers scored on all but 3 or 4 of these criteria, which is an excellent result. there are many bands in the archives whose score is a lot lower.
the rejection of the Stranglers are the reason why I asked for having my status of prog reviewer removed. if I am so fundamentally wrong about them I can not be trusted with this status. of course I do believe that I am right, but the majority was against me


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Direct Link To This Post Posted: August 08 2009 at 13:01
Hell, it seems Stranglers justify their name.
First they 'strangled' Erik, now Jean.

I think it's childish and absolutely not a reason to leave PA (like Erik did) or to refuse to be a reviewer.  
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Direct Link To This Post Posted: August 08 2009 at 13:15
I can remember walking into a record shop with a friend, both of us prog fans,and hearing the newly released Stranglers debut,'Rattus Norvegicus'.Both of us were blown away by the album.I purchased it immediately.My first 'Punk' purchase.

When I told the 'real punks' at school,they laughed at me saying that was typical of a prog fan.The Stranglers weren't punk just prog dressed up as punk and they (The Stranglers) had keyboards and that was not punk and neither were XTC,so there! Ah,from the mouths of babes...er,sorry,punks.

Now,did I ever tell you that I saw The Stranglers at the infamous Battersea Park gig when Peter Gabriel supported them?...No.Well make yourself comfortable and I will tell you....Picture goes hazy...

Edited by Man Erg - August 08 2009 at 13:19

Do 'The Stanley' otherwise I'll thrash you with some rhubarb.
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Direct Link To This Post Posted: August 08 2009 at 13:19
I don't know how many times I have to say that image had nothing to do with the rejection of The Stranglers for Crossover - I'm really not that shallow as to not to be able to see past the image to the musical endeavour beneath. I have said that I never considered them to be Punk, their musical styles covered many genres and in the main they were Art Rock, but not Progressive Art Rock, in much the same way as a number of Post-Punk bands from that era, such as Talking Heads, Television, XTC and Ultravox! could also be called Art Rock.
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Direct Link To This Post Posted: August 08 2009 at 13:27
Exactly,Dean.

I was never drawn to the 'real punk' bands. Funnily enough after the initial swathes of bands,and there weren't many,the bands that got to make at least a second album started to make more,for want of a better word,intricate records.John Lydon formed P.I.L. who were massively influenced by bands like Faust,Can and dub.The Clash started to release double and triple albums and the bands that formed under the influence of The Clash and The Pistols formed the New Wave/Indie brigade.   

Do 'The Stanley' otherwise I'll thrash you with some rhubarb.
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Direct Link To This Post Posted: August 08 2009 at 13:42
Exactly  - not all Punk bands could draw their influence solely from The Stooges and The MC5s - they were not living in a musical bubble. John Foxx's Ultravox! were heavily influenced by Roxy Music and Krautrock (they used the ! in tribute to Neu!), the Banshees were influenced by The Beatles, John Cale and The Velvet Underground. Much of the new-wave was influenced by Art House cinema and the Berlin School of electronic music. The Stranglers came out of the Pub Rock scene, which was like a car crash between R&B and Psyche Rock, with extended jams over a 12-bar blues foundation (Brinsley Schwarz etc.) - it ran parallel with Prog, and at times perpendicular to it, but essentially it was a reaction to it.
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Direct Link To This Post Posted: August 08 2009 at 18:02
Originally posted by NotAProghead NotAProghead wrote:

Hell, it seems Stranglers justify their name.
First they 'strangled' Erik, now Jean.

I think it's childish and absolutely not a reason to leave PA (like Erik did) or to refuse to be a reviewer.  

just to make it clear: I did not resign because I was peeved (though I don't deny I was); that would have been childish indeed. no, I resigned out of a sense of responsibility. the  Stranglers are in my opinion not a borderline case or merely prog-related, they are full-fledged prog and always have been to my ears. it is therefore obvious that my opinion of what "prog" means is totally different from the majority of the viewers of this forum. a prog reviewer, on the other hand, should be of the same opinion what prog really is as this majority; it is this criterion which makes him or her fit for the post. since I did not fit that criterion, it was an act of responsibility to resign from that post. that was the reason I resigned, not because I was peeved


Edited by BaldJean - August 09 2009 at 05:10


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Direct Link To This Post Posted: August 09 2009 at 07:58
Originally posted by BaldJean BaldJean wrote:

a prog reviewer, on the other hand, should be of the same opinion what prog really is as this majority


There is absolutely no need for this to be the case.
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Direct Link To This Post Posted: August 09 2009 at 08:14
Originally posted by Padraic Padraic wrote:

Originally posted by BaldJean BaldJean wrote:

a prog reviewer, on the other hand, should be of the same opinion what prog really is as this majority


There is absolutely no need for this to be the case.


Seconded. You get promoted for what you write. What you write is up to you.
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Direct Link To This Post Posted: August 09 2009 at 08:24
Originally posted by Ricochet Ricochet wrote:

Originally posted by Padraic Padraic wrote:

Originally posted by BaldJean BaldJean wrote:

a prog reviewer, on the other hand, should be of the same opinion what prog really is as this majority


There is absolutely no need for this to be the case.


Seconded. You get promoted for what you write. What you write is up to you.

ah yes, but our ideas about what prog really is should be more or less the same. you don't make a vegetarian chairman of the association of cattle breeders


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Direct Link To This Post Posted: August 09 2009 at 09:51
Originally posted by BaldJean BaldJean wrote:

Originally posted by Ricochet Ricochet wrote:

Originally posted by Padraic Padraic wrote:

Originally posted by BaldJean BaldJean wrote:

a prog reviewer, on the other hand, should be of the same opinion what prog really is as this majority


There is absolutely no need for this to be the case.


Seconded. You get promoted for what you write. What you write is up to you.

ah yes, but our ideas about what prog really is should be more or less the same. you don't make a vegetarian chairman of the association of cattle breeders


"more or less", viz., not identical.  I'm sure if we sat down and went over thousands of "prog" bands our agreement would exceed 99%.  But what's done is done; your quality of reviews earned you the PR tag, and I would wager almost everyone was sad to see you resign it.

I myself want people like you as collabs - I want that disagreement and diversity of opinion.  Everyone benefits from it.


Edited by Padraic - August 09 2009 at 09:52
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Direct Link To This Post Posted: August 09 2009 at 10:11
Originally posted by BaldJean BaldJean wrote:

a prog reviewer, on the other hand, should be of the same opinion what prog really is as this majority; it is this criterion which makes him or her fit for the post. since I did not fit that criterion, it was an act of responsibility to resign from that post. that was the reason I resigned, not because I was peeved

When I read someone's review the last thing I think about is how his/her point of view is similar to what the majority thinks. Individual thoughts are much more important.

IMHO it's not too late to change your mind, Jean. I don't think the site wins of your resigning. 


Edited by NotAProghead - August 09 2009 at 10:12
Who are you and who am I to say we know the reason why... (D. Gilmour)
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Direct Link To This Post Posted: August 09 2009 at 10:20
Jean, I know very little about this band and thus have no opinion on that.  But I have seen enough of your posts to know that you are an intelligent music fan who makes a positive contribution to the site.  There is a wide divergence of opinion on this site to just about any question you pose....and if we all resigned when we felt we were going against the grain, there would be nobody left here!

I hope very much you will reconsider and have Admin plug you back in.  You are an asset to the community. 
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Direct Link To This Post Posted: August 09 2009 at 10:47
The Stranglers were never "progressive rock" band in the classic meaning of that word, simply because they were always classified as "punk rock". A highly eclectic and sophisticated style of punk ("intellectual punk" as some critics used to label them), but still - punk.

Now, if you ask me whether the Stranglers in fact were truly more "progressive" in terms of forward-looking, breaking barriers, experimental or artistic leanings in their music than for instance Yes, ELP or Genesis during the same period (1977-78), I would definitely say - YES!

As for the influences, keyboardist Dave Greenfield was himself under influence of Yes and the Doors, and some of key prog personalities (Fripp, Hammill) were their fans and supporters, even participated at some live gigs together with the Stranglers....


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Direct Link To This Post Posted: August 09 2009 at 11:01
Originally posted by BaldJean BaldJean wrote:

Originally posted by Ricochet Ricochet wrote:

Originally posted by Padraic Padraic wrote:

Originally posted by BaldJean BaldJean wrote:

a prog reviewer, on the other hand, should be of the same opinion what prog really is as this majority


There is absolutely no need for this to be the case.


Seconded. You get promoted for what you write. What you write is up to you.

ah yes, but our ideas about what prog really is should be more or less the same. you don't make a vegetarian chairman of the association of cattle breeders

I would also like Jean to come back as a valued member of PR/SC community. Her reviews were always among the best on the site and would be petty not to have her as a "core" member here. 

Regarding "prog", not all of us share the same understanding of what qualifies as such, but these definitions will always be fluid (as always were), so I think a healthy dose of "disagreement" is very proggy... Wink
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Direct Link To This Post Posted: August 10 2009 at 07:56

Sorry, but that decision of yours is just plain ridiculous.

 

OK, The Stranglers suggestion was shot down. Big deal. So were my suggestions of XTC (their early style is quite similar to The Stranglers, I find) and Tori Amos, but I survived although it hurt so very very much, it was touch and go for a while. Sorry, but is this an exaggerated hissy-fit?

 
There are so many artists on here that I have difficulty with from a prog point of view, that if a suggestion actually is rejected, it usually means that its connection to this musical style would be so stretched as to be practically untenable. Best accept it. after all it's not a dictatorial decision by a single individual, is it?
 
I don't think I've ever come across more diverse ideas of what prog actually is than on this site, discussions and threads about just this have filled countless pages over time.
 
The fact itself that there are so many different views on this, is a central essence of this site, and the acceptance of all these diverse opinions by all concerned, including practically all admins etc. is an invaluable commodity here.
 
If this was not accepted here, it would either result in either a centralised view of a chosen few and lead to an instant expulsion of a large part of artists featured here, or a fragmentation into a dozen or more warring fractions.
 
I'm sorry to say that I find your status resignation quite childish, in spite of what you say.
 
And to take the edge of it, here's a smiley for you :  Smile


Edited by npjnpj - August 10 2009 at 08:41
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Direct Link To This Post Posted: August 10 2009 at 09:25
Originally posted by npjnpj npjnpj wrote:

Sorry, but that decision of yours is just plain ridiculous.
 
I don't think I've ever come across more diverse ideas of what prog actually is than on this site, discussions and threads about just this have filled countless pages over time.
 
The fact itself that there are so many different views on this, is a central essance of this site, and the acceptance of all these diverse opinions by all concerned, including practically all admins etc. is an invaluable commodity here.
 
If this was not accepted here,it would either result in either a centralised view of a chosen few and lead to an instant expulsion of a large part of artists featured here, or a fragmentation into a dozen or more warring fractions.
 
I'm sorry to say that I find your status resignation quite childish, in spite of what you say.
 
And to take the edge of it, here's a smiley for you:  Smile

You have to know Jean as well as I do to fully understand why she resigned. She was very disappointed that people did not really listen to the music but went by image instead to judge The Stranglers. And you can't tell her it ain't so; Jean knows a lot about musical theory, she learned it with her piano lessons, and understands the complexity of their songs. That's why it was no question at all for her that The Stranglers are prog. She even presented the checklist of criteria by which this site supposedly goes to decide whether a band is prog or not, and they fully qualified on that list. So it was clear to her that the decision was based on nothing but prejudice.
She was very disappointed that the people in here are so much led astray by the image of a band rather than take the content of their music into account, and she did not want to be seen as a representative of this.in her opinion shallow attitude; I know my Jean too well there. But she is too polite to say so, so she chose to resign using a false pretense as reason. She does not care if people think her decision is childish; she'd rather take that than be offensive.
I also supported the inclusion of The Stranglers, and I still think their exclusion was one of the biggest mistakes this site ever made. Certif1ed, who is one of the people with the best knowledge of musical theory in here, also supported their inclusion. It just goes to show that prejudices can't be overcome easily. not even in music and not even in here. You may still call Jean's decision childish, but I fully understand her. She had all the arguments on her side, but the decision went the other way. So who was really childish here?
I am not Jean and did not feel as peeved as she did, so I did not resign. I did not visit this site as often as I used to for a while after this decision though. Not because I was peeved but because I did not expect to gain new insights from people who made such a bad decision against an overwhelming array of arguments. It is as if the image of this site had tarnished somewhat after this incident.


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Direct Link To This Post Posted: August 10 2009 at 10:02

I get where you're comiing from, but getting riled up about it is not worth it, it's just not important enough.

In the end it was a democratic decision (as far as this site allows). I often don't agree with a lot of majority decisions, but just because of that I don't just bow out.

I think that Jean has deprived herself of a lot of fun and she's the one who probably suffers most through her decision.

I think that I speak for the most of us if I say that she should just forget it, move on and rejoin. She's made her point and we respect her for it.



Edited by npjnpj - August 10 2009 at 10:03
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Direct Link To This Post Posted: August 10 2009 at 10:15
Originally posted by BaldFriede BaldFriede wrote:

Originally posted by npjnpj npjnpj wrote:

Sorry, but that decision of yours is just plain ridiculous.
 
I don't think I've ever come across more diverse ideas of what prog actually is than on this site, discussions and threads about just this have filled countless pages over time.
 
The fact itself that there are so many different views on this, is a central essance of this site, and the acceptance of all these diverse opinions by all concerned, including practically all admins etc. is an invaluable commodity here.
 
If this was not accepted here,it would either result in either a centralised view of a chosen few and lead to an instant expulsion of a large part of artists featured here, or a fragmentation into a dozen or more warring fractions.
 
I'm sorry to say that I find your status resignation quite childish, in spite of what you say.
 
And to take the edge of it, here's a smiley for you:  Smile

You have to know Jean as well as I do to fully understand why she resigned. She was very disappointed that people did not really listen to the music but went by image instead to judge The Stranglers. And you can't tell her it ain't so; Jean knows a lot about musical theory, she learned it with her piano lessons, and understands the complexity of their songs. That's why it was no question at all for her that The Stranglers are prog. She even presented the checklist of criteria by which this site supposedly goes to decide whether a band is prog or not, and they fully qualified on that list. So it was clear to her that the decision was based on nothing but prejudice.
She was very disappointed that the people in here are so much led astray by the image of a band rather than take the content of their music into account, and she did not want to be seen as a representative of this.in her opinion shallow attitude; I know my Jean too well there. But she is too polite to say so, so she chose to resign using a false pretense as reason. She does not care if people think her decision is childish; she'd rather take that than be offensive.
I also supported the inclusion of The Stranglers, and I still think their exclusion was one of the biggest mistakes this site ever made. Certif1ed, who is one of the people with the best knowledge of musical theory in here, also supported their inclusion. It just goes to show that prejudices can't be overcome easily. not even in music and not even in here. You may still call Jean's decision childish, but I fully understand her. She had all the arguments on her side, but the decision went the other way. So who was really childish here?
I am not Jean and did not feel as peeved as she did, so I did not resign. I did not visit this site as often as I used to for a while after this decision though. Not because I was peeved but because I did not expect to gain new insights from people who made such a bad decision against an overwhelming array of arguments. It is as if the image of this site had tarnished somewhat after this incident.


That's already a much more solid viewpoint than just "I have to agree with the flock, or else, when not agreeing, I have to resign".

That being said, we do indeed tend to lose some people, when more controversial suggestions like these are discussed to the bone, and the dissatisfaction of the rejection is too big for the person who lobbied for it most. Ouch
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Direct Link To This Post Posted: August 10 2009 at 12:03
Originally posted by Dean Dean wrote:

Exactly  - not all Punk bands could draw their influence solely from The Stooges and The MC5s - they were not living in a musical bubble. John Foxx's Ultravox! were heavily influenced by Roxy Music and Krautrock (they used the ! in tribute to Neu!), the Banshees were influenced by The Beatles, John Cale and The Velvet Underground. Much of the new-wave was influenced by Art House cinema and the Berlin School of electronic music. The Stranglers came out of the Pub Rock scene, which was like a car crash between R&B and Psyche Rock, with extended jams over a 12-bar blues foundation (Brinsley Schwarz etc.) - it ran parallel with Prog, and at times perpendicular to it, but essentially it was a reaction to it.

I will just re-post this comment of mine, based on the archives own definition of prog:
  • Long compositions, sometimes running over 20 minutes, with intricate melodies and harmonies that require repeated listening to grasp. These are often described as epics and are the genre's clearest nod to classical music. An early example is the 23-minute "Echoes" by Pink Floyd. Other famous examples include Jethro Tull's "Thick as a Brick" (43 minutes), Yes' "Close to the Edge" (18 minutes) and Genesis' "Supper's Ready" (23 minutes). More recent extreme examples are the 60-minute "Light of Day, Day of Darkness" by Green Carnation and "Garden of Dreams" by The Flower Kings. check, at least on the intricate melodies and harmonies. no 20-minute compositions, but a seminal band like Gentle Giant didn't have them either
  • Lyrics that convey intricate and sometimes impenetrable narratives, covering such themes as science fiction, fantasy, history, religion, war, love, and madness. Many early 1970s progressive rock bands (especially German ones) featured lyrics concerned with left-wing politics and social issues. check
  • Concept albums, in which a theme or storyline is explored throughout an entire album in a manner similar to a film or a play. In the days of vinyl, these were usually two-record sets with strikingly designed gatefold sleeves. Famous examples include The Lamb Lies Down on Broadway by Genesis, Tales from Topographic Oceans by Yes, 2112 by Rush, Dark Side of the Moon and The Wall by Pink Floyd, and the more recent Metropolis Part II: Scenes from a Memory by Dream Theater and Snow by Spock's Beard. Aqualung, perhaps the best-known record by Jethro Tull, is often regarded as a concept album due to its recurring themes, but songwriter Ian Anderson has always claimed that the album is just "a bunch of songs".  "Black and White" is a concept album of sorts, though the concept is a loose one
  • Unusual vocal styles and use of multi-part vocal harmonies. See Magma, Robert Wyatt, and Gentle Giant. not really, but very few prog bands do
  • Prominent use of electronic instrumentation — particularly keyboard instruments such as the organ, piano, Mellotron, and Moog synthesizer, in addition to the usual rock combination of electric guitar, bass and drums. check
  • Use of unusual time signatures, scales, or tunings. Many pieces use multiple time signatures and/or tempi, sometimes concurrently. Solo passages for virtually every instrument, designed to showcase the virtuosity of the player. This is the sort of thing that contributed to the fame of such performers as keyboardist Rick Wakeman and drummer Neil Peart. check. use of polyphony should be named here too
  • Inclusion of classical pieces on albums. For example, Yes start their concerts with a taped extract of Stravinsky's Firebird suite, and Emerson Lake and Palmer have performed arrangements of pieces by Copland, Bartók, Moussorgsky, Prokofiev, Janacek, Alberto Ginastera, and often feature quotes from J. S. Bach in lead breaks. Jethro Tull recorded a famous cover of J. S. Bach's "Bouree", in which they turned the classical piece into a "sleazy jazzy night-club song", according to Ian Anderson. Marillion started concerts with Rossini's La Gazza Ladra (The Thieving Magpie). Symphony X has included parts by, or inspired by, Beethoven, Holst and Mozart. no check, but this part is a bit cheesy anyway
  • An aesthetic linking the music with visual art, a trend started by The Beatles with Sgt. Pepper's and enthusiastically embraced during the prog heyday. Some bands became as well-known for the art direction of their albums as for their sound, with the "look" integrated into the band's overall musical identity. This led to fame for particular artists and design studios, most notably Roger Dean, whose paintings and logo design for Yes are so essential to the band's identity they could be said to serve the same function as corporate branding. Hipgnosis became equally famous for their unusual sleeves for Pink Floyd, often featuring experimental photography quite innovative for the time (two men shaking hands, one of whom is in flames, on the cover of Wish You Were Here). H.R. Giger's painting for Emerson Lake and Palmer's Brain Salad Surgery is one of the most famous album sleeves ever produced. check
in the light of this, how do The Stranglers look? it appears to me that there can only be one answer.

anyway, since so many people asked me to take back my resignation: I hereby do. I am willing to bury the hatchet and be a prog reviewer again. so if some administrator will assign that status to me again I am fine with it



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