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lazland View Drop Down
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Direct Link To This Post Posted: June 30 2009 at 14:01
Originally posted by Luca Pacchiarini Luca Pacchiarini wrote:

Great!
 
however, with PFM it's better to start with their first album


Thanks Luca - that will be tomorrow night's treat. At the moment I'm being fascinated by Randone's Nuvole Di Ieri.

I really wish my Italian were better. My father's family is Maltese, but I simply don't come into enough contact with the language, and the story strikes me as being utterly fascinating. For a first listen, I'm really enjoying.

I've had PFM, Banco, New Trolls, and Randone this evening with an extended visit to my quiet computer room. I have had a great time, and I know that I will be a regular visitor to this thread now.


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Direct Link To This Post Posted: June 30 2009 at 16:15
Hey Guys.....Raffa wrote a fabulous review of the recent NEAR-fest show as a gift to me, for which I am grateful....You can find it in my Blog linked below.  She writes about PFM and DFA, and what it meant to see those bands here in America. 

AWESOME.   Thanks RaffClapClapClapClapClap


Check it out kids
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Direct Link To This Post Posted: July 01 2009 at 14:38
Obviously, I'm too much of a newbie to the sub genre to comment just yet, but this is the finest yet. Incredible.








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Direct Link To This Post Posted: July 01 2009 at 16:12
 Goblin and New Trolls are two RPI  bands whom I've never warmed to personally, but they have legions of devotees without question!  Roller is hugely popular.  Smile
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Direct Link To This Post Posted: July 02 2009 at 05:12
Wow Thomas, how you can produce such fine reviews so quickly is amazing!!  Grazie!!!  ClapClapClapClap

Posted Thursday, July 02, 2009, 01:08 EST 
 Sunscape by SUNSCAPE album cover Studio Album, 1999
5.00 | 1 ratings

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Sunscape
Sunscape Rock Progressivo Italiano

Review by tszirmay
Special Collaborator Symphonic Team

— First review of this album —
5 stars First , it behooves me to inform the prog community that no country , not even the mighty Albion (The UK for you Europhiles!) has such a huge array of progressive bands than Italy, pretty much uninterrupted from the early 70s to today. On what do I base such a bold statement? Facts, my friends, numbers my accountants! Well for one, half of the Mellow Records catalog, to name only one, is not even listed on PA! This azure land of talented artists has given so much prog that it's almost beyond galactic parameters, for they have boldly gone where few have dared. The list of one-shot wonders is endless , such as this marvel ,recently added by our esteemed finnforest who will vouch for my statement , as he has been burrowing like a furious mole through the past, looking for those magical albums that we can only imagine exist out there. Sunscape landed in my possession when it was released back in 1999, and has remained in unfair silence for a decade, until finn added it to our sight, as I had mentioned it in a poll as being a killer RPI album much in need of sunlight. To highlight the preciousness of this single recording (they sadly never "sophomored"!), let it be said that Italian prog is not just symphonic (hard or soft), there are a plethora of bands playing every genre within the progressive umbrella (jazz- fusion, neo, eclectic, Zeuhl, folk, crossover etc?) and yet we still see only the Banco, PFM and Museo Rosenbachs! Too bad for you less adventurous fans because this is a jewel and a half , to say the least , choosing a heady mix of dark space prog , laced with softer oh so Italian flute passages and some scintillating playing that will knock your socks off! The vocals in the native language are some of the finest you will hear. There are winks at early Porcupine Tree (the psychedelic parts), some Gong/Hawkwind as well as some personal material that is highly original. The disc starts off like Roxy Music's debut, effects from an airport terminal this time and the booming Matteo Curcio bass sets the mood right away abetted by the raunchy guitars of Marco daRold on one extreme and the sweet flute musings, while drummer Tony Fucci bashes deliriously, ahead of the game, while the glissando lead is almost schizoid (Fripp meets Hillage). "Ewok" has a delightful lilt , fueled by a fabulous melody and dual male and female vocals that conjure a pastoral expanse, whistling synths flutter with dreamy rapture, raging guitar nor withstanding. "2CB- Sunscape" is very near the psychedelic mood that Steve Wilson carved his teeth on , bubbling synthesized backgrounds, bass gurgling confidently, flute painting the space between, while the vocals and the chorus are to die for! "C'e qualcosa dentro me" (there is something in me?) is spooky. Eerier is the next whopper, a majestic classic "Simbiosi". Well if this track doesn't nail you to a cross, well , as Michael Jackson used to say, "Beat It!). The whispered vocal is doom incarnate , that two note bass pummeling your brain, the guitar rippling with agony , the steady Nick Mason-like beat and the breathy singing simply blowing impetuously , Floyd could not have done this better. Sickeningly good space rock! "Prospettiva" launches this clearly into more Gong/Hawkwind territory, showing that they can rage as well as cry. The propulsion is rocket-like in vivacity and then decelerates into a sweepy, sleepy psy-prog psychosis, like a sonic mist curling around the trees. What a ride! The haunting electronic harmonics only serve as a diving board towards a sweet short ballad sung with utter conviction. The very brief "Interno" is a wake-up breezer, a simple gentle riff pushing this along, male and female voices again in interaction, great stuff again! "Consorzio Nettuno" is an epic 12 minute job, where the players get to seduce their most creative musical libido in an inspired cosmic jam improv, the bass pops like a funky firecracker, the sequenced very Tangerine Dream ?like programming battles forward, complete with countering ripples and overt solos . This is another facet of their vision that is so exciting, as if challenged for a reason and going for the prize. The electro-stew that they cook up is stellar, galactic and intense .The bubbling synth echoes are mesmerizing, the congas hypnotic and the sleazy guitar scratching the cortex. Edgar Froese would be proud of hearing this! Too long perhaps for some after all the brilliant short stuff before, this megalith is a pure marvel to behold, flung mercilessly into the farthest realms of musical pleasure. It's supposed to be mind music, mom! (I used to say, as a teenager!). The metamorphosis is complete with a yawning, massive guitar sortie that toys with some earlier and gentler pools of dissonance. "Agibilita Enpals" is a piece that is very close to Mary Newsletter, another intense RPI band that is unafraid to use harsh blasts of bluesy guitar picking to get the mood heightened. This is a contrast laden romp that is perhaps the final clincher in my adulation for this kind of adventurous Italian prog. "Via di Qui" is drop dead gorgeous sample of angelic space prog, forcibly laced with euphoric psychedelia! "Spore" is a brief airy ballad that pleases the ear, especially that little guitar slide. Sweet, la Dolce Vita! "Schüsswassen" is my favorite track here, an instrumental 12 minute escapade that is alone worth the price of this sucker, a disturbingly minimalist opening only deepens the gestalt, ushering in a musical statement on breath, vision, talent and expression. Steve Wilson would flip over this one, including the Colin Edwin-like bass carpeting, the driven and driving drums as well as the dense keyboard colorations. The second section lays down another impeccable groove that will make you shudder in pure delight, the true essence of progressive escape, a merciful adventure of aural bliss. Damn I love this kind of trip! Slowly coming to a halt, it harkens back to the minimalist intro, thus proving their sheer genius and savvy understanding of the genre. Thunderous applause! Possibly the finest space track ever recorded. Floyd and Tree fans BEWARE! This WILL blow you away and hard! I stake my 40 tears as an avid progger on this affirmation, okay? This masterpiece terminates on a final "coup au coeur" (look it up, guys) flauntingly cocky, they bow out on a Hindu-influenced floral carpet of sounds that pummel adroitly, female vocals pulling it along and caressed by a flute heartache that is fully astonishing in its simplicity and heartfelt emotion. The final guitar solo demonstrate the bright side of the scales (closer to Santana than Gilmour) and passes the torch to the sexy female vocalizations as the curtain unhurriedly shuts this one down. How can it be this good and yet so unknown! Injustice repaired, go out and find it, now. YOU NEED THIS, BAD! 5 Supernovas. Easily in my top 20 all time, immovably so !

This review is dedicated to finnforest and sinkadotentree, 2 of the finest music lovers I have never met! Somehow, one day the depth will be even more unending, furrowing into the vast space of prog with smiles and headshaking admiration. Do you guys think I was clear enough on this one? Uhh!


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Direct Link To This Post Posted: July 02 2009 at 06:14
Clap > Thomas

I'm so interested in the wonderful outfit, by Jim's recommendation and Thomas' brilliant review.
How (or where) can I get this SPACEY album? Wink


EDIT: Sorry, Jim...
Quote They do not have a myspace but their album is on sale right now at symphonic for $9, as part of the Mellow sale.
I see. Embarrassed


Edited by DamoXt7942 - July 02 2009 at 06:20
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Direct Link To This Post Posted: July 02 2009 at 15:09


Decided to go through the PA list starting at the top. This is an incredible album. I can see why, even on a first listen, why this is so highly rated.

Thanks to all for your posts and PMs. I intend to bore you all rigid with my appreciation of Italian prog for a long time to come. I feel almost like a teenager dicovering prog all over again.


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Direct Link To This Post Posted: July 03 2009 at 04:25
 I Miti Musica by BANCO DEL MUTUO SOCCORSO album cover Boxset/Compilation, 2005
4.00 | 1 ratings

I Miti Musica
Banco Del Mutuo Soccorso Rock Progressivo Italiano

Review by 1967/ 1976

— First review of this album —
StarStarStarStar From budget series 'I Miti Musica' one of my preferred Banco del Mutuo Soccorso' release... Is this 'The Very Best Of Banco del Mutuo Soccorso'? ...Yes, of course!

If you think to Italian Prog your mind think about Banco, PFM, New Trolls, Perigeo, Balletto Di Bronzo, Rovescio Della Medaglia, Goblin, Franco Battiato, Osanna... And sure this is true. But because this is true? Because these bands produces an extreme international Italian Prog! And in the case of Banco del Mutuo Soccorso (but for all of these bands this sentence is applicable) with extreme Italian way of melody. In other words... The Italian band use to copy English Prog but not plays a copy of English Prog. It is true that this fact is the real magic of Italian Prog! Two worlds, different and not complementary... But going to mix, producing a very unique music!

This CD start with 'Mille Poesie' from 'Donna Plautilla', recorded for RCA Italiana in 1969 and published in 1989 in limited edition. In this song is not present Francesco Di Giacomo and this song (in eng: 'Thousand Poems') is a Beat extreme similar to New Trolls style.

From 'Traccia II' to 'Non Mi Rompete' the Prog is the only protagonist. In truth the Banco's style is not debtor to English Prog because if the use of keyboards is in the way of ELP the melody and style of writing is totally Italian. This is too obvious in 'Non Mi Rompete' (eng: 'You Don't Break Me'), acoustic Folkish ballad in the way of Central Italy Folk style but written in two styles: first part Rock and second part in Central Italian Folk style. Sure 'R.I.P.' (inspired by Ariosto's 'Orlando Furioso') is an epic song, it is true that '750.000 Anni Fa... L'amore?' (eng: '750.000 Years Ago... Love?') is another epic song but not for music (viceversa 'R.I.P.' is epic for music) is epic for lyrics.

From 'Paolo Pa' (eng: 'Paul Pa') to 'Moby Dick' the style is POP, style that the band adopt passing from Ricordi to CBS, furthermore, shortening the name in Banco. The style is always interesting, excellent in some cases ('Paolo Pa', 'Baciami Alfredo' [eng: 'You Kiss Me, Alfredo'] and 'Buone Notizie' [eng: 'Good News']) but without the magic of Prog period.

In definitive 'I Miti Musica' is a budget series of BMG/ Ricordi/ RCA's historical bands. In this case this volume of the series is almost the definitive album of Banco del Mutuo Soccorso. And also if you hate compilations, I think that you taught when you hear this CD!



Edited by 1967/ 1976 - July 03 2009 at 04:26
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Direct Link To This Post Posted: July 03 2009 at 04:33
Originally posted by Finnforest Finnforest wrote:

Wow Thomas, how you can produce such fine reviews so quickly is amazing!!  Grazie!!!  ClapClapClapClap

Posted Thursday, July 02, 2009, 01:08 EST 
 Sunscape by SUNSCAPE album cover Studio Album, 1999
5.00 | 1 ratings

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Sunscape
Sunscape Rock Progressivo Italiano
 
I do not have many CDs of contemporary Italian bands and this is my limit. Reading the reviews I think that I regard the contemporary Italian Prog same level of Italian prog of the 70's, What I had underestimated!
 
I have idea that I have to provide the update!
 
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Direct Link To This Post Posted: July 03 2009 at 04:37
Originally posted by Finnforest Finnforest wrote:

Wow Thomas, how you can produce such fine reviews so quickly is amazing!!  Grazie!!!  ClapClapClapClap

Posted Thursday, July 02, 2009, 01:08 EST 
 Sunscape by SUNSCAPE album cover Studio Album, 1999
5.00 | 1 ratings

BUY
Sunscape
Sunscape Rock Progressivo Italiano

This review is dedicated to finnforest and sinkadotentree, 2 of the finest music lovers I have never met! Somehow, one day the depth will be even more unending, furrowing into the vast space of prog with smiles and headshaking admiration. Do you guys think I was clear enough on this one? Uhh!


 
I agee... Well This should apply also dedicated to my last review!
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Direct Link To This Post Posted: July 03 2009 at 14:28
While not currently eligible as their album has not been published, this fine band will hopefully adorn the PA one day....I'll be letting you all know when their vinyl is released.  Sadly, their myspace page does not contain the great long suites of this work. 

Azetium A Otto Piste

Respect for the ancient, hope for the future

 Azetium promo cover
 
Architrave Indipendente (AI), along with Il Babau (IB) who I wrote about last week are the kind of bands I consider the heirs to RPI (rock progressive Italiano) and interesting directions for music to go.  Not to bands that sound like an Italian Dream Theater, or an Italian Porcupine Tree/Oceansize.  Rather, AI and IB are bands forging their own unique sounds while maintaining a brief glance in the rear view mirror to what makes the music of Italy so special to many of us.  Architrave Indipendente’s self-released CD “Azetium a Otto Piste” is just mind-blowingly good, I was just knocked flat on my ass by this music.  I am finding out that some of the best progressive music out there is underground.  There are great artists working on grand opuses without much support, without being signed.  I realize many of my readers know this but I don’t think enough “prog fans” spend the time to find them.

Architrave Indipendente - My Photos - Photo 1 of 8
Azetium Ruins - promo picture

Oscar Larizza and Emanuele Palumbo are two men on a mission.  Several missions, actually.  They are big believers in analog sound/vinyl and intend to release their work without compromise.  They intend to teach the world a little something about the evils of destructive agricultural practices in Italy and elsewhere, and to promote the understanding of sustainable agriculture.  The theme of environmental degradation is duel-pronged here with a parallel commentary on the state of the music industry, where music that is authentic and meaningful too often takes a back seat to utter commercial tripe, musical pollution if you will.  Last but not least, they have succeeded in the mission of delivering a RPI masterpiece as good as the classics of the 70s.  Oscar has been studying the 70s RPI scene since he was 12 years old.  His influences include De De Lind, Quella Vecchia Locanda, Paese dei Balocchi, Battiato, Osanna, Cervello, Pholas Dactylus, and many others.  He shares my own conclusion that the bands least influenced by the English scene were the most interesting ones.  It is a common misconception that the Italian scene was just an imitation of the English scene.  While some bands are guilty as charged, the great Italian groups may have loved the English scene but clearly created their own sounds.  When I asked Oscar to describe AI’s sound, rather than trying to worry about genre labels, he just said “genuine” and I can safely say they are on the right track.

Architrave Indipendente - My Photos - Photo 3 of 8
Eternamente - Live in Mola di Bari
 
Oscar and Emaneule formed the band in the spring of 2004 when they were 16 years old.  The idea was to speak about the social issues affecting their town of Rutigliano and to play live at festivals and nearby venues.  Compositions began as Oscar was engrossed in a book called "Azezio" by historian/poet Sebastiano Tagarelli.  The band has had personnel changes over the years but persevered to record this superb album on 8 tracks and using vintage instrumentation along with guitar, cello, and percussion.  Oscar plays guitar, bass, synths, lute, glockenspiel, and tapes, while Emanuele plays piano, Hammond, synths, and flute.  Alessandro Mazzacane (cello), Piero Palumbo (drums), and Stefano Renna on guitars filled out the ranks of the recording band.  Gaston, canine of great character and wisdom is the band’s mascot, and also contributes his nuanced barking briefly on the recording.  Oscar recalls “the machines were: a FOSTEX R8 for multitrack on eight tracks, a ReVox A77 for stereo mix, echo effects and analog sampling, and later a Sony TC399 only for echo effects. Working on eight tracks was very complicated and wearing, especially if you want to give the best result without dirty digital tricks. We also would to use a lot of instruments to glean new sonorities, all acoustic and analog, or building them too: that's the case of my full custom DAVOLISINT with a homemade minimoog filter, oscillators and other artifacts.”  Other instruments noted in the booklet include descant recorder, Kawai 100f synth, solid state organ, electric pump harmonium, and GEM synth.
 
My personal description of the Architrave sound will take some effort.  This is an amazing progressive blend of classic RPI sound with jazz, folk, and psych influences abounding.  The woodland jazz collective Oregon come to mind although Architrave is much more fun, with just a bit of Tull, a bit more De De Lind, a bit of unplugged Deus Ex Machina, and a dash of Alan’s Psychedelic Breakfast as the mood lighting.  That is but one deranged description off the cuff, I could do better but I like to go with the first impressions that pop into my head!  As Stefano Testa’s 70s masterpiece is still fresh in my head (see review below) I can also state AI brings that Testa vibe to my mind.  Tasteful acoustic guitar passages flow freely throughout with vintage keyboard and piano accompaniment, the style of play ranging from prog-folk to almost avant-jazz, with occasional whispers of psychedelia.  The vocals are very good with some nice arrangements.  There are very sound instincts at play here, decisions to allow each instrument, each section, the space it needs to be effective on its own.  The arrangements are such that these performances are not bogged down or buried into other stuff-performances are fresh and well displayed, particularly the many instances of fine acoustic guitar interludes, electric guitar leads psyched up with tape slipping effect, and my favorite: the gorgeous runs of plain old piano that send my heart aflutter.  (I’m a sucker for piano.)  “La Spinta” leads off with a somewhat conventional track, one that could even be a single I suppose, featuring some really monster bass impressions by Stefano Renna.  After this the album will be less conventional longer suites broken into sections.  “Emplecton” is the first filling the rest of side A with flute dreams, sound effects over acoustic jamming, some amazingly grandiose key excursions (wish I could specify the hardware but I’m no expert on keys/synths).  In the middle section “Vassallo Ignorante” the piano is on full display and the solo is just lovely while also a bit quirky.  The final section “Scherzo” features almost avant classical blasts of Alessandro Mazzacane’s cello with strange keys and marimba is it?  The effect is almost to put you off balance until it stops and another section of mournful, beautiful piano soothes its way in.  (I’m even getting a bit of MiasmaCHH in this section, wild stuff!)  The finale is a marvelous and climactic prog rock original that recalls the freshness of Phideaux’s sound rather than any sort of predictable pseudo-metal finale some bands would choose for an ending.  What a piece. 
 
Side B’s main feature is the 15 minute “Azezio” suite which just blows my mind.  Amazing renaissance folk vibe, or perhaps feelings of ancient, lost times and places breathe in this music.  Fabulous vocal arrangements both dramatic and soothing.  Bold piano and soaring keys, washes of cymbals, shifting styles and eclectic rhythms.  As Tom Hayes once quipped about Semiramis, it’s almost like several different albums are colliding at once, and yet it makes perfect sense, being well written and executed. The middle part is an aural snapshot of Rutigliano, the town so dear to these young men, recorded during a Grape Festival it appears.  In the final segment Gaston is immortalized with his barks sampled and morphed here and there around an acoustic piece with nice drumming and tape effects.  Piero Palumbo is a fine drummer with a nimble touch and interesting fills.  Following the “Azezio” suite the album closes with the 8 ½ minute “Gli Altarini di San Rocco (The tiny altars of St Rocco).  This track is a captivating experimental jazz  (perhaps, God I don’t know—calling it jazz always creates instant impressions that may not apply) number that simply sprouts enthusiasm from itself.  There are so many interesting avenues pursued in these 47 minutes of music that I consider it a tragedy this album is not being handled and distributed by a label to prog fans worldwide.  This is music that so deserves an audience while too many in the prog community are content lapping up the latest Riverside album.  “I prefer to focus on playing good music if possible, than waste my time looking for a new way to define my genre. Moreover, I think it's time to start respecting the dead people. "Let prog rock to the seventies and think to make best music you can, without dwelling in trifles" I suggest to all those musicians who believe that prog is equal to Dream Theater and Tool” Oscar told me in my mini-interview. 

Architrave Indipendente - My Photos - Photo 8 of 8
Gaston

The plan is to release the album on vinyl later in the year and possibly with a bonus CDR for those without turntables.  But the band strongly feels that it should be heard the way it was meant to be heard.  I thank them for making a special promo recording for me to hear for this review.  I consider it an honor to own and will let my readers know here when it becomes available for purchase.  The gatefold packaging was equally nice with a great gatefold shot of the Azetium ruins and inside photos of the band and Gaston.  (I love that dog).  A translated lyric sheet was given to me for which I am grateful as well. Italian prog lives and breathes in Architrave Indipendente.  [Jim Russell]

Architrave Indipendente site
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Direct Link To This Post Posted: July 05 2009 at 11:50
It seems there is a new Ital-prog supergroup in the works.....they are still looking for their guitarist, but look at this line-up!Clap

FUFLUNS ARE:

SIMONE CECCHINI: Voice, Acoustic Guitar, lyrics.
(Il Bacio Della Medusa)

ALFIO COSTA: Hammond Organ, Mellotron M400SM, Minimoog, Rhodes Piano, Grand piano and Synthesizers
(Tillion, Prowlers, Colossus Project, DAAL)

ADOLFO RAMUNDO: Acoustic and Electronic Drums
(Il Balletto Di Bronzo, Calm and Chaos)

GUGLIELMO MARIOTTI: Bass, Acoustic guitars and backing vocals
(The Watch)
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Direct Link To This Post Posted: July 05 2009 at 12:15
Originally posted by Finnforest Finnforest wrote:

It seems there is a new Ital-prog supergroup in the works.....they are still looking for their guitarist, but look at this line-up!Clap

FUFLUNS ARE:

SIMONE CECCHINI: Voice, Acoustic Guitar, lyrics.
(Il Bacio Della Medusa)

ALFIO COSTA: Hammond Organ, Mellotron M400SM, Minimoog, Rhodes Piano, Grand piano and Synthesizers
(Tillion, Prowlers, Colossus Project, DAAL)

ADOLFO RAMUNDO: Acoustic and Electronic Drums
(Il Balletto Di Bronzo, Calm and Chaos)

GUGLIELMO MARIOTTI: Bass, Acoustic guitars and backing vocals
(The Watch)



Why must my spell-checker continually underline the word "prog"?

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Direct Link To This Post Posted: July 06 2009 at 13:36
Last FM has kindly put Osanna's Oro Caldo on for me. What an eclectic mix of Tull and Crimson influences. First listen of the band for me - more will certainly follow!




Edited by lazland - July 06 2009 at 13:37
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Direct Link To This Post Posted: July 06 2009 at 14:51
Yes, it's one of the best songs  from the group.
Not only Tull and Crimson, but also mediterranean folk and a bit of musica napoletana.
 
 
Steve, can I suggest my favourite italian band, Semiramis?
It's a one-shot band from Rome, which released "Dedicato A Frazz" in 1973.
It's an intense, dynamic maelstrom of hard-progressive, folk, some madness and passionate voice
 
Here you can listen freely to some tracks:
Link:
 
Reviews:
 
 
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Direct Link To This Post Posted: July 06 2009 at 14:58
Originally posted by Finnforest Finnforest wrote:

Hey Guys.....Raffa wrote a fabulous review of the recent NEAR-fest show as a gift to me, for which I am grateful....You can find it in my Blog linked below.  She writes about PFM and DFA, and what it meant to see those bands here in America. 

AWESOME.   Thanks RaffClapClapClapClapClap


Check it out kids
ClapClap Goshdarnit I really missed out.  I'm glad that those in attendance enjoyed it so much.
 
More clappies for Raff, that's an excellent reviewClapClap  PFM and DFA, REPRESENT!!!
Signature Writers Guild on strike
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Direct Link To This Post Posted: July 06 2009 at 18:15
Originally posted by lazland lazland wrote:

Last FM has kindly put Osanna's Oro Caldo on for me. What an eclectic mix of Tull and Crimson influences. First listen of the band for me - more will certainly follow!




glad you loved it... however just what were the Crimson and Tull influences you heard?  That was Neopolitan music... especially Oro Caldo.  Just because a group uses a flute doesn't make it Tull influenced hahha.
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Direct Link To This Post Posted: July 07 2009 at 14:10
Originally posted by Luca Pacchiarini Luca Pacchiarini wrote:

Yes, it's one of the best songs  from the group.
Not only Tull and Crimson, but also mediterranean folk and a bit of musica napoletana.
 
 
Steve, can I suggest my favourite italian band, Semiramis?
It's a one-shot band from Rome, which released "Dedicato A Frazz" in 1973.
It's an intense, dynamic maelstrom of hard-progressive, folk, some madness and passionate voice
 
Here you can listen freely to some tracks:
Link:
 
Reviews:
 
 


Thanks a lot Luca. I will listen to this tomorrow. I've only got a very short time on the computer tonight. I will report back when I've listened.

The short time is because we've had two new little kittens for the family today, to replace my beloved old cat who died in May. They are gorgeous and will have most of my attention tonight!Heart


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Direct Link To This Post Posted: July 07 2009 at 14:15
Originally posted by micky micky wrote:

Originally posted by lazland lazland wrote:

Last FM has kindly put Osanna's Oro Caldo on for me. What an eclectic mix of Tull and Crimson influences. First listen of the band for me - more will certainly follow!




glad you loved it... however just what were the Crimson and Tull influences you heard?  That was Neopolitan music... especially Oro Caldo.  Just because a group uses a flute doesn't make it Tull influenced hahha.


Hi Micky - no you are right - however, it DID sound an awful lot like a Tull fluteLOL I heard a lot of Crimson in the track, and that is a huge compliment to what I felt was extremely complex and well performed music. From the extremely small contact I've had with Neopolitan people, I can believe its origins - just like that incredibly fantastic group of people, it is rich and diverse in sound and full of life.

I'll give it another whirl tomorrow and see if I revise my opinion.


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Direct Link To This Post Posted: July 07 2009 at 14:23
Originally posted by lazland lazland wrote:


... The short time is because we've had two new little kittens for the family today, to replace my beloved old cat who died in May. They are gorgeous and will have most of my attention tonight!Heart
Pictures please!


Edited by American Khatru - July 07 2009 at 14:23

Why must my spell-checker continually underline the word "prog"?

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