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I've never been crazy about him myself...but I grew up listening to country and rock anyway (and I never cared for his grunting and "hee-heeing" between every line)...
Joined: October 21 2007
Location: n/a
Status: Offline
Points: 8052
Posted: June 26 2009 at 12:31
MovingPictures07 wrote:
I'm finally listening to the real Pictures at an Exhibition.
It's great.
'Tis. Though Stravinsky just about flattens every other composer I've heard for melody and attack, and Rachmaninov for personality and beauty. That said, I haven't heard nearly enough other composers.
Joined: May 22 2007
Location: Michigan, U.S.
Status: Offline
Points: 66240
Posted: June 26 2009 at 12:34
MovingPictures07 wrote:
I'm finally listening to the real Pictures at an Exhibition.
It's great.
I've yet to hear that. I always say that I am going to check out some of these classical songs that prog bands have rockified but I almost never get around to doing it. Although, I do have Holst's Planets so I've at least listened to 1 of them.
Joined: October 21 2007
Location: n/a
Status: Offline
Points: 8052
Posted: June 26 2009 at 12:37
Octavarium was mixed. I can't remember much of it. Panic Attack and Never Enough (despite the awkward chorus) appeared the best songs. The title track was mixed, and I don't particularly like the effect of gluing a million influences together with prittstick, though there were strong moments. I can't remember much of the rest; I Walk Beside You was embarrassing, and I think Sacrificed Sons was good, but can't remember how it went.
I'm finally listening to the real Pictures at an Exhibition.
It's great.
'Tis. Though Stravinsky just about flattens every other composer I've heard for melody and attack, and Rachmaninov for personality and beauty. That said, I haven't heard nearly enough other composers.
Stravinsky is amazing. He's my favorite so far, but I'm still a mega newbie.
Octavarium was mixed. I can't remember much of it. Panic Attack and Never Enough (despite the awkward chorus) appeared the best songs. The title track was mixed, and I don't particularly like the effect of gluing a million influences together with prittstick, though there were strong moments. I can't remember much of the rest; I Walk Beside You was embarrassing, and I think Sacrificed Sons was good, but can't remember how it went.
That's one thing about DT albums for me is because of their length they take two or three listens before I really start recognizing the songs.
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SOMEONE LIKE HIM seems to draw from the Carpe Diem theme that A Change of Seasons made so famous.
