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Easy Money View Drop Down
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Direct Link To This Post Posted: June 15 2009 at 14:52
Originally posted by akamaisondufromage akamaisondufromage wrote:

Originally posted by martinprog77 martinprog77 wrote:


maybe you just -not getting  in it ... yet, or you probably never will . and thats ok . sometimes im wonder with gentle giant i just cant get into  them,and i dont not why  ,but bands strongly influenced by them  [ like spocks beards and echolyn ] i really like them.


 

You drunk?



OK, lets try to stay on topic here, if anyone should be accused of having a 'progressive' alcohol condition, it's me.
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Direct Link To This Post Posted: June 15 2009 at 14:59
I was once quite big on ELP, particularly the Trilogy album, but I now find much of the music I once liked of them to be really overblown, pretentious. -- the usual cliche criticisms.  Even musically it's something of a flashy show (see/ hear what we can do), but lacking depth -- superficial -- and sensitivity sometimes. I find much of it pretty unlistenable now.  I still like some tracks of theirs: "The Endless Enigma", "Lucky Man", "From the Beginning", and there quite a few moments I like in much of the band's music, but it doesn't work for me on the whole.  As I moved deeper into progressive rock I soon moved away from ELP.
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Direct Link To This Post Posted: June 15 2009 at 15:26
Originally posted by nahnite nahnite wrote:


There seems to be a lot missing, like melody, tension-release...oh, and let's not forget: REAL SONGS.  These tunes seem to take a long time getting going, and then go precisely nowhere...s     l     o     w     l     y.


I hear ya, but in their defense...

"Knife-Edge", dude.

There's a lot of ELP that I don't like, but Knife-Edge is a bad-ass song.

And "Lucky Man". I'm sorry, it's a little played out, but every time I hear it I love it.
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Direct Link To This Post Posted: June 15 2009 at 15:28
I think the first four ELP albums have many examples of splendid song writing. Songs like Take A Pebble, Tarkus and Karn Evil 9 are so well composed. They are not singsongs, but wonderful examples of prog compositions anyway. I can listen to it many times and still get a shiver down the spine. Emerson and Lake were both excellent composers in their own right. Lake a more traditional song writer, heavily influenced by folk, and Emerson blending classical and rock structures in a unique form of composition, with richness in chords, textures and dynamics.
 
Read Edward Macan's analyses of some of ELP's compositions and you see how beautifully crafted a lot of the earlier songs are.
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Direct Link To This Post Posted: June 15 2009 at 15:31
...Which doesn't mean you will necessarily like them. If you can't appreciate them it's probably just a matter of taste, which is okay. But I don't think ELP are in any way overrated, nor as composers, nor as musicians.
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Direct Link To This Post Posted: June 15 2009 at 15:45
It was Keith Emerson (and ELP) that opened my eyes to whole new world.  First of all you could perform highly evolved, high energy rock music without guitars. Second they opened channels to other genres of Classical and Jazz that most average American kids for sure had no idea existed.  Third  thanks to their enormous popularity sites like this still exist because there were enough people who still followed them enough to care (along with Genesis and Yes in particular). It is easy to look back at something that was state of the art 30-40 years ago and seem like it hokey (I don't) now but that stuff was intense in the time period it came from. 
They were my first progressive visual experience as well . They blew me away.
 


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Direct Link To This Post Posted: June 15 2009 at 17:17
Originally posted by Easy Money Easy Money wrote:

Originally posted by akamaisondufromage akamaisondufromage wrote:

Originally posted by martinprog77 martinprog77 wrote:


maybe you just -not getting  in it ... yet, or you probably never will . and thats ok . sometimes im wonder with gentle giant i just cant get into  them,and i dont not why  ,but bands strongly influenced by them  [ like spocks beards and echolyn ] i really like them.


 

You drunk?



OK, lets try to stay on topic here, if anyone should be accused of having a 'progressive' alcohol condition, it's me.
 
Thanks for joining us, Easy.  What is your opinion?
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Direct Link To This Post Posted: June 15 2009 at 19:15
Originally posted by Easy Money Easy Money wrote:

Originally posted by akamaisondufromage akamaisondufromage wrote:

Originally posted by martinprog77 martinprog77 wrote:


maybe you just -not getting  in it ... yet, or you probably never will . and thats ok . sometimes im wonder with gentle giant i just cant get into  them,and i dont not why  ,but bands strongly influenced by them  [ like spocks beards and echolyn ] i really like them.


 

You drunk?



OK, lets try to stay on topic here, if anyone should be accused of having a 'progressive' alcohol condition, it's me.
lets start the PROGRESSIVE DRUNK revolution Tongue
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Direct Link To This Post Posted: June 15 2009 at 21:09
Are you missing something?  Yes.  Heck even my dad liked ELP in their day and he is no proggie.  
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Direct Link To This Post Posted: June 15 2009 at 22:03
Lawdy Miss Clawdy, what is up with all the "what am I missing", "make me a fan", "are we being deceived" posts here lately.  Is there some strange phase of the moon going on, or maybe global warming, or I don't  know angst about the Yellowstone caldera?
 
Just so you all know where I stand, in one case literally:
 
- Decemberists I like.
 
- Fripp I like, though he's been lately testing my patience.
 
- Yes' Tales I'm not a big fan of (bad to place a preposition at the end of a phrase, but I have an MA in English and reserve the right to break rules.  If your MA's from some Ivy League school, I'll defer).  No offense meant to those who like the album...believe me I've tried over the years.
 
- ELP I like, but I don't care for spinning pianos.  Don't mind synths that grow wings, however, especially if I've just heard their take on Ginastera.
 
- Prog rock is alive and well in the western United States, as long as your idea of prog does not extend much after 1980.  After that, well I can say The Pretenders are alive and well.
 
- I love the pedal steel guitar, I don't care what genre or musician, even if it's Sweethearts of the Rodeo
 
-  I just two weeks' ago stood in that very Yellowstone volcano caldera, and then went to a lookout and took some pictures.  I am thankful that it did not choose just that  time erupt and  vaporize me.
 
- How 'bout them Dire Straits, who are also in heavy rotation with The Pretenders!
 
 
 
 
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Lincoln County Road or Armageddon.
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Direct Link To This Post Posted: June 15 2009 at 23:36
Well theres absolutely nothing wrong with not liking a band, it's just not to your taste. But honestly, I'm a little suprised.  It seems like someone into progressive rock would be more than excited to discover ELP.
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Direct Link To This Post Posted: June 16 2009 at 04:39

ELP have brilliant material but also a lot of arguably sub-standard material thrown in.

 

But if I confine myself to talking about their good stuff, (I have to admit to being a moderate ELP follower since 1971), their albums seem to have suffered over time and aged very badly compared to many other acts.

 

If I want to enjoy them nowadays, I have to get myself into a '70s frame of mind, only then I can really appreciate their music. Even then I agree that there seems to be a lot of melodic sense lacking. But that wasn't really the point of ELP music. They didn't display melodic prowess but the technicality and virtuosity of their time, and in this they were top of the game.

 

But listening to them with ears of today, that seems to be their shortcoming: Those times have just gone and they've been bettered many times by technical progression.

 

So, a melody remains a melody even after decades, but almost exclusive cutting-edge technical showmanship is bound to the time that it actually was cutting-edge.



Edited by npjnpj - June 16 2009 at 04:40
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Direct Link To This Post Posted: June 16 2009 at 04:51
I don't know, I find Lake contributed very much melodiousness, not just with his songs but with such things as Pictures and Tarkus bringing much needed balance to their material.. and that's the beauty of of real band like them

 
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Direct Link To This Post Posted: June 16 2009 at 05:06
That's just my problem with the ELP material I don't like: The Greg Lake songs. Too daft or too sugary sweet.
 
To my ears they don't qualify as prog in any way. They just seem to have been thrown in as light relief for people who would find the technical material a bit overwhelming.


Edited by npjnpj - June 16 2009 at 05:08
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Direct Link To This Post Posted: June 16 2009 at 05:43
Originally posted by Moogtron III Moogtron III wrote:

I think the first four ELP albums have many examples of splendid song writing. Songs like Take A Pebble, Tarkus and Karn Evil 9 are so well composed. They are not singsongs, but wonderful examples of prog compositions anyway. I can listen to it many times and still get a shiver down the spine. Emerson and Lake were both excellent composers in their own right. Lake a more traditional song writer, heavily influenced by folk, and Emerson blending classical and rock structures in a unique form of composition, with richness in chords, textures and dynamics.
 
Read Edward Macan's analyses of some of ELP's compositions and you see how beautifully crafted a lot of the earlier songs are.
...Which doesn't mean you will necessarily like them. If you can't appreciate them it's probably just a matter of taste, which is okay. But I don't think ELP are in any way overrated, nor as composers, nor as musicians.

I totally agree with you. Not that they are my favourite band or that I am a big fan of theirs, but I really like their first few albums.
A question to nahnite: What exactly is it you are looking for? There is plenty of melody in the songs Moogtron mentions, and for many other songs they use compositions by famous composers as basis (like Leoš Janáček's "Sinfonietta" for "Knife Edge"), and you can hardly accuse them of not having a sense for melody.


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Direct Link To This Post Posted: June 16 2009 at 08:54
The only ELP I still listen to with any regularity is Tarkus - that title suite has the warmth and emotion missing from many of their other "classics". 
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Direct Link To This Post Posted: June 16 2009 at 09:39
Originally posted by nahnite nahnite wrote:

Originally posted by Easy Money Easy Money wrote:

Originally posted by akamaisondufromage akamaisondufromage wrote:

Originally posted by martinprog77 martinprog77 wrote:


maybe you just -not getting  in it ... yet, or you probably never will . and thats ok . sometimes im wonder with gentle giant i just cant get into  them,and i dont not why  ,but bands strongly influenced by them  [ like spocks beards and echolyn ] i really like them.


 

You drunk?
OK, lets try to stay on topic here, if anyone should be accused of having a 'progressive' alcohol condition, it's me.

 

Thanks for joining us, Easy.  What is your opinion?



Thanks for asking, ELP is a real mixed bag for me, I really like a lot of their stuff, but there is some nonsense, and they very much go with their time period.

I think it is hard to judge ELP by today's music, or by the music of other bands in their own era, despite their many attempted copiers and influence, ELP is a very very unique band.

When I listen to a band like ELP I suspend my judgment a bit and accept them for the weird mix they are: 20th century composers, hard bop jazz, Lake's humanitarian lyrics and lounge and rock sensibilities, Palmer's unique drumming and the whole band's tendency towards kitsch and exotica.

I think us older prog fans can appreciate what an incredibly futuristic album ELP I was when it came out, very little in the world of music could have prepared anyone for that.

Overall I think the suite on Brain Salad is one of the more successful attempts at classical type development mixed with rock that really rocks. I also like Pictures for it's 'punkish' assault and exuberence. I also like Tank, Trilogy and a couple things off Works II for the great blend of prog rock and lounge exotica.

I think ELP probably just sounds kind of dated to a lot (not all) modern prog fans.
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Direct Link To This Post Posted: June 16 2009 at 11:20
Like many of the older members, I started listening to prog in the 1970's (albeit a bit late in 1977 when I was the grand age of 13), but, unlike them, I never really got them then.

I rushed out and brought album versions of Tarkus and Karn Evil 9 - in fact, I tried listening to the latter last night for the first time in years. I didn't enjoy it much - sorryEmbarrassed

It is not just people with modern prog tastes they don't appeal to. I never got them in their heyday, and I still don't now. Pure personal taste on my part, because I know that a lot of people absolutely adore them.
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Direct Link To This Post Posted: June 16 2009 at 20:21
Originally posted by BaldFriede BaldFriede wrote:

Originally posted by Moogtron III Moogtron III wrote:

I think the first four ELP albums have many examples of splendid song writing. Songs like Take A Pebble, Tarkus and Karn Evil 9 are so well composed. They are not singsongs, but wonderful examples of prog compositions anyway. I can listen to it many times and still get a shiver down the spine. Emerson and Lake were both excellent composers in their own right. Lake a more traditional song writer, heavily influenced by folk, and Emerson blending classical and rock structures in a unique form of composition, with richness in chords, textures and dynamics.
 
Read Edward Macan's analyses of some of ELP's compositions and you see how beautifully crafted a lot of the earlier songs are.
...Which doesn't mean you will necessarily like them. If you can't appreciate them it's probably just a matter of taste, which is okay. But I don't think ELP are in any way overrated, nor as composers, nor as musicians.

I totally agree with you. Not that they are my favourite band or that I am a big fan of theirs, but I really like their first few albums.
A question to nahnite: What exactly is it you are looking for? There is plenty of melody in the songs Moogtron mentions, and for many other songs they use compositions by famous composers as basis (like Leoš Janáček's "Sinfonietta" for "Knife Edge"), and you can hardly accuse them of not having a sense for melody.
 
Quite frankly, I don't know what I was expecting.  I know I wasn't expecting singalongs, but I guess part of me wanted more fully fleshed-out songs.  Like I said in my initial post; the songs don't feel finished.  They just feel like endless jams created simply to take up space.  There doesn't seem to be any structure.
 
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Direct Link To This Post Posted: June 16 2009 at 20:26
^please, no structure?  If Tarkus doesn't have a structure, not sure what does..
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