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andrea View Drop Down
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Direct Link To This Post Posted: April 26 2009 at 10:50
Originally posted by Finnforest Finnforest wrote:

Nice one Andrea, I hope I get a chance to hear it.  Going to Blog this one too!Clap


 Vita, Amore e Musica by TORQUATI, TOTO album cover Studio Album, 2009
4.00 | 1 ratings

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Vita, Amore e Musica
Toto Torquati Rock Progressivo Italiano

Review by andrea
Prog Reviewer

— First review of this album —
4 stars Toto Torquati is an Italian artist who, after the release of two solo albums in the early seventies, continued his career as a session man, arranger and producer. During the years he collaborated with Italian pop stars and singer songwriters such as Claudio Baglioni, Lucio Dalla, Mina, Patty Pravo, Francesco De Gregori, Rino Gaetano and many others but he didn’t release any other solo album until 2009. On the 1st of April I was in Rome and I had the chance to attend the showcase where Toto Torquati presented his new work, “Vita, Amore e Musica” (Life, Love and Music). He was introduced by Claudio Baglioni (a romantic singer song-writer who’s very famous in Italy, although not one of my favourites) who sung three of his old hits arranged by Toto Torquati (included “Questo piccolo grande amore). Then Toto Torquati performed almost all the tracks of the new album with the help of a band of young musicians featuring Antonello Ruggiero (drums), Stefano Napoli, (bass, counterbass), Fabio De Vincenti (electric guitar), Simone Gianlorenzi (electric and acoustic guitar) and Valeria Scognamiglio (violin). Toto Torquati was like a keyboards wizard performing charms and the show was emotionally intense and full of pathos. I was really impressed by the vitality and the energy he could transmit to the public. The new pieces are almost completely instrumental but on stage a speaker read a short poetical commentary for every track (in the CD booklet you can find the words written by Luigi Calabrò).

It took almost twenty years to Toto Torquati to compose, record and refine the tracks on this album, but the result is remarkable. On the booklet “Vita, Amore e Musica” is described as “acrobatic music spreading between two majestic frontiers, life and death” and Toto Torquati here really seems oozing love for life and music...

The opener is a solemn crescendo, the beautiful and classical inspired “Inno”, then there’s a sudden change of mood and atmosphere with the crazy and synthetic happiness of “Dance”. “Tema per Giulia” is romantic and dreamy, while “Ritratto” features a strong flavour of “Mitteleuropa” where “into the choreography of notes in black and white, a light melancholy goes up like a thread of smoke”...

“Suonando a casa” features a great swinging piano work. “Viaggio” is a beautiful musical journey around the world with an exotic taste and a perfect interaction between bass, guitar and keyboards. “Valzer” is another great track where European tradition is blended with a colourful touch of jazz.. “Perhaps you have to caress your dreams if you want that they keep faith in you”: the long, jazzy and dreamy “Sogno” leads the new horizons of peace and serenity of “Orizzonti”...

“Maestoso Pater correndo”, introduced by a church-like organ, is my favourite track on this album. Listening to it you can fly high “on the wings of a prayer rooted in your heart”... Next comes the quiet and delicate “Ninna nanna” that is described like “a whisper to listen to into the voiceless confusion of men”

Then, in the “Jazz Paradise”, you can listen to “the stars playing piano” before the last track, “Vulcano” (mentioned as bonus track), featuring a light seventies disco taste (Giorgio Moroder and La Bionda) and excellent keyboards parts.

Well, more the seventy minutes with no room for boredom... An excellent album, well performed and recorded that should be a must for every Italian prog collector.

 
Thanks.
 
Here you can find the CD:
 
 
Here's another review that could be of some interest for your blog:
 
 
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Direct Link To This Post Posted: April 26 2009 at 11:10
Thanks Andrea, I appreciate your  help on these new releases.  I have not the time these days, nor the financial ability, to keep up with all of them.  I still have a backlog of '70s titles I'm slowly working through, so your ears on some of these brand new titles is very cool.  Clap
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Direct Link To This Post Posted: April 27 2009 at 03:33
Originally posted by Finnforest Finnforest wrote:

Looks like a big RPI review day coming!!!  Good one Damo!Clap

 
 Reale Accademia Di Musica  by REALE ACCADEMIA DI MUSICA album cover Studio Album, 1972
4.30 | 32 ratings

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Reale Accademia Di Musica
Reale Accademia Di Musica Rock Progressivo Italiano

Review by DamoXt7942

3 stars Basically this is a primitive Italian pop album.
 
 
I do not have this album CryCryCry!!!
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Direct Link To This Post Posted: April 27 2009 at 07:51
Thanks Finny!
I'm so glad at your appreciation for my humble review. Big smileHeart

Mandy, Reale Accademia Di Musica is a so great album hahhaha... Thumbs Up
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Direct Link To This Post Posted: April 27 2009 at 07:58
Originally posted by DamoXt7942 DamoXt7942 wrote:



Mandy, Reale Accademia Di Musica is a so great album hahhaha... Thumbs Up
 
 
I do not have doubts!
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Direct Link To This Post Posted: April 27 2009 at 16:37
Mandy, what's in your sig? Is it your "job"? LOL or Clap - I don't know.

By the way, Andrea, grazie for recommending me the store where I ordered Le Orme's "Studio Collection" (containing rare "Amico di ieri" CD), I already received it.
Who are you and who am I to say we know the reason why... (D. Gilmour)
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Direct Link To This Post Posted: April 28 2009 at 04:37
Originally posted by NotAProghead NotAProghead wrote:

Mandy, what's in your sig? Is it your "job"? LOL or Clap - I don't know.

By the way, Andrea, grazie for recommending me the store where I ordered Le Orme's "Studio Collection" (containing rare "Amico di ieri" CD), I already received it.
 
For my signature...: There are only two photo... (that I changed)
 
For ''Strudio Collection'' by Le Orme: I await your review!


Edited by Mandrakeroot - April 28 2009 at 04:41
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Direct Link To This Post Posted: April 28 2009 at 07:55
Originally posted by Mandrakeroot Mandrakeroot wrote:

For ''Strudio Collection'' by Le Orme: I await your review!

Andrea, a little later if you don't mind. After Polish vacations my mind is still in Poland LOL.
Watch for example this (Anna Maria Jopek and Pat Metheny) and I hope you will excuse me:


Sorry, ladies and gentlemen, for off-topic.
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Direct Link To This Post Posted: April 28 2009 at 15:46
I enjoyed this one quite a bit tooThumbs Up

 Poa by BLOCCO MENTALE album cover Studio Album, 1973
3.68 | 24 ratings

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Poa
Blocco Mentale Rock Progressivo Italiano

Review by andrea
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4 stars Blocco Mentale was an Italian prog band from Lazio that was formed in 1972 by Bernardo “Dino” Finocchi (vocals, sax, flute), Aldo Angeletti (vocals, bass), Gigi Bianchi “Roso” (guitar, vocals), Filippo Lazzari (keyboards, vocals, harmonica) and Michele Arena (drums, vocals). In 1973 they released an interesting album called “Πoa” (that in Greek means grass), featuring naives lyrics dealing with ecological subjects, in a style that could remind of bands like Le Orme, New Trolls and PFM. Despite the good quality, the album was not successful at all and, after the release of a last single, Blocco Mentale disbanded. Later they reformed with another name, Limousine, playing in a more commercial and conventional way... What a pity! Blocco Mentale’s debut work is really worth listen to and the band would have deserved definitively more credit.

The opener “Capita” (It happens) starts with the sax in the forefront counter pointed by the other instruments, then an acoustic guitar comes in melting into the dark... It could happen that the scream of a flower penetrates into your mind and wake up your heart so that you can discover new colours while thousands breaths into the wind carry away your flower and you can feel a new strength and the wish to run without a goal... “Hopes and illusions are lightly floating / Confused into the colour of that wine... You’re shaking and to pluck up courage / You give free play to cry / It seems that a voice is talking to you / All you have to do is listen to...”.

Next track is “Aria e mele” (Air and Apples) where you can find clear influences of Nice and Gentle Giant and bucolic lyrics... “I’ve come into a village / I can listen to a choir / That is telling me / This is the most happy world...”.

“Impressioni” (Impressions) is a long beautiful acoustic ballad featuring good harmony vocals and a nice melody... “In a while new sensations rise / The whole body shakes / Then I realize that a flower is born... I discovered it into that pool / It was born after a long while / My smiling image that was smiling inside me”.

“Io e me” (Me and I) begins in a “bluesy” way, with acoustic guitar and harmonica. The harmony vocals here could remind of New Trolls... “What you can find under the blanket of leaves / That autumn spreads on the worn out paths? / Steps, only steps... My fear of the dark melts back / By now, even if I lose my way into the wood / I’m not alone / If the eyes are friendly fireflies / I can see in the dark...”.

On “La nuova forza” (The new strength) the start reminds me of Le Orme, then the rhythm becomes frenzy until acoustic guitar, flute and soaring dreamy vocals come in depicting a frenzy rising morning where an ageless slow and tired wanderer tells stories and gives hope painting fantasies...

“Ritorno” (Return) try to describe in music and words the come back in a foggy city where the only green spot that you can see is the traffic light while on the last track “Verde” (Green) the wish of people longing for “green panoramas” soars light and melodic... “Big city, we’ll buy a lawn for you / On your walk sides there will be the most beautiful grass”.

On the whole this work is perhaps a little bit “naive” and derivative but it’s quite good and it could be an excellent addition for your Italian prog collection.


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Direct Link To This Post Posted: April 28 2009 at 18:23
I agree with you, andrea and Finny! Clap
Always the first Dino's saxophone can kick me out completely. StarStarStarStarStar
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Direct Link To This Post Posted: May 01 2009 at 15:18
Originally posted by NotAProghead NotAProghead wrote:

Originally posted by Mandrakeroot Mandrakeroot wrote:

For ''Strudio Collection'' by Le Orme: I await your review!

Andrea, a little later if you don't mind. After Polish vacations my mind is still in Poland LOL.
Watch for example this (Anna Maria Jopek and Pat Metheny) and I hope you will excuse me:


Sorry, ladies and gentlemen, for off-topic.
 
Pat Metheny? Well... Great composer. And if I speak in composer field Metheny and Vangelis wins, sure!!!
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Direct Link To This Post Posted: May 01 2009 at 18:01
All, another excellent review has come!
Gives us the feelin' of hearing Agora just now.
Great, John! Clap

Agorà 2
Agora Jazz Rock/Fusion

Review by sinkadotentree
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4 stars AGORA were a six piece Jazz band from Italy.This album was released in 1976 and i concur with what is stated on the "Gepr" site, that their music is "similar to PERIGEO's better stuff". "Punto Rosso" opens with electric piano as a fuller sound comes in quickly.Impressive! Reminds me of MAHAVISHNU ORCHESTRA.Some excellent drum work here before it settles again.Sax comes blasting in before 2 1/2 minutes.There's so much going on.The guitar a minute later is fantastic. "Piramid Di Domani" has some atmosphere to open as acoustic guitar comes in.We get a melody 2 1/2 minutes in.The rest of the song is such a pleasure to listen to. "Tall El Zaatar" features intricate drumming with sax and electric piano early.It settles right down 3 minutes in then starts to build a minute later.Love the drumming! The guitar 6 minutes in is great,very intricate and tasteful. "La Bottega Di Duilio" has these solemn sax melodies before it kicks in before 1 1/2 minutes.Some nice guitar and drum work as sax plays over top.More impressive guitar 4 minutes in as the bass throbs. "Simbiosi(Vasi Comunicanti)" is a sad song with mellow piano and sax throughout.There is a brief outburst before 4 1/2 minutes. "Cavalcota Solare" is a great way to end this album.It's like everything is being held back here,lots of tension.A brief flurry 3 minutes in but it settles quikly.The next outburst is after 4 minutes as the guitar rips it up.And again after 6 1/2 minutes but it stays uptempo this time.I like everything about this track. So 4 stars is a must for this extremely well played and arranged music.

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Direct Link To This Post Posted: May 02 2009 at 15:38
My little Italian Blog is celebrating one year of existence....stop by and say Hi....subscribe to the Blog if you wish.  Link below.  Thanks for everyone from here who has helped out......we have shown the spotlight on some great bands who deserve it.  To the coming year!!  Thumbs UpHeart
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Direct Link To This Post Posted: May 02 2009 at 21:25
Heart > Finny LOL
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Direct Link To This Post Posted: May 02 2009 at 21:50
ClapClapClap  Way to go Damo!

 
 In Other Sunsets by CLEPSYDRA album cover Studio Album, 2009
2.00 | 1 ratings

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In Other Sunsets
Clepsydra Rock Progressivo Italiano

Review by DamoXt7942

— First review of this album —
2 stars After sunsets, dark atmosphere will come here.

At first lookin' at the sleeve, you can find the story not as bright as under the sun. You bet, from the beginning weeping guitar sound should hit our minds and impressive voice can drag us on the dark ground. Open Your Eyes - Clouds , from the first to the second track the stream is really such as above mentioned. Woo, I was afraid I couldn't listen till the end in my right mind. :-) Depressive? No, not only so... Majestic 12 \ Eyes Only is with heavier wow-wow guitar sounds. A voice solo even can kick the guitar and rhythm sections. Frequently altered rhythm should boil us listeners. Now I consider in this work one of the important stuffs is exactly Fabio's guitar solo. Like hitting and blowing all the instruments away... A slow and sad, but loud (GORI-GORI) bass solo leads us to the next song Something Injury . However, here no suspicion about low tone and sticky, slimy voice. Exotica has three parts. On the first and the last, with eccentric drumming, sitar and feminine scat put exotic, Oriental flavour. Sadly, I can't understand how the middle part be related with the others...independent? Hmm...starting the middle one, suddenly floating and cloudy, but pop and catchy sound comes. Why does it change as such? A little surprising. But there's such an impressive sound as the last drowsy and strong electric guitar one. ;-) Albuquerque may be a stable-on-the-earth song? I think at least this sound is one of its characteristics. Of course, even more depressive and heavier. So, for me voice hears rather than vivid, ha-haa! ...After 3 minutes passed, again a guitar solo runs up and down, from right to left...very lyrical and twisted sound. The next stuff Tabasco at sunrise is a relax here for me. One, two, three, GO! Hut, hut...hopping and tapping rhythm is made by a bass and percussions (of course), a rhythmical guitar (!), and a voice (!!!). Let's swing and dance. Along The Cam Nothing More ...is the song really difficult to appreciate? For me, no. Bluesy flavour is always around us. I, without my intention, have a clap and croon, with my appreciation for it. On Acid Moon not bright but clear voices and a guitar solo are the keys but tight and strict rhythm should make this song rigid and progressivo. Very shaped (not complex) and simply aggressive. The last horn and synth sounds can make this song more mysterious I suggest. ...Uh? African beat E-minor...? On Dreamcatcher also voices are so interesting and amazing for us that they can let us go to another Oriental world...with a few rock & roll kicks. Wind chimes are very comfortable at Last Night On Vega . The vocal is bluesy as usual and a bit out of tune :-P but this combination should make us flexible and relaxed. Not kidding. The last track Lost In The Universe is, as its name, a slow and dark ballad, absolutely suitable for the last of this album. I'm sure the guitar be very impressive but the most beautiful stuff is the sound of wind chimes...also important.

Indeed, as I've mentioned above, there are lots of good songs...but it's a pity for me in the WHOLE ALBUM are not so many 'colours' enough to motivate us. Hope their next album will be greater...2 stars.




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Direct Link To This Post Posted: May 03 2009 at 01:24
Great review! Clepsydra are from Switzerland -the Italian speaking canton called Ticino- though they all have Italian names , they are Swiss! Lugano-Locarno and Ascona  are 3 small cities that are gorgeous!
I never post anything anywhere without doing more than basic research, often in depth.
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Direct Link To This Post Posted: May 03 2009 at 09:07
ClapClapClap   Grazie Andrea....great job

 Neo by TORRE DELL ALCHIMISTA, LA album cover Studio Album, 2007
4.23 | 11 ratings

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Neo
La Torre Dell Alchimista Rock Progressivo Italiano

Review by andrea
Prog Reviewer

5 stars The second studio album by La Torre dell’Alchimista was released in 2007, six years after their beautiful debut eponymous work. The line up has slightly changed and now it features Michele Mutti (acoustic and electric piano, Hammond C3, Minimoog, organ, synth, Mellotron), Michele Giardino (vocals), Davide Donadoni (bass) and Michelangelo Donadini (drums, percussion). During the recording sessions they were helped by some guest musicians that enriched the sound of the band providing guitars, sax, violin and flute and the result is definitively good. La Torre dell’Alchimista sound is definitively “keyboards driven” (Michele Mutti plays acoustic and electric piano, Hammond C3, Minimoog, organ, synth and Mellotron) and blends strong classical influences with prog-rock and Italian melody. Good also the art cover (painted by Michele Mutti) and the booklet containing some peculiar pictures and the lyrics. This work could remind of bands like Le Orme, PFM and BMS but it’s not too derivative and it’s really worth listen to. “Neo” is conceived as a concept album describing the end of a love story in an original way, through a continuous parallelism between personal feelings and images taken from ancient myths. Lyrics are not banal and it would be very unfair define this work as just dealing with Greek mythology...

The opener “Dissimmetrie” (Asymmetry) condemns conformism and hypocrisy. Jumping keyboards and sax play joyfully around while lyrics compare people who do not dare to fight for a change in their everyday life to the Golem, an artificial monster with the form of a man created from clay by magic charms or sacred words, an image taken from Jewish folklore. “You are like a shapeless drop of water / You are evanescent / Invisible fade-out / You don’t leave traces of yourself... You are just souls of clay / Who fly away without dignity / You are just souls of clay / Who live into hypocrisy... I look at you and I can see / The curtain of noise / That shelters you / From the external world / Sounds of plastic / Words and shouts”. If you disregard the opinion of the hypocrites and their false smiles, you can dare and fall in love with a beautiful and dangerous woman... And get troubles!

The dreamy outro of the first track leads to “Medusa”, a complex piece in four parts (Faith, Fugue, Chorale, Samba V) that was inspired by the mythical character of an unfortunate woman raped by Neptune into Athena’s temple. After the rape, Medusa’s long hair were turned into snakes by the goddess and she was given the power to turn everyone who dared to look directly at her into stone. According to the myth, the head of Medusa was cut off by Perseus who looked at her through a mirror- like shield. Once cut off, the head maintained its power and was at last placed at the centre of Athena’s Aegis as a symbol of her power. The music perfectly fits the lyrics with well balanced changes of moods and rhythms that blend prog rock, classical music and melodic vocals... “You, who confound my thoughts / On the shield of knowledge / Reflected imagine, You don’t scare me / You, who confound my thoughts / You turn into stone the stupidity / Of the people who stare at you / The men who lived with you are stones by now / The heart that loved you don’t beat anymore... I won’t follow you, I’m free by now...”. Well, a complex, dangerous and charming woman indeed! One who can drive you crazy dancing samba and that could be very difficult to forget...

“Idra” (Hydra) is a short instrumental interlude for piano solo that leads you to the first part of the long and complex “Risveglio, Procreazione e Dubbio” (Awakening, Procreation and Doubt) where, after an amazing instrumental prelude, nice melodic vocals come in changing atmosphere. Lyrics depicts some experiments to overcome the split up where you can find shadows and wasted days fading out until your arms will fall and wings will take their place to let you fly on the horizons just before falling back with your doubts... “So I feel like the father of an unknown son, scared by these signs / If the giant rides the dwarf / How can his arms carry that weight?... Idra, Cerbero and Medusa were born from waking-hours not from sleep / And they devour the remnants of my greatness... And suddenly, I lose myself”.

“L'Amore Diverso” (The Different Love) is another short instrumental for piano solo that leads to “Cerbero” (Cerberus), an intricate track in three parts (Promenade, The Three Heads, The War To Hydrogenous). The sound of a piano leads you softly to the gates of madness... Cerberus is the name of the three-headed monster hound guarding the entrance to the Greek Underworld. No-one can enter or leave without getting past him... “Six eyes, six shouts, you are everywhere I turn my eyes / Six times you promise, but seven times you disappoint / You are blood, you are tears but no sweat!...”. The music is haunting, swinging from frenzy keyboards rides to calm and romantic violin melodies... Well, the nightmares that rise when a love story comes to an end can really haunt you like omnipresent ghosts. Trying to fight them could bring dangerous side-effects and for your soul it could be destructive like an atomic war... “It’s my rage, it’s your craziness / To win, to lose, what’s really important? / A hot wind blows by now / My breath is dying / My way to think about the future is dying...”.

The last track “Risveglio, Procreazione E Dubbio Pt. II” is another beautiful complex piece in three parts (Epilogue, Coda, Farewell) where you can some find a nice flute passage and even some echoes coming from “the court of the Crimson King”. Lyrics deals with the awareness of past errors and the condemn of arrogance, haughtiness and pride... “Time that has joined us is already splitting us / But how moves slowly the time of the split up! / Like a leaf into the wind / You are going away from here / Leaving my body naked / It remains the image of your diversity / You are like a wave, you slowly worn out / You used to confound my thoughts / Now you’re going away / Leaving a void and a closed speech”. A beautiful farewell for an excellent album!

I think that this is album should be a must for every Italianprog lover!


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Direct Link To This Post Posted: May 03 2009 at 09:46
Thanks Finny and  tszirmay for your appreciation of my humble review. Embarrassed
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Direct Link To This Post Posted: May 04 2009 at 16:11
Yeah Mandi!!  ClapClapClap

 
 Abbiamo Tutti I Suoi Problemi by PICCHIO DAL POZZO album cover Studio Album, 1980
4.01 | 23 ratings

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Abbiamo Tutti I Suoi Problemi
Picchio Dal Pozzo Canterbury Scene

Review by Mandrakeroot

2 stars Well... Picchio Dal Pozzo... I'm very intrigued by this band that is described as Canterbury with Rio and Free Jazz ingredients from Genoa. This is the band of Aldo De Scalzi, brother of Vittorio De Scalzai (New Trolls).

This ''Abbiamo Tutti I Suoi Problemi'' (eng: ''We Have All His Problems'') is not an album that please me. In fact ''Abbiamo Tutti I Suoi Problemi is a Rio album. And since Rio music not please me...

I am sincere ''Abbiamo Tutti I Suoi Problemi'' is not a bad album. Certainly ''I Problemi Di Ferdinando P.'' (eng: ''The Problems Of Ferdinand P.'') is a song that I not digest, because this is not a music but a free trumpet improvvisation in the style af Fluxus music by Franco Battiato. Certainly, in general, ''Abbiamo Tutti I Suoi Problemi'' is a good album. But, at the same time, this is not my type of album.

So I have, probably, a distorted perception of the value of ''Abbiamo Tutti I Suoi Problemi'', only that for me all the Picchio Dal Pozzo musicians are great, prepared and technically excellent. For this last motive 2 stars are good for me, since that the Rio music not please me.

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Direct Link To This Post Posted: May 04 2009 at 18:56
New band for you pasta proggers to enjoy   http://www.progarchives.com/artist.asp?id=4462
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