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Petrovsk Mizinski View Drop Down
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Direct Link To This Post Posted: April 02 2009 at 10:22
Originally posted by Epignosis Epignosis wrote:

Finally!  Some criticism!

Wink

I am no sound engineer- never pretended to be one, and I don't have the means to get someone else to do it.  Even my "studio" (laughable term, that) was a work in progress at the same time this album was a work in progress- I was acquiring software, instruments, and the like as the music was being written and recorded.

That said, it was a decision I made to release the album (it has been over three years).  I couldn't sit on it anymore.

And to be honest with you, I never much cared for the "squeaky clean" production sound a lot of modern bands have (The Flower Kings come to mind).  Forgive me, but I like a little grit and a few "anomalies," for lack of a better term.

My reasoning also (and thank you for mentioning this, Pablo) was that if people praise Nursery Cryme, for instance (which is just awful from a production standpoint I think), then I'm okay with the product I made- it seems more people are interested in the compositional and execution aspects of an album more than they are the production (even though, as Harry mentioned, a bad production can mar great music).  I made sure there was no clipping and I brought each recorded file to the level where I felt it should be, but as I said, I'm no sound engineer; I'm sure there are thousands of people who could do a far superior job.  But it was my "baby," as it were, and I'm pleased as punch about it. Smile

Bottom line is, it was a conscious decision on my part to make the album available without tinkering around or paying someone else to do it.  I've made my peace with that (never was at war with it, truth be told).
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Direct Link To This Post Posted: April 02 2009 at 11:14
Well indeed, composition is always the first and foremost.
If it ain't good music of course people wont listen and I'm no exception.
But there is a difference to me at least, between a production with grit that can add feeling to the overall thing(as a fan of stoner/sludge metal, believe me I like some grit in my sound if the genre calls for it) and a production that leaves the impression of an amateurish production which you don't want to do.
As much as I hate to say it, you're album falls into the latter category.
If I were to review your album, the production job itself would be enough for me to rate it a star lower than it otherwise could have been if the production were tighter.
Some of the levels in the mix made me cringe at times.
Sure, lead guitar parts can be boosted a bit in the mix, but some of the lead stuff was just overwhelming the rest of the tracks in the mix.
And given this album isn't meant to be a guitar solo orientated thing, I'm sure that's not what you would be aiming for.

Do you do much EQ-ing on the guitar tracks after you record them? Post EQ is important, but with Line 6 PODs, post EQ is absolutely necessary. The high end isn't too fizzy as I can hear (high end fizz is a common problem in PODs), so I imagine you did some post EQ-ing.
Backing off the mids in Post-EQ may have helped the lead guitars to sit in the mix better.
You may be happy with the tone though, so at least, back off the volume on the lead guitar track a tadto help them sit a bit tighter in the mix

I think had you spent 2-4 weeks on internet forums, posting clips and asking for opinions, it would have made a drastic difference. Still not professional (I mean, hey, I'm so sound engineer either and couldn't afford to pay one) but it would have sounded that bit closer to a good production.
Parts that seem they should be more subtle having too much power and parts that are meant to be more powerful come across as weaker, due to the weak mix and mastering job.
When a production has the ability to add power or subtlety to something and isn't done correctly, it really robs the music of some dynamics.
And this is where people are wrong when they say that production can't affect how good the music is.
That really is just plain wrong.
Think about it folks.........dynamics is one of the fundamental elements of music.
I, and so many other musicians (and I'd imagine sound engineers) dimiss anyone that tells me that the production can't affect the end result, but it does.
Show people 2 differnet mixes/mastering jobs, of the same song.
Show them the first one, which is poorly done and overblows subtle bits out of proportion and makes the powerful bits underwhelming. Add to this, the mix of tracks is bad, so instruments are not fitting into the mix well and things sound pretty washed out.
They'll like it if the compositions are good, sure.
Then show them a mix that allows the music to come to life with better dynamics and none of that washed out sound.
Instantly, they will start having more positive reactions to the music, not purely because of the mixing/mastering, but because now the music has become more powerful and forceful with the added dynamics, which is an element of music. People are hearing the music and not the production per se, but as a direct and indirect result of better production, the music itself sounds better. Sorry if that didn't come across as totally clear (my lack of English skills coming into play......don't be hard on me forumites, I dropped out of high school, haha), but you get what I mean now?

As for grit, I think that certain styles of music need gritty production.
I'm talking about sludge metal, stoner metal and stuff like that, reallly 'dirty and down' kinda music.
Your music doesn't strike me as music that benefits from grit, it's very 'clean' music and an appropriate production would be well suited to that I think.

I will put this serious suggestion forward:
Give yourself a month, post up clips on various sites, even just the PA Musicians Exchange section if the idea of signing up to other sites ain't your thing (but ideally you want to be going to sites with forum boards dedicated to musicians, as I do regularly) , of clips of your stuff and ask how it can be improved production wise.
After that month, offer people a remixed and remastered versions of the album that has resulted from the opinions of the brains of knowledgeable forum board members .
You'll be surprised beyond what you can imagine how much positive reaction you get.
People are gonna start commenting on how now it breathes better and it's more alive.
And even if they don't understand the process behind mixing and mastering, that wont matter, because the music will improve overall because I feel it will put the dynamics back in the mix that your current production job is robbing.
Listen to those old production jobs versus the newer ones and it will blow your mind, not just everyone else's.

Despite it not being the kind of music I'm into these days, your album has a lot of potential.
You're a good song writer, a great guitarist who really knows how to play and your compositions are very nice and fairly detailed.
The production robs of it more potential than you realize.




Edited by Petrovsk Mizinski - April 02 2009 at 11:17
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Direct Link To This Post Posted: April 02 2009 at 11:36
I appreciate your thoughtful response.

I think I concede the recommendation that someone else do the mixing and mastering because I've heard my stuff so much in the course of recording it (I'm about sick of it, really LOL) that it sounds "right" to me.  Even if I fully understood the ins and outs of audio production, I would still rather someone else do the job.

Which costs around $500 really (based on estimates I obtained from last year).  Perhaps I'll have the money for that for the next project, but as it is, I'm personally happy with what I did.  Honest.  I know many others are also, and I also know I can't please everyone.  That's one of the reasons I made sure to post fairly lengthy samples so that people can get a good picture of the overall sound and judge it for themselves.

To be honest with you, though, I don't know too many people that are as mindful of  production.  I know I'm not one of them (Vapor Trails is my favorite Rush album, for example- and its production is horrible).

But thanks for the tips.  I'll probably copy and paste what you said so I can reference it, if that's okay.


Edited by Epignosis - April 02 2009 at 11:38
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Petrovsk Mizinski View Drop Down
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Direct Link To This Post Posted: April 02 2009 at 19:09
Sure man, no problems.
BTW, what brand of studio monitors were you using out of interest?
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Direct Link To This Post Posted: April 02 2009 at 19:14
Originally posted by Petrovsk Mizinski Petrovsk Mizinski wrote:

Sure man, no problems.
BTW, what brand of studio monitors were you using out of interest?


Cheap.  Got em at Wal-Mart I think.

By the way, I listened to my music again today in the car, and honestly, I like how it sounds.  I really do.  Smile
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Direct Link To This Post Posted: April 02 2009 at 19:42
Originally posted by Epignosis Epignosis wrote:

Originally posted by Petrovsk Mizinski Petrovsk Mizinski wrote:

Sure man, no problems.
BTW, what brand of studio monitors were you using out of interest?


Cheap.  Got em at Wal-Mart I think.

By the way, I listened to my music again today in the car, and honestly, I like how it sounds.  I really do.  Smile
It has to sound good in the real-world - in the car, through iPlod ear-buds and on the cheapest, crappiest hi-fi money can buy and not just through professional headphones or studio monitors. One of the major studios in the 60s use to have a little 4" mono speaker as one of their studio monitors so they could hear what the track would sound like played through a typical transistor radio.
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Direct Link To This Post Posted: April 06 2009 at 11:01
Any news about Epignosis' inclusion?
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Direct Link To This Post Posted: April 06 2009 at 11:01
Originally posted by Epignosis Epignosis wrote:

Originally posted by Petrovsk Mizinski Petrovsk Mizinski wrote:

Sure man, no problems.
BTW, what brand of studio monitors were you using out of interest?


By the way, I listened to my music again today in the car, and honestly, I like how it sounds.  I really do.  Smile
 
Good! I'm not the only one who listens to his own music! I thought I was super vain, or something, LOL
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Direct Link To This Post Posted: April 06 2009 at 11:12
Originally posted by p0mt3 p0mt3 wrote:

Originally posted by Epignosis Epignosis wrote:

Originally posted by Petrovsk Mizinski Petrovsk Mizinski wrote:

Sure man, no problems.
BTW, what brand of studio monitors were you using out of interest?


By the way, I listened to my music again today in the car, and honestly, I like how it sounds.  I really do.  Smile
 
Good! I'm not the only one who listens to his own music! I thought I was super vain, or something, LOL


Not vain.  I could care less if I ever heard that album again. Dead  I listened to it again to consider Harry's criticisms.

After thousands of listens (in part or in full), I can say I'm burned out on hearing my first album. LOL
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Direct Link To This Post Posted: April 06 2009 at 11:13
Originally posted by p0mt3 p0mt3 wrote:

Originally posted by Epignosis Epignosis wrote:

Originally posted by Petrovsk Mizinski Petrovsk Mizinski wrote:

Sure man, no problems.
BTW, what brand of studio monitors were you using out of interest?


By the way, I listened to my music again today in the car, and honestly, I like how it sounds.  I really do.  Smile
 
Good! I'm not the only one who listens to his own music! I thought I was super vain, or something, LOL
Of course you only do it to so you can notice all the things you could improve on Wink (Ermm http://www.last.fm/user/darqdean/charts Embarrassed
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Direct Link To This Post Posted: April 06 2009 at 11:15
It's worse for me, man. Trust me. I only have one full song recorded at this point, and after listening to it multiple times trying to hear anomylies and/or mistakes, I am about to go insane. If I hear that crappy, squeely guitar solo again . . . ! Tongue
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Direct Link To This Post Posted: April 06 2009 at 11:19
Originally posted by p0mt3 p0mt3 wrote:

It's worse for me, man. Trust me. I only have one full song recorded at this point, and after listening to it multiple times trying to hear anomylies and/or mistakes, I am about to go insane. If I hear that crappy, squeely guitar solo again . . . ! Tongue


See, that's what I was talking about in an earlier post.  Sometimes those "anomalies" are treasures, and those "mistakes" are right as rain.

Most of my favorite bits of my work happened quite by accident, and I believe over-analyzing everything would ruin any hope of my music having a more "organic" sound.
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Direct Link To This Post Posted: April 06 2009 at 11:21
Originally posted by Dean Dean wrote:

Originally posted by p0mt3 p0mt3 wrote:

Originally posted by Epignosis Epignosis wrote:

Originally posted by Petrovsk Mizinski Petrovsk Mizinski wrote:

Sure man, no problems.
BTW, what brand of studio monitors were you using out of interest?


By the way, I listened to my music again today in the car, and honestly, I like how it sounds.  I really do.  Smile
 
Good! I'm not the only one who listens to his own music! I thought I was super vain, or something, LOL
Of course you only do it to so you can notice all the things you could improve on Wink (Ermm http://www.last.fm/user/darqdean/charts Embarrassed


#5, huh?  Somebody's a fanboy! Wink
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Direct Link To This Post Posted: April 06 2009 at 11:24
Originally posted by Epignosis Epignosis wrote:

Originally posted by Dean Dean wrote:

Originally posted by p0mt3 p0mt3 wrote:

Originally posted by Epignosis Epignosis wrote:

Originally posted by Petrovsk Mizinski Petrovsk Mizinski wrote:

Sure man, no problems.
BTW, what brand of studio monitors were you using out of interest?


By the way, I listened to my music again today in the car, and honestly, I like how it sounds.  I really do.  Smile
 
Good! I'm not the only one who listens to his own music! I thought I was super vain, or something, LOL

Of course you only do it to so you can notice all the things you could improve on Wink (Ermm http://www.last.fm/user/darqdean/charts Embarrassed



#5, huh?  Somebody's a fanboy! Wink

Almost - I've recorded over 250 tracks - so even I can't listen to half my stuff LOL

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Direct Link To This Post Posted: April 06 2009 at 11:51

Your musical compatibility with darqdean is High

Music you have in common includes Gong, Mahavishnu Orchestra, Opeth, Rush and Porcupine Tree.


Smile

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Direct Link To This Post Posted: July 10 2009 at 16:04
Yay- I'm in the celebrated halls of my beloved favorite website. Smile

I just wanted to point out that there's a free streaming mp3 here available for anyone to listen to it ("No Shadow of Turning," the longest song on the album), so if you haven't heard me and you are curious, please, go and hear:

http://www.progarchives.com/artist.asp?id=4642

Again, here is the link to purchase and download the album:

http://www.mymusicsite.com/MediaDetails/AlbumMediaList.aspx?albumid=2926

Thank you everyone for your support. 



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Direct Link To This Post Posted: July 10 2009 at 16:30
Studio Monitors are absolutely not the kind of speakers you want to listen to music to for pleasure....they're so you can mix something and have it work on a home stereo, in the car, etc. There are so many times I've mixed something to where it sounds great in the headphones and take it to the car and it sounds like blech. Especially if you use stereo field alot.
 
Congrats on inclusion Mr. Epignosis. The sampled track certainly shows a degree of mastery of symphonic prog sound that's beyond my songwriting ability. I've been meaning to get the whole album, and I'll lend a review once i've given the time the music deserves.
You are quite a fine person, and I am very fond of you. But you are only quite a little fellow, in a wide world, after all.
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Direct Link To This Post Posted: July 10 2009 at 16:45
Alright Robert- I loved the samples. I'm going to download the album soon.Thumbs Up

btw, I see you now have an artist page on PA. Once I download it I'll write a review (you should write one tooTongue).

Check out my YouTube channel! http://www.youtube.com/user/demiseoftime
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Direct Link To This Post Posted: July 10 2009 at 22:17
Yeah, the album is great. I'm glad Robert finally got included. It was looooooong overdue. Smile
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Direct Link To This Post Posted: August 17 2009 at 10:21
Robert,

I got your album last night, and WOW! I am blown away!

I listened to it twice last night, and twice this morning.

My favorite song is probably An Everlasting Kingdom or No Shadow Turning, but the whole album is really good! It's definitely getting a 4 or 5 star review from me. Great job!Thumbs Up

-Jeff

Check out my YouTube channel! http://www.youtube.com/user/demiseoftime
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