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tszirmay ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: August 17 2006 Location: Canada Status: Offline Points: 6673 |
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"We Are the Robots" and "Trans Europ Express" are incredible tracks , very moody, highly evocative and richly memorable. Again, litterally creating new genres 10 years ahead of its time, talk about pioneering!
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I never post anything anywhere without doing more than basic research, often in depth.
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superprog ![]() Forum Senior Member ![]() Joined: July 07 2006 Status: Offline Points: 1354 |
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saw em live last year bloody awesome show. best thing abt em is that their songs were extremely meticulously arranged and conceived........they influnced dance music but they certainly werent dance music............
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Mandrakeroot ![]() Forum Senior Member ![]() Italian Prog Specialist Joined: March 01 2006 Location: San Foca, Friûl Status: Offline Points: 5851 |
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This is my first Kraftwerk review:
Trans-Europe Express (Trans-Europa Express)
Kraftwerk Progressive Electronic Review by Mandrakeroot ![]() This album is simple and legendary. The music is good example of electronic POP in Prog field... Also if 100% Prog. In TEE are good all songs but in particular: 'Showroom Dummies', great example of electronic Disco Music/ Rock with Proto Synthetic New Wave flavor and my first Krafwerk song that I listen to with 'TEE' ('Trans-Europe Express') my first Kraftwerk video that I watch. In 'TEE' is good to evoke a world now lost, where everything was fit for humans. Or rather... It was believed to be still and TEE were created for business people increasingly pressed by the commitments... But that ended up upsetting habits and killing off the TEE. The video highlights all of this: the slow Krafwerk traveling on a TEE (the mythical 'Rheingold') travels fast as the prototype driven by turbine (soon abandoned) of TGV! And the music? A steam train that runs fast (even the mythical 'Rheingold') that crosses the future high-speed trains (TGV? ICE? Thalys? Eurostar? ES?). Interesting is also 'The Hall Of Mirrors', electronics and hypnotic ballad example of Proto Industrial Music, 'Europe Endless', good song to use as a soundtrack for a documentary on European wildlife... Forests, lakes, mountains, rivers, seas, coasts... Another good song is 'Franz Schubert', naturally dedicated to Franz Schubert (1797- 1828), brilliant composer from Wien (Austria), that is a piece of electronic Classic Music. In general the melodies are evocative and with poor arrangement because the level of melodies are great and not requiring superstructure. So the songs are very light and evocative. In definitive 'Trans-Europe Express' is a great example of Electronic Prog and one of my preferred Prog album in my discography. |
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lodger ![]() Forum Newbie ![]() ![]() Joined: March 16 2009 Status: Offline Points: 2 |
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i guess everyone in on this site really apreciates the impact of kraftwerk, even though not everyone knows it
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The only heroic act is to enjoy life
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tszirmay ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: August 17 2006 Location: Canada Status: Offline Points: 6673 |
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^^^^ Exactly - subliminal influence but real
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I never post anything anywhere without doing more than basic research, often in depth.
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memowakeman ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: May 19 2005 Location: Mexico City Status: Offline Points: 13032 |
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i've been lucky to see Kraftwerk yesterday and today as the support act of Radiohead (strange)
And despite it was the same set list, i truly enjoyed it both days, their music is great and their performance on stage, musically and visually is amazing.
Great band! |
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Follow me on twitter @memowakeman |
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moshkito ![]() Forum Senior Member ![]() ![]() Joined: January 04 2007 Location: Grok City Status: Offline Points: 18005 |
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Hi,
The "learning" or the "expansion" of the synthesizer ... went ... funny.
The first experiments were bad. Period. One could say that up until Beaver & Krause ... there was an attempt to make it an "instrument" so it would be added to the local symphony and sound like ... like .... "an instrument" ... (gotta love it !!!) ...
Well .. it never made it.
But a couple of things got through that helped ... they were Walter/Wendy Carlos doing Bach.
At the time, believe it or not ... no one took it seriously even though here was someone playing Bach ... and it came off as "a joke" ... most serious listeners of classical music thought of it as "cute" ... and did not consider it anything more than just ... a pop song ... let's say.
There was another scene ... the Terry Riley's, Beaver and Krause and folks like Heinemman and Stockhausen ... and their interest went a bit further than just ... music ... it went into that area that academic and popular magazines hate so much ... "experimental" ... or worse yet (later) ... progressive.
I think that the folks close to the Kraftwerk family never got the credit they deserved other than being a synthetic music making machine ... on the opposite end was Tangerine Dream trying to create more movie music for your mind. And of course, Klaus was trying to teach you meditation with the synthesizer ... or some sort of electronic raga concept ...
And that left one area open ... the one that is fun.
From the early days of Ralf and Florian, through the rest of their career, and even the likes of Reodelius and Rother ... and that whole family ... none of them have been taken seriously ... and they have a vast body of work that is ... very nice .... not a Mozart'ian library ... but very nice ... and they helped make the sound accessible without it sounding like all the other instruments ... notice how most synth work these days is about how you use the strings and make it sound like everything else ... like creativity and new things are gone out of existance.
It's like saying that Haendel is not good, simply because Vivaldi was ... it's bull sh*t in other words.
Always remembered here ... and I have the albums!
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Rocktopus ![]() Forum Senior Member ![]() ![]() Joined: March 02 2006 Location: Norway Status: Offline Points: 4202 |
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The Theremin (almost) did. Its still used quite a lot in new avantgarde/classical music: My theremin heroine, Clara Rockmore. Clip from te 70's, pic from the 30's. ![]()
I largely agree, but I think they are being taken quite seriously now. Cluster just played in an Art Centre where I live who's been known for its legendary concerts with everything from John Cage to Soft Machine and electroaqoustic pioneers including Stockhausen in the 70's (and Fred Frith and Peter Brotzmann mm lately). |
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Over land and under ashes
In the sunlight, see - it flashes Find a fly and eat his eye But don't believe in me Don't believe in me Don't believe in me |
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