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Topic ClosedGenesis the most influential prog band?

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rogerthat View Drop Down
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Direct Link To This Post Posted: February 23 2009 at 20:37
^^^

I find it hard to believe he forgot about TFTO Shocked because the day I can get through that album in one session, we can talk about Yes and easy listening! LOL  As much of a Genesis fan as I am, I am inclined to agree.  In the PA top 100 overrated discussion, I mentioned about how Avant/RIO/Zeuhl has hardly any representation in the top 100.  Comparing across sub genres is not advisable, still.... Three Friends has a lower rating than Wind and Wuthering? That's just a bit much.   

As for Camel, I have never got the deal about this band.  I remember a friend telling me he loved it so much he was giving up on metal to listen to stuff like it.  When I got to see for myself,  I was like, "You gave up on something as kickass as metal for THIS?"  I do like me some Mirage but even that one has aged rapidly.  Opeth's mentions of Camel in references have given Camel a rare advantage Wink :  they get shouts not only from old prog fans but also from Opeth fans who went and checked out Camel. 
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Direct Link To This Post Posted: February 23 2009 at 23:00
Originally posted by micky micky wrote:



oh no.. don't go there... you'll sound like like of those teenage twits who measure greatness by how complex it is.  Dionne Warwick hit number 1 on the charts...with a pop song that is as complex metrically ...even more so than anything Gabriel ever tried to sing  Complexity means nothing on this one my friend. Never has when it comes to prog.. most overrated aspect of prog bar none.
 
Hi Mick, the good old times are back and so my blue ink.LOL
 
You know that as you, I can't care less for complexity alone, I was raised with melodic Prog, if we cared for complexity, we wouldn't be working in Crossover and Symphonic, but in Avant or Rio, most of which is Sanscrit for me. Wink
 
But you can't say Genesis is easy listening, Trespass, Nursery Cryme and The Lamb are probably three of the most complex Symphonic albums and you used to claim Yes was some sort of Prog Pop, at least until Relayer.
 

yeah... look at how many people left this site to go there...  goes to show what I said about PA's being the citadel of Genesis fanboyism... we even export that sh*t LOL
 
Sorry, as an old member of Progressive Ears, must tell you that those polls were created in 2000 and 2001, before Prog Archives even existed, so it's not possible for PA to export Genesis fans to make those polls, I even voted in a couple of them.
 
 
I have NO problem with it... Hell brother.. I WANT my prog as pompous.. over the top and indulgent as possible.  If I wanted good songwrting.. I'd have stuck to listening to Willie Nelson and now be posting on some Country Western forum and going on about how damned boring Genesis was when compared to a kick ass jam like Whisky River. LOL

The problem my friend.. is when you have people on a prog forum putting down a band for BEING pompous.. overblown.. indulgent.  that reeks of a few too many f**king Camel fans LOL and a few too many who like their prog a bit light in the loafers hahah

But it's true, even Carl Palmer accepts it, the problem is when people use those adjectives to criticize, I'm in Prog because it's POMPOUS and OVER THE TOP, I love it, if not I would be listening good old ABBA that is more from my time.

You know my opinion about the bands you metion, ELP is like Prozac, while Camel is like Valium to me.. LOL


back at ya.. with a micky kiss attached LOL

The big Icky

We're too old for kisses Micky, and you're a married man Big smile

Iván

PS: Rogerthat, IMO TFTO is not a particularly complex album, it's too long and tedious (well for me and Rick Wakeman) LOL but nothing really too hard to listen, if you tell me Relayer is complex, iI agree, but not TFTO.

 
And honestly, i don't believe an album is overrated in an unpopular genre as Prog, I tend to believe things take it's place, and even though i'm not a Collins era hardcore fan, I believe W&W is a great album, much better than ATOTT.
 
But you know, the problem with Rio and Zeuhl, is that few people understand them .



Edited by Ivan_Melgar_M - February 23 2009 at 23:06
            
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Direct Link To This Post Posted: February 23 2009 at 23:49
Originally posted by Ivan_Melgar_M Ivan_Melgar_M wrote:

PS: Rogerthat, IMO TFTO is not a particularly complex album, it's too long and tedious (well for me and Rick Wakeman) LOL but nothing really too hard to listen, if you tell me Relayer is complex, iI agree, but not TFTO.

 
And honestly, i don't believe an album is overrated in an unpopular genre as Prog, I tend to believe things take it's place, and even though i'm not a Collins era hardcore fan, I believe W&W is a great album, much better than ATOTT.
 
But you know, the problem with Rio and Zeuhl, is that few people understand them .



I was joking about TFTO anyway, it's so hard to listen to it cannot be easy listening, I am with you and Wakeman, three's a crowd! LOL As for how complex it is or not, I would have to listen to it very carefully with a lot of attention to detail to comment...eh, can't be compelled to do that! LOL 

While I don't say W&W is bad, it has far too much middling material - in the middle, no less - to absolutely rule.  While Trick was more accessible, at least it was also more consistent.  Other than Eleventh Earl, there's a curious lack of thrust throughout the album, curious because Genesis did not till then, at least imo, lack thrust.  Three Friends on the other hand is an excellent album and regardless of opinions, is at least more interesting, few GG albums aren't, I am very surprised it doesn't have a better rating here.

I agree that RIO and Zeuhl have a limited following but where it leads us to that accessible, melo-prog albums tend to rule the charts even if they are not necessarily the best - which is what micky said, the Genesis bit was probably more to rile you than anything, I reckon! Wink  Even Canterbury is not as well represented among the top 100 as Symphonic, which goes to strengthen this claim.
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Direct Link To This Post Posted: February 24 2009 at 12:06
You know Rogerthat, I believe Symphonic is on the top of the charts, because Prog reached it's first peak almost exclusively with Symphonic, the 6 big bands are (Not in order LOL):
 
1.- King Crimson: Started as Symphonic
2.- Yes: Symphonic
3.- Genesis: Symphonic
4.- Pink Floyd: Space prog with a  lot of Symphonic elements during their peak
5.- Jethro Tull: Folk with almost Symphonic albums as Thick as a Brick
6.- ELP: Symphonic
 
Prog developed supported by Symphonic, so it's logical that this bands are the most popular by  far.
 
Now about W&W, it's not Eleventh Earl of Mar, you are forgeting One for the Vine, Blood in the Rooftops, All in a Mouse Night, Wot Gorilla?, all the songs are good and reminiscent of early Genesis except the horrendous (IMHO) Your Own Special Way.
 
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Direct Link To This Post Posted: February 24 2009 at 19:48
But Pink Floyd's first album as also the first Soft Machine were in the psychedelic mode rather than symphonic.  Early prog drew most from psychedelic imo, which is why I am always surprised that the Canterbury bands are not as popular as they should be here (though personally I listen more to symph prog).  I would put it down to none of the Canterbury bands having any mainstream presence today nor any legacy (like Pink Floyd).  I really could not pick one from 70s Symph/Folk/Canterbury/Eclectic to define prog - as different as they are from each other, there is an indescribable common thread running through all, perhaps because many of the bands were British.  

As for W&W, I don't like Wot Gorilla. One for the Vine is alright, but Phil doesn't have the requisite presence as vocalist to carry the song - he may be a better singer than Gabriel though, especially in attacking high notes.  And I find Banks's interlude rather bland, but maybe it's just me.  Afterglow and Your Own Special Way drag it down still further.  All In The Mouse's Night and Blood On The Rooftops both hark back to classic Genesis but again Phil doesn't really make it memorable enough for me as far as the vocals go, no reason why he shouldn't because I love his performance on Ripples for instance.  If the two-part instrumental hadn't ended up reprising Eleventh Earl, I would have probably ranked it a lot higher.  We are then left with Eleventh Earl which works mainly because Phil exudes a lot of energy, both on vocals and drums.  So there, some good/decent material that doesn't quite get into the excellent/masterpiece material for me.  I think people are a litle lenient to that album being Hackett's last with Genesis. Wink 
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Direct Link To This Post Posted: February 24 2009 at 19:59
oh yeah.... back to real fun...

Ivan.. .got a question for you and want to pick your brains... don't make anything suspicious out of it. This came for discussion in another thread.  

ELP-  classically influenced EVERYONE would agree... but what makes them symphonic IYO. 
The Pedro and Micky Experience - When one no longer requires psychotropics to trip
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Direct Link To This Post Posted: February 24 2009 at 20:06
Originally posted by micky micky wrote:

oh yeah.... back to real fun...

Ivan.. .got a question for you and want to pick your brains... don't make anything suspicious out of it. This came for discussion in another thread.  

ELP-  classically influenced EVERYONE would agree... but what makes them symphonic IYO. 

Good question, because the first time I heard EL&P and Gentle Giant, they sort of sounded similar to me, Confused of course later on, I found that this was not so.  But what exactly makes Genesis, ELP, Yes, Renaissance all bands of the same sub genre is something I would like to know, not that I am contesting it, just that I don't quite understand but accept it as it is generally accepted by the prog crowd.  Confused  I can hear some resemblances between Yes in their romantic moods and Renaissance (in no small measure due to Jon Anderson Wink) but that's it. 
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Direct Link To This Post Posted: February 24 2009 at 20:14
Well, it could even be argued that ELP are amongst the forerunners of Heavy Prog. Something like "The Barbarian" sure sounds heavy as hell, even without guitars, and even the big epics ("Tarkus", "Karn Evil 9") lean towards the heavy side of things.
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Direct Link To This Post Posted: February 24 2009 at 20:25
Honestly I always had my doubts about ELP, but it's so widely accepted that they are the epitome of Symphonic, that nobody would understand if they were moved, that's why we called The Nice together.
 
We took a risk moving King Crimson, but i believe that if we moved ELP, people would hang us.
 
It-s like the name Symphonic, if you remember I always believed is a misleading term, but changing it would be worst, because it's so spread.
 
Iván


Edited by Ivan_Melgar_M - February 24 2009 at 20:45
            
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Direct Link To This Post Posted: February 24 2009 at 20:31
Originally posted by Ivan_Melgar_M Ivan_Melgar_M wrote:

Honestly I always had my doubts about ELP, but it's so widely accepted that they are the epitome of Symphonic, that nobody would understand if they were moved, that's why we called The Nice together.
 
We took a risk moving King Crimson, but i believe that if we moved ELP, people would hang us.
 
It-s like the name Symphonic, if you remember I always believed is a misleading term, but changing it would be worst, because it-s so speread.
 
Iván


Oh, Ivan, mine was just a fleeting remark, and certainly not a suggestion for moving the bandWink: I am well aware that moving ELP anywhere else would cause an uprising here, and personally I am not sure my teammates would be ready to accept them.
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Direct Link To This Post Posted: February 24 2009 at 20:43
Originally posted by Raff Raff wrote:



Oh, Ivan, mine was just a fleeting remark, and certainly not a suggestion for moving the bandWink: I am well aware that moving ELP anywhere else would cause an uprising here, and personally I am not sure my teammates would be ready to accept them.
 
Don't worry Raff, I had talked with Micky before I replied, I already knew you were not pretending that. Thumbs Up.
 
But honestly, ELP is not the classic Symphonic band, I agree with that, for example GEPR had them catalogued as Classical Prog, whatever that means:
 
Quote

Classical Progressive

More accessibly related, bands starting with The Nice that fused classical music, i.e Bach, Beethoven with rock structures and were often quite pompous yet were quite successful at their time. Usually a three man format.

Bands

 
 

Symphonic Progressive

Characterized by lush keys/synths and very melodic vocals and usually written like a piece of classical music - i.e. "Symphonic." Different from Neo-progressive by being much more complicated, especially in rhythm or scale structure.

Bands

Yes, Genesis (early), Camel, Atoll, Teru's Symphonia, etc.
 
Sadly they didn't explain the differences (One is Rock with Classical influences and the other is rock with Classical format LOL) and i don't see ELP  as accessible.
 
Iván


Edited by Ivan_Melgar_M - February 24 2009 at 20:44
            
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Direct Link To This Post Posted: February 25 2009 at 04:26
So....we come to the fact now that stating that Genesis is the most influential prog band....needs refinement...in such a way that it did not influence all prog, but only the subgenre it belonged to.....Stated as Symphonic Progressive......but never had anything to do with Classic Prog.....as there is very little on classical influences to be traced in Genesis, other than Hacketts Spanish guitar....while with bands as The Nice and ELP this is a really different thing.
 
Neither can be agree that Genesis ever really much in relation tp Psychedelic music.....other than The Waiting Room, although I think many would agree its often tend to become rather hazzy here and there....I do not agree with that...Most songs have a really melodic aproach and are not contra rythmic or characterised by long hazzy improvisations like in King Crimson....neither were any of the bands extreme drug users....or atleast I dont get that impression when reading Chapter & Verse.....This resulted in a more serious aproach of music......I think....that was really not like the early stuff of Pink Floyd....not to mention the work of King Crimson...that is lending much more to the jazz side and that is in IMO only claimed by proggers due the use of heavy Mellotron (this possibly is the only thing Genesis really copied from KC).
 
Can we then compare Genesis with Yes.....I think of all the bands it comes the most close....to it......fairytale lyrics, a serious aproach in music...great craftmanship.....both making extreme compex music and long epics....And again in chapter and verse the admiration for Yes can be read more than once. Although the outcome....what Genesis eventually became to produce is quite different...,and does not look rather complex on the surface.....while with Yes, only one song is enough to realize that.....With Genesis....some things that tend to sound simple....can in real be extremely complex........
 
So....that brings me down to a conclusion I already made a long time ago....and perhaps also one of the great riddles in Prog history.......and that is 'How it became possible that Genesis produced a sound that was so extremely differennt from others and in fact did something a produce a sound, that in fact was never produced by anyone else before.....and interestingly.....on Trespass, not even by themself....as the difference between FTGTR and Trespass remains amazingly stellar.......And then in relation to that the questions did anyone ever did anything like Genesis.....after them....I can only conclude that no one really did.....with the Possible exception of IQ (especially the early material) .....No band ever made anything like Nursery Crime, Selling or The Lamb.
 
 
 
 
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Direct Link To This Post Posted: February 28 2009 at 09:42
Originally posted by Ivan_Melgar_M Ivan_Melgar_M wrote:

Originally posted by Progger Progger wrote:

Originally posted by cacho cacho wrote:

Can you please name me at least 2 Peter Gabriel clones?
 
Peter Gabriel was a Cat Stevens clone !
 
Hardly:
 
  1. Cat Stevens and Peter Gabriel started parallel in 1967 (The first recording sessions were on that year and he had already started in The Garden Wall in 1965 with the same style according to Jonathan King, Mike Rutherford, Antony Phillips and Tony Banks), Cat  got really famous only in 1970 with Mona Bon Jakon, but he started in 1966 , so hardly Peter could had copied him.
  2. Cat Stevens is a Folk Troubadour, Peter is a Rock singer
  3. Cat Stevens started as Soloist, Peter Gabriel as part of a band
  4. Cat Stevens uses a narrative style with few changes, while Peter's style is based in changes and yodels.

We all know you hate Genesis Progger, but to make this kind of affirmations, it's better to research first.

Iván
 
Peter Gabriel started as a folk singer [Tresspass] & there are similarities in their voices!
 
Genesis [along with many other bands] influenced neo prog, that i'll admit but Genesis were not a 'big act' up until the Collins era, so it is unlikely they influenced anyone prior to neo-prog!
 
I don't hate Genesis but it beats the sh*t out of me that they are rated by so many on this site. They made some nice music but it was simplistic prog, school boy lyrics & average musicianship! That's the reality!
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Direct Link To This Post Posted: February 28 2009 at 10:35
Here we go again! Dead
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Direct Link To This Post Posted: February 28 2009 at 11:00
Originally posted by Progger Progger wrote:

Originally posted by Ivan_Melgar_M Ivan_Melgar_M wrote:

Originally posted by Progger Progger wrote:

Originally posted by cacho cacho wrote:

Can you please name me at least 2 Peter Gabriel clones?
 
Peter Gabriel was a Cat Stevens clone !
 
Hardly:
 
  1. Cat Stevens and Peter Gabriel started parallel in 1967 (The first recording sessions were on that year and he had already started in The Garden Wall in 1965 with the same style according to Jonathan King, Mike Rutherford, Antony Phillips and Tony Banks), Cat  got really famous only in 1970 with Mona Bon Jakon, but he started in 1966 , so hardly Peter could had copied him.
  2. Cat Stevens is a Folk Troubadour, Peter is a Rock singer
  3. Cat Stevens started as Soloist, Peter Gabriel as part of a band
  4. Cat Stevens uses a narrative style with few changes, while Peter's style is based in changes and yodels.

We all know you hate Genesis Progger, but to make this kind of affirmations, it's better to research first.

Iván
 
Peter Gabriel started as a folk singer [Tresspass] & there are similarities in their voices!
 
Genesis [along with many other bands] influenced neo prog, that i'll admit but Genesis were not a 'big act' up until the Collins era, so it is unlikely they influenced anyone prior to neo-prog!
 
I don't hate Genesis but it beats the sh*t out of me that they are rated by so many on this site. They made some nice music but it was simplistic prog, school boy lyrics & average musicianship! That's the reality!


No, that's not the reality my friend. Average musicianship? Pfff, what do you listen dude to compare them as ''average''??!! School boy lyrics? You got to be kidding me, if there's one of the famous Prog band that is praised because of it's excellent lyrics it's Genesis(Gabriel-era), well also Pink Floyd.

Simplistic Prog? Again, I ask you, what music do you listen to? All avant-garde? I mean, I do listen to Zappa, and I see there's a notable difference in complexity, but I still can't denie Genesis and a whole bunch of other Prog bands being excellent musicians and composers: Supper's Ready, Cinema Show, The Musical Box, Can-Utility and the Coastliners, Firth of Fifth, Battle of Epping Forest???
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Direct Link To This Post Posted: February 28 2009 at 12:00
Originally posted by cacho cacho wrote:

Originally posted by Progger Progger wrote:

Originally posted by Ivan_Melgar_M Ivan_Melgar_M wrote:

Originally posted by Progger Progger wrote:

Originally posted by cacho cacho wrote:

Can you please name me at least 2 Peter Gabriel clones?
 
Peter Gabriel was a Cat Stevens clone !
 
Hardly:
 
  1. Cat Stevens and Peter Gabriel started parallel in 1967 (The first recording sessions were on that year and he had already started in The Garden Wall in 1965 with the same style according to Jonathan King, Mike Rutherford, Antony Phillips and Tony Banks), Cat  got really famous only in 1970 with Mona Bon Jakon, but he started in 1966 , so hardly Peter could had copied him.
  2. Cat Stevens is a Folk Troubadour, Peter is a Rock singer
  3. Cat Stevens started as Soloist, Peter Gabriel as part of a band
  4. Cat Stevens uses a narrative style with few changes, while Peter's style is based in changes and yodels.

We all know you hate Genesis Progger, but to make this kind of affirmations, it's better to research first.

Iván
 
Peter Gabriel started as a folk singer [Tresspass] & there are similarities in their voices!
 
Genesis [along with many other bands] influenced neo prog, that i'll admit but Genesis were not a 'big act' up until the Collins era, so it is unlikely they influenced anyone prior to neo-prog!
 
I don't hate Genesis but it beats the sh*t out of me that they are rated by so many on this site. They made some nice music but it was simplistic prog, school boy lyrics & average musicianship! That's the reality!


No, that's not the reality my friend. Average musicianship? Pfff, what do you listen dude to compare them as ''average''??!! School boy lyrics? You got to be kidding me, if there's one of the famous Prog band that is praised because of it's excellent lyrics it's Genesis(Gabriel-era), well also Pink Floyd.

Simplistic Prog? Again, I ask you, what music do you listen to? All avant-garde? I mean, I do listen to Zappa, and I see there's a notable difference in complexity, but I still can't denie Genesis and a whole bunch of other Prog bands being excellent musicians and composers: Supper's Ready, Cinema Show, The Musical Box, Can-Utility and the Coastliners, Firth of Fifth, Battle of Epping Forest???
 
Read old reviews from Sounds, NME etc when Genesis were often called 'Yes wannabes' & were also critical of their lyrics. Also, the band themselves they were not great musicians!
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Direct Link To This Post Posted: February 28 2009 at 12:41
Originally posted by Progger Progger wrote:

 
Peter Gabriel started as a folk singer [Tresspass] & there are similarities in their voices!

Correction, Gabriel started with From Genesis to the Revelation in 1968 a Rock - Acoustic album with influences of early Bee Gees and Moody Blues

But Trespass Folk?

Is The Knife Prog? They had some English ethnic elements but Trespass is one of the darker rock albums in history.

The fact that they ahcve some NATURAL SIMILARITIES IN THE VOCAL RANGE, doesn't make any of them clones of the other, that's simply total lack of knowledge.
 
Genesis [along with many other bands] influenced neo prog, that i'll admit but Genesis were not a 'big act' up until the Collins era, so it is unlikely they influenced anyone prior to neo-prog!
 
For God's sake, do you know something about Prog? Or just let your hate speak?
 
They were not a big act, but they influenced a whole bunch of Italian bands where they were Nª 1, they influenced a whole bunch of later Symphonic bands starting with Camel, please, talk if you know.
 
BTW: NME who you quote so proudlty disagrees with you:
 
Quote Success on the continent brought renewed faith, which was vindicated with the release of Foxtrot. The album reached the UK Top 20 and included the epic live favourite "Supper's Ready". Over the next two-and-a-half years, Genesis increased their profile with the bestselling albums Selling England By The Pound and The Lamb Lies Down On Broadway.
 
 
From NME
 
Read before you quote LOL
 
I don't hate Genesis but it beats the sh*t out of me that they are rated by so many on this site. They made some nice music but it was simplistic prog, school boy lyrics & average musicianship! That's the reality!
 
School boy lyrics? Violence, sexual desires borderline with pedophilia,History, Botanic, mythology...For God's sake their lyrics are among the best ones....,.Please, don't loose a great opportunity of staying quiet when you don't know what you are talking about

And Genesis is not rated so high here, is rated as high in every Progressive Rock site

Why is his the reality, because you say it? Well, you once said "Yes is the best band because I say so" and another time you said that whoever didn't agreed with you didn't knew anything about music, so what can we expect, or is Raindance coming to support your posts as he always comes back when you are back?

And why it beats the sh*t out of you. The answer is simple, you use every chance you have to attack Genesis, you even called the Administrators of this site corrupt persons who support Genesis, of course using two different nicknames (This was discovered by Tony R and posted), so say whatever yo want, you're a Genesis hater with very little information,

 
I don't know who said Genesis were Yes wannabes, but that person doesn't matter who is is lost in space, there is no connection between Yes and Genesis at any point, two different sounds, styles, conceptions of music, lyrics,  everything.
 
 
 
Iván


Edited by Ivan_Melgar_M - February 28 2009 at 14:56
            
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Direct Link To This Post Posted: February 28 2009 at 12:43
Originally posted by Lucent Lucent wrote:

Originally posted by The T The T wrote:

Originally posted by Lucent Lucent wrote:

Genesis?  The most influential band?

The most overrated, yes...but not the most influential.
 
What a lot of arguments you give.....
 
 


I knew I could rage up the forums with that post...

I'm one of those kind of guys who doesn't like to make super long paragraphs in order to state a point, so I'll just say that the musicianship is good, but the compositions don't sound refined, but much more so taking an elitist approach to music.  A good example of such would be the intro to Firth of Fifth.

Second, Gabriel's voice annoys me to no ends...and probably about as much as that of James Labrie (Dream Theater.)

Third, nothing jumps out.  It's dull.  It's not energetic.


Note, this is all opinion.
 
I agree entirely with your oppinionsClap [except James LabrieCry]
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Direct Link To This Post Posted: February 28 2009 at 15:00
Originally posted by Progger Progger wrote:

 
Read old reviews from Sounds, NME etc when Genesis were often called 'Yes wannabes' & were also critical of their lyrics. Also, the band themselves they were not great musicians!
 
I'm reading the MNE reviews: LOL
 
 
Quote This is one of only two Genesis tunes from the Gabriel era included on the compilation, a rewriting of history that is breathtaking in its Stalinist efficiency. It's like lawnmowers on the head never happened. But at least we have the incomparable treat of hearing those glorious 1974 lyrical flights of fancy once again.


"Mild men and supermen are held in kryptonite/And the wise and foolish virgins giggle with their bodies glowing white/Through the door a harvest feast is lit by candlelight". They don't write 'em like that any more. They write them like Phil bloody Collins instead.
Johnny Cigarettes
 
They also say:
 
Quote Peter Gabriel has confirmed he will not be joining the Genesis reunion.

The prog giants reformed last year without their vocalist, who left the original incarnation of the group in the mid-1970s.
 
 
I believe there's a difference betweebn Yes wannabes and prog Giants. LOL
 
Read before you throw incoherences
 
But anybody who said Genesis was a band of Yes wannabes, is a bloody ignorant who knows nothing of music, becauser a band that has different type of vocals, different range of vocalists, hardly makes solos like Yes and has a different musical view, can't be a Genesis wannabe.
 
Iván


Edited by Ivan_Melgar_M - February 28 2009 at 15:10
            
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Direct Link To This Post Posted: February 28 2009 at 16:26
gotta love Progger....
The Pedro and Micky Experience - When one no longer requires psychotropics to trip
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