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progismylife View Drop Down
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Direct Link To This Post Posted: February 20 2009 at 10:07
Hehe I agree with Negoba and Harry (Hughes JB4) in most aspects, you guys both have good points and just combine the two to make great awesome point.
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Pekka View Drop Down
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Direct Link To This Post Posted: February 20 2009 at 13:51
Originally posted by Barla Barla wrote:

I love the vintage Marshall sound, actually I think Alex's guitar on Rush's debut album has one of the best guitar sounds ever. Raw and heavy, ohh yeah! That's what I'm talking about!

Heh, I've always thought it has one of the best bass sounds ever. All in all it might be the best sounding record they made until A Farewell to Kings.
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cobb2 View Drop Down
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Direct Link To This Post Posted: February 23 2009 at 20:45
I have just been working on the guitar parts in Spirit of the Radio and Xanadu and have found something common between them both and of interest. Most of the bar chords leave strings 1 and 2 open and these two open strings are used as an integral part of the sound. In classical guitar terms this is called campanellas or the sound of bells. From this limited experience with Lifeson's guitar work, I have found that the amp sound is not as important as getting this 'sound of bells' happening- just a thought...
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himtroy View Drop Down
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Direct Link To This Post Posted: February 24 2009 at 17:23

Yeah, a Les Paul (which I no longer own) into my Hughes and Kettner sounds VERY close to Lifeson's tone, and thats without tweaking it to sound that way at all (never have, as I'm not a huge fan)

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missiongonewrong View Drop Down
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Direct Link To This Post Posted: February 24 2009 at 18:41
Originally posted by cobb2 cobb2 wrote:

I have just been working on the guitar parts in Spirit of the Radio and Xanadu and have found something common between them both and of interest. Most of the bar chords leave strings 1 and 2 open and these two open strings are used as an integral part of the sound. In classical guitar terms this is called campanellas or the sound of bells. From this limited experience with Lifeson's guitar work, I have found that the amp sound is not as important as getting this 'sound of bells' happening- just a thought...
 
 
Hmmm.... That actually is veery useful knowledge. Thanks! I'll have to try it out!Clap
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himtroy View Drop Down
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Direct Link To This Post Posted: February 24 2009 at 18:44
Lifeson does a lot of that,  Just any(well not any) chord rooted on E, and leave the top strings open, theres just certain notes that clash.  For example, A Maj and B Maj are all good, Bb Maj with the open strings....not as much.
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Negoba View Drop Down
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Direct Link To This Post Posted: February 24 2009 at 19:36
He also uses sus chords alot, especially barred Asus2.
You are quite a fine person, and I am very fond of you. But you are only quite a little fellow, in a wide world, after all.
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