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Poll Question: Is it right to download music for free without the artist's consent?
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24 [41.38%]
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Pnoom! View Drop Down
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Direct Link To This Post Posted: February 18 2009 at 15:48
They would be able to.  Even if it were legal, musicians would probably adopt some form of pay what you want downloads (a la Radiohead) and people would use that.
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Direct Link To This Post Posted: February 18 2009 at 16:22

True, but that's not really paying for music - that is not even music by donation, because you could donate nothing and still get the download, which when I think about it is the interweb equivalent of busking.

 
I would love to know how much Radiohead made per download for In Rainbows compared to Pax Cecilia for Blessed Are The Bonds - I would guess Pax Cecilia made more dollars per download, but considerably few downloads.
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Direct Link To This Post Posted: February 18 2009 at 16:28
I'm not suggesting that it's a viable business model for those looking to make a living doing music, but I fail to see how it's "not really paying for music."  Just because you can legally get something for free doesn't mean that all you're doing if you buy it is making a donation.
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Direct Link To This Post Posted: February 18 2009 at 16:54
I'm just playing with semantics - you can go to Pax Cecilia's web site now and download the album for free, or you can go there and make a donation and download the album, or you can go there and just make a donation - the two functions are completely seperate, so are unrelated.
 
Radiohead was slightly different because you couldn't get the download until you'd made a donation (even if it was "0.00") and you couldn't make a(nother) donation after you'd downloaded the album. /edit - also, you couldn't (in Thom's words) "pay what you think it's worth" because you couldn't hear it before you'd paid for it, so could not tell what it was worth until after you'd paid and downloaded it.
 
 
But in this speculative future all the band need is a donations button, since the free download would be available elsewhere and they would not (could not) be offering anything different.
 
 


Edited by Dean - February 18 2009 at 16:57
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Direct Link To This Post Posted: February 18 2009 at 17:02
Originally posted by Dean Dean wrote:


I would love to know how much Radiohead made per download for In Rainbows compared to Pax Cecilia for Blessed Are The Bonds - I would guess Pax Cecilia made more dollars per download, but considerably few downloads.

they made 10 millions from internet release of the album, this sum is not exact,  and it is only for short period ,in the some  weeks  are something  like that :
''Yorke reveals, "In terms of digital income, we've made more money out of this record than out of all the other Radiohead albums put together, forever - in terms of anything on the 'net. And that's nuts. It's partly due to the fact that EMI wasn't giving us any money for digital sales. All the contracts signed in a certain era have none of that stuff."
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Direct Link To This Post Posted: February 18 2009 at 17:32
Originally posted by angelmk angelmk wrote:

Originally posted by Dean Dean wrote:


I would love to know how much Radiohead made per download for In Rainbows compared to Pax Cecilia for Blessed Are The Bonds - I would guess Pax Cecilia made more dollars per download, but considerably few downloads.

they made 10 millions from internet release of the album, this sum is not exact,  and it is only for short period ,in the some  weeks  are something  like that :
''Yorke reveals, "In terms of digital income, we've made more money out of this record than out of all the other Radiohead albums put together, forever - in terms of anything on the 'net. And that's nuts. It's partly due to the fact that EMI wasn't giving us any money for digital sales. All the contracts signed in a certain era have none of that stuff."
Is that a real number? What is it's source? Last I heard Radiohead were not releasing the sales info for the pay-what-you-want download, only the total figures for all formats (including vinyl, CD and iTunes releases) - which was 3 million "copies".
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Direct Link To This Post Posted: February 18 2009 at 17:45

Download music via fileshare is illegal, but why is illegal?

it's illegal for the copyright rights that protect a intellectual propierty of abuse.
 
Those copyrights are, in most cases, forever, until the copyright holder decides to sell to another person.
Or die and the descendanst (generally) inherit the copyrights titularity.
 
Now the main problem that face the bussiness record companies is how volatile is the information on the internet, and here enter many international laws and local laws that should have prohibited this kind of sharing system.
 
And point two: These companies of file sharing do not do anything  to prohibit illegal UPLOAD of content, so any anonymous person can upload what ever want.
 
So, to broke the law is necessary the  behaviour of that person that have the willing of UPLOAD that copyrighyted content, the UPLOAD can be a cd's a couple's of songs, entire books, etc. But i think that the person who UPLOAD is that about to blame, because he put avaible to all the world (almost) the copyright material in mention.
 
So, maybe we can talk of illegal UPLOAD.
 
 




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Direct Link To This Post Posted: February 18 2009 at 17:55
Originally posted by Dean Dean wrote:

Originally posted by angelmk angelmk wrote:

Originally posted by Dean Dean wrote:


I would love to know how much Radiohead made per download for In Rainbows compared to Pax Cecilia for Blessed Are The Bonds - I would guess Pax Cecilia made more dollars per download, but considerably few downloads.

they made 10 millions from internet release of the album, this sum is not exact,  and it is only for short period ,in the some  weeks  are something  like that :
''Yorke reveals, "In terms of digital income, we've made more money out of this record than out of all the other Radiohead albums put together, forever - in terms of anything on the 'net. And that's nuts. It's partly due to the fact that EMI wasn't giving us any money for digital sales. All the contracts signed in a certain era have none of that stuff."
Is that a real number? What is it's source? Last I heard Radiohead were not releasing the sales info for the pay-what-you-want download, only the total figures for all formats (including vinyl, CD and iTunes releases) - which was 3 million "copies".

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Direct Link To This Post Posted: February 18 2009 at 18:40
Originally posted by angelmk angelmk wrote:

Originally posted by Dean Dean wrote:

Originally posted by angelmk angelmk wrote:

Originally posted by Dean Dean wrote:


I would love to know how much Radiohead made per download for In Rainbows compared to Pax Cecilia for Blessed Are The Bonds - I would guess Pax Cecilia made more dollars per download, but considerably few downloads.

they made 10 millions from internet release of the album, this sum is not exact,  and it is only for short period ,in the some  weeks  are something  like that :
''Yorke reveals, "In terms of digital income, we've made more money out of this record than out of all the other Radiohead albums put together, forever - in terms of anything on the 'net. And that's nuts. It's partly due to the fact that EMI wasn't giving us any money for digital sales. All the contracts signed in a certain era have none of that stuff."
Is that a real number? What is it's source? Last I heard Radiohead were not releasing the sales info for the pay-what-you-want download, only the total figures for all formats (including vinyl, CD and iTunes releases) - which was 3 million "copies".

Ah - that's not even an estimate - that's a wild guess based in a survey of 3,000 people - the figure of 1.2million downloads is a guess - the official number is 1.2million visitors to the download site in the first two weeks of the offer, some of those people bought the $80 vinyl box set, and some left without buying or downloading anything (and I visited at least three times before buying the vinyl Wink).
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Direct Link To This Post Posted: February 19 2009 at 01:36
Originally posted by Dean Dean wrote:

True, but that's not really paying for music - that is not even music by donation, because you could donate nothing and still get the download, which when I think about it is the interweb equivalent of busking.


That's a very good point, and one that I've also been thinking about. When artists decides to make their music available for free, that somehow devalues the music. I'm pretty sure there would be many people who, having the choice between a "commercial" album and a free one, would automatically assume that the free one can't possibly be as good as the one you have to buy in a store.

I guess it will take a while until people accept the idea of free music without that connotation.


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Direct Link To This Post Posted: February 19 2009 at 02:30
The thing with Radiohead to keep in mind also, is that this was their first flying solo project (without the backing of a big label) be opting for this method (pay as you see fit download) it generated VAST worldwide (and completey free I might like to add) publicity. People are STILL talking about it................ although I don't  recall any discussions about the music per se.
It was a FREE marketing excercise, and it paid off big time. It paid off because although only 40% paid anything, that 40% was a far, far, far bigger number than they could have hoped for without the free world wide publicity. On hearing that 60% of folk paid jack, then a larger than could be expected ammount of people went out and booked the all singing, all dancing, packed by Thom super deluxe box set. (maybe to make up for all those gits who took it for free and disapeared into the nether regions of cyberspace)

It was as marketing goes almost perfect. The best we've seen for a few years. It was perfectly timed and excetuted. Good Luck to them.

However, this stunt will not work again, it will not work to the same effect for a much smaller band, (and most of the bands we discuss here on PA are much smaller) This was a once only stunt. It's been done now. I think if any smaller band tried to copy this trick they would find themselves woefully disapointed, and out of pocket.  
IT WONT WORK AGAIN. 
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Direct Link To This Post Posted: February 19 2009 at 02:40
Originally posted by Mr ProgFreak Mr ProgFreak wrote:

When artists decides to make their music available for free, that somehow devalues the music.


A couple of years ago in the UK you had the strange situation whereby Prince gave away his new album (Planet Earth) free with a Sunday newspaper (he also gave away free copies with concert tickets for the supporting tour); I think the fact it was free & just given away arbitrarily did colour my listening of the album initially, but it was still a good album.

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Direct Link To This Post Posted: February 19 2009 at 03:36
Originally posted by Alberto Muñoz Alberto Muñoz wrote:

Download music via fileshare is illegal, but why is illegal?

it's illegal for the copyright rights that protect a intellectual propierty of abuse.
 
Those copyrights are, in most cases, forever, until the copyright holder decides to sell to another person.
Or die and the descendanst (generally) inherit the copyrights titularity.
 
Now the main problem that face the bussiness record companies is how volatile is the information on the internet, and here enter many international laws and local laws that should have prohibited this kind of sharing system.
 
And point two: These companies of file sharing do not do anything  to prohibit illegal UPLOAD of content, so any anonymous person can upload what ever want.
 
So, to broke the law is necessary the  behaviour of that person that have the willing of UPLOAD that copyrighyted content, the UPLOAD can be a cd's a couple's of songs, entire books, etc. But i think that the person who UPLOAD is that about to blame, because he put avaible to all the world (almost) the copyright material in mention.
 
So, maybe we can talk of illegal UPLOAD.
 
 
The problem with Bit Torrent P2P filesharing is nobody uploads any illegal material to a file-sharinging company - the torrent file-share sites only store torrent-files and the torrent-file contains no copyright-protected information, it contains none of the artists material and therefore is not illegal.
 
The torrent-file is like a key that instructs the torrent software to collect parts of the target file from all the torrent clients (users) that have copies (or partial copies) of the file on their home PCs. It then peices together the file content from all the small packets it has collected from all the client's PCs like a jigsaw. So the final file could be made up from thousands of small packets from hundreds of different "uploaders" (which is why it is called Peer-to-Peer - the Torrent sites do not even touch the file, legal or illegal, all they provide is the "key")
 
Once the torrent software has each small section of the file, it also starts seeding the system with those same packets, so the "downloader" also becomes an "uploader" - but he is not uploading the whole file, only small pieces of it.
 
 
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Direct Link To This Post Posted: February 19 2009 at 03:37
I think that it was really different in the 70s. Back then, you simply needed a lot of money to record an album, not only was the proper studio technology much more expensive, you even needed professionally trained technicians to operate the equipment. Of course today you still need to know what you're doing - you can't simply buy some DAW software and audio interface for the PC and then record a great album without any additional cost. But I think that it is quite possible to record all the tracks for the album yourself with the DAW software+audio interface, and then you can for example have a professional studio mix and master the album. That way, I guess you only need to spend about 5-10K Eur/$ to record a really good album. That would simply never have been possible in the 70s.
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Direct Link To This Post Posted: February 19 2009 at 04:36
Please stop talking about recording being much cheaper and all that. Its correct of course, but a lousy argument for music to be given away for free. A qualified artist should be able to be an artist for a living. Atleast ideally.

If painting equipment suddenly was given away for free, should I start giving away my work? This is what I do fulltime. If I could only do this in the evenings, after having worked my ass of doing "proper" work, my art would obviously suffer.
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Direct Link To This Post Posted: February 19 2009 at 04:41
Originally posted by Rocktopus Rocktopus wrote:

Please stop talking about recording being much cheaper and all that. Its correct of course, but a lousy argument for music to be given away for free. A qualified artist should be able to be an artist for a living. Atleast ideally.

If painting equipment suddenly was given away for free, should I start giving away my work? This is what I do fulltime. If I could only do this in the evenings, after having worked my ass of doing "proper" work, my art would obviously suffer.


If art suffers because you have a day job and don't have all day to work on it, explain to me why so many great albums have still come from artists that had to record in between their day job?
Chances are, you might just need a few more months to do it if you have a day job that isn't related to the music you're working on, rather than automatically saying : having day job=art suffers.
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Direct Link To This Post Posted: February 19 2009 at 04:50
Originally posted by Rocktopus Rocktopus wrote:

Please stop talking about recording being much cheaper and all that. Its correct of course, but a lousy argument for music to be given away for free. A qualified artist should be able to be an artist for a living. Atleast ideally.

If painting equipment suddenly was given away for free, should I start giving away my work? This is what I do fulltime. If I could only do this in the evenings, after having worked my ass of doing "proper" work, my art would obviously suffer.


I didn't say that because recording has become much cheaper artists *should* give away their music for free. I'm all for "let the artist decide". The point is: Today it is *possible* for an artist to be independent of record companies and still make really good music recordings. That means that contrary to the situation in the 70s, 80s and even 90s, today there are alternatives.
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Direct Link To This Post Posted: February 19 2009 at 04:58
Originally posted by HughesJB4 HughesJB4 wrote:



If art suffers because you have a day job and don't have all day to work on it, explain to me why so many great albums have still come from artists that had to record in between their day job?
Chances are, you might just need a few more months to do it if you have a day job that isn't related to the music you're working on, rather than automatically saying : having day job=art suffers.


Working with art is work too, and should be respected as such. I don't have to explain to you why its possible to do create great art in your spare time (and I've mentioned earlier in the thread that it happens).

An artist can be a brilliant mechanic in his or her spare time and the other way around. So what? We should ideally (like I wrote) allow people that are outstanding at something, do it for a living. Thinking otherwise is an insult to art imo. Stop excusing lack of willingness to pay for art with rubbish arguments like low production expences.

Btw: I'm not saying that any of you aren't buying/paying for stuff. This is just about the arguments you use.
 


Edited by Rocktopus - February 19 2009 at 05:23
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Direct Link To This Post Posted: February 19 2009 at 06:31
I've just sent in the PA interview with Nick Barrett of Pendragon. You may want to read the sections where he talks of this issue. 
"Here I am talking to some of the smartest people in the world and I didn't even notice,” Lieutenant Columbo, episode The Bye-Bye Sky-High I.Q. Murder Case.
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Direct Link To This Post Posted: February 19 2009 at 09:34
Originally posted by Dean Dean wrote:

Originally posted by Alberto Muñoz Alberto Muñoz wrote:

Download music via fileshare is illegal, but why is illegal?

it's illegal for the copyright rights that protect a intellectual propierty of abuse.
 
Those copyrights are, in most cases, forever, until the copyright holder decides to sell to another person.
Or die and the descendanst (generally) inherit the copyrights titularity.
 
Now the main problem that face the bussiness record companies is how volatile is the information on the internet, and here enter many international laws and local laws that should have prohibited this kind of sharing system.
 
And point two: These companies of file sharing do not do anything  to prohibit illegal UPLOAD of content, so any anonymous person can upload what ever want.
 
So, to broke the law is necessary the  behaviour of that person that have the willing of UPLOAD that copyrighyted content, the UPLOAD can be a cd's a couple's of songs, entire books, etc. But i think that the person who UPLOAD is that about to blame, because he put avaible to all the world (almost) the copyright material in mention.
 
So, maybe we can talk of illegal UPLOAD.
 
 
The problem with Bit Torrent P2P filesharing is nobody uploads any illegal material to a file-sharinging company - the torrent file-share sites only store torrent-files and the torrent-file contains no copyright-protected information, it contains none of the artists material and therefore is not illegal.
 
The torrent-file is like a key that instructs the torrent software to collect parts of the target file from all the torrent clients (users) that have copies (or partial copies) of the file on their home PCs. It then peices together the file content from all the small packets it has collected from all the client's PCs like a jigsaw. So the final file could be made up from thousands of small packets from hundreds of different "uploaders" (which is why it is called Peer-to-Peer - the Torrent sites do not even touch the file, legal or illegal, all they provide is the "key")
 
Once the torrent software has each small section of the file, it also starts seeding the system with those same packets, so the "downloader" also becomes an "uploader" - but he is not uploading the whole file, only small pieces of it.
 
 
 
Yes Dean i know how the Torrent works, but i reffer of the millions of blogs putting "free music" and links of Rapidshare, megaupload and the likes




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