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Topic ClosedGenesis the most influential prog band?

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Gustavo Froes View Drop Down
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Direct Link To This Post Posted: February 09 2009 at 11:01
Originally posted by Ivan_Melgar_M Ivan_Melgar_M wrote:

 
For God's sake, even Camel has Genesis influences.

I'm not saying Genesis is the most influential band, but surely is among the most influential along with Pink Floyd, Yes, King Crimson and even
ELP.

 
 


Really?I' ve never noticed that.... Camel is totally apart from all the other bands you mentioned.For me,Pink Floyd stands out as the most influential prog band,simply because of their monstrous worldwide success.Genesis arrive just after along with Yes,i guess.
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Direct Link To This Post Posted: February 09 2009 at 11:25
Originally posted by Gustavo Froes Gustavo Froes wrote:


Really?I' ve never noticed that.... Camel is totally apart from all the other bands you mentioned
 
I find a lot of reminiscences and influences, for example Procession from Mirage, is clearly reminiscent of Battle of the Epping Forest, The Snow Goose has also clear Genesis influences, and there's more.
 
Remember that Camel came later and were influenced by the existing bands.
 
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Direct Link To This Post Posted: February 09 2009 at 11:32
^I must agree on the influence on Camel, if I have to recomend some Genesis lover a classic Prog band, Camel is definitely one of them, Mirage and Snow Goose specially. Then the obvious intro of Lunar Sea ala Watcher of the Skies, and then in Nod and a Wink the song Fox Hill has a very similar keyboard style.
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Direct Link To This Post Posted: February 09 2009 at 11:57
Originally posted by cacho cacho wrote:

^ I know you're joking Mike, this is if the OP really considers Fish as a Gabriel clone. I listened to the entire Script tons of times, and I just can't find similarities. Fish? Hammill maybe...
 
For goodness sake why are there so many semantic abuses of the English language. Nearly every time I read 'Influential' or 'influence' as a thread title, I also go "here we go ahead" , mainly because the words are employed incorrectly or imprecisely. Now here we go with 'clone' - I can think of 3 singers who have or still employ Peter Gabriel-like inflections, intonations (deliberate or otherwise), including the aforementioned Fish, Francis Dunnery, Shaun Guerin. However, play their tunes  them side by side  and the differences are most evident, and these guys are their own men. Compare that against  the zillions doing Elvis P impersonations either  professionally or as amateurs.
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Direct Link To This Post Posted: February 09 2009 at 12:43
Originally posted by Dick Heath Dick Heath wrote:

Originally posted by cacho cacho wrote:

^ I know you're joking Mike, this is if the OP really considers Fish as a Gabriel clone. I listened to the entire Script tons of times, and I just can't find similarities. Fish? Hammill maybe...
 
For goodness sake why are there so many semantic abuses of the English language. Nearly every time I read 'Influential' or 'influence' as a thread title, I also go "here we go ahead" , mainly because the words are employed incorrectly or imprecisely. Now here we go with 'clone' - I can think of 3 singers who have or still employ Peter Gabriel-like inflections, intonations (deliberate or otherwise), including the aforementioned Fish, Francis Dunnery, Shaun Guerin. However, play their tunes  them side by side  and the differences are most evident, and these guys are their own men. Compare that against  the zillions doing Elvis P impersonations either  professionally or as amateurs.
 
 

You are all wrong and me being in my twenties having to tell you who it is kind of ironic.

 

What sparked that original creative spark that became prog rock?

 

Bill Buford: "The Beatles. They broke down every barrier that ever existed. Suddenly you could do anything after The Beatles. You could write your own music, make it ninety yards long, put it in 7/4, whatever you wanted".

 

In their time, they were revolutionary. Look at something like "Happiness Is A Warm Gun", and listen to how many times it changes time signatures. That type of thing was unheard of in pop music in the 60s. Yeh they were not the greatest instrumentalists but people have had 40-45 years of technology to catch up to them.  Many of their arrangements and melodies were revolutionary for their time. Sure, it can be your opinion that they weren't, but all that shows is that you really don't know what you're talking about




Edited by Chelsea - February 09 2009 at 12:45
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Direct Link To This Post Posted: February 09 2009 at 14:18
Why waste time comparing ? There are more Gabriel clones than Anderson . Maybe because its easier to mimic Gabriel. Anderson is an alto tenor who can't be copied. I heard the replacement and he's close but not Jon Anderson. Genesis was great in the 70s as was Yes. The difference is Yes keep going. Where is Genesis now ?? I also feel the 80s Yes was better than Genesis if you can stand listening to it. Close To The Edge is hands down the best of the Symphonic Progressive albums. I also like ELP, PFM, and many others , so let's just appreciate both for what they were.
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Direct Link To This Post Posted: February 09 2009 at 14:32
Originally posted by Chelsea Chelsea wrote:

Originally posted by Dick Heath Dick Heath wrote:

Originally posted by cacho cacho wrote:

^ I know you're joking Mike, this is if the OP really considers Fish as a Gabriel clone. I listened to the entire Script tons of times, and I just can't find similarities. Fish? Hammill maybe...
 
For goodness sake why are there so many semantic abuses of the English language. Nearly every time I read 'Influential' or 'influence' as a thread title, I also go "here we go ahead" , mainly because the words are employed incorrectly or imprecisely. Now here we go with 'clone' - I can think of 3 singers who have or still employ Peter Gabriel-like inflections, intonations (deliberate or otherwise), including the aforementioned Fish, Francis Dunnery, Shaun Guerin. However, play their tunes  them side by side  and the differences are most evident, and these guys are their own men. Compare that against  the zillions doing Elvis P impersonations either  professionally or as amateurs.
 
 

You are all wrong and me being in my twenties having to tell you who it is kind of ironic.

 

What sparked that original creative spark that became prog rock?

 

Bill Buford: "The Beatles. They broke down every barrier that ever existed. Suddenly you could do anything after The Beatles. You could write your own music, make it ninety yards long, put it in 7/4, whatever you wanted".

 

In their time, they were revolutionary. Look at something like "Happiness Is A Warm Gun", and listen to how many times it changes time signatures. That type of thing was unheard of in pop music in the 60s. Yeh they were not the greatest instrumentalists but people have had 40-45 years of technology to catch up to them.  Many of their arrangements and melodies were revolutionary for their time. Sure, it can be your opinion that they weren't, but all that shows is that you really don't know what you're talking about




Yeah guys, you all are fools for thinking otherwise. The expert is in the house now. LOLLOL




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Direct Link To This Post Posted: February 09 2009 at 19:07
Originally posted by Chelsea Chelsea wrote:

Originally posted by Dick Heath Dick Heath wrote:

Originally posted by cacho cacho wrote:

^ I know you're joking Mike, this is if the OP really considers Fish as a Gabriel clone. I listened to the entire Script tons of times, and I just can't find similarities. Fish? Hammill maybe...
 
For goodness sake why are there so many semantic abuses of the English language. Nearly every time I read 'Influential' or 'influence' as a thread title, I also go "here we go ahead" , mainly because the words are employed incorrectly or imprecisely. Now here we go with 'clone' - I can think of 3 singers who have or still employ Peter Gabriel-like inflections, intonations (deliberate or otherwise), including the aforementioned Fish, Francis Dunnery, Shaun Guerin. However, play their tunes  them side by side  and the differences are most evident, and these guys are their own men. Compare that against  the zillions doing Elvis P impersonations either  professionally or as amateurs.
 
 

You are all wrong and me being in my twenties having to tell you who it is kind of ironic.

 

What sparked that original creative spark that became prog rock?

 

Bill Buford: "The Beatles. They broke down every barrier that ever existed. Suddenly you could do anything after The Beatles. You could write your own music, make it ninety yards long, put it in 7/4, whatever you wanted".

 

In their time, they were revolutionary. Look at something like "Happiness Is A Warm Gun", and listen to how many times it changes time signatures. That type of thing was unheard of in pop music in the 60s. Yeh they were not the greatest instrumentalists but people have had 40-45 years of technology to catch up to them.  Many of their arrangements and melodies were revolutionary for their time. Sure, it can be your opinion that they weren't, but all that shows is that you really don't know what you're talking about




I agree. I'd also mention Bob Dylan who, with "Like a Rolling Stone" for example, brought blues, rock and folk together, there again, breaking the barriers. Secondly, I think jazz greatly influenced prog rock to the point that these days we can't even tell whether some bands play jazz or prog rock. Lastly, heavy metal music also had its share of influence. In the end, prog gets its inspirations from so many different places (world music, electronic, etc), it would be a crime to say that Genesis has a dominion over all of them.
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Direct Link To This Post Posted: February 09 2009 at 19:41
Originally posted by fil karada fil karada wrote:

If we begin to travel to the past we'll see that all music came from the cavemen of course. So I just need to know one thing to answer that question: when does jazz/pop/classical/younameit music becomes prog? If someone tells me that I'll answer.
 
That's exactly what I'm always saying man.  It's like, wow, X band influenced you, but the movement from psych to prog has taken place here, so YOU are the most original ever at prog.  It's just lables, black and white being applied to something that has much variance in colour.  Jazz influenced King Crimson, but the way these people act, that doesn't count because it's not the same genre. 
 
WHO CARES WHO INFLUENCED PROG!  If you want to argue about where the mystic comes into music, try to point your finger at the original psychedelia in the 60's.  Progressive rock is just the continuation of psychedelic music, and it directly crosses over.  In the Court of the Crimson King is an example, it's very much a psychedelic rock album as well as a progressive rock album, the Moody Blues, I don't even know which they lean more towards, it's nothing brand new people.


Edited by himtroy - February 09 2009 at 19:45
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Direct Link To This Post Posted: February 09 2009 at 20:03
Originally posted by himtroy himtroy wrote:

Originally posted by fil karada fil karada wrote:

If we begin to travel to the past we'll see that all music came from the cavemen of course. So I just need to know one thing to answer that question: when does jazz/pop/classical/younameit music becomes prog? If someone tells me that I'll answer.
 
That's exactly what I'm always saying man.  It's like, wow, X band influenced you, but the movement from psych to prog has taken place here, so YOU are the most original ever at prog.  It's just lables, black and white being applied to something that has much variance in colour.  Jazz influenced King Crimson, but the way these people act, that doesn't count because it's not the same genre. 
 
WHO CARES WHO INFLUENCED PROG!  If you want to argue about where the mystic comes into music, try to point your finger at the original psychedelia in the 60's.  Progressive rock is just the continuation of psychedelic music, and it directly crosses over.  In the Court of the Crimson King is an example, it's very much a psychedelic rock album as well as a progressive rock album, the Moody Blues, I don't even know which they lean more towards, it's nothing brand new people.
 
I understand how fristratying this can be for somebody with 67 posts, but after 4 or 5 years here, we need new issues tio discuss, and believe me, there are not many left.
 
I have seen at least 20 fantasy band threads, like 40 about desert islands with all the variations, contests Yes against Genesis, ELP and even Henry Cow or Drean Theater vs Barclay James harvest LOL, hundreeds about which is your favorite sub-genre, your most hated album, and of course several underrated and overrated polls.....All of them are tiresome IMHO.
 
But researching about influences present in some bands, is a quite interesting issue, saying Prog is the continuation of Psychedelia is red¡ucing everything to a minimum, Prog is so rich and vast that the influences are too many.
 
There are lots of Prog bands that have no relation with Psyche,or at the most minimum influence, starting with bands that come from Jazz and metal.
 
I do care to discuss about the most influential bands, it's an interesting issue, at least for me and for 5 pages of members who have replied.
 
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Direct Link To This Post Posted: February 09 2009 at 20:37
Well, the new folks like to start new discussions to go over what has been previously discussed and I wouldn't want to deny them their fun.  I do get that deja vu feeling from time to time and I'm certain it comes from repeating myself.
Released date are often when it it impacted you but recorded dates are when it really happened...

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Direct Link To This Post Posted: February 09 2009 at 20:37
No.  Pink Floyd were (and continue to be) the most influential prog band.  They were unique.  Heavy and soft at the same time.  They had complex music that was decades ahead of most bands.  And they stood by the whole "Concept" album thing from start to finish.  Genesis, on the other hand, were/are over-rated.  They became pop clones very quickly, and aside from "Selling England by the Pound," they were very forgettable.  Is it a coincidence that Hackett and Gabriel produced their best creative work after they left Genesis?  As for Fish era Marillion being influenced by Gabriel era Genesis: How?  I have listened to the Gabriel era Genesis and compared it to Fish/Marillion.  There is very little resemblance.  Yes, Fish used to like to dress up live and revel in the Jester image, somewhat mirroring Gabriel's earlier colorful renditions of his own Genesis music.  But that is about it.  Music wise, the Fish era Marillion music is far superior.   But everyone to their own. 

Many too many have stood where I stand.

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Direct Link To This Post Posted: February 09 2009 at 20:38
Originally posted by Slartibartfast Slartibartfast wrote:

I'm certain it comes from repeating myself.
Released date are often when it it impacted you but recorded dates are when it really happened...

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Direct Link To This Post Posted: February 09 2009 at 20:51
Originally posted by SunJester SunJester wrote:

No.  Pink Floyd were (and continue to be) the most influential prog band.  They were unique.  Heavy and soft at the same time.  They had complex music that was decades ahead of most bands. And they stood by the whole "Concept" album thing from start to finish. 
 
As far as i know, pink Floyd music was not among the most complex,to the point that many here say they were never Prog (Something with what I disagree), but that means nothing, they were outstanding
 
 Genesis, on the other hand, were/are over-rated. 
 
Overrated, what a word, this means that because you don't like them, all of us who believe is an outstanding band are wrong.
 
They became pop clones very quickly,
 
Veru quickly?
 
  1. Trespass
  2. Nursery Cryme
  3. Foxtrot
  4. Live
  5. Selling England by the Pound
  6. A Trick of the Tail
  7. Wind & Wuthering
  8. Seconds out

Some include ATTW3 and Duke in Prog, i don't.

But are 8 or 10 abums quickly?  How many bands don't have such a long career
 
and aside from "Selling England by the Pound," they were very forgettable. 
 
So, are:
  1. White Mountain
  2. The Knife
  3. Musical Box
  4. The Return of the Giant Hogweed
  5. Fountain of salmacis
  6. Watcher of the Skies
  7. Can Utility and the Coastliners
  8. Supper's Ready
  9. The Whole Lamb

Fogettable?

Isn't this more your opinion than a fact?
Is it a coincidence that Hackett and Gabriel produced their best creative work after they left Genesis? 
 
Of course it will be logical, because Hackett was not a main songwritter in genesis and peter was miostly a lyricist.
 
As for Fish era Marillion being influenced by Gabriel era Genesis: How?  I have listened to the Gabriel era Genesis and compared it to Fish/Marillion.  There is very little resemblance.  Yes, Fish used to like to dress up live and revel in the Jester image, somewhat mirroring Gabriel's earlier colorful renditions of his own Genesis music.  But that is about it.  Music wise, the Fish era Marillion music is far superior.   But everyone to their own. 
 
There are reminiscences of early Genesis in Marillion, just listen Assasin and Battle for the Epping Forest for example, even Fish in "Marillion The Fish Years" DVD accepts their main influence is genesis.

Now superior......That's another opinion.


Many too many have stood where I stand.
 
I assure you many more stand in the opposite side.

Iván



            
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Direct Link To This Post Posted: February 09 2009 at 21:18
Hi

Just joined ProgArchives (what an incredible site) - my first post , but would like to give my opinion on this discussion...

As a kid my first LP was a Beatles - then The Moody Blues, followed by King Crimson - these two albums set me off on the musical path of what came to be known as "Progressive Rock". So MB and KC were influential to me - as well as (let's not forget) The Nice... 

One can argue many bands as being the MOST influential overall, however the band that cemented this growing genre at that time, I think, has to be Yes.
Without Prog - where would wise men be...?
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Direct Link To This Post Posted: February 09 2009 at 21:27
It seems sorta obvious to me that King Crimson was the most influential prog rock band, but the more I actually start thinking about it, the more I realize that the best argument I can give in favor of that is "they did it first."
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Direct Link To This Post Posted: February 09 2009 at 22:49
Geezus, 5 pages.
No offense to anyone, but I can't believe anyone really cares enough to stretch this out to 5 pages.
Oh well, nevermind me.
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Direct Link To This Post Posted: February 09 2009 at 23:10
FWIW, I think Crimson is more influential.
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Direct Link To This Post Posted: February 09 2009 at 23:27
A general entreaty here:  can you guys stop bringing up Marillion every time there is a Genesis thread for God's sake?  I mean, even when the topic of their influence on neo prog comes up, can we stop bringing up the Fish-Gabriel comparisons for sometime and maybe cite some other neo prog band to demonstrate Genesis' influence? Confused  I like both Fish's stint with Marillion and the five man and four man Genesis albums and it is painful to see people resort to calling one band a magpie (Marillion) and another overrated and boring(Genesis) just to score points off each other. Yes, yes, I have the option not to read it which for your information is what I would have exercised in this thread too had it not been for my own participation in it at a brief juncture when it was made more interesting by some insightful posts from micky. And likewise, you folks have the option to not reduce the level of discourse to such petulant, immature levels either.  Internet is serious business, lolz?  Then why bother if someone says Fish sounds like Gabriel or no, that he sounds like Hamill? Confused  In all fairness, this time, it wasn't so bad as my post might make it out to be, but I am afraid by now my patience has worn thin.  Dead

*End of rant* Feeling better now! Big smile
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Direct Link To This Post Posted: February 10 2009 at 06:17
The flaw in the argument is assuming that all these groups have a hierarchy and worked in isolation. They listened to each other, were inspired by each other and outside influences - including the technological changes that allowed them to do things that had not been done before. Bowie was the one as much as Gabriel who brought performance art to the rock stage. Then Led Zeppelin set the standard for heavy metal (not forgetting that even Abbey Road rocked out at times). Moody Blues was influential on me because of my bigger brother, and their mightiness at the time seems to have been forgotten. Focus showed that instrumental music could stand in its own right and there was room for jazz in rock.

None of the groups could have stood in isolation.
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