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LinusW View Drop Down
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Points: 10665 		Direct Link To This Post Posted: December 03 2008 at 15:50
Originally posted by NaturalScience NaturalScience wrote:

Patrizio Fariselli = most underrated keyboardist in prog.  PERIOD.


Area, oh Area. I want it all. Now.
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Points: 16111 		Direct Link To This Post Posted: December 03 2008 at 15:51
Originally posted by James James wrote:

Originally posted by NaturalScience NaturalScience wrote:

Patrizio Fariselli = most underrated keyboardist in prog.  PERIOD.


I'd go for this person:



Miyako. Heart


Oh man, she would give awesome h....


...


...


...

I can't find something to make this post seem innocent. LOOK AT THE MIC!
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Points: 32181 		Direct Link To This Post Posted: December 03 2008 at 15:51
Why do Henry Cow albums go more quickly every time? Ouch
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Points: 32181 		Direct Link To This Post Posted: December 03 2008 at 15:53
Mike, you're awful. LOL
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Points: 16111 		Direct Link To This Post Posted: December 03 2008 at 15:54
Even the guy in the right of the pic is thinking it. You know he is
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Points: 32181 		Direct Link To This Post Posted: December 03 2008 at 15:54
Originally posted by King By-Tor King By-Tor wrote:

Even the guy in the right of the pic is thinking it. You know he is


Probably. But I wouldn't have thought of that until you said it. LOL
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Points: 89372 		Direct Link To This Post Posted: December 03 2008 at 15:55
Originally posted by MovingPictures07 MovingPictures07 wrote:

Why do Henry Cow albums go more quickly every time? Ouch


Because:

The n00b lives inside you; yes you can feel him move.
Sometimes he's lighting sleeping in the quiet of the Suede Room;
but then his eyes will rise and stare through mine,
he'll speak yours words and slice your mind inside.
Yes, the n00b lives.
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Points: 32181 		Direct Link To This Post Posted: December 03 2008 at 15:56
Alright, I suppose I'm off of here for now. Be back later.
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Points: 89372 		Direct Link To This Post Posted: December 03 2008 at 15:57
We need some Roblov in here.

He'll set the VdGG controls for the heart of the sun.
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Padraic View Drop Down
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Points: 31169 		Direct Link To This Post Posted: December 03 2008 at 15:58
Later Mike.
Yeah, let's stay in here.
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Points: 16111 		Direct Link To This Post Posted: December 03 2008 at 16:02
I'm still here. I think Pat is going Senile.
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TGM: Orb View Drop Down
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Points: 8052 		Direct Link To This Post Posted: December 03 2008 at 16:04
Setting those controls
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Padraic View Drop Down
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Points: 31169 		Direct Link To This Post Posted: December 03 2008 at 16:04
Originally posted by King By-Tor King By-Tor wrote:

I'm still here. I think Pat is going Senile.


I'm already there.  LOL
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Points: 89372 		Direct Link To This Post Posted: December 03 2008 at 16:04
Originally posted by NaturalScience NaturalScience wrote:

Originally posted by King By-Tor King By-Tor wrote:

I'm still here. I think Pat is going Senile.


I'm already there.  LOL


Sorry, who are you again? ShockedConfused
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Points: 31169 		Direct Link To This Post Posted: December 03 2008 at 16:06
Now for some live VdGG Tongue
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LinusW View Drop Down
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Points: 10665 		Direct Link To This Post Posted: December 03 2008 at 16:09
I'm back again after the Area trip. Woohoo! Now I need something contrasting. Some PG4 will do just fine...
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Points: 89372 		Direct Link To This Post Posted: December 03 2008 at 16:10
I have many bootlegs of VdGG, Patrick.  The better quality recordings are great. Big smile

Get Maida Vale.

It may sound weird me saying this but the version of La Rossa on there is better than the Still Life version... which is hard to fathom.
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TGM: Orb View Drop Down
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Points: 8052 		Direct Link To This Post Posted: December 03 2008 at 16:13
Originally posted by MovingPictures07 MovingPictures07 wrote:

Originally posted by James James wrote:

Originally posted by King By-Tor King By-Tor wrote:

Originally posted by James James wrote:

Maybe just more randy then. Big smile

H to He is also epic.  Darkness 11/11 is one of my favourite tracks ever.
The least we can do is smack Alex round the face for his hate of Pawn Hearts is also epic.  Refugees... mmmm!

Lost = best break-up song ever (for me anyhow)
Still Life = how I feel most of the time... existentialism ftw!

Existentialism doesn't fit the Randian philosophy, hence why Alex hateth the VdGG and loveth the Rush.


Darkness 11/11 idn't on that album Jamesy Wink


I meant Lost.

And I was just testing you, after you made your bad Pawn Hearts error. Wink

Killer is on H to He though... not so keen on it as I used to be but it's still better than anything by Frost*.


Killer is my least favorite VDGG track. Dead


I'm sorry, but HOW ON EARTH do people not like that track. The vocals are a sullen, moody and in a way didactic, as well as using genuine breakthrough in language. That 'FISHES CAN'T FLY!' part isn't simply an error, it's a use of a form obsolete in prose to create an appropriate metrical effect. The hammond is amazing, rocking and choppy. The piano is simply the most subtle and potent use of a piano as a lesser component of a progressive rock song. The acoustic melody is an incredibly neat fit. The moog and sax solos are hellishly effective and atmospheric. The composition is sharp, distinctive and constantly mobile.

It's pure brilliance.
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Points: 16111 		Direct Link To This Post Posted: December 03 2008 at 16:13
yeah, Pavlov's Dog's second album really isn't that good
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Padraic View Drop Down
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Points: 31169 		Direct Link To This Post Posted: December 03 2008 at 16:17
Originally posted by TGM: Orb TGM: Orb wrote:



I'm sorry, but HOW ON EARTH do people not like that track. The vocals are a sullen, moody and in a way didactic, as well as using genuine breakthrough in language. That 'FISHES CAN'T FLY!' part isn't simply an error, it's a use of a form obsolete in prose to create an appropriate metrical effect. The hammond is amazing, rocking and choppy. The piano is simply the most subtle and potent use of a piano as a lesser component of a progressive rock song. The acoustic melody is an incredibly neat fit. The moog and sax solos are hellishly effective and atmospheric. The composition is sharp, distinctive and constantly mobile.

It's pure brilliance.


If it's any consolation, I always liked the track myself.  Love the sax playing on it.
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