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Topic ClosedShould Metallica be in the forum?

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Poll Question: Should Metallica be in the forum?
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Atavachron View Drop Down
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Direct Link To This Post Posted: September 21 2008 at 03:40
and perhaps a separate thread should be started in the CZ if a ProtoProg discussion is to be taken further











Edited by Atavachron - September 21 2008 at 03:41
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Direct Link To This Post Posted: September 21 2008 at 03:42
Hmmm, and as I read a bit here and there; and see the debate here - I start too ponder if this debate here may just be an element in a much bigger picture - a discussion going on in bits and pieces in many threads here.

The issue at hand being if this site should be a focal point for all progressive music, or if it should have it's main focus in the classic genres that was popular in the 70's only - and the styles directly evolved from those.

There's a dividing line there - with one side with a desire to focus on psychedelic, heavy and symphonic and the styles and bands evolved from those - another side with a focus on the development of the other styles here (in particular prog metal - as that is the style currently enjoying most commercial popularity it seems). And also a third minority that wants to expand the site beyond the styles of music currently listed to include additional genres of progressive music.

Hopefully the admins have an ongoing debate about this issue, if not they should start one I'd think. Whatever development of the site that may or may not come, it needs to be guided and planned. Right now my gut feeling is that the development is more chaotic now...or has been for some time...which is the cause for the somewhat edgy debates on these issues.

Personally I have a feeling that some general guidelines - perhaps even a strategy - for the development of the site either needs to be made...or if made needs to get well known. For starters, to avoid the big debates with heated opinions and people threatening to leave and never come back (which will be regarded as hurtful or provocative depending on point of view), but also so that the active people here who wants to work at pushing the boundaries know where the limitations are fixed at current - so that they won't kick off unneeded big debates.

As I guess a few admins are still following this thread - there's a few suggestions above. I hope they make sense to you (there's always the danger of my thoughts being comprehensible only to me *chuckles*).
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Direct Link To This Post Posted: September 21 2008 at 03:49
Originally posted by Windhawk Windhawk wrote:

Followed that link, and at once came across a heap of proto prog artists which I don't think is around here - not many at least.
Morton Subotnik, Charles Wuorinen, Milton Babbitt, Karlheinz Stockhausen, Otto Luening, Mario Davidovsky, Vladimir Ussachevsky, Edgard Varese, Tod Dockstader, Pierre Henry and Pierre Schaeffer
All listed as pioneers in the development of electronic prog according to Gibraltar.

Most of them should be easily incorporated into proto prog too, considering the time periods when they started out ;-)


All these composers main link to electronic prog or Progressive Electronic, is that they also used electronics. None of them got anything to do with the term protoprog (the earliest form of Progressive Rock or Progressive Rock in embryonary state).

We had to make a new genre called Electronic Pioneers or someting, but I don't we should. Unlike Tangerine Dream, Kraftwerk, Heldon or Klaus Schulze etc... the early electroacoustic composers got no relation to rock . I think its enough to consider the crossover composers for direct Progressive Electronic inclusion, as was done with Igor Wakhevitch. I'd see the point with Terry Riley and maybe Pierre Henry, but not the rest.
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Direct Link To This Post Posted: September 21 2008 at 04:00
Happy 600th post, everyone! Tongue
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Direct Link To This Post Posted: September 21 2008 at 05:06
Yes Metallica should be in the forums...

But NE OBLIVISCARIS deserves to be in the archives much more!

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Direct Link To This Post Posted: September 21 2008 at 05:15
Originally posted by Windhawk Windhawk wrote:

Hmmm, and as I read a bit here and there; and see the debate here - I start too ponder if this debate here may just be an element in a much bigger picture - a discussion going on in bits and pieces in many threads here.

The issue at hand being if this site should be a focal point for all progressive music, or if it should have it's main focus in the classic genres that was popular in the 70's only - and the styles directly evolved from those.

There's a dividing line there - with one side with a desire to focus on psychedelic, heavy and symphonic and the styles and bands evolved from those - another side with a focus on the development of the other styles here (in particular prog metal - as that is the style currently enjoying most commercial popularity it seems). And also a third minority that wants to expand the site beyond the styles of music currently listed to include additional genres of progressive music.

Hopefully the admins have an ongoing debate about this issue, if not they should start one I'd think. Whatever development of the site that may or may not come, it needs to be guided and planned. Right now my gut feeling is that the development is more chaotic now...or has been for some time...which is the cause for the somewhat edgy debates on these issues.

Personally I have a feeling that some general guidelines - perhaps even a strategy - for the development of the site either needs to be made...or if made needs to get well known. For starters, to avoid the big debates with heated opinions and people threatening to leave and never come back (which will be regarded as hurtful or provocative depending on point of view), but also so that the active people here who wants to work at pushing the boundaries know where the limitations are fixed at current - so that they won't kick off unneeded big debates.

As I guess a few admins are still following this thread - there's a few suggestions above. I hope they make sense to you (there's always the danger of my thoughts being comprehensible only to me *chuckles*).


Indeed - the age old discussion about prog vs. progressive. Or prog style vs. progressive approach, as I chose to call it ... it doesn't really matter, but if you're talking about two separate aspects you need to invent some terms to refer to them.

This may actually be the very reason why we're debating prog-related vs. prog for Metallica here. As I see it, what metallica were doing on their first albums could be seen as progressive approach ... I still think that it's not beyond 5/10 if seen on an album level, but I can see how others might differ. Prog style however is the problem ... you have a *small* number of odd signatures and some quirky riffing here and there, and instrumental like Anesthesia, Call of Cthulu and Orion, but that's about it. Of course you could argue that there are many bands listed as prog with even less prog style, but those make up for that by being much more experimental/avant-garde, post or whatever. The point is: All that Metallica have to offer is the pure progressive approach, which is difficult to identify for non-musicians. So if they were to be added as fully fledged prog, it would be very difficult to explain people why they were added. They would have a hard time understanding why Metallica get added and Megadeth don't.

I don't want to mention my website in every post - but it just so happens that I'm adressing this problem (prog vs. progressive) there. *If* this website wants to be more inclusive in the direction of "progressive music", at some point this problem would have to be addressed ... if you're that inclusive you have to give the visitors some information about the bands, for example whether they're prog in a strict sense or not. Otherwise you would - given the fact that this website has become an authority on prog - distort the meaning of the word "prog".
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Direct Link To This Post Posted: September 21 2008 at 05:25
Yeah, progressive music is extremely far-reaching. Perhaps more far-reaching than people here and willing to go!
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Direct Link To This Post Posted: September 21 2008 at 06:31

I believe the definitions of Proto-Prog and Prog-Related should stay un-touched.

PP should be reserved for bands that led to the development of Progressive Rock in the early 70s (the 1969 deadline is not written in stone and the 'genre' can extend into the 70s as is already noted in the PP definition). Here the generic term "Progressive Rock" encompasses all the bands of the 1970s that we now sub-categorise into sub-genres - none of which existed in the 1970s with the text-book-like definitions we now use, terms like symphonic and electronic were only adjectives applied to Progressive Rock bands for descriptive purposes.
 
The bands listed in PP had a direct or indirect influence on every genre that followed, including Post-Rock, Progressive Metal and Electronic Prog, in the same way that 70s Prog bands also influenced all that followed. Expanding Proto-Prog to cover all subsequent sub-genres specifically would dilute it's purpose and make it a sub-division of Prog Related. PP should remain as documentation of the roots of the original movement, not an all-encompassing record of every band that influenced a Progressive band.
 
In the definition for Prog Related we clearly state:
 
- Are widely accepted as MUSICALLY influential to the development of Progressive Rock by the community.
 
which should be justification enough to fit Metallica, Celtic Frost or even Stockhausen or Philip Glass - or any other artist that was influential to the development of any later sub-genre not covered by Proto Prog. However, if some people do not accept that Progressive Metal is a sub-genre of Progressive Rock then we should alter the wording of the PR definition to make it fit.
 
Of course that does imply there is a difference between the "Progressive Rock" of PP and the "Progressive Rock" of PR, and to my mind there is when you take the terms in context (in fact when read in context then I believe the distinction is obvious). Maybe we can clarify that point better by using the term "Progressive Music" in the Prog-Related definition.
 
Prog-Related is in itself sub-divided into three sub-sub categories: "Influenced By Prog", "Influenced On Prog" and the more contentious "Related To Prog" (or nearly-prog, or almost-prog Wink) [there is a 4th - "Solo works by Prog Artists that aren't actually Prog"]. Perhaps it would be clearer if we tagged each band in PR accordingly in the Bio's to make that distinction.
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Direct Link To This Post Posted: September 21 2008 at 07:23
Originally posted by Dean Dean wrote:

Perhaps it would be clearer if we tagged each band in PR accordingly in the Bio's to make that distinction.


Sounds like a good idea ;-)
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Direct Link To This Post Posted: September 21 2008 at 08:45
Originally posted by Atavachron Atavachron wrote:

I'm as yet undecided about this prospect, though I think Ivan's concern is valid.  Whatever the consensus is on expanding or changing ProtoProg, let's remember this site is in the best position to make such bold establishments, has done so, and is at this point I believe the leader in Prog canon.  This influence should be responsibly wielded and used carefully.  But make no mistake: we are contributing to, sometimes writing, the history of Prog Rock.


 
There's a huge difference between being pioneers and making innovative statements and trying to change history.
 
Proto Prog exists, it's part of Prog history, it's mainly the link between Psyche and Prog, so we can't change the facts  because we're the N° 1 site.
 
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Direct Link To This Post Posted: September 21 2008 at 09:39
Originally posted by Dean Dean wrote:

I believe the definitions of Proto-Prog and Prog-Related should stay un-touched.

PP should be reserved for bands that led to the development of Progressive Rock in the early 70s (the 1969 deadline is not written in stone and the 'genre' can extend into the 70s as is already noted in the PP definition). Here the generic term "Progressive Rock" encompasses all the bands of the 1970s that we now sub-categorise into sub-genres - none of which existed in the 1970s with the text-book-like definitions we now use, terms like symphonic and electronic were only adjectives applied to Progressive Rock bands for descriptive purposes.
 
The bands listed in PP had a direct or indirect influence on every genre that followed, including Post-Rock, Progressive Metal and Electronic Prog, in the same way that 70s Prog bands also influenced all that followed. Expanding Proto-Prog to cover all subsequent sub-genres specifically would dilute it's purpose and make it a sub-division of Prog Related. PP should remain as documentation of the roots of the original movement, not an all-encompassing record of every band that influenced a Progressive band.
 
In the definition for Prog Related we clearly state:
 
- Are widely accepted as MUSICALLY influential to the development of Progressive Rock by the community.
 
which should be justification enough to fit Metallica, Celtic Frost or even Stockhausen or Philip Glass - or any other artist that was influential to the development of any later sub-genre not covered by Proto Prog. However, if some people do not accept that Progressive Metal is a sub-genre of Progressive Rock then we should alter the wording of the PR definition to make it fit.
 
Of course that does imply there is a difference between the "Progressive Rock" of PP and the "Progressive Rock" of PR, and to my mind there is when you take the terms in context (in fact when read in context then I believe the distinction is obvious). Maybe we can clarify that point better by using the term "Progressive Music" in the Prog-Related definition.
 
Prog-Related is in itself sub-divided into three sub-sub categories: "Influenced By Prog", "Influenced On Prog" and the more contentious "Related To Prog" (or nearly-prog, or almost-prog Wink) [there is a 4th - "Solo works by Prog Artists that aren't actually Prog"]. Perhaps it would be clearer if we tagged each band in PR accordingly in the Bio's to make that distinction.


ahhh... that is true Dean... and is the whole problem here since the inception of those categories...

Proto as it is defined and utilized now...is a pointless sub....  we have seen that with the slow creep of bands from proto to the main genres...  if they did progressive rock... before or after 1969 they are.. and have been slowly moved. The Nice.. Procol Harum to name a few.  Either they did prog rock.. or were nascient influences ON it.  So in effect you have influences on prog.. in two completely different categories. Tell me my friend.. .how does that serve this site...  having.. as you say... groups that were influential on prog put away in related.. where those who do take an interest in such a thing.. for the history and lineage of prog is SUCH a wonderful and interesting area of exploration.

If you want to keep proto as it is... but this site deserves to have a seperate section.. not hidden away in related for those who are interested in the groups that made prog what it is.  As David said earlier...  this site is THE trailblazer.. and let's face it... THE resource for those interested in prog. Any dumbsh*t can listen to this stuff...  what this site can do is EDUCATE.  That is what some of us have always had in the back of our minds.  The way this site is structured... makes that damn difficult.. I don't have the time to point out these bands ... nor do you.. or anyone. The structure of the site can make our job easier. 

anyway.. my two cents on that. 
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Direct Link To This Post Posted: September 21 2008 at 09:59
When a person on the home page clicks on a category such as Prog Metal, would there be a way to segregate bands into 2 lists under separate headings?  For example, currently there is a table which lists Progressive Metal Bands/Artists List.  Would it be possible to have a second table/list under prog metal that listed either proto metal bands or prog metal related bands?  If this were possible, then maybe it could make the proto-prog and prog-related categories a bit more useful by attempting to explain what genre a proto or related band is most closely associated with.  I know that is easier said than done.  It might work well for some bands but not for all.  But in a way that would give each of the genre teams a chance to  work with the admins on what proto and related bands associated with their genres are included on the site.  And it would also allow each team to treat these categories in the manner that they feel is best.  If the prog electronic team feels the above mentioned artists should be included and the admin team agree with that then they could choose to either include them or exclude them based on that genre team's goals and if the prog metal or crossover teams have different goals in presenting their genres than they can be more or less inclusive based on their goals.  Same would apply to any team.  I can certainly understand the symphonic team preferring to refer to the classical artists within the definition rather than including the artists on the site, but on the other hand I could see how including some of these classical artists as influences on symphonic prog could be beneficial in the overall presentation of symphonic prog as well.  We already know Ivan's thoughts on this so it is a moot point but that is an option that should be available to his team if they so chose to explore it or present it in that way.

Edited by rushfan4 - September 21 2008 at 10:00
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Direct Link To This Post Posted: September 21 2008 at 10:24
Originally posted by Windhawk Windhawk wrote:


Hopefully the admins have an ongoing debate about this issue, if not they should start one I'd think. Whatever development of the site that may or may not come, it needs to be guided and planned. Right now my gut feeling is that the development is more chaotic now...or has been for some time...which is the cause for the somewhat edgy debates on these issues.

Personally I have a feeling that some general guidelines - perhaps even a strategy - for the development of the site either needs to be made...or if made needs to get well known. For starters, to avoid the big debates with heated opinions and people threatening to leave and never come back (which will be regarded as hurtful or provocative depending on point of view), but also so that the active people here who wants to work at pushing the boundaries know where the limitations are fixed at current - so that they won't kick off unneeded big debates.

As I guess a few admins are still following this thread - there's a few suggestions above. I hope they make sense to you (there's always the danger of my thoughts being comprehensible only to me *chuckles*).
 
I like and agree with this post.  Obviously, the goal of this site is to be the ultimate prog rock resource. We all have various ideas of what this means and how inclusive/exclusive we should be.  This is where the admin teams and the genre teams "make their money" so to speak.  Either each team needs to be allowed to establish their goals and inclusion/exclusion limitations, or the admin team needs to establish it for them.  If the admins are the ones to establish them then it needs to be done across the board and of course that could be distasteful to the genre team members.  i.e. symphonic team being told that they must include Bach because he is a direct influence on symphonic; and crossover being told that they have to include The Beatles, etc etc etc.  (note: maybe this is already done in the PA boardrooms and bedrooms that I am not privy to). 
 
What I do think needs to be allowed to happen though is that if each genre team is allowed to establish their own boundaries (personally I think that it is important that this is what is allowed to happen) then those boundaries need to be respected by all genre teams/collaborators, etc...  The fact that Steely Dan is included or Metallica is excluded needs to be respected.  If the prog metal team determines that Metallica should be included, then it is important that members of the Raga team don't go stomping off in a huff.  Everyone who volunteers their time on this site knows that these decisions are not made willy nilly without a lot of thought or reason put in to them.
 
Lastly, as I always like to make clear I agree that it is more important that genre teams concentrate on 100% pure prog bands, there are many, many bands that are 51% or 49% prog rock bands that at least deserve consideration or mention.  (Assigning prog percentages to bands has been discussed elsewhere so need to further contemplate this thought process as it is another area where we agree to disagree).  These might be the most controversial additions to this site and unfortunately to some members it makes them think that the site is being dumbed down but it is my opinion it is these inclusions that make this site as great as it is.  The fact that we are willing to allow our members to talk about and review albums from bands that are on the fringes of prog. It is thought provoking to look at a band differently to try and see the connection to prog that maybe you didn't see before, but obviously others see it.  Maybe you'll make the connection or maybe you won't but at least for me it is interesting to look at certain bands in a different light. 
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Direct Link To This Post Posted: September 21 2008 at 10:24
that would make a lot of sense Scott I read your idea correctly...  but I think the thing we have to keep in mind is the old 'keep it simple stupid'  M@X doesn't have the time to do this I'm sure.. and that is the overiding concern.. a restructuring like that.. even though it would make the most sense.. probably would not be time effficient.. M@X is a busy man with family and chasing the almighty dollar hahahha.
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Direct Link To This Post Posted: September 21 2008 at 10:29
Originally posted by rushfan4 rushfan4 wrote:

  Same would apply to any team.  I can certainly understand the symphonic team preferring to refer to the classical artists within the definition rather than including the artists on the site, but on the other hand I could see how including some of these classical artists as influences on symphonic prog could be beneficial in the overall presentation of symphonic prog as well
 
Sorry Rushfan, but we added to Symphonic only artists who are really Symphonic, we (Micky, Raff, Ht and me) believed and a least I believe that The Nice (the only band we moved from Proto-Prog) was playing pure Symphonic.
 
Or do you believe that yes, Genesis, etc because they were pioneers should be consideed influential?}
 
And new artists, we added a lot of  them, artists who are borderline with Folk or even Hard Prog, artists that were rejected by other teams, just to avoid losing them, our team and genre works perfectly,we have been an example of how a team should work (As many other teams), we won't change that.
 
.
Originally posted by rushfan4 rushfan4 wrote:

  We already know Ivan's thoughts on this so it is a moot point but that is an option that should be available to his team if they so chose to explore it or present it in that way.
 
Are you asking for a division on the team Rushfan?
 
Well, it won't happen, we take the decisions as a Team, I never imposed my decisions to anybody, and the members of thean are not idiots who accept anything.
 
We never added a controversial band, when the majority of the members or collacorators were against some band,. we decided to give a step back, but when we don't have doudts, we add.
 
I don't believe we have a single band that should be considered as influential only, all of the ones we have are Symphonic, and we don't believe having rejected an artist that should had been in Symphonic.
 
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Direct Link To This Post Posted: September 21 2008 at 10:30

As a non-software developer/code writer, it seems like something that would be fairly easy for M@x to implement.  The time consuming part would be for someone to go through the proto-prog and related bands and decide which genre or genres (if possible) to connect them with.  In the grand scheme of things there really aren't that many bands in those categories at this time so it wouldn't be as difficult as individually tagging all albums or songs. 

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Direct Link To This Post Posted: September 21 2008 at 10:36
Originally posted by rushfan4 rushfan4 wrote:

As a non-software developer/code writer, it seems like something that would be fairly easy for M@x to implement.  The time consuming part would be for someone to go through the proto-prog and related bands and decide which genre or genres (if possible) to connect them with.  In the grand scheme of things there really aren't that many bands in those categories at this time so it wouldn't be as difficult as individually tagging all albums or songs. 



I think M@X is following this.. and to be perfectly honest.. .having exchanged some PM's with him regarding a different issue... he is more open minded that I originally gave him credit for.. so who knows.. perhaps he will find the idea a good one.. one worthy of his time.  As far as the work to do that... yes... but that goes back to the fact that the admins do have a lot of work... but continue to maintain they have enough people to do the job and resist the expansion of the team.  So I assume it would not be additional work on them... they are the ones who took those areas on.. they should know genre team work is not just giving thumbs up's and down's ..but is managing a area.  Those areas are a frickin mess. Especially related.
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Direct Link To This Post Posted: September 21 2008 at 10:58
Iván, my friend, please do not misunderstand me.  I have a pretty good idea of how the symphonic team categorizes bands and how you work as a team.  I am certainly not trying to cause division within your team.  I may not agree with, or more precisely, understand every decision that is made but I respect you and your team and the decisions that are made.  I apologize if my post came across as doing that because that was not my intent.
 
The point that I was trying to make is that on one hand your team appears to be very conservative in what is included on PA, where on the other side of the spectrum the crossover team, for example, appears to be more inclusive of bands.  Obviously, from your above post of including bands in symphonic that other teams rejected just to make sure that they are on the site, your team might be less conservative then it appears at first glance.  I commend your initiative to include these bands, because I agree that if a band is prog then it is most important that they are included, and genre classification is secondary to that inclusion on the site.
 
I digressed there. LOL  The point was that classical artists were influential on symphonic rock bands and a case could be made for including them, if your team so chose to do that.  I am certainly not saying that you should or shouldn't include classical artists.  If done right I think that it could be extremely beneficial to the site and music lovers, but I can also see it as being extraneous and dillutional to the site as well and an unnecessary drain on time and resources.  The fact that classical artists is a decision that has been made and I respect that.  After all, this is a Prog rock site. 
 
 
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Direct Link To This Post Posted: September 21 2008 at 11:08
Originally posted by rushfan4 rushfan4 wrote:

Iván, my friend, please do not misunderstand me.  I have a pretty good idea of how the symphonic team categorizes bands and how you work as a team.  I am certainly not trying to cause division within your team.  I may not agree with, or more precisely, understand every decision that is made but I respect you and your team and the decisions that are made.  I apologize if my post came across as doing that because that was not my intent.
 
Point taken, thanks but to be honest sounded strong.
 
The point that I was trying to make is that on one hand your team appears to be very conservative in what is included on PA, where on the other side of the spectrum the crossover team, for example, appears to be more inclusive of bands. 
 
Well, maybe Crossover should be more conservative...Why do you assume we are the ones that must change?
 
But that's a matter of perspectives, but the only truth is that we are talking of different sub-genres, even when I disagree with Crossover a lot of times, I respect the way they work, I ask the same for us.:
 
The diference Rushfan is that Crossover is an open category, borderline with mainstream, so they can afford the luxury of being more open. Prog Archives is the first site to add that genre, so the site is doing the rules and creating parameters, they can improvise,  this is not the case of Symphonic.
 
Symphonic is a well  established genre with it's own parameters, like Prog Metal for example, they can't accept bands like Yes or Genesis, we can't accept bands like Alan Parsons Project or Steely Dan, and this decision was taken by all the members of the team: Sryo, Salmacis, Micky, Raff, Fragile DT, HT, ClemofNazareth, Guigo, E-Dub, now Windhawk and mysef.
 
 Obviously, from your above post of including bands in symphonic that other teams rejected just to make sure that they are on the site, your team might be less conservative then it appears at first glance.  I commend your initiative to include these bands, because I agree that if a band is prog then it is most important that they are included, and genre classification is secondary to that inclusion on the site.
 
That's what we've done with bands as Mozaik, Karda Estra, Sympozium, etc, but this are at least borderline cases, we are not the Crossver Team, we have a different genre, we have a different method, and we have different parameters.
 
We we are the ones who dared to move King Crimson, Gentle Giant, VDGG, Mike Oldfield, etc  once Symphonic sacred cows, because they were not Symphonic, and included bands like Kansas or artists like Steve Hackett, who could be in Prog Related now.
 
Firstwe believed we will have opposition, but we have support almmost fromeveryboody.
 
I digressed there. LOL  The point was that classical artists were influential on symphonic rock bands and a case could be made for including them, if your team so chose to do that.  I am certainly not saying that you should or shouldn't include classical artists.  If done right I think that it could be extremely beneficial to the site and music lovers, but I can also see it as being extraneous and dillutional to the site as well and an unnecessary drain on time and resources.  The fact that classical artists is a decision that has been made and I respect that.  After all, this is a Prog rock site. 
 
That's our first priority, to keep Prog Archives as a Progressive Rock site.
 
Cheers
 
Iván
 
 


Edited by Ivan_Melgar_M - September 21 2008 at 13:40
            
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Alberto Muńoz View Drop Down
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Direct Link To This Post Posted: September 21 2008 at 13:37
Originally posted by Dean Dean wrote:

I believe the definitions of Proto-Prog and Prog-Related should stay un-touched.

PP should be reserved for bands that led to the development of Progressive Rock in the early 70s (the 1969 deadline is not written in stone and the 'genre' can extend into the 70s as is already noted in the PP definition). Here the generic term "Progressive Rock" encompasses all the bands of the 1970s that we now sub-categorise into sub-genres - none of which existed in the 1970s with the text-book-like definitions we now use, terms like symphonic and electronic were only adjectives applied to Progressive Rock bands for descriptive purposes.
 
The bands listed in PP had a direct or indirect influence on every genre that followed, including Post-Rock, Progressive Metal and Electronic Prog, in the same way that 70s Prog bands also influenced all that followed. Expanding Proto-Prog to cover all subsequent sub-genres specifically would dilute it's purpose and make it a sub-division of Prog Related. PP should remain as documentation of the roots of the original movement, not an all-encompassing record of every band that influenced a Progressive band.
 
In the definition for Prog Related we clearly state:
 
- Are widely accepted as MUSICALLY influential to the development of Progressive Rock by the community.
 
which should be justification enough to fit Metallica, Celtic Frost or even Stockhausen or Philip Glass - or any other artist that was influential to the development of any later sub-genre not covered by Proto Prog. However, if some people do not accept that Progressive Metal is a sub-genre of Progressive Rock then we should alter the wording of the PR definition to make it fit.
 
Of course that does imply there is a difference between the "Progressive Rock" of PP and the "Progressive Rock" of PR, and to my mind there is when you take the terms in context (in fact when read in context then I believe the distinction is obvious). Maybe we can clarify that point better by using the term "Progressive Music" in the Prog-Related definition.
 
Prog-Related is in itself sub-divided into three sub-sub categories: "Influenced By Prog", "Influenced On Prog" and the more contentious "Related To Prog" (or nearly-prog, or almost-prog Wink) [there is a 4th - "Solo works by Prog Artists that aren't actually Prog"]. Perhaps it would be clearer if we tagged each band in PR accordingly in the Bio's to make that distinction.


This is my birthday postLOL
well at least the meaning of proto is Proto= before, so i second the Dean's opinion.

Besides that i Shocked and surprised that the "maybe" Metallica addition could provoque questioning by our SC and Collabs, the entire purpose of the site!






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