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Rocktopus View Drop Down
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Direct Link To This Post Posted: June 28 2008 at 05:55
Yes, that's probably the reason Pnoom!. But its like disqualifying Miles Davis, John Coltrane and Sun Ra in a discussion about 60's jazzinnovators because they've recorded albums in the 50's too (or Omar here, because of At the Drive In).

Anyway, I'm tempted to suggest Toby Driver myself, altough I haven't known his music for that long.
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Direct Link To This Post Posted: June 28 2008 at 06:27
I agree with you, especially since his most innovative music is among his most recent music and came in the last five years as this thread asks.  Maudlin was a unique take on metal, but Kayo Dot/Driver solo are unique takes on music
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Direct Link To This Post Posted: June 28 2008 at 15:57
I will say Steve Wilson also. Not only is Porcupine Tree one of my favorites of newer bands but they are quickly becoming one of my favorite bands ever.
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Direct Link To This Post Posted: June 30 2008 at 13:53
Originally posted by schizoid_man77 schizoid_man77 wrote:

Originally posted by kibble_alex kibble_alex wrote:

Oh i can name a few... Omar Rodriguez-LopezLOL, Mikael AkerfeldtConfused, Neal MorseDead, Roine StoltDead, John PetrucciDead, Steven Wilson Confused(sorry), Danny CareyWink (he's a drummer, but he IS most of the brains behind Tool's polyrhythms and structure)
 
Omar maybe, Mckael maybe. Steven is okey, but when you come down to it, Porcupine tree is just making long verse chorus verse songs, hardly innovative if you ask me. Danny Carey maybe, for bringing experimental drumming to the mainstream.
 
I'd say Toby Driver, and Efrim Munick. 


How would you judge an innovator?

Omar is definitely one, TMV stand in a genre of their own, i don't think anyone can quite mimick them TBH, Mikeal perfectly fuses death metal with prog, please explain how that isn't innovative?

Neal and Roine both write straight down great music, OK it may have all been done before, but they are genii nonetheless. They are still innovative as they have almost re-introduced the Symphonic genre all over again.

John Petrucci is just a fantastically original guitarist and is the only real member of DT i can stand. He was also one of the main hands in truly enforcing Prog Metal as a genre. Steven Wilson is an innovative producer and a very creative songwriter, you can't really take that away from him can you? and Danny Carey? drumming innovator, hands down. His style is untouched.
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Direct Link To This Post Posted: July 02 2008 at 02:53
Didn't see this earlier, figured I might chime in now.
Regarding the above post, indeed it is in fact widely acknowledged that Death, lead by the legendary Chuck Schuldiner, were the prime originators of Progressive death metal and indeed probably the first death metal (history says they weren't the first one the scene with a death metal recording, but they apparently doing death metal before Possessed, but don't take what I'm saying for gospel, I could be wrong.
Human was released in 1991, and the Spiritual Healing released the year before contained a strong progressive vibe, although not quite progressive death metal yet.
Opeth originally formed as a straight death metal band in 1990, and weren't doing prog death until '93, so Death certainly beat them to the progressive death table, but I don't deny the originality of Opeth either, as they have been one of the most important metal bands in the last 15 years.

Petrucci, his lead work is not innovative as such, I see Petrucci's innovation and originality lying in the way he changed the way many heavy metal guitarists looked at technical rhythm outside a death metal and related genre context.
That said, I still love his lead playing, especially his guitar work on Train Of Thought.
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Direct Link To This Post Posted: July 02 2008 at 04:53
The Johnson Treatment are going to turn the prog world upside down with their debut album.

You may not know that name now, someday you'll all know them as the band that changed prog forever.



Edited by Harry Hood - July 02 2008 at 04:55
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Direct Link To This Post Posted: July 03 2008 at 05:28
I'd vote for Steven Wilson with his various projects.
 
Although not perhaps musically as such (after all, hasn't nearly everything been done before in some way?), but in the way he's brought back emotion and tenseness in his compositions toa degree I'd thought lost.
 
Perhaps it's a bit strange combining 'innovation' and 'bringing back', but at least to my mind it seems to make some kind of weird sense.
 
(As a side thought: I don't see the term 'progressive' in the sense of 'avant garde', just as I see that 'New Wave' is now about 25 years old and quite dead, inspite of its dreadful name.)
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Direct Link To This Post Posted: July 03 2008 at 09:39
I can't tell a lie; it's Toby Driver.
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Direct Link To This Post Posted: July 03 2008 at 17:10
Originally posted by kibble_alex kibble_alex wrote:

Originally posted by schizoid_man77 schizoid_man77 wrote:

Originally posted by kibble_alex kibble_alex wrote:

Oh i can name a few... Omar Rodriguez-LopezLOL, Mikael AkerfeldtConfused, Neal MorseDead, Roine StoltDead, John PetrucciDead, Steven Wilson Confused(sorry), Danny CareyWink (he's a drummer, but he IS most of the brains behind Tool's polyrhythms and structure)
 
Omar maybe, Mckael maybe. Steven is okey, but when you come down to it, Porcupine tree is just making long verse chorus verse songs, hardly innovative if you ask me. Danny Carey maybe, for bringing experimental drumming to the mainstream.
 
I'd say Toby Driver, and Efrim Munick. 


How would you judge an innovator?

Omar is definitely one, TMV stand in a genre of their own, i don't think anyone can quite mimick them TBH, Mikeal perfectly fuses death metal with prog, please explain how that isn't innovative?
Omar is excellent, he can pull off a lot of cool stuff, and definately more original than the rest of your list, but (this may sound stupid) I hear a more excited Rob Fripp, with a little less technicality.

Mikael Definately plays some great music, but really he's just taking Death, and turning it up a notch, really not too original, and no, just because you throw in some acoustics dosent make you the mastermind of the century.



Neal and Roine both write straight down great music, OK it may have all been done before, but they are genii nonetheless. They are still innovative as they have almost re-introduced the Symphonic genre all over again. 
My definition of innovator is a person who does some very original.

John Petrucci is just a fantastically original guitarist and is the only real member of DT i can stand. He was also one of the main hands in truly enforcing Prog Metal as a genre. Steven Wilson is an innovative producer and a very creative songwriter, you can't really take that away from him can you? and Danny Carey? drumming innovator, hands down. His style is untouched.
Try Vai, Satriani, or maybe even Eric Johnson. Stick either of those guys in DT and would it sound any more different? His band may have been groundbreaking, but not him.

What you have said about Wilson is all subjective, anyone who knows how to use a soundboard can put some ping pong delay on a keyboard to make it sound cool. I agree though his sonngwriting is definately a lot more interesting than ninety-nine percent of prog bands, even if his voice and lyrics are a bit mainstreamy. Still I dont hear anything crazy groundbraking.


 
Sorry if I seemed harsh in my original post.Smile
 
I guess I'm a little hard and callaced to these things, I feel like I've heard all of them before, therefore dont stike me as very innovative.


Edited by schizoid_man77 - July 03 2008 at 17:15
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Direct Link To This Post Posted: July 03 2008 at 17:16
Originally posted by dzx dzx wrote:

im sticking with fripp. in these days of extreme tech metal krimson still blow away all wannabees with their harda**ed riffing and theyre in their 60s!


Agreed.
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Direct Link To This Post Posted: July 03 2008 at 17:20
Petrucci was innovative in the 90's. Def not this decade though.

Same with Opeth. They've gotten better in this decade, but their most innovative music was in the 90's.

Again, same with Steven Wilson. 90s

now on to this decade

Omar of TMV is one.

SGM are another band who've been real innovative.

Robert Fripp is STILL doing it!!!

and Steve Jenkins

that's all i got for now...
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Direct Link To This Post Posted: July 03 2008 at 17:23
Originally posted by schizoid_man77 schizoid_man77 wrote:

Originally posted by kibble_alex kibble_alex wrote:

Originally posted by schizoid_man77 schizoid_man77 wrote:

Originally posted by kibble_alex kibble_alex wrote:

Oh i can name a few... Omar Rodriguez-LopezLOL, Mikael AkerfeldtConfused, Neal MorseDead, Roine StoltDead, John PetrucciDead, Steven Wilson Confused(sorry), Danny CareyWink (he's a drummer, but he IS most of the brains behind Tool's polyrhythms and structure)
 
Omar maybe, Mckael maybe. Steven is okey, but when you come down to it, Porcupine tree is just making long verse chorus verse songs, hardly innovative if you ask me. Danny Carey maybe, for bringing experimental drumming to the mainstream.
 
I'd say Toby Driver, and Efrim Munick. 


How would you judge an innovator?

Omar is definitely one, TMV stand in a genre of their own, i don't think anyone can quite mimick them TBH, Mikeal perfectly fuses death metal with prog, please explain how that isn't innovative?
Omar is excellent, he can pull off a lot of cool stuff, and definately more original than the rest of your list, but (this may sound stupid) I hear a more excited Rob Fripp, with a little less technicality.

Mikael Definately plays some great music, but really he's just taking Death, and turning it up a notch, really not too original, and no, just because you throw in some acoustics dosent make you the mastermind of the century.



Neal and Roine both write straight down great music, OK it may have all been done before, but they are genii nonetheless. They are still innovative as they have almost re-introduced the Symphonic genre all over again. 
My definition of innovator is a person who does some very original.

John Petrucci is just a fantastically original guitarist and is the only real member of DT i can stand. He was also one of the main hands in truly enforcing Prog Metal as a genre. Steven Wilson is an innovative producer and a very creative songwriter, you can't really take that away from him can you? and Danny Carey? drumming innovator, hands down. His style is untouched.
Try Vai, Satriani, or maybe even Eric Johnson. Stick either of those guys in DT and would it sound any more different? His band may have been groundbreaking, but not him.

What you have said about Wilson is all subjective, anyone who knows how to use a soundboard can put some ping pong delay on a keyboard to make it sound cool. I agree though his sonngwriting is definately a lot more interesting than ninety-nine percent of prog bands, even if his voice and lyrics are a bit mainstreamy. Still I dont hear anything crazy groundbraking.


 
Sorry if I seemed harsh in my original post.Smile
 
I guess I'm a little hard and callaced to these things, I feel like I've heard all of them before, therefore dont stike me as very innovative.


I agree with some of what you said Ian, but your point on Petrucci is unfortunately not all opinion.
Of Satriani, Johnson and Vai, if you read up on your history you'll find of the 3 only Vai really ever did metal.
Not a chance you could draft Johnson into DT. This isn't opinion really. Johnson simply would not have the metal rhythm guitar chops at all to keep up.
Satriani, he has more hard rocking rhythm chops, but I'd be surprised if he had enough stamina for the rhythm role.
Vai, I don't think he ever really did thrash riffs, although he is the most likely able to pull if off with enough practice.
Some people forget, not only is Petrucci a soloist, but he was also raised on a diet of playing thrash metal guitar in his younger days, so he also has monster metal guitar rhythm chops.
The only type of player that could you really compare with him in terms of who could fill his shoes, would be another metal player.
In this respect, Vai, Satriani and Johnson are not good comparisions, but a guy like Michael Romeo would make more sense to compare to Petrucci.
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Direct Link To This Post Posted: July 03 2008 at 17:37
Originally posted by Rocktopus Rocktopus wrote:

Yes, that's probably the reason Pnoom!. But its like disqualifying Miles Davis, John Coltrane and Sun Ra in a discussion about 60's jazzinnovators because they've recorded albums in the 50's too (or Omar here, because of At the Drive In).

Anyway, I'm tempted to suggest Toby Driver myself, altough I haven't known his music for that long.


the difference is those guys were not only innovators, but visionaries as well, something that seems to be lacking in the music world these days. Omar, Fripp and John Scofield seem to be the only ones i can think of that are modern visionaries. Most rock guys (of any sub-genre) hit a peak at some point and then never reach that point again (with exceptions). Same with jazz guys, blues, or anything else.
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Direct Link To This Post Posted: July 03 2008 at 17:52
Originally posted by darkshade darkshade wrote:


Omar of TMV is one.

SGM are another band who've been real innovative.

"Real innovative"? How are SGM or TMV innovative? I'm just wondering if you can even say what exactly these bands are doing that is innovative. They kind of have their own sound but so do Spock's Beard and The Flower Kings; a band having it's own sound isn't enough to call them innovators.
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Direct Link To This Post Posted: July 03 2008 at 18:01
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Direct Link To This Post Posted: July 03 2008 at 18:08
Originally posted by HughesJB4 HughesJB4 wrote:

Originally posted by schizoid_man77 schizoid_man77 wrote:

Originally posted by kibble_alex kibble_alex wrote:

Originally posted by schizoid_man77 schizoid_man77 wrote:

Originally posted by kibble_alex kibble_alex wrote:

Oh i can name a few... Omar Rodriguez-LopezLOL, Mikael AkerfeldtConfused, Neal MorseDead, Roine StoltDead, John PetrucciDead, Steven Wilson Confused(sorry), Danny CareyWink (he's a drummer, but he IS most of the brains behind Tool's polyrhythms and structure)
 
Omar maybe, Mckael maybe. Steven is okey, but when you come down to it, Porcupine tree is just making long verse chorus verse songs, hardly innovative if you ask me. Danny Carey maybe, for bringing experimental drumming to the mainstream.
 
I'd say Toby Driver, and Efrim Munick. 


How would you judge an innovator?

Omar is definitely one, TMV stand in a genre of their own, i don't think anyone can quite mimick them TBH, Mikeal perfectly fuses death metal with prog, please explain how that isn't innovative?
Omar is excellent, he can pull off a lot of cool stuff, and definately more original than the rest of your list, but (this may sound stupid) I hear a more excited Rob Fripp, with a little less technicality.

Mikael Definately plays some great music, but really he's just taking Death, and turning it up a notch, really not too original, and no, just because you throw in some acoustics dosent make you the mastermind of the century.



Neal and Roine both write straight down great music, OK it may have all been done before, but they are genii nonetheless. They are still innovative as they have almost re-introduced the Symphonic genre all over again. 
My definition of innovator is a person who does some very original.

John Petrucci is just a fantastically original guitarist and is the only real member of DT i can stand. He was also one of the main hands in truly enforcing Prog Metal as a genre. Steven Wilson is an innovative producer and a very creative songwriter, you can't really take that away from him can you? and Danny Carey? drumming innovator, hands down. His style is untouched.
Try Vai, Satriani, or maybe even Eric Johnson. Stick either of those guys in DT and would it sound any more different? His band may have been groundbreaking, but not him.

What you have said about Wilson is all subjective, anyone who knows how to use a soundboard can put some ping pong delay on a keyboard to make it sound cool. I agree though his sonngwriting is definately a lot more interesting than ninety-nine percent of prog bands, even if his voice and lyrics are a bit mainstreamy. Still I dont hear anything crazy groundbraking.


 
Sorry if I seemed harsh in my original post.Smile
 
I guess I'm a little hard and callaced to these things, I feel like I've heard all of them before, therefore dont stike me as very innovative.


I agree with some of what you said Ian, but your point on Petrucci is unfortunately not all opinion.
Of Satriani, Johnson and Vai, if you read up on your history you'll find of the 3 only Vai really ever did metal.
Not a chance you could draft Johnson into DT. This isn't opinion really. Johnson simply would not have the metal rhythm guitar chops at all to keep up.
Satriani, he has more hard rocking rhythm chops, but I'd be surprised if he had enough stamina for the rhythm role.
Vai, I don't think he ever really did thrash riffs, although he is the most likely able to pull if off with enough practice.
Some people forget, not only is Petrucci a soloist, but he was also raised on a diet of playing thrash metal guitar in his younger days, so he also has monster metal guitar rhythm chops.
The only type of player that could you really compare with him in terms of who could fill his shoes, would be another metal player.
In this respect, Vai, Satriani and Johnson are not good comparisions, but a guy like Michael Romeo would make more sense to compare to Petrucci.
 
While what you said is true, I wasnt trying to make a comparison to their style of shred, rather I was trying to say his style has been done, thrash or not, he's no innovator. Besides, in images and words, there wasnt even a lot of thrash riffing going around, I hear more hair metal than thrash. IMO. 
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Direct Link To This Post Posted: July 03 2008 at 20:07
I hear zero hair metal on Images and Words
well maybe Another Day
but tell me how in the hell Metropolis sounds like hair metal


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Direct Link To This Post Posted: July 03 2008 at 21:36
Originally posted by Atavachron Atavachron wrote:

Damon Che



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Direct Link To This Post Posted: July 03 2008 at 22:40

My prog innovators are: Mikael, Steve Wilson, and Petrucci. I'm really sorry if this upsets anyone, but they're my main 3 guys.

Mikael and Opeth influence the kind of riffs I write, metal, very evil sounding, very diverse at the same time..always keeping it progressive.
 
Steven Wilson and his work with PT, Blackfield..hell even No-Man is very influential to me. Most of all I love Steven's lyrics and his songwriting skills are great. Not to mention a hell of a voice.
 
Of course, Petrucci is my #1 influence because, I'm a guitarist and he is one of the most talented guitarists and musicians in ALL of music. I love his guitar work, his practice discipline, and even though you may not...his work with DT. The music that he helps write with them is the reason they are my favorite band. I listen to a lot of other types of prog, and still DT is without a doubt my favorite. Now I know, I know some people are going to whine and bitch about it, but that's just the way it is. This is what innovates me. It bothers me when people cannot accept that music is personal preferance.
 
A wise man once said "Music is like ice cream, everyone has a favorite flavor."
 
That man of course was my father, he might have been a bit drunk, but the saying rings true time and time again. LOL
 
 


Edited by MisterProg2112 - July 03 2008 at 22:42
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Direct Link To This Post Posted: July 03 2008 at 22:41
Originally posted by heyitsthatguy heyitsthatguy wrote:

I hear zero hair metal on Images and Words
well maybe Another Day
but tell me how in the hell Metropolis sounds like hair metal
 
I don't even hear the hair metal influence on Another Day. There's a saxaphone solo!
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