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crimson87 View Drop Down
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Direct Link To This Post Topic: Questions about vinyl
    Posted: May 24 2008 at 22:23
I am 21 years old and I have never heard one of my beloved records on vinyl before.This is a question mainly for the older members of PA , WHICH DIFFERENCES DO YOU ENCOUNTER WHEN COMPARING A VINYL TO A CD? Are vinyls better? Or is it pure nostalgia?
 
I am asking this question becouse I am due to buy ITCOTCK as a vinyl and I have my doubts
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Direct Link To This Post Posted: May 24 2008 at 22:32
Well I'm no expert and I imagine the more experienced people will pop in on this topic later, but you will now a CD has a 44100 Hz sampling rate, which according to Nyquist's Theorem (maybe I'm wrong, but I now it's one of the things to do with Nyquist) states that the maximum frequencies produced are going to be half the sampling rate i.e 22050Hz which is of course means we get the whole spectrum of the human hearing range and more.
A Vinyl, due to many factors like wear and tear etc, over time tends to have a restricted frequency range, sometimes even rolling off at around 8khz, which results in a vinyl of the same CD sounding warmer than than CD.
Hopefully someone can add to what I saidThumbs%20Up
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Direct Link To This Post Posted: May 24 2008 at 22:39
that was a preety technical explanation , but I appreciate it
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Direct Link To This Post Posted: May 24 2008 at 22:42
Actually, that was kinda just some of the more basic info that partly explains why vinyls sound the way they do. I can imagine a full on audio-phile with some knowledge of electronics and physics would give you something a hell of a lot scarier than what I saidTongue
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Direct Link To This Post Posted: May 24 2008 at 22:55
Analogue (vinyl) has a different sound compared to digital (CD, mp3).  I think people exaggerate their opinions of which is "better," it all depends on a multitude of issues.  The best approach is to be open to both, since buying cheap vinyl rocks, plus I usually prefer the "analogue" sound myself, but I have a great CD player (Cambridge Audio Azur 340c) as well as a great turntable (Rega P1), so I'm generally happy unless the mix is sh*t, which usually is only the case in music I consider bad. ;)

Ignore the technical stuff, since if you like analogue more, you can dig up studies that prove vinyl is superior.  If you prefer digital, you can dig up studies that prove CDs are are superior.  Go from experience and that alone, since studies are contradictory because disagreeing parties like to prove they are right.

I might even look for/buy a cassette player soon.  At book sales/flea markets cassettes seem to generally be better selection than the CDs, plus are way cheaper.  Reel-to-reel is cool, but I'll wait a few years for that.  I'll pass on the 8-track for now too


Edited by Bluesaga - May 24 2008 at 22:58
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Direct Link To This Post Posted: May 26 2008 at 03:31
I've put on weight since CDs took over, no more walks to the record deck every 20 minutes!
"The disgusting stink of a too-loud electric guitar.... Now, that's my idea of a good time."
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Direct Link To This Post Posted: May 26 2008 at 03:51
Personally, I'd never give away my vinyls. I like to refer to  a survey, and a blind test that they had at a hifi magazine. Vinyl, by sound quality owned cd by far. I suppose it's true. I just love the feeling it gives me, and yeah, some cds have a really clinical sound. In fact, when I go to the store, I usually buy the vinyl rather than the cd if they have it.
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Direct Link To This Post Posted: May 26 2008 at 04:14
Speaking as someone who got into prog in the vinyl age, vinyl sucks.  In a perfect audiophile world with the perfect equipment and a perfect vinyl, maybe it does sound better.  Even if you do have the hearing of a dog.  The norm is needle noise, scratch noise, etc...

For me, I'd rather hear the music than the medium.  And just try taking along the record player in your car.  TongueNow, when it comes to album art, the LP has yet to be beat.

There's a reason why CDs were invented and became a popular format to deliver music and that is the LP, which was invented to replace that cylinder thingy because of it's sonic limitations. LOL

I seriously don't get this whole LPs sounds warmer thing.  What is it, the friction of needle in a groove?  Scratch a CD and it can usually be repaired, scratch an LP and it's permanently ruined. 

Now, many of the early CDs were made from the LP masters, which were structured in a way to compensate for physical limitations of the LP.  Honestly, I'm not entirely sure I can hear the difference, but Mr. Fripp has some choice words to say on the subject.  (sorry, don't have a link handy) Those of us who wound up with them basically got ripped off.  I say go for the latest remaster if it's available.


Edited by Slartibartfast - May 26 2008 at 04:49
Released date are often when it it impacted you but recorded dates are when it really happened...

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Direct Link To This Post Posted: May 26 2008 at 04:17
All things being equal vinyl will sound better than 'Red Book' CD. The sample rate as mentioned before is based on Nyquist's theorem which says that you must double the sample frequency of the maximum frequency being articulated. There are many problems associated with this process of which I am not going to go into here (most of the problems occur with filtering and jitter). Many very talented technicians and engineers have employed all kind of electronic 'tricks' to get better sound from digital, but in the end a analog recording will sound better all things being equal but digital is so much more versatile. The analog to digital and the digital to analog process is much better now than it was when CD was first introduced in the early 80's. Recording equipment has also improved dramatically over the years which adds to the sonic purity of the CD.  The proof is in SACD recordings which have a much higher sample and bit rate over Red Book CD. When you listen to a SACD recording and then the same recording using Red Book CD you can hear the differences. SACD which works at 24 bit depth and a sample frequency of 96KHz is far more accurate and also gives you much better dynamic range. SACD is much closer to vinyl in sound quality. The problem is that most of the stuff that we like to listen to is not available on SACD. We are stuck with the Red Book CD but it's much better now than it was when it was first introduced.
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Direct Link To This Post Posted: May 26 2008 at 04:54
Well, however you cut it or listen to it, the invention of recording was revolutionary in the history of music.  But the music is much more important than the medium.  I would alway tape my LPs to cassette to preserve them and make them portable.  DBX anyone? Big%20smile

All this stuff we're talking about was recorded to a tape anyway, if you weren't there to hear and see it live, so much was lost anyway and in some cases the recorded product was much better than the live and in studio version...


Edited by Slartibartfast - May 26 2008 at 04:59
Released date are often when it it impacted you but recorded dates are when it really happened...

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Direct Link To This Post Posted: May 26 2008 at 05:14
Originally posted by Sacred 22 Sacred 22 wrote:

All things being equal vinyl will sound better than 'Red Book' CD. The sample rate as mentioned before is based on Nyquist's theorem which says that you must double the sample frequency of the maximum frequency being articulated. There are many problems associated with this process of which I am not going to go into here (most of the problems occur with filtering and jitter). Many very talented technicians and engineers have employed all kind of electronic 'tricks' to get better sound from digital, but in the end a analog recording will sound better all things being equal but digital is so much more versatile.


It's true that filtering and jitter can produce so called "artefacts" in the signal. However, these artefacts are well above the normal frequency range of the typical listener ... so IMO it's a very theoretical problem.

Originally posted by Sacred 22 Sacred 22 wrote:


The analog to digital and the digital to analog process is much better now than it was when CD was first introduced in the early 80's. Recording equipment has also improved dramatically over the years which adds to the sonic purity of the CD.  The proof is in SACD recordings which have a much higher sample and bit rate over Red Book CD. When you listen to a SACD recording and then the same recording using Red Book CD you can hear the differences. SACD which works at 24 bit depth and a sample frequency of 96KHz is far more accurate and also gives you much better dynamic range. SACD is much closer to vinyl in sound quality. The problem is that most of the stuff that we like to listen to is not available on SACD. We are stuck with the Red Book CD but it's much better now than it was when it was first introduced.


There are various listening tests which show that even skilled listeners have problems telling high bitrate mp3 from CD ... it's even more difficult for CD vs. DVD-Audio/SACD. But I agree that these high resolution formats are the way to go -  it's simply not necessary to reduce the signal quality during mastering just to meet a 25 year old standard (red book).
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Direct Link To This Post Posted: May 26 2008 at 05:27
Another cool factoid, those younger folks can actually hear sounds in a frequency range us older people can't.  But guess what, you're going to get older sooner or later if you don't die first.  Sorry, don't want to be the bummer man...
Released date are often when it it impacted you but recorded dates are when it really happened...

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Direct Link To This Post Posted: May 26 2008 at 05:37
^ even school kids can't hear frequencies above 20khz ... and let's not forget that such high frequencies aren't reproduced by vinyl either.
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Direct Link To This Post Posted: May 26 2008 at 12:47
Vinyl vs. CD?  It is dependent on the condition of the vinyl and whether or not the CD has been remastered decently. 
 
Many of my LP's from '67 though '70 are not in very good shape. Hey, I was a 13 year old kid during the Summer of Love and didn't take very good care of my LP's.  Skips, pops, surface noise -- it's all there.  So in this case I often prefer the CD.  On the other hand, I have a pristine vinyl Japanese pressing of Rush's Moving Pictures which blows away any CD version I've heard.
 
I also find some CD's to be tiring.  Thick as a Brick is a good example.  I can listen to the vinyl non-stop through headphones and some 40 minutes later be ready for more.  If I listen to the CD that way I am worn out, aurically speaking.  There has been some talk of this in other forums, i.e., overuse of compression in the modern-day remastered CD, so that there is really no sonic variation one gets with vinyl. 
 
 
 
 
 
 
 
 
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Direct Link To This Post Posted: May 26 2008 at 14:28
^ I own the TaaB remaster (CD), I don't think that compression has been used. Rather, I think that the added treble is responsible for what vinyl fans often describe as the "harsh" sound of digital recordings. Or, as HughesBJ4 put it, the "warmer" sound of vinyl.
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Direct Link To This Post Posted: May 26 2008 at 14:49
Another advantage to vinyl- you don't have to worry about "vinyl" rot, like CD rot.  Although I have a lot of late 80s/early 90s CDs, I have yet to experience this, but I guess it is inevitable that some day it will happen.  Even my CD-R's that I've made 3-4 years ago seem to play perfectly.  I have a few CDs that have skipping problems, but most of them are pretty badly scratched (need a better copy of Kind of Blue and Oregon's s/t).  And for some strange reason, a few of my CDs have problems being ripped to my computer but they play perfectly on my CD player (My Bloody Valentine's Isn't Anything and Stereolab's Transient Random-Noise Bursts with Announcements).  Both have minor scratches, but I don't believe that is the problem.

I'll repeat what I said earlier for emphasis- Neither sounds "better".  If you think vinyl is better, than vinyl is better (to you).  If you think CD is better, than CD is better (to you).  This comes up in practically every opinion-based argument, and even pops up in science (contradicting studies: if you think wine is good for you, then you want to prove it; if you think wine is bad for you, then you want to prove it).  So if you're totally neutral to the subject, I recommend buying both, since there are pros and cons to each, but neither "sounds better" - it all depends.  End of debate.  Move on to debating something else or just listening to music.

...i'm starting to sound like a broken record ;)


Edited by Bluesaga - May 26 2008 at 14:49
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Direct Link To This Post Posted: May 26 2008 at 15:13
Originally posted by MikeEnRegalia MikeEnRegalia wrote:

^ I own the TaaB remaster (CD), I don't think that compression has been used. Rather, I think that the added treble is responsible for what vinyl fans often describe as the "harsh" sound of digital recordings. Or, as HughesBJ4 put it, the "warmer" sound of vinyl.
 
Yep I have the remaster as well.  Maybe it is the treble (which, to be fair, after hundreds of listenings is probably no longer what it once was on my LP).
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Direct Link To This Post Posted: May 26 2008 at 21:15
Originally posted by MikeEnRegalia MikeEnRegalia wrote:

Originally posted by Sacred 22 Sacred 22 wrote:

All things being equal vinyl will sound better than 'Red Book' CD. The sample rate as mentioned before is based on Nyquist's theorem which says that you must double the sample frequency of the maximum frequency being articulated. There are many problems associated with this process of which I am not going to go into here (most of the problems occur with filtering and jitter). Many very talented technicians and engineers have employed all kind of electronic 'tricks' to get better sound from digital, but in the end a analog recording will sound better all things being equal but digital is so much more versatile.


It's true that filtering and jitter can produce so called "artefacts" in the signal. However, these artefacts are well above the normal frequency range of the typical listener ... so IMO it's a very theoretical problem.
 
I disagree with you. I just bought a DAC ($1500.00) that has virtually zero jitter and I can certainly hear the difference on my expensive stereo system. On a budget system it makes little or no difference but on very good systems it most certainly does.

Originally posted by Sacred 22 Sacred 22 wrote:


The analog to digital and the digital to analog process is much better now than it was when CD was first introduced in the early 80's. Recording equipment has also improved dramatically over the years which adds to the sonic purity of the CD.  The proof is in SACD recordings which have a much higher sample and bit rate over Red Book CD. When you listen to a SACD recording and then the same recording using Red Book CD you can hear the differences. SACD which works at 24 bit depth and a sample frequency of 96KHz is far more accurate and also gives you much better dynamic range. SACD is much closer to vinyl in sound quality. The problem is that most of the stuff that we like to listen to is not available on SACD. We are stuck with the Red Book CD but it's much better now than it was when it was first introduced.


There are various listening tests which show that even skilled listeners have problems telling high bitrate mp3 from CD ... it's even more difficult for CD vs. DVD-Audio/SACD. But I agree that these high resolution formats are the way to go -  it's simply not necessary to reduce the signal quality during mastering just to meet a 25 year old standard (red book).
 
Again I disagree, I have SACD discs and they not only sound better but the dynamic range is far better than that of Red Book CD(24 bit as opposed to 16 bits gives you lots more dynamic range). When you spend a lot of money on a good system($16,000.00 plus) it lets you know the difference. Cheap systems tend to be a bit more forgiving.
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Direct Link To This Post Posted: May 27 2008 at 03:43

Vinyl is better.

 

That's all.

The important thing is not to stop questioning.
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Direct Link To This Post Posted: May 27 2008 at 05:01
Originally posted by Sacred 22 Sacred 22 wrote:

Originally posted by MikeEnRegalia MikeEnRegalia wrote:

Originally posted by Sacred 22 Sacred 22 wrote:

All things being equal vinyl will sound better than 'Red Book' CD. The sample rate as mentioned before is based on Nyquist's theorem which says that you must double the sample frequency of the maximum frequency being articulated. There are many problems associated with this process of which I am not going to go into here (most of the problems occur with filtering and jitter). Many very talented technicians and engineers have employed all kind of electronic 'tricks' to get better sound from digital, but in the end a analog recording will sound better all things being equal but digital is so much more versatile.


It's true that filtering and jitter can produce so called "artefacts" in the signal. However, these artefacts are well above the normal frequency range of the typical listener ... so IMO it's a very theoretical problem.
 
I disagree with you. I just bought a DAC ($1500.00) that has virtually zero jitter and I can certainly hear the difference on my expensive stereo system. On a budget system it makes little or no difference but on very good systems it most certainly does.






I suppose you mean you hear a difference between CD and vinyl. I don't doubt that - but how can you be so sure that vinyl is closer to the original recording than the CD? Maybe the opposite is true, and you simply prefer the warmer sound of vinyl.

Originally posted by Sacred 22 Sacred 22 wrote:

Originally posted by MikeEnRegalia MikeEnRegalia wrote:

Originally posted by Sacred 22 Sacred 22 wrote:


The analog to digital and the digital to analog process is much better now than it was when CD was first introduced in the early 80's. Recording equipment has also improved dramatically over the years which adds to the sonic purity of the CD.  The proof is in SACD recordings which have a much higher sample and bit rate over Red Book CD. When you listen to a SACD recording and then the same recording using Red Book CD you can hear the differences. SACD which works at 24 bit depth and a sample frequency of 96KHz is far more accurate and also gives you much better dynamic range. SACD is much closer to vinyl in sound quality. The problem is that most of the stuff that we like to listen to is not available on SACD. We are stuck with the Red Book CD but it's much better now than it was when it was first introduced.


There are various listening tests which show that even skilled listeners have problems telling high bitrate mp3 from CD ... it's even more difficult for CD vs. DVD-Audio/SACD. But I agree that these high resolution formats are the way to go -  it's simply not necessary to reduce the signal quality during mastering just to meet a 25 year old standard (red book).
 
Again I disagree, I have SACD discs and they not only sound better but the dynamic range is far better than that of Red Book CD(24 bit as opposed to 16 bits gives you lots more dynamic range). When you spend a lot of money on a good system($16,000.00 plus) it lets you know the difference. Cheap systems tend to be a bit more forgiving.


Again, vinyl is much worse in terms of dynamic. I actually agree that you might hear the difference between 16 bit and 24 bit, and that 24 bit sounds better particularly for very dynamic recordings (e.g. symphonies). But vinyl has not only a smaller dynamic range (usually less than 70dB), but the very silent sounds also don't sound as well and are much more affected by the inaccuracies of the medium.


Edited by MikeEnRegalia - May 27 2008 at 05:02
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