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BaldJean View Drop Down
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Direct Link To This Post Posted: March 09 2008 at 11:23
piano, classical and jazz mostly. we have a real monster at home, a Bechstein D 280. wonderful instrument, but still nor completely payed for Cry. the monster takes up a third of our living room space, and we have a huge living room.
here a catalog photo of the monster; if I had a scanner here I would post a pic of our own



Edited by BaldJean - March 09 2008 at 11:26


A shot of me as High Priestess of Gaia during our fall festival. Ceterum censeo principiis obsta
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Direct Link To This Post Posted: March 09 2008 at 12:55
Originally posted by BaldJean BaldJean wrote:

piano, classical and jazz mostly. we have a real monster at home, a Bechstein D 280. wonderful instrument, but still nor completely payed for Cry. the monster takes up a third of our living room space, and we have a huge living room.
here a catalog photo of the monster; if I had a scanner here I would post a pic of our own



Looks like it's definitely worth taking up that much space. I wish I had space for that myself.
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Direct Link To This Post Posted: March 09 2008 at 12:57
Originally posted by sean sean wrote:

Originally posted by BaldJean BaldJean wrote:

piano, classical and jazz mostly. we have a real monster at home, a Bechstein D 280. wonderful instrument, but still not completely payed for Cry. the monster takes up a third of our living room space, and we have a huge living room.
here a catalog photo of the monster; if I had a scanner here I would post a pic of our own



Looks like it's definitely worth taking up that much space. I wish I had space for that myself.

yes, definitely worth it. a wonderful instrument


Edited by BaldJean - March 10 2008 at 16:58


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Direct Link To This Post Posted: March 09 2008 at 13:00
Originally posted by kibble_alex kibble_alex wrote:

Originally posted by sean sean wrote:

okay, i've been playing for about four years now. I started out playing classical,  but got a bit bored by the rigid structure and the philosophy that I could only play other people's work. As much as I enjoy classical music I know I can't spend my life doing nothing but that.
Now, I'm at a point where stylistically I play a sort of fusion of classical, free jazz, experimental, and rock. For classical, I like mainly romantic and 20th century composers. I like the other eras but they just don't influence me too much as a whole. I like to take the deep pathos I get from classical and also it's technicality and use that in the context of unstructured improvised music where I can do whatever I want (this is when I play solo). For bands I've played metal, psychedelic, prog, and hard rock/classic rock. Currently I play in an experimental prog metal band and another one where I'm the only member and I play with whoever I feel like playing whatever we feel like at the moment, which tends to go towards the free improv prog/jazz/rock type stuff.
For equipment, I have a yamaha s08 synth, a hammond transistor organ, and a hohner melodica. I actually prefer to play acoustic pianos over anything else but i don't have the money or space for one at the time so I play them wherever I can. I also play a bit of accordion and keyboard percussion like marimba, xylophone, and vibraphone.


Wow, quite the variety Clap I am also a lot more comfortable on an acoustic piano, the weighted keys just feel so natural. Have you ever played a Steinways? If you ever get the chance, I advise to do so! Gorgeous pianos to play Smile I've always wanted to experiment with keyboard percussion, I am saving up for a marimba at the moment, it would make a nice addition to my keyboard rack. From what I've heard, Kerry Minnear is very sufficiant at keyboard percussion, I only had to listen to Knots and Runaway - Gentle Giant to establish that.


I have played Steinway before and it does feel amazing. To me, there's just more of a natural connection to the instrument when it's an acoustic piano. It almost feels as if a synth just doesn't have that at times.
If you are a keyboardist, adjusting to percussion shouldn't be hard, it's just a matter of muscle control and disciplining a different set of muscles. The theory is all the same. It had been about a year since I had played marimba and a couple months I was at one and I found I was playing better than I ever had. But it definitely is fun and nice for a change of pace sometimes. For me though it was Zappa that really made me want a marimba, but unfortunately I can't afford one, they're pretty expensive.e Cry
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Direct Link To This Post Posted: March 09 2008 at 14:11
Originally posted by sean sean wrote:

Originally posted by kibble_alex kibble_alex wrote:

Originally posted by sean sean wrote:

okay, i've been playing for about four years now. I started out playing classical,  but got a bit bored by the rigid structure and the philosophy that I could only play other people's work. As much as I enjoy classical music I know I can't spend my life doing nothing but that.
Now, I'm at a point where stylistically I play a sort of fusion of classical, free jazz, experimental, and rock. For classical, I like mainly romantic and 20th century composers. I like the other eras but they just don't influence me too much as a whole. I like to take the deep pathos I get from classical and also it's technicality and use that in the context of unstructured improvised music where I can do whatever I want (this is when I play solo). For bands I've played metal, psychedelic, prog, and hard rock/classic rock. Currently I play in an experimental prog metal band and another one where I'm the only member and I play with whoever I feel like playing whatever we feel like at the moment, which tends to go towards the free improv prog/jazz/rock type stuff.
For equipment, I have a yamaha s08 synth, a hammond transistor organ, and a hohner melodica. I actually prefer to play acoustic pianos over anything else but i don't have the money or space for one at the time so I play them wherever I can. I also play a bit of accordion and keyboard percussion like marimba, xylophone, and vibraphone.
Wow, quite the variety Clap I am also a lot more comfortable on an acoustic piano, the weighted keys just feel so natural. Have you ever played a Steinways? If you ever get the chance, I advise to do so! Gorgeous pianos to play Smile I've always wanted to experiment with keyboard percussion, I am saving up for a marimba at the moment, it would make a nice addition to my keyboard rack. From what I've heard, Kerry Minnear is very sufficiant at keyboard percussion, I only had to listen to Knots and Runaway - Gentle Giant to establish that.

I have played Steinway before and it does feel amazing. To me, there's just more of a natural connection to the instrument when it's an acoustic piano. It almost feels as if a synth just doesn't have that at times.
If you are a keyboardist, adjusting to percussion shouldn't be hard, it's just a matter of muscle control and disciplining a different set of muscles. The theory is all the same. It had been about a year since I had played marimba and a couple months I was at one and I found I was playing better than I ever had. But it definitely is fun and nice for a change of pace sometimes. For me though it was Zappa that really made me want a marimba, but unfortunately I can't afford one, they're pretty expensive.e Cry

I personally prefer the Bechstein to a Steinway. the Steinway is more brilliant, but the Bechstein has better dynamics. but of course a Steinway is a first classs instrument too; it is just a matter of taste what one prefers.
among concert pianists about 90% use a Steinway and about 10% a Bechstein, with a minimal rest for other brands


Edited by BaldJean - March 09 2008 at 14:12


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Direct Link To This Post Posted: March 09 2008 at 15:24
Originally posted by BaldJean BaldJean wrote:

Originally posted by sean sean wrote:

Originally posted by kibble_alex kibble_alex wrote:

Originally posted by sean sean wrote:

okay, i've been playing for about four years now. I started out playing classical,  but got a bit bored by the rigid structure and the philosophy that I could only play other people's work. As much as I enjoy classical music I know I can't spend my life doing nothing but that.
Now, I'm at a point where stylistically I play a sort of fusion of classical, free jazz, experimental, and rock. For classical, I like mainly romantic and 20th century composers. I like the other eras but they just don't influence me too much as a whole. I like to take the deep pathos I get from classical and also it's technicality and use that in the context of unstructured improvised music where I can do whatever I want (this is when I play solo). For bands I've played metal, psychedelic, prog, and hard rock/classic rock. Currently I play in an experimental prog metal band and another one where I'm the only member and I play with whoever I feel like playing whatever we feel like at the moment, which tends to go towards the free improv prog/jazz/rock type stuff.
For equipment, I have a yamaha s08 synth, a hammond transistor organ, and a hohner melodica. I actually prefer to play acoustic pianos over anything else but i don't have the money or space for one at the time so I play them wherever I can. I also play a bit of accordion and keyboard percussion like marimba, xylophone, and vibraphone.
Wow, quite the variety Clap I am also a lot more comfortable on an acoustic piano, the weighted keys just feel so natural. Have you ever played a Steinways? If you ever get the chance, I advise to do so! Gorgeous pianos to play Smile I've always wanted to experiment with keyboard percussion, I am saving up for a marimba at the moment, it would make a nice addition to my keyboard rack. From what I've heard, Kerry Minnear is very sufficiant at keyboard percussion, I only had to listen to Knots and Runaway - Gentle Giant to establish that.

I have played Steinway before and it does feel amazing. To me, there's just more of a natural connection to the instrument when it's an acoustic piano. It almost feels as if a synth just doesn't have that at times.
If you are a keyboardist, adjusting to percussion shouldn't be hard, it's just a matter of muscle control and disciplining a different set of muscles. The theory is all the same. It had been about a year since I had played marimba and a couple months I was at one and I found I was playing better than I ever had. But it definitely is fun and nice for a change of pace sometimes. For me though it was Zappa that really made me want a marimba, but unfortunately I can't afford one, they're pretty expensive.e Cry

I personally prefer the Bechstein to a Steinway. the Steinway is more brilliant, but the Bechstein has better dynamics. but of course a Steinway is a first classs instrument too; it is just a matter of taste what one prefers.
among concert pianists about 90% use a Steinway and about 10% a Bechstein, with a minimal rest for other brands


I tend to just play whatever I can get my hands on, which in most cases seems to be a Yamaha, I don't why their pianos are so common it seems. My high school had one and my college has one as well. I don't particularly mind them but I've played ones that I prefer.
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Direct Link To This Post Posted: March 09 2008 at 15:57
well, I also play on all that I can lay my hands on, but my favorite remains our Bechstein. and don't ask me for the price; it was ridiculously expensive


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Direct Link To This Post Posted: March 09 2008 at 16:48
Originally posted by BaldJean BaldJean wrote:

well, I also play on all that I can lay my hands on, but my favorite remains our Bechstein. and don't ask me for the price; it was ridiculously expensive


You saying that just makes me more curious as to how much it would cost, though anything above free is pretty much out of my range right now.
How large is it exactly? I've never really played a full grand, only nine feet I think.
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Direct Link To This Post Posted: March 09 2008 at 16:59
well, the longest diagonal of ours is 9 feet 2, or 2.80 meters (hence the 280 in the name)


Edited by BaldJean - March 09 2008 at 17:15


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Direct Link To This Post Posted: March 10 2008 at 13:46
About Yamaha, they make really great upright pianos. We have many at the Birmingham Conservatory, and I must say they sound beautiful and have a nice action. As far as grands go though, I can safely say I have never used a Bechstein, but I will be looking out for one.
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Direct Link To This Post Posted: March 10 2008 at 16:35
Originally posted by kibble_alex kibble_alex wrote:

About Yamaha, they make really great upright pianos. We have many at the Birmingham Conservatory, and I must say they sound beautiful and have a nice action. As far as grands go though, I can safely say I have never used a Bechstein, but I will be looking out for one.


I will be as well, if Jean is saying they are so good I would really like to play one.
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Direct Link To This Post Posted: March 10 2008 at 16:40
Originally posted by BaldJean BaldJean wrote:


piano, classical and jazz mostly. we have a real monster at home, a Bechstein D 280. wonderful instrument, but still nor completely payed for Cry. the monster takes up a third of our living room space, and we have a huge living room.here a catalog photo of the monster; if I had a scanner here I would post a pic of our own


Lovely!!! Really nice, and I agree with the worth of space.
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Direct Link To This Post Posted: March 12 2008 at 11:34
Hi. I play keys, for about, holy crap, 27 years? Wow I never thought of it before. Started around age 10.

I have a roland Rd-250, just noticed last night the "split" button doesn't work anymore...it's slowly falling apart, but it is, holy crap again, about 17 years old.

I use the Bosendorfer 290 vst, Gerritan personal orchestra , just got Chris Hein guitars (which is a lot to learn), I also have an Alesis QSR module. Using Cubase for recording.

I also have home made electronic drums (which I can barely play) hooked up to a ddrum4.

I have some material up to listen to.

http://music.download.com/dollarsign
which is prog rock stuff, that needs a better drummer for sure. the 'guitars" are a piano pumped through a boss module with distortion. (keyboardists should be able to rock with distortion too!)

and some "serious" stuff at:
http://music.download.com/thelackey
where you can hear a bit more of the Gerritan Personal Orchestra, which is a cool cheap(er) program for good sounds.

I also do some satanic heavy metal, but I won't post that linkEvil%20Smile


Edited by The Lackey - March 12 2008 at 11:37
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Direct Link To This Post Posted: March 14 2008 at 13:27
Originally posted by The Lackey The Lackey wrote:

Hi. I play keys, for about, holy crap, 27 years? Wow I never thought of it before. Started around age 10.

I have a roland Rd-250, just noticed last night the "split" button doesn't work anymore...it's slowly falling apart, but it is, holy crap again, about 17 years old.

I use the Bosendorfer 290 vst, Gerritan personal orchestra , just got Chris Hein guitars (which is a lot to learn), I also have an Alesis QSR module. Using Cubase for recording.

I also have home made electronic drums (which I can barely play) hooked up to a ddrum4.

I have some material up to listen to.

http://music.download.com/dollarsign
which is prog rock stuff, that needs a better drummer for sure. the 'guitars" are a piano pumped through a boss module with distortion. (keyboardists should be able to rock with distortion too!)

and some "serious" stuff at:
http://music.download.com/thelackey
where you can hear a bit more of the Gerritan Personal Orchestra, which is a cool cheap(er) program for good sounds.

I also do some satanic heavy metal, but I won't post that linkEvil%20Smile


Wow, I imagine all those years have got you pretty good at the instrument as well. Have you experimented with any other instruments in your time The Lackey?
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Direct Link To This Post Posted: March 17 2008 at 21:38
Originally posted by kibble_alex kibble_alex wrote:



Wow, I imagine all those years have got you pretty good at the instrument as well. Have you experimented with any other instruments in your time The Lackey?


I played some guitar and sax back in high school. I didn't like playing guitar really. I like the sound of guitars most of the time, but keys are way better to play. Guitarists have a bad attitude as well Smile
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Direct Link To This Post Posted: March 18 2008 at 15:34
I studied classical piano as a kid, then switched to drums and percussion in high school + college.  Mostly keyboard percussion in college...  Started playing keys again in grad school (organ and analog-ish synths, some prepared piano)-- very non-technical, mostly droning textures, space noises, and percussive comping.  I haven't played keys in a band for a few years, but I still play a bit (mostly ambient modal om-rock kinda stuff).  Gear: Farfisa VIP233, Roland JP-8080, Blacet modular synth, Deagan vibraphone. 
Favorite keyboardists: Richard Wright, Herbie Hancock, Tim Blake, Klaus Schulze, Terry Riley
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Direct Link To This Post Posted: March 22 2008 at 16:36
Originally posted by The Lackey The Lackey wrote:

Originally posted by kibble_alex kibble_alex wrote:



Wow, I imagine all those years have got you pretty good at the instrument as well. Have you experimented with any other instruments in your time The Lackey?


I played some guitar and sax back in high school. I didn't like playing guitar really. I like the sound of guitars most of the time, but keys are way better to play. Guitarists have a bad attitude as well Smile


don't get me started on guitarists' attitude... late for practises, overdominating, always want f**king solos, always want to write songs, aparently keyboard players are NOT COOL in a band... it disgusts me
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Direct Link To This Post Posted: March 25 2008 at 15:47
Originally posted by kibble_alex kibble_alex wrote:

don't get me started on guitarists' attitude... late for practises, overdominating, always want f**king solos, always want to write songs, aparently keyboard players are NOT COOL in a band... it disgusts me


Big%20smile

Also the inability to read anything that isn't tabbed, and sometimes even then...

I do have to remind mine occasionally that keyboards have their place, especially whenthe keys man is the only one who can sing, and I will be allowed out the front when I finish building my keytar!


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Direct Link To This Post Posted: March 26 2008 at 11:43
Originally posted by Mourndark Mourndark wrote:

Originally posted by kibble_alex kibble_alex wrote:

don't get me started on guitarists' attitude... late for practises, overdominating, always want f**king solos, always want to write songs, aparently keyboard players are NOT COOL in a band... it disgusts me


Big%20smile

Also the inability to read anything that isn't tabbed, and sometimes even then...

I do have to remind mine occasionally that keyboards have their place, especially whenthe keys man is the only one who can sing, and I will be allowed out the front when I finish building my keytar!




Luckily my band accepts the importance of the keys in the band Tongue , but I have had quite a bit of trouble with guitarists in the past.
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Direct Link To This Post Posted: March 28 2008 at 13:50
Originally posted by sean sean wrote:

Originally posted by Mourndark Mourndark wrote:

Originally posted by kibble_alex kibble_alex wrote:

don't get me started on guitarists' attitude... late for practises, overdominating, always want f**king solos, always want to write songs, aparently keyboard players are NOT COOL in a band... it disgusts me


Big%20smile

Also the inability to read anything that isn't tabbed, and sometimes even then...

I do have to remind mine occasionally that keyboards have their place, especially whenthe keys man is the only one who can sing, and I will be allowed out the front when I finish building my keytar!




Luckily my band accepts the importance of the keys in the band Tongue , but I have had quite a bit of trouble with guitarists in the past.


Oh my, haven't we all
"Market value is irrelevant to intrinsic value."

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