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Topic ClosedHammond Extravaganza Part 2 : A HAMMOND S

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erik neuteboom View Drop Down
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Direct Link To This Post Posted: December 18 2007 at 15:22
 
                         Here's more good news for the Hammond freaks:
 

RICK VAN DER LINDEN – An Ekseptional Trace

- Rick van der Linden’s father was a pianoplayer so it was not a surprise that young Rick took piano-lessons. Later he started to learn playing the organ and finally he went to the Haarlem Conservatory. He played in many bands and nightclubs and was impressed by Brian AUGER and especially Keith EMERSON. Rick got worldwide recognition with the ‘classic-rock formula’ from EKSEPTION but he wanted his own band to show his keyboard pyrotechnics. He founded TRACE with bass player Jaap van Eik (CUBY AND THE BLIZZARDS, The MOTIONS, SOLUTION, LIVING BLUES) and drummer Pierre van der Linden (TEE SET, BRAINBOX, FOCUS), a real Dutch supergroup! Now he got the opportunity to work out his own ideas with keyboard-dominated symphonic rock. In ’74 TRACE released their eponymous debut-album, in ’75 their second entitled "Birds" (Ian Mosley had replaced Pierre van der Linden) and in ’76 their third and final "Ladies". TRACE sounds like a kind of Dutch equivalent to early ELP but Rick has a wider array of keyboards, including Hammond B3 organ, Hohner clavinet and pianet, ARP – and EMI synthesizers, harpsichord, Solina string-ensemble, Mellotron and church organ. The music is a treat for fans from bands like The NICE, ELP, TRIUMVIRAT and early LE ORME. Despite good albums, great concerts and worldwide recognition, Trace didn’t work out the high expectations and the ‘supertrio’ dissolved in the late Seventies.

- So we had to wait more than 30 years to enjoy this legendary Dutch formation on DVD but it was worth waiting although the running time of the Trace live footage (German tv programm Musikladen 1977) is a bit short, 25 minutes including the bonustrack. Of course the focus is on Rick playing in his ‘cockpit’, the nickname for his huge array of keyboards: choir-Mellotron and the Hammond organ (wonderful interplay with Jaap Van Eik his electric guitar) in King’s Bird, fluent Grand piano runs in Sculpture Bird, virtuosic Grand piano work on the Bechstein in Pathetique and beautiful play on Mellotron, ARP synthesizer, Hohner clavinet and swinging Hammond organ in Surrender. The bonustrack Medley features extra keyboardplayer Hans Jacobse, supporting Rick during his outstanding clavinet work, I love that often overlooked keyboard in progrock! The rhythm-section Jaap Van Eik and Ian Mosley plays fluent and adventurous, what an excellent trio this was and what a pity it was already over after a few years.

The second part of this DVD contains an Ekseption 2003 reunion concert featuring Rick his wife Inez on vocals in two songs. We can enjoy Rick playing on his ‘custom build church organ’, what a passion and skills and great to see him freaking out on the Hammond organ during songs like The Fifth Symphony and Fireworks. Very interesting is the Ekseption bonustrack from 1973 in which Rick delivers a spectacular version of JS Bach his composition Toccata In D-Fuga, one of the highlights on this wonderful DVD, to me it sounds and looks like a strong tribute to the late Rick Van Der Linden!

 

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Edited by erik neuteboom - December 19 2007 at 16:48
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Mandrakeroot View Drop Down
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Direct Link To This Post Posted: December 20 2007 at 05:55
Originally posted by erik neuteboom erik neuteboom wrote:

 
                                              Hammond freaks alert:
 
 
CAMEL%20Moondances%20progressive%20rock%20album%20and%20reviews Symphonic Prog
(DVD/Video, 2007)
Avg: 4.00/5
from 1 ratings
CAMEL — Moondances
Review by erik neuteboom (erik neuteboom)
Special Collaborator Symphonic Prog Expert

— First review of this album —

4%20stars After the live compilation DVD’s Camel Footage I and II and the live DVD Total Pressure (1984 concert), Camel Productions has released this live DVD (running time 2 hours) featuring Seventies live footage: the 1976 Moonmadness tour in the London Hammersmith Odeon and the 1977 Rain Dances tour in the London Hippodrome. Although there is only one year between these two concerts, there are remarkable differences in the line-up and the sound.

The 1976 concert delivers a line-up with Andy Latimer, Peter Bardens and the rhythm-section Andy Ward/Doug Ferguson. Most of the 6 compositions clock around the 10 minutes and contain flowing shifting moods, drenched into a wonderful 24-carat symphonic prog tradition and embellished with excellent solos on keyboards and guitar: swirling Hammond organ, flashy Minimoog and exciting slide guitar (strong psychedelic undertones) in White Rider, a pitchbend driven Minimoog solo and an accellaration with fiery guitar runs in Lunar Sea and strong interplay of powerful Hammond and sensitive guitar in Dunkirk and Another Night (including a spectacular Hammond solo). But my absolute highlight is the ‘classic’ Lady Fantasy: swirling Hammond runs, a fluent rhythm-section, flowing changes of atmospheres, a beautiful part with Fender Rhodes electric piano and warm guitar and in the final part that sensational eruption with a mindblowing Hammond organ solo (wonderful images from the late Peter Bardens), this looks like a perfect tribute to him!

The 1977 concert contains Richard Sinclair on vocals and bass and the famous Mel Collins on saxophones and clarinet, he succeeds to give an extra dimension to the Camel sound (like in Lunar Sea). Other changes are the keyboard sound of Peter Bardens (more string-ensemble and less Hammond organ) and the more song-oriented approach of the band since the release of the album Rain Dances (the band plays 6 of the 11 songs of that album). We can enjoy Andy Latimer with his Gibson double-neck guitar, the same as Jimmy Page uses during Stairway To Heaven and Andy also plays flute on Rhayader. I have never been a fan of Rain Dances but Camel delivers tasteful versions and lots of good solos on guitar (fiery in Never Let Go and One Of These Days ..), saxophone and clarinet (Unevensong and Lunar Sea), Minimoog (Highways Of The Sun and One Of These Days ..) and Hammond organ (Never Let Go). The bonustracks are ‘studio audio recordings’ in the original line-up line-up: Autumn (1973) and Riverman (1974), “no fillers, all killers” as Greg Walker uses to say!

From all released Camel DVD’s, I am mostly delighted about this one, mainly because of the 1976 concert (perhaps Camel at their artistic pinnacle) with that outstanding version of Lady Fantasy! My rating: 1976 concert 5 stars and 1977 concert 3,5 stars.



 
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Saturday (because I am in illness) I recover my copy! 
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erik neuteboom View Drop Down
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Direct Link To This Post Posted: December 20 2007 at 06:33
I am looking forward to your opinion about this wonderful DVD and ... I wish you a good recovery, Mandrakeroot.
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Direct Link To This Post Posted: December 20 2007 at 08:29
Originally posted by erik neuteboom erik neuteboom wrote:

I am looking forward to your opinion about this wonderful DVD and ... I wish you a good recovery, Mandrakeroot.
 
Well... the DVD is better (for me) to the CD because:
 
1) More involving, thanks to the images.
2) The songs more techniques are more comprehensible. 
3) For the summary of two preceding points.
 
In referred to this thread I posted my review of this amazing DVD:
 
 

ATOMIC ROOSTER

The Ultimate Anthology

DVD/Video, 2004
Review by Mandrakeroot (Andrea Salvador)
Posted 5:04:53 PM EST, 12/16/2007

5%20stars My review is produced using this release: Ragnarok Ltd DVDL007D

Rating: 9/10

Chris Farlowe, Vincent Crane, Steve Bolton, Rick Parnell in a 1972 Belgian TV concert and Vincent Crane, John Du Cann, Paul Hammond in various Gernan TV videos recorded between 1970 and 1972 plus a great Carl Palmer solo between the extras... Well great DVD! I prefer the songs fron Belgian TV concert because more explosive. Chris Farlowe is possessed from God... But all the band is possessed from God. So " Breakthrough" or "Black Snake" presented a big voice of Chris and a big Vincent Crane Hammond... But all the band is great. Explosive is also "A Spoonful Of Bromide/ Helps The Pulse/ Rate Go Down". From the German TV footage is great "Save Me". Crane and Farlowe, in every case, transform the songs in a very good and powerfull dream but also the songs with Du Cann are great. Is only my opinion that the songs with Farlowe are better, maybe because Chris Farlowe have a great voice... Maybe because Crane is at its summit... Maybe for the torrid drummer of Rick Parnell (then involved in the Italian New Trolls Atomic System)... But these songs atre better. So in the extras is great the long Carl Palmer solo... A perfect piece of technique!

So this DVD is for all who love the 70's Prog, Rock and Proto Heavy Metal. Because Atomic Rooster doesn't disappoint the expectations. So... "Atomic Rooster: The Ultimate Antology" is am epochal DVD!
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Direct Link To This Post Posted: December 20 2007 at 09:22
Nice article. I've got a hammond c3 with leslie 147. There is one thing that was wrong on the rotating leslie-illustration; the bottom and top is supposed to rotate in two different directions. This mistake was done when they started making new leslies again after 25 years and made them sound terrible (or so i've been told). It's a very delicate speaker in deed and sounds great on other instruments as well (specially vocals and guitar).

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erik neuteboom View Drop Down
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Direct Link To This Post Posted: December 20 2007 at 12:58
 
Thanks Pgryphon and about the Leslie speaker, it's a legend, like the Hammond so your C3 and Leslie 147 is a nice combination Thumbs%20Up Any prog with Hammond you like?
 
Mandrakeroot, a few weeks ago I wrote this review about the Atomic Rooster DVD reissue:
 
 
 

ATOMIC ROOSTER – The Ultimate Anthology (DVD reissue)

In 1970 ex-Andromeda guitarist and vocalist John DuCann joined Atomic Rooster and he immediately went on tour with the band. When bass player Graham left the band, keyboardist Crane refused to replace him and started playing bass lines on the lower part of the Hammond organ. To compensate the fact that he couldn't use his left hand to press down chords on the lower manual he created a 'burning' style of playing, often in furious interplay with DuCann. When Carl Palmer left Atomic Rooster to join Keith Emerson and Greg Lake left for supergroup ELP, Rick Parnell shortly replaced him. John and Vincent were not satisfied about his skills and replaced him by Paul Hammond, an extremely good drummer from a local band called Farm. Soon the trio started to develop their influential 'heavy progressive' sound: hard edged progressive music with a swirling Hammond B3 organ and fiery guitarplay. The interplay between John's guitar and Vince organ is hot and often furious. In fact this powerful sound was the precursor to 'progressive metal', many metal- acts from The Eighties pointed at Atomic Rooster as their main source.

- This DVD is a reissue of the Master Of The Vaults DVD (five tracks with Chris Farlowe as singer during a Belgian TV concert in 1972) with the addition of three previously unreleased tracks. About the Belgian TV concert: I am not a fan of singer Chris Farlowe because of his a bit theatrical undertone and scream outbursts so my pleasure is a bit spoiled in the five tracks. My highlights are the shots on Vincent Crane his exciting Hammond organ work in Breakthrough and the compelling climate in Can’t Find A Reason with dynamic interplay, Atomic Rooster at their best during that concert! Two of the three bonustracks are German TV clips, recorded between 1970 and 1972. The line-up is different from the Belgian TV concert, here Atomic Rooster is a trio that sounds superior to the other line up: the interplay between Vincent Crane and guitarist/singer John Du Cann is electrifying, John his a bit raw vocals are strong and drummer Paul Hammond plays very propulsive, this band is a powerhouse. The first ‘German TV’ song is the hit single Tomorrow with great rock guitar work and halfway we can enjoy a swirling Hammond organ solo by master Vincent Crane. The other track is Save Me that delivers exciting Hammond organ work and dynamic interplay between guitar, drums and organ, this is great Heavy Prog! Finally the third track, this is entitled Breakthrough Reprise (from the Belgian TV concert), the focus is on the instrumental work with again swirling Hammond work by Vincent Crane.

- I am glad that record company Ragnarok has upgraded the original 30 minutes to 42 minutes by adding three strong tracks, especially the German TV clips are awesome and showcase Atomic Rooster at their peak, what a chemistry!



Edited by erik neuteboom - December 20 2007 at 13:03
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Direct Link To This Post Posted: December 21 2007 at 06:33
Eh, eh, Erik... Another great DVD is this:
 
 
this is my review:
Review by Mandrakeroot (Andrea Salvador)
Collaborator Italian Prog Specialist

4%20stars My review is produced using this release: Classic Rock Legends LTD CRP1079 PAL

Rating: 8,5/10

great DVD from a new Focus line up. without Jan Akkerman but with another extraordinary axeman: Jan Dumée. This line up (from the 70's are present only the extraordinary Thijs Van Leer) played a great concert. But the years passing and the magic, in this case, is little. But Focus: Live In America remain a great live. Certainty House Of The king2 remain a magical song and la Cathedrale de Strasbourg remain a great song... Hocus Pocus, however... But this line up (with great musicians) doesn't excite me. In every case great the Jan Dumée guitar solo in Focus VII and Brother. Good also the video because the band is static on stage and the producer is capable to surpass this venial sin.

So, in definitive, Focus: Live In America is a great DVD not only for Focus fan or 70's Rock (Prog) fans. Because Focus are a legendary and epochal band
 



Edited by Mandrakeroot - December 21 2007 at 12:34
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Direct Link To This Post Posted: February 25 2008 at 04:37
Originally posted by erik neuteboom erik neuteboom wrote:

 
                       This happened during a 'hot' solo on the Hammond organ Shocked ... 
 
                   
 
                                                                   Wink
 
 

probably after the opening solo of Dave Stewart in National Health's "Dream's Wide Awake"


A shot of me as High Priestess of Gaia during our fall festival. Ceterum censeo principiis obsta
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Direct Link To This Post Posted: May 13 2008 at 15:20
I see that I miss the most intersting topic I would ever imagine Ouch. BTW thanks to Erik Neuteboom that he mentioned me as one of the contributor of his article (anyway my contribution wasn't to big in fact Tongue).
Anyway this is link to my Hammond organ driven albums list: http://rateyourmusic.com/list/ozzy_tom/the_most_hammond_organ_driven_progressive_rock_albums/  


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Direct Link To This Post Posted: November 10 2008 at 13:52
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