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erik neuteboom View Drop Down
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Direct Link To This Post Posted: November 19 2007 at 14:21
 
Today I finally succeeded to get information about the Areknames Live CD (Burg Herzberg Festival 2007), I found it on the homepage of the Burg Herzberg Festival:
 
 
 
        The Hammond sound Clap
 
Tomorrow I hope to publish a review about Areknames Live and about Hobson's Choice album entitled New Horizons (1996), a wonderful Classic Prog inspired album with early Genesis-like organ work Thumbs%20Up
 
 
 
 
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Direct Link To This Post Posted: November 20 2007 at 06:47
 
                               Yesterday I got an e-mail from a Chilean friend
                                     about the earthquake and Angulart:
 
Hi Erik!
yeah the Earthquake has 7.8 degrees in Richter scale, but Antofagasta is so far from Santiago, in Santiago only feels 2 degrees, but don't worry is very common to us this disasters, Chile has a very large story in eathquakes...(i birth the year of the  worst earthquake in planet, Valdivia)
Angulart past two weeks has the first performance with the new lineup, since departure of singer, keyboardist and the guitarplayer, the band has made new arrangments for incorporate the new members. Some songs has left so much, but a new arrangement for "El atras" is very interesting, and the new compositions comes in all new directions! 
In meantime we are proud on our first son of Watcher Records entitled "Ocelos", more info will follow soon.
 
 
Later this afternoon I will publish my reviews about two amazing albums: Live by Areknames and New Horizons by Hobson's Choice
 
 


Edited by erik neuteboom - November 20 2007 at 06:48
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Direct Link To This Post Posted: November 20 2007 at 10:36
 
 
                         Hello fellow progheads, two interesting new releases:
 
 

HOBSON’S CHOICE – New Horizons (***1/2)

- This is an USA one-shot-band that made their one and only album entitled New Horizons in 1996. Hobson’s Choice their sound is rooted in the Seventies prog like Genesis, Yes and Pink Floyd but this band is not a clone. Within a few listening sessions I started to appreciate this album very much, the seven alternating compositions sound melodic and pleasant with a tasteful colouring by the varied keyboards and frequent, quite powerful guitarwork

1. Raging Sun 6:40 : After a spacey intro we can listen to Tobt Banks inspired organ runs and mellow vocals, then a slow rhythm with bombastic keyboards and flowing guitar , a wonderful start!

2. Procession 7:05 : This instrumental song contains beautiful interplay between electric guitar and keyboards (lots of Hammond organ) and many shifting moods and breaks, from dreamy or soaring with synthesizer flights to compelling or an accellaration with an unp-tempo featuring fiery guitar, powerful organ and fluent synthesizer flights, what a lush keyboard sound!

3. Passages 8:41 : Another instrumental, this one delivers a dreamy climate with wonderful strings and sensitive electric guitar. Then a fe accellarations with sparkling piano, strong interplay between organ (lots of Hammond) and guitar, the final part is dreamy with piano and strings, it sounds like a ‘warm bath’.

4. Steps Of Eight 8:27 : After a mellow part with vocals, piano and strings, a slow rhythm follows with a fiery guitar solo, in the end we can enjoy fragile work on the piano.

5. Jan In E Moll 3:55 : In this track the opening is by tanging acoustic guitar, soon blended with piano and mellow keyboard layers, a wonderful dreamy atmosphere.

6. Size Of It 7:35 : First a ‘keyboard-Heaven’ with Hammond and synthesizer flights, then a fluent rhythm with strong interplay by guitar and keyboards, the build-up towards a climax with a guitar solo and organ waves is great.

7. New Horizons 8:40 : This final track contains a fluent rhythm witch vocals and synthesizer flights, then sensitive guitar runs with floods of organ, followed by a synthesizer solo. The final part delivers lush keyboards and a fiery guitar solo, I love it!

- What a wonderful album but what a pity that Hobson’s Choice belongs to the vaults of progrock history!

 

AREKNAMES – Live (****)

- This interesting new Italian formation invites us for a trip with their musical time-machine to the early Seventies. In those days most of the big record companies had small sub-labels in order to host their progressive rock acts (like EMI had Harvest for Pink Floyd), there they got room for adventure and experiments. Well, listening to Areknames you can easily confuse this for a Seventies rooted band. This live CD was recorded during the Burg Herzberg Festival 2007, I hope a DVD will follow soon, what a stunning sound!

1. Dateless Diary : After a dreamy climate with wonderful violin-Mellotron and a bit melancholical vocals (evoking Peter Hamill),we can enjoy powerful Hammond organ, propulsive guitarwork and fat synthesizer flights in a compelling atmosphere. In the end the dreamy climate returns delivering Mellotron, Hammond and flowing electric guitar.

2. A Prison That Few Can See : The first part is mellow, the music reminds me of Anekdoten because of the violin-Mellotron and warm but a bit dark vocals. Gradually the sound turns int more lush with powerful Jammond waves, strong drumming and howling electric guitar runs, followed by a long and very compelling Hammond solo similar to Dave Greenslade his work during Colosseum and Greenslade, what a lovely early vintage sound!

3. A New Song : It starts with a slow rhythm and fragile guitarplay, mellow organ and warm vocals (again evoking Anekdoten), then a mid-tempo with majestic Hammond and powerful guitar, culminating in a kind of bombastic psychedelia. Again we can enjoy a long Hammond solo, this time swirling with great support of the rhythm-section. The final part contains soaring Mellotron, it is short but I get goose bumps!

4. Outcast : This short piece sounds a bit psychedelic with propulsive drums, fiery vocals, heavy guitar and hypnotizing organ work, it reminds me of early Italian gem Il Balletto Di Bronzo, very dynamic!

5. Boredom : Again the focus is on the Hammond (along a sensitive electric guitar solo, fat synthesizer flights and wonderful violin-Mellotron): from fluent runs and sumptuous eruptions to a swirling solo with psychedelic undertones, this man know how to push the right buttons!

- Don’t expect elaborate music but let you carry away by Areknames their vintage sound, loaded with mindblowing work on the Hammond organ!

 
                                                                 Thumbs%20Up
 
 
 
                                                
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Direct Link To This Post Posted: November 21 2007 at 10:45
 
 
                              Here's another new and interesting band:
 
 
SINGULARITY – Of All The Mysteries (***1/2)

- This is a new USA progrock four piece band, their instrumentation ranges from keyboards and electric guitars to flute, cello and acoustic guitar.

Their third CD entitled Of All Mysteries delivers the short songs Mongrel (mid-tempo with fiery guitar and sparkling piano), XOT (compelling atmosphere with string interplay between guitar and keyboards), Patchquilt (intro with warm piano and vocals, then moving with howling guitar and fluent drums) and Kaleidoscope (first dreamy with piano and vocals, then a slow rhythm with sensitive guitar) and two long compositions I will tell you more about. First Smile (almost 15 minutes): it starts with pleasant acoustic guitar work, then the moods shift from dreamy with flute and violin-Mellotron to bombastic with porpulsive guitar riffs and fat synthesizer flights, the final part contains wonderful violin-Mellotron waves, twanging acoustic guitar and slow synthesizer runs, topped by a great build-up guitar solo that carry us away to Progheaven! Finally the long and alternating track Islands (at about 20 minutes): we can enjoy majestic Grand piano, howling electric guitar, lush Hammond, soaring strings with flute and during the dynamic final part it’s progrock party with propulsive guitar riffs and drums and a long, quite fiery guitar solo. It sounds as a perfect closing section to a pleasant and melodic CD, very elaborate and quite original sounding!

                                              Thumbs%20Up

 
 


Edited by erik neuteboom - November 22 2007 at 07:04
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Direct Link To This Post Posted: November 22 2007 at 11:04
Two very interesting sounding bands there Erik, especially Hobson's Choice. Cheers Thumbs%20Up
 
By the way, I've just been listening to the new Galleon album and first impressions are very positive. Smile


Edited by Nightfly - November 22 2007 at 11:06
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Direct Link To This Post Posted: November 22 2007 at 11:34
 
I have proposed Andu to add Hobson's Choice to this site but he is very busy.
What a coincidence Paul, I just finished my review about the new Galleon album (let's consider it as a 'quite new lesser known band' Wink:
 

GALLEON – Engines Of Creation (****)

- I remember vividly that I listened to Galleon their just released debut CD entitled Lynx in the early Nineties. Their simple but tasteful sound appealed to me, especially the compelling parts featuring fat synthesizer flights, deep Moog Taurus bass pedals and dramatic vocals with a bit melancholical undertone.

- After many years this new album is my first musical meeting with Galleon and I notice that they have matured in all ways. Remarkably is the amount of fluent songs with bombastic climates, fiery guitar solos, propulsive guitar riffs and flashy synthesizer runs like in A.I. (wonderful bass pedal sound), The Assemblers (from sparkling piano to blistering wah-wah guitar), Signals, the titletrack (howling guitar and intense Mellotron waves), Machine Mother (flashy synthesizer solo) and Lightworks. My highlight on this CD is the Men And Monsters (almost 10 minutes), it contains lots of shifting moods and breaks, howling guitar, pleasant keyboard variety (organ, synthesizers and Mellotron) and a great final part with a bombastic atmosphere, the biting guitar solo and the slow synthesizer make it a progrock party!

I am sure this new Galleon album will appeal to many progheads, it sounds both accessible as pleasant and dynamic with good work on guitar and keyboards and the vocals add an extra dimension.

 

 

 
 
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Direct Link To This Post Posted: November 22 2007 at 18:26
 
 
                                  A big hand for the homepage lay-out Wink :
 
 
SINGULARITY%20Of%20All%20The%20Mysteries%20progressive%20rock%20album%20and%20reviews Crossover Prog
(Studio Album, 2007)
Avg: 3.00/5
from 1 ratings
SINGULARITY — Of All The Mysteries
Review by erik neuteboom (erik neuteboom)
Special Collaborator Symphonic Prog Expert

— First review of this album —

3%20stars Singularity is a new a new USA progrock four piece band, their instrumentation ranges from keyboards and electric guitars to flute, cello and acoustic guitar. This third CD delivers the short songs Mongrel (mid-tempo with fiery guitar and sparkling piano), XOT (compelling atmosphere with string interplay between guitar and keyboards), Patchquilt (intro with warm piano and vocals, then moving with howling guitar and fluent drums) and Kaleidoscope (first dreamy with piano and vocals, then a slow rhythm with sensitive guitar) and two long compositions I will tell you more about. First Smile (almost 15 minutes): it starts with pleasant acoustic guitar work, then the moods shift from dreamy with flute and violin-Mellotron to bombastic with porpulsive guitar riffs and fat synthesizer flights, the final part contains wonderful violin-Mellotron waves, twanging acoustic guitar and slow synthesizer runs, topped by a great build-up guitar solo that carry us away to Progheaven! Finally the long and alternating track Islands (at about 20 minutes): we can enjoy majestic Grand piano, howling electric guitar, lush Hammond, soaring strings with flute and during the dynamic final part it’s progrock party with propulsive guitar riffs and drums and a long, quite fiery guitar solo. It sounds as a perfect closing section to a very pleasant and melodic CD, very elaborate and quite original sounding. My rating: 3,5 starts.

GALLEON%20Engines%20Of%20Creation%20progressive%20rock%20album%20and%20reviews Neo Progressive
(Studio Album, 2007)
Avg: 4.00/5
from 1 ratings
GALLEON — Engines Of Creation
Review by erik neuteboom (erik neuteboom)
Special Collaborator Symphonic Prog Expert

— First review of this album —

4%20stars I remember vividly that I listened to Galleon their just released debut CD entitled Lynx in the early Nineties. Their simple but tasteful sound appealed to me, especially the compelling parts featuring fat synthesizer flights, deep Moog Taurus bass pedals and dramatic vocals with a bit melancholical undertone.

After many years this new album is my renewed musical meeting with Galleon and I notice that they have matured in all ways. Remarkably is the amount of fluent songs with bombastic climates, fiery guitar solos, propulsive guitar riffs and flashy synthesizer runs like in A.I. (wonderful bass pedal sound), The Assemblers (from sparkling piano to blistering wah-wah guitar), Signals, the titletrack (howling guitar and intense Mellotron waves), Machine Mother (flashy synthesizer solo) and Lightworks. My highlight on this CD is the composition Men And Monsters (almost 10 minutes), it contains lots of shifting moods and breaks, howling guitar, pleasant keyboard variety (organ, synthesizers and Mellotron) and a great final part with a bombastic atmosphere, the biting guitar solo and the slow synthesizer make it a progrock party!

I am sure this new Galleon album will appeal to many progheads, it sounds both accessible as pleasant and dynamic with good work on guitar and keyboards and the vocals add an extra dimension.


AREKNAMÉS%20Live%20At%20Burg%20Herzberg%20Festival%202007%20%20progressive%20rock%20album%20and%20reviews Eclectic Prog
(Live, 2007)
Avg: 4.00/5
from 1 ratings
AREKNAMÉS — Live At Burg Herzberg Festival 2007
Review by erik neuteboom (erik neuteboom)
Special Collaborator Symphonic Prog Expert

— First review of this album —

4%20stars This interesting new Italian formation invites us for a trip with their musical time-machine to the early Seventies. In those days most of the big record companies had small sub-labels in order to host their progressive rock acts (like EMI had Harvest for Pink Floyd), there they got room for adventure and experiments. Well, listening to Areknames you can easily confuse this for a Seventies rooted band. This live CD was recorded during the Burg Herzberg Festival 2007, I hope a DVD will follow soon, what a stunning sound!

1. Dateless Diary : After a dreamy climate with wonderful violin-Mellotron and a bit melancholical vocals (evoking Peter Hamill),we can enjoy powerful Hammond organ, propulsive guitarwork and fat synthesizer flights in a compelling atmosphere. In the end the dreamy climate returns delivering Mellotron, Hammond and flowing electric guitar.

2. A Prison That Few Can See : The first part is mellow, the music reminds me of Anekdoten because of the violin-Mellotron and warm but a bit dark vocals. Gradually the sound turns int more lush with powerful Jammond waves, strong drumming and howling electric guitar runs, followed by a long and very compelling Hammond solo similar to Dave Greenslade his work during Colosseum and Greenslade, what a lovely early vintage sound!

3. A New Song : It starts with a slow rhythm and fragile guitarplay, mellow organ and warm vocals (again evoking Anekdoten), then a mid-tempo with majestic Hammond and powerful guitar, culminating in a kind of bombastic psychedelia. Again we can enjoy a long Hammond solo, this time swirling with great support of the rhythm-section. The final part contains soaring Mellotron, it is short but I get goose bumps!

4. Outcast : This short piece sounds a bit psychedelic with propulsive drums, fiery vocals, heavy guitar and hypnotizing organ work, it reminds me of early Italian gem Il Balletto Di Bronzo, very dynamic!

5. Boredom : Again the focus is on the Hammond (along a sensitive electric guitar solo, fat synthesizer flights and wonderful violin-Mellotron): from fluent runs and sumptuous eruptions to a swirling solo with psychedelic undertones, this man know how to push the right buttons!

Don't expect elaborate music but let you carry away by Areknames their compelling vintage sound, loaded with mindblowing work on the Hammond organ!



                                                  I hope you like it Thumbs%20Up !
 
 
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Direct Link To This Post Posted: November 23 2007 at 05:32
Another plug for a band on the edge of Unsigned and Suggest for inclusion:

Grey Lagoon from Italy. One album available from the band or from CDBaby.com.
Have a look at them on MySpace or in the Unsigned Bands forum.


ISKC Rock Radio
I stopped blogging and reviewing - so won't be handling requests. Promo's for ariplay can be sent to [email protected]
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Direct Link To This Post Posted: November 23 2007 at 06:13

Erik, I would strongly agree with you on the new Galleon cd, an excellent album and I'm listening again as I type this and your favourite, Men and Monsters is playing. It may be my favourite too. Clap I'll review it myself in a few days.

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Direct Link To This Post Posted: November 23 2007 at 08:01
 
                                      Thanks Angelo and Paul Thumbs%20Up
 
 
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Direct Link To This Post Posted: November 23 2007 at 08:59
 
                  I just noticed that the Anekdoten biography on Prog Archives is still very
                  small, perhaps this 'slightly more comprehensive' version can be used:
 

         

                             ANEKDOTEN BIOGRAPHY
 
                                        (by Erik Neuteboom)
 

 

In the early Nineties a wave of King Crimson inspired new progrock bands emerged in Skandinavia. One of the first was four piece formation Anekdoten from Sweden and they are still alive and progging, unlike their promising contemporaries Anglagard and Landberk.

Anekdoten their roots are in 1990 when Nicklas Berg (guitar and Mellotron) and Jan Erik Liljestrom (bass and vocals) decide to found a band to make progressive rock music. They name the band King Edward and the musicians start to rehearse, soon accompanied by percussionist Peter Nordin. Their repertoire consists of songs from King Crimson. In 1990 Anna Sofi Dahlberg joins King Edward, this inspires them to intensify their rehearsals, to write own compositions, to rename the band into Anekdoten and to release two demo-tapes under their new name in 1991 and 1992. With the second demo things start to roll for Anekdoten because several Skandinavian progressive rock labels show their attention and invite the band to make a CD on their label. But the band prefers to release their debut album entitled Vemod on their own label in the Spring of 1993.  The press hails the obviously KING CRIMSON inspired and Mellotron drenched compositions. A strong point in the music from Anekdoten is the hugh tension between the mellow, often melancholical climates and the dynamic parts delivering ROBERT FRIPP-inspired howling electric guitar, an aggressive and propulsive bass and splendid drumwork.

In 1994 Anekdoten starts a worldwide tour (including Sweden, Norway, Germany, Switzerland, Italy, USA and Canada) with an acclaimed performance on the annual USA progressive rock festival Progfest as their absolute highlight. Some tracks from that treat of a concert are present on the “Nearfest 1994” double live CD and video.

Late 1995 Anekdoten releases their eagerly awaited second album entitled "Nucleus", the band succeeds to sound more original and is on the way to develop an own musical identity.

The next year Anekdoten tours around the same big European countries, but Japan turns out to be by far the most important country in which they've played and impressed a lot (after Sweden). Vemod soon gets re-released, followed by a mini-CD called "Live EP". Three shows the band performed in Japan, in 1997, lead to the release of an important double CD entitled "Official Bootleg - Live in Japan" (including five previously unreleased tracks), on year later. Tours reach, in the same year, the full North American continent..

In the autumn of 1998 Nicklas Berg and Peter Nordins team up with Stefan Dimle and Reine Fiske from LANDBERK to form the band MORTE MACABRE, also release a debut, mainly playing soundtrack themes from horror-movies.

In 1999 Anekdoten announces and releases its third studio album, "From Within" pushing forwards a progrock music with a particularly evolved style: very dynamic and compelling compositions featuring two different singers, a powerful bass, splendid, very creative and propulsive drums and many waves of the unsurpassed Mellotron. The vocals have a bit melancholical undertone that fits perfectly to the music. The instrumental variety ranges from Wurlitzer – and Fender Rhodes piano to vibraphone and Hammond organ (by producer Peter Nordin). Soon after, the band tours in major European and South-American countries. 2000 sees them in the annual USA progrock festival NEARfest.

After experiencing a considerable hiatus, Anekdoten rejoin to work and play, unfortunately without the wonderful cello chasm of Anna Sofi Dahlberg, and release, in 2003, Gravity. The sound remains of a typic Anekdoten strength, but is also more varied and experimental.

 

The next three years mean a lot of gigs, most notable being their first tour in Poland, then the Baja Prog Festival in Mexico, an European tour with Ritual, a Norwegian tour, the Burg Herzberg Festival in Germany and two shows in Tokyo in Japan. These Japanese shows are recorded and released on the live album "Waking The Dead, Live in Japan 2005” in 2005 on the Japanese label Arcangelo. In 2006 Anekdoten starts the rehearsals for their fifth studio album entitled "A Time Of Day", released a year later. It’s remarkable that this new album sounds more as a successor to "From Within" than their previous effort "Gravity".

From sound to composition and from effects to emotions, this album encourages the idea of Anekdoten staying one of the strongest prog bands of the contemporary period. And looking back at Anekdoten their history, it’s amazing how they have turned from an obviously King Crimson inspired formation into a worldwide acclaimed progrock band with an own identity delivering great tension and dynamics and an omnipresent sound of the Mellotron as their trademark. In fact Anekdoten has become Anekdoten!

 
 
                                                                       Thumbs%20Up
 
 

 

 

 
 


Edited by erik neuteboom - November 23 2007 at 09:17
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Direct Link To This Post Posted: November 23 2007 at 10:04
Yep... great! I replaced the old and small Anekdoten bio by this one.Clap
 
Many thanks, Erik! Thumbs%20Up
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Direct Link To This Post Posted: November 23 2007 at 11:19
 
                            Obrigado Guigo, it took some time to make that biography
                          about Anekdoten, one of my favorite new progrock bands Thumbs%20Up
 
 
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Direct Link To This Post Posted: November 23 2007 at 12:05
Accordo Dei Contrari - Kinesis (2007)
 

The Kinetics Of Sound

 

The third band from the Altr0ck house of progressive rock is another Italian band, but this one is not at all like the first release on this label by country mates Yugen.

Accordo Dei Contrari (AdC henceforth) are a dynamic group of (changing lineup of) musicians (drums, guitar, keyboards and bass; reinforced by guests on violin and sax) and their comfort zone is in the instrumental fusion territory. No need to go into biographical details as those can be read on their Myspace, but I will quite to you what their promo material says about their influences and sound:

“The album “Kinesis” is the result of two days of live-recording in studio in june 2006, with short overdubs of violin and sax in october-november 2006. “Accordo dei Contrari”’s influences range from rock progressive music and rock-jazz of seventies, to contemporary jazz and classic music of 20th century (Strawinsky, Messiaen). Influences : Area, Mahavishnu Orchestra, King Crimson, Cherry Five, Deus ex Machina, Premiata Forneria Marconi, Frank Zappa, Soft Machine and many others."

 

Of all those, I’d say the jazz-rock influences are the most prominent and obvious, but those other names do come to mind and their overall sound is quite varied and rich. I heard references to some Italian and other prog bands of the past (pay attention to the keyboards, violin and the occasional guitar riffs in the various tracks).

 

What a great and intense ride AdC deliver in this album. They are as entertaining and melodic as they are energetic and upbeat. AdC’s sound comes from various styles as jazz-rock but bringing in a variety of other sounds to spice up the affairs with great keyboard playing (reminiscing some past prog days and bands) and a fierce guitar emphasizing the rock edge among others.

 

The listening experience with this album is great as it conjures up memories of other bands and yet doesn’t feel like they are a retro-prog sort of band, but one that relies on certain roots and uses them to make their own fresh sound.

 

With this album, I kept discovering new intricacies and small features in the music with each further listen. I could suddenly notice a particular movement I didn’t realize was there before. A link to one of their influences suddenly became clear (for instance, King Crimson which at first wasn’t clear to me where they draw from them, all of a sudden became clear). This can be said about many prog albums, and for this one it is veyr much the case in particular since as I listened more and more, the melodies sank in, leaving an imprint on my listening area in my brain, making me want to listen to it again, which is exactly what I expect from an album.

 

For a great thrill of an album; an album that mixes fusion with prog-rock characteristics of the past and present; for good musicianship; for a rich and enveloping sound; for a well-balanced mix of melody and technicality – this album will satisfy your needs and more. This album is a highlight in this year’s releases and another excellent release from Altr0ck.

 

 

 

http://www.myspace.com/accordodeicontrari

 

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Direct Link To This Post Posted: November 23 2007 at 12:29
 
  Thanks Assaf Thumbs%20Up By the way, very soon Senogul will contact me about the interview.
 
 
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Direct Link To This Post Posted: November 24 2007 at 05:42
A great biography of Anekdoten ideed, with very  nice illustrations-Thumbs%20Up
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Direct Link To This Post Posted: November 24 2007 at 06:56
 
                              Thanks Norbert Thumbs%20Up and I am glad that Atkingani has
                               used my Anekdoten biography for Prog Archives Approve
 
 
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Direct Link To This Post Posted: November 24 2007 at 07:03
Originally posted by erik neuteboom erik neuteboom wrote:

 
                              Thanks Norbert Thumbs%20Up and I am glad that Atkingani has
                               used my Anekdoten biography for Prog Archives Approve
 
 
 
Deservedly, Erik... Star
 
Anyway, I listened to "Il Resveglio", a Cooperativa Del Latte 1998 release. Great album, mixing traditional Italian symphonic with modern tints. Smile
 
I wished to be in the mood for doing a review but I'm more and more hating my poor English text... I have now 5 incomplete reviews (several albums) that I simply can't go forward due to this feeling. Cry


Edited by Atkingani - November 24 2007 at 07:03
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Direct Link To This Post Posted: November 24 2007 at 07:14

Strange feelings for a Forum & Reviews Moderator, Guigo Confused, throw away that negative feeling ("Luctor Et Emergo" Wink) because it's more important to treat the progheads on interesting reviews than to nail yourself because the English text is not close to perfect, I have seen so many enthousiastic reviews by Latin-American progheads with obvious mistakes in the English language but the messages came from the heart so we are back to the basics CLOSER TO THE HEART Thumbs%20Up 

                                HOY VAIS A ESCRIBIR ESAS CRITICAS LOL !

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Direct Link To This Post Posted: November 24 2007 at 07:48
Noted! Embarrassed
 
EDIT: as I like to say: "duco non ducor!"  (but I'm not so pretentious as it seems) Wink


Edited by Atkingani - November 24 2007 at 08:03
Guigo

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