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Topic ClosedWhat kind of guitar do you use?

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Slartibartfast View Drop Down
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Direct Link To This Post Posted: September 22 2007 at 13:07
Mostly a cheapie Yamaha classical, but I also have a Jackson Performer electric.  A Kawai K1 synthesizer.
 
By the way great Sinclair Lewis quote.  Kind of scary.
Released date are often when it it impacted you but recorded dates are when it really happened...

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Direct Link To This Post Posted: September 22 2007 at 13:08
Originally posted by Slartibartfast Slartibartfast wrote:

Mostly a cheapie Yamaha classical, but I also have a Jackson Performer electric.  A Kawai K1 synthesizer.
 
By the way great Sinclair Lewis quote.  Kind of scary.


what is scary is the truth of it...
The Pedro and Micky Experience - When one no longer requires psychotropics to trip
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Direct Link To This Post Posted: September 22 2007 at 13:13
Originally posted by micky micky wrote:

Originally posted by Slartibartfast Slartibartfast wrote:

Mostly a cheapie Yamaha classical, but I also have a Jackson Performer electric.  A Kawai K1 synthesizer.
 
By the way great Sinclair Lewis quote.  Kind of scary.


what is scary is the truth of it...
 
Exactly.
Released date are often when it it impacted you but recorded dates are when it really happened...

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Direct Link To This Post Posted: September 26 2007 at 20:05
One of my friends has a 1967 Pan Trini Lopez copy hollow body guitar. So far, he's been unable to find out much about the company and their guitars. He did find that they became part of Norlin Industries at some point in the 70s.
For those of you who ever stumble upon one, try it out. His was picked up from an older gentleman who hadn't played in years. The strings were rusty, there was some dirt on the fretsboard, but it only needed a new set of strings & a basic set up. Plays like a dream, too.
So apart from listings on some guitar review sites (Harmony Central, for example) there isn't much to find.
Mind you, it took me a while to stumble on the info that Vantage guitars were originally made by a Japanese company named Matsomuko.
"Here I am talking to some of the smartest people in the world and I didn't even notice,” Lieutenant Columbo, episode The Bye-Bye Sky-High I.Q. Murder Case.
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Direct Link To This Post Posted: September 27 2007 at 12:19
Originally posted by bluetailfly bluetailfly wrote:

Originally posted by rileydog22 rileydog22 wrote:

Originally posted by bluetailfly bluetailfly wrote:

Fender Bronco with one pick up . . . it distorts beautifully


That's the one with the short scale length, right? 
 
My bronco has the same neck that was used on the Stratocaster and the Mustang. The main difference was the single vs. multiple pick-ups and the electonics that go along with that. There's probably other differences too. The Bronco was the lowest price guitar Fender sold, I believe.
 
The Bronco, Mustang and Musicmaster usually have a 24" scale length but sometimes they were shorter (I think 22.5"). Strats are normally 25.5".
 
My main guitars are a Fret King Esprit 1 (www.fret-king.com ), Fender '52 Telecaster (Japanese re-issue), Fender Strat with a Warmoth neck and a Westone Paduak 1.
 
I'm about to splash out more than I've ever paid for a guitar before on a Gretsch 6120. My fiancee said it was a good idea! Love her to bits!
"The disgusting stink of a too-loud electric guitar.... Now, that's my idea of a good time."
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Direct Link To This Post Posted: September 27 2007 at 12:20
Fender Strat with a humbucker pickup that I almost exclusively use (while distorted anyway)...the clean sound with the other pickup sounds great though considering I only have a 200 dollar amp


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Direct Link To This Post Posted: September 27 2007 at 21:43


Its kinda like Freddie Mercury's. At one point, he said the following: "This s****y guitar won't play what I want! It only knows three chords!"
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Direct Link To This Post Posted: September 28 2007 at 00:15
mine's black.
OLP Petrucci with   two Dimarzio Evo's and Shaller tuners.  For its price it is a very good guitar, it has one of the best necks I've seen.


Edited by king of Siam - September 28 2007 at 00:20
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Direct Link To This Post Posted: October 21 2007 at 13:52
I've got two American Stratocasters, both of which I highly cherish. However, my Gibson Les Paul Standard is by far the most lovely guitar I've laid hands on.

Unfortunately, I haven't got any pics of the strats. However, the Les Paul looks like this:


''WE'RE BALLS TO THE WALL, MAN''
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Direct Link To This Post Posted: October 21 2007 at 14:38
"One of my friends has a 1967 Pan Trini Lopez copy hollow body guitar. So far, he's been unable to find out much about the company and their guitars. He did find that they became part of Norlin Industries at some point in the 70s.
For those of you who ever stumble upon one, try it out. His was picked up from an older gentleman who hadn't played in years. The strings were rusty, there was some dirt on the fretsboard, but it only needed a new set of strings & a basic set up. Plays like a dream, too.
So apart from listings on some guitar review sites (Harmony Central, for example) there isn't much to find.
Mind you, it took me a while to stumble on the info that Vantage guitars were originally made by a Japanese company named Matsomuko.

The Trini Lopez (Dallas Texas-based jazz guitarist for those who don't know) guitars were made and marketed by Gibson (Norlin was The parent company for Gibson in the 70's and 80's, but most "Trini's" pre-date the Norlin Years (1969 - 1985). The two Trini Lopez models (deluxe & Standard) were in production from 1964- 1971. Since Lopez was under contract with Gibson in 1967, since Norlin did not yet own Gibson, and since Norlin had nothing to do with Vantage the date of your friend's instrument is very questionable. If it is a Norlin instrument but does not have the Gibson name on it, is more likely to be mid 1970's. If it is a Vantage instrument from 1967, it cannot be a real Trini Lopez model.

The Gibson guitar was loosely based on the ES335 but with sharp points on the cutaway horns and a thicker body (3" rather than the 1 3/4" depth of the 335). The instrument also had a "Fender-Like" headstock with six on a side tuners (unheard of for Gibson at that time). It was most commonly seen in a cherry finish, but models have been reported in Sparkling Burgundy and Pelham Blue Metallic. which, again, were colors more reminicent of Fender than Gibson at the time.

If the Trini you're seeing doesn't say Gibson on it, it was probably manufactured AFTER the Norlin takeover of Gibson in 1969. in order for the guitar to have any real colloector's value it would have to predate the Norlin years. No Gibson guitar manufatured in that time period is worth much to the colloectors as the quality of Gibson instruments in general was pretty atrocious durng the Norlin years.



Edited by Trademark - October 21 2007 at 14:41
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Direct Link To This Post Posted: October 21 2007 at 14:56
Originally posted by Trademark Trademark wrote:

"One of my friends has a 1967 Pan Trini Lopez copy hollow body guitar. So far, he's been unable to find out much about the company and their guitars. He did find that they became part of Norlin Industries at some point in the 70s.
For those of you who ever stumble upon one, try it out. His was picked up from an older gentleman who hadn't played in years. The strings were rusty, there was some dirt on the fretsboard, but it only needed a new set of strings & a basic set up. Plays like a dream, too.
So apart from listings on some guitar review sites (Harmony Central, for example) there isn't much to find.
Mind you, it took me a while to stumble on the info that Vantage guitars were originally made by a Japanese company named Matsomuko.

The Trini Lopez (Dallas Texas-based jazz guitarist for those who don't know) guitars were made and marketed by Gibson (Norlin was The parent company for Gibson in the 70's and 80's, but most "Trini's" pre-date the Norlin Years (1969 - 1985). The two Trini Lopez models (deluxe & Standard) were in production from 1964- 1971. Since Lopez was under contract with Gibson in 1967, since Norlin did not yet own Gibson, and since Norlin had nothing to do with Vantage the date of your friend's instrument is very questionable. If it is a Norlin instrument but does not have the Gibson name on it, is more likely to be mid 1970's. If it is a Vantage instrument from 1967, it cannot be a real Trini Lopez model.

The Gibson guitar was loosely based on the ES335 but with sharp points on the cutaway horns and a thicker body (3" rather than the 1 3/4" depth of the 335). The instrument also had a "Fender-Like" headstock with six on a side tuners (unheard of for Gibson at that time). It was most commonly seen in a cherry finish, but models have been reported in Sparkling Burgundy and Pelham Blue Metallic. which, again, were colors more reminicent of Fender than Gibson at the time.

If the Trini you're seeing doesn't say Gibson on it, it was probably manufactured AFTER the Norlin takeover of Gibson in 1969. in order for the guitar to have any real colloector's value it would have to predate the Norlin years. No Gibson guitar manufatured in that time period is worth much to the colloectors as the quality of Gibson instruments in general was pretty atrocious durng the Norlin years.


Sorry for the mix up on the Pan & the Vantage. The Pan is my friend's. The Vantage is mine.
We had managed to find out that Pan was owned by Norlin, and that there was a link with Gibson. The dating is mostly based on the info provided by the original owner of the guitar. He recalls buying it in 1968-69, and he thought it was the last one in stock at that store. Kinda like buying a 2008 car, although it actually is built & shipped in 2007.
ANy more info you can lead me to is greatly appreciated. We figure it might not be a collectible as it's not a "big" name in guitars, but the quality & the fact of its' great playability after all these years without any major work on it gives us a giggle when thinking that it was bought for $200 last year.
"Here I am talking to some of the smartest people in the world and I didn't even notice,” Lieutenant Columbo, episode The Bye-Bye Sky-High I.Q. Murder Case.
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Direct Link To This Post Posted: October 21 2007 at 15:08
That's about all the info I have at hand apart from some tech details (scale length, materials and other construction data). If it is in fact a Norlin instrument, it would have to be 1969 or later since that's when Norlin came into ownership of the Trini Lopez name through the Gibson aquisition. That would certainly kill its collector's value ($500-$600 tops) compared to a Pre-Norlin, Gibson Trini which might sell for close to $2000 (US) in mint condition.

On the other hand a great guitar is a great guitar no matter the price. Just play it and enjoy it.
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Direct Link To This Post Posted: October 21 2007 at 15:09


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Direct Link To This Post Posted: October 31 2007 at 09:30
I'm saving up for one of these:


It's a Yamaha SG 2000

At the moment, I have a cheap Ibanez GAX75 (it's okay... a bit crap, the intonation is terrible on my B and E strings ) I also have an old Sakai Les Paul style guitar that needs a little bit of work to be in good shape, but it's pretty noice anyway... And I have a Fender (not sure what model) steel string acoustic guitar with cutaway; I have a Valencia, 1/4 size, nylon string acoustic; I have a cheap, unknown brand, student-size acoustic; a mandolin-banjo dating back to about the 30's - 40's; and lastly a lute that dates back to about the 20's
My solo music: ANTHROPIATE
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Direct Link To This Post Posted: October 31 2007 at 14:08
Ive got a crappy Yamaha Pacifica, need a new guitar badly.

I really like Paul Reed Smith guitars, too bad they don't seem to do left handed models :(
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Direct Link To This Post Posted: October 31 2007 at 22:37
Early '80's Gibson Les Paul Studio.  Now if I could only learn to play it...
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Direct Link To This Post Posted: October 31 2007 at 22:54
Dean Vendetta:
Here's my action pic:
Tongue
Planning to costumize it by replacing the stock double humbucker pickups with a Seymour-Duncan. Strings are by Ernie Ball extra Slinky.
 

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Direct Link To This Post Posted: November 04 2007 at 01:07
I have a Pan Trini Lopez copy, wich is a 335 modified. The F holes are replaced by a geometric shape. That guitar score high for almost anybody having one of these or the 335 copy. I will soon have to refret it. The new frets will be bigger. You don't need other modification, pick-ups are great, the neck is wonderfully sexy and the sound is a blast. It is a 1968 the way I figured it out.

Trini Lopez was the singer doing the song "If I had A Hammer" wich was a huge hit at the time. So, Gibson produced the Trini Lopez signature guitar. There was at least two models: the one I have but in reddish brown (my Pan is three tones cherry burst, much better looking than the Gibson) and the deluxe model. If I remember well, this one had a venitian style cutaway (like an ES175) and was natural.

The Pan copy was very well made. Other company made that copy too but the Pan is considered by many players a better guitar than all the others. Some reviews even say better than the real one. I agree. I played 335's and was not as satisfied with the sound.

In the sixties, Japanese guitar makers wanted to make better instruments than the ones they were copying. They often did. Pan did it and some others did it too. I found mine in perfect, I mean mint condition. The life she shows now is my loving her too much, I guess!

Edited by blusiedan - November 04 2007 at 01:09
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Direct Link To This Post Posted: November 13 2007 at 06:43
I've had my Gretsch 6120 Brian Setzer Hot Rod for a while now and played a couple of gigs with it. It's a fantastic guitar but I've got a problem. I tend to play pretty hard and the low E string has a tendency to jump out of its saddle. I'm going to try heavier strings to see if the extra tension helps (I usually use 10-46, I'm going to try 10-52). 
"The disgusting stink of a too-loud electric guitar.... Now, that's my idea of a good time."
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Direct Link To This Post Posted: November 14 2007 at 03:27
 
iam a beginner ,but i an getting better .btw sorry for the mess at the back of my guitar LOL
Nothing can last
there are no second chances.
Never give a day away.
Always live for today.


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