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avestin ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: September 18 2005 Status: Offline Points: 12625 |
![]() Posted: October 13 2007 at 00:42 |
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For sale at Wayside:
UPPSALA - UppsalaSKU 01/MUSEA 4370 SPECIAL
Nice to see this reissue of the only album by this early 80's fusion trio of electric & acoustic guitar/vocals (Philippe Cauvin), bass & drums. This is not typical fusion, but has a genuinely original & idiosyncratic sound unlike anything else I can think of. While they do know how to burn, quite a lot of this is at mid or even slow tempos, further distancing it from most fusion music. This includes the album + 3 live tracks from a 1995 reunion. This was roundly ignored upon its original release in 2001; now at a 40% discount off of its regular price, don't make the same mistake now!
PA bio:
Uppsala stands as yet another Zeuhl contingency hailing from France. The band was formed in 1969 by Philippe Cauvin (guitar), Didier Lamarque (drums, percussion) and Dany Marcombe (bass guitar), under the name Absinthe. By the second half of the Seventies the band was to take a new name in the namesake of the Swedish city Uppsala (Home of guitarists Coste Apetrea (of Samla Mammas Manna) and Kukka Tolonen, whom Uppsala met while vacationing in 1978). Amazingly for a band that has been touring over the past 30 years, they only boast one album under their belts. Tragically in 1979, Cauvin befell a car crash where he lost both his legs; this no doubt set the band back substantially in their musical plights. Over the passing year it has been rumoured the band is concentrating on devising a second album; but we will have to be patient and see what time will bring us.
Their Self Titled album was released in 1983; taking a very Art rock approach to the Zeuhl ideals. While the rhythm section besets the framework for the album (the famous ‘throbbing bass’), it finds itself revolving around the masterful hand of Philippe Cauvin. We are to be graced with complex interplay between both electric and acoustic guitar. At other times taking full advantage of utilising dubbing effects to produce a likely guitar synth sound. Rather than perusing lyrical themes the album is littered with rough vocalised Zeuhl chants to the high-pitched feminine ranges; all performed by Cauvin. The album is highly diverse encompassing a wide variety of tones and moods, while keeping the audience on their toes with the vast array of sound effects noises. Uppsala is recommend to those who like their music with the guitar at the forefront. At treat for fans of Djam Karet and King Crimson (80’s – 90’s) with and extra favour of Zeuhl. Review:
UPPSALA — UppsalaReview by sinkadotentree (john davie)PROG REVIEWER
Posted Wednesday, October 10, 2007, 01:13 EST | Permanent link |
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avestin ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: September 18 2005 Status: Offline Points: 12625 |
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Bump... for those who missed it...
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Man With Hat ![]() Collaborator ![]() ![]() Jazz-Rock/Fusion/Canterbury Team Joined: March 12 2005 Location: Neurotica Status: Offline Points: 166183 |
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Good deal.
I bought it for slightly more and it was worth that price.
An interesting (and from what I've heard pretty original) take on zeuhl. I also think it would be a good album for people who don't normally dig much zeuhl.
Certainly the time to jump in and purchase.
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Dig me...But don't...Bury me
I'm running still, I shall until, one day, I hope that I'll arrive Warning: Listening to jazz excessively can cause a laxative effect. |
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Apsalar ![]() Forum Senior Member ![]() ![]() Joined: June 06 2006 Location: gansu Status: Offline Points: 2888 |
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Certainly agree with this. I think their guitar orientated sound would please King Crimson fans. |
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