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erik neuteboom View Drop Down
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Direct Link To This Post Topic: Hammond Organ Extravaganza Part 1!!
    Posted: September 28 2007 at 16:43
 
             HAMMOND ORGAN        
             EXTRAVAGANZA!!!

 

This thread is a small prelude to an extensive Hammond article I am preparing at this moment, I hope to publish it in the second half of November. This week I listened to a lot of Hammond drenched music (mainly prog but also jazz and blues) and I stumbled upon the following items, in my opinion very interesting for the Prog Archives Hammond aficionados!

 

JIMMY SMITH – Funk In The Keys (live USA 1999)

DVD%20Jimmy%20Smith-funk%20in%20the%20keys
Jimmy Smith is one of the most legendary and most exciting players on the Hammond organ. He was born in 1925 in Pennsylvania (USA), at the age of 9 he won an amateur contest. First he took the bass, then the piano and eventually the Hammond organ in 1953. Jimmy founded a trio (that briefly included other famous musician John Coltrane), he earned a contract with the known label Blue note and gradually Jimmy became a sensation with his powerful sound and as 'bebop' described style. He played with Art Blakey and guitarists Kenny Burrel and Wes Montgomery and in The Sixties he put more of his blues roots into his music. Jimmy Smith became an icon for famous musicians like Georgie Fame, Brian Auger, Graham Bond and Jimmy McGriff, another wizard on the Hammond organ! In the Seventies Jimmy opened his own nightclub but later he started touring again, from Europe to Japan.

Today I bought this DVD, it is a registration of  a concert at the Florida Keys Islamorada’s Festival By The Bay in 1999. We can enjoy Jimmy (74 years old!) playing lots of very quick runs and delivering a varied sound, one of the trademarks of the Hammond organ because of the drawbars that enable you to create almost endless sounds! To me the often swinging music mainly sounds as jazzy inspired, like the sound of the skilled guitarist who plays some very strong solos. The final song Trophhic contains a Latin-Amercian atmosphere (that reminds me of the rhythm in La Bamba) featuring outstanding flute work and a mindblowing improvisation by Jimmy Smith that fits perfect to the Latin-American rhythm, this man is a Hammond organ!

 

JON LORD WITH THE HOOCHIE COOCHIE MEN – Live At The Basement (live 2003)

In 2003 John Lord was asked to perform at the Sydney Opera House with the Queensland Orchestra, a dream came true for him because he had always loved to play there once. He also booked a few smaller venues but unfortunately he got injured so he could hardly play the Grand piano. The contact with an old Australian friend on the bass named Bob Daisley led to the  temporary formation of Jon Lord With The Hoochie Coochie Men, this DVD is the excellent registration of a concert the band gave in 2003. As a huge fan of the Heavy Prog by Deep Purple, I was very curious to Jon Lord his role in this band. Well, it’s straight 12-bar blues (like Stevie Ray Vaughan) and Jon is clearly happy with it, he delivers an outstanding, very inspired job like many exciting solos, especially in Lonesome Traveller Blues, the classic Green Onions (swirling with great use of the drawbars) and the final song 12 Bar Blow Jam. The band plays tight (with good guitar play and pleasant work on the harmonica) and enthousiastically, in two songs there is a contribution by Jimmy Barnes. He sings very emotionally and expressive, it's very compelling to listen to the interplay between his vocals and John his bluesy Hammond organ sound. This is a DVD to check out if you like blues and the Hammond organ!

 

HANSSON & KARLSON – Hansson & Karlson

hanssonk.jpg%20%2829204%20bytes%29
- Many years ago I got this CD as a promo while I worked for the Dutch progrock magazine iO Pages. Hansson & Karlson was a Swedish duo featuring Bo(sse) Hansson on Hammond organ and Janne Carlsson on drums. They made three albums entitled Monument (1967), Rex (1968) and Man At The Moon (1969) and the single Lidingo Airport (1967). They also were the support-act of Frank Zappa, Jefferson Airplane, Cream and Jimi Hendrix. In the booklet of this CD (including an interesting interview) you can read that Jimi Hendrix was impressed by the duo and Jimi and the duo even became friends! By the way, Bo Hansson is also known as an artist who made several symphonic prog albums in the Seventies, his effort Attic Thoughts is recommended. So what about the music of this Swedish duo? Well, I am delighted about these virtuosic musicians, what a skills, what a great interplay and what a wide range of exciting Hammond organ sounds (especially on the outstanding track February). The music reminds me at some moments of Julian’s Treatment and Rare Bird but in general it’s swinging jazz and compelling blues. My highlight is I Love, You Love (live 1968 from Rex): Bo freaks out on his Hammond organ, then he slows down but he ends with a bombastic, classically inspired sound in the vein of Keith Emerson, goose bumps! In fact it’s “never a dull moment” during the 70 minutes running time of this dynamic and exciting CD compilation, highly recommended!

 

                                   I hope you like it Thumbs%20Up

 

 



Edited by erik neuteboom - October 22 2007 at 15:25
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Direct Link To This Post Posted: September 28 2007 at 17:35
nice work Erik, the anticipation is building for your hammond organ specialBig%20smile
I really like the style of Jimmy Smith, the grand-daddy of hammond organ players, you can find loads of interesting footage of him on YouTube.
 
another excellent jazzy hammond organ player is Brian Auger, erik what is you opinion of his bands Oblivion Express and The Trinity (featuring Julie Driscoll)?
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Direct Link To This Post Posted: September 28 2007 at 17:46
Thanks for your post Jimmy Row Thumbs%20Up About Brian Auger, many years ago I bought a video featuring a concert with his band on a Jazz Festival in 1989, an excellent performance with many exciting Hammond organ solos Thumbs%20Up
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Direct Link To This Post Posted: September 28 2007 at 17:58
I love the sound of the Hammond. Watched Focus, Thijs van Leer, at Symphorce in Tilburg and that was very enjoyable.!!
 
 
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Direct Link To This Post Posted: September 28 2007 at 18:08
Yes Glass House, the Symforce Festival was a Hammond Organ Extravaganza too featuring Focus, Riverside, Beard fish and especially Bootcut Clap
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Direct Link To This Post Posted: September 28 2007 at 18:45

Another great topic, Erik! Smile

I've always loved Hammond organs, being a huge fan of the Canterbury Scene.
 
Now if only I could afford one... Cry
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Direct Link To This Post Posted: September 28 2007 at 20:04
Lee Michaels an absolute must for anyone who loves Hammond organ.
 
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Direct Link To This Post Posted: September 29 2007 at 05:00
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ISKC Rock Radio
I stopped blogging and reviewing - so won't be handling requests. Promo's for ariplay can be sent to [email protected]
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Direct Link To This Post Posted: September 29 2007 at 05:46

 

                          Thanks for the recommendations and positive posts,

                                    it's a boost for my Hammond article Thumbs%20Up

 
                                   
 
                                        A big hand for the Hammond organ Clap
 
 
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Direct Link To This Post Posted: September 29 2007 at 07:57
Beware of  Hammond impersonators. Alan Freeman of Ultima Thule will tell you what sounds like a Hammond on some East European  recording pre-90's would have been Russian built copies.  Second, my keyboard favourite, especially of the Canterbury scene, Mike Ratledge favoured an overdriven Lowry.

However, huge number  of excellent examples - Jan Hammer on John Abercrombie's Timeless, Jens Johanson on Jonas Hellborg Group's e (I think it is a Hammond). Remember as Stevie Winwood started to get his royalties in the Spencer Davis Group he had the reputation of indulging himself by purchasing the latest Hammond. Al Kooper's Hammond work made him a very popular sessionist in the late 60's- e.g. The Who's Sell Out, Dylan. John Novello leader of  Niacin continues the tradition of Hammond driven fusion


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Direct Link To This Post Posted: September 29 2007 at 09:19
Thanks Dick, very varied view Thumbs%20Up
 
Last week I wintessed a David Gilmour concert in the Royal Albert Hall on the BBC (it's now on a 2-DVD), some songs delivered excellent work on the Hammond organ by Rick Wright!
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Direct Link To This Post Posted: October 08 2007 at 12:20
It goes very well with the preparations of my Hammond organ article that will be published between mid and late November this year. I am very glad that my vintage keyboard PA friend Pierreolivier will help me and you can expect contributions by 'progrock professor' Dick Heath (Sixties and Seventies specialist) and Hammond organ freaks Ozzy Tom and Jimmy Row.
 
                           Here's a mouth-watering preview:
 
 
 
I made these pictures (thanks Angelo Clap) at the home of Frank Obertop, a known Dutch Hammond organ collector Thumbs%20Up 
 
 


Edited by erik neuteboom - October 08 2007 at 12:41
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Direct Link To This Post Posted: October 08 2007 at 13:07
Originally posted by erik neuteboom erik neuteboom wrote:

It goes very well with the preparations of my Hammond organ article that will be published between mid and late November this year. I am very glad that my vintage keyboard PA friend Pierreolivier will help me and you can expect contributions by 'progrock professor' Dick Heath (Sixties and Seventies specialist) and Hammond organ freaks Ozzy Tom and Jimmy Row.
 
Here's a warm up:
 
 
 
I made these pictures (thanks Angelo Clap) at the home of Frank Obertop, a known Dutch Hammond organ collector Thumbs%20Up 
 
 
 
Curious to know when Hammonds came into the UK (and so Europe) and were affordable to aspiring pop, blues or rock musicians. Clearly with the date of invention going back before WW2, then specific Hammond models would have been imported before 1939? But after 1945, like a lot of European countries Britain was broke, rationing prevailed, trade deficits limited the ability to import, unless you had money to cover heavy import duties and purchase tax. Hank Marvin and Jet Harris of the Shadows' imported Fenders and bass guitar from the States: not only did it cost them (and their management) a fortune but delievery dates were very extended, because in part of the means of shipping. I believe it is common sense to suggest importing the later models of Hammonds from the States much before 1960 would have been more diffficult. But it must been done but HOW? However, did recording companies/studios buy  them (they did that in the mid 60's late 60's with the locally sourced Mellotrons and Moogs) OR did the occasional  America musician/band bring them in and leave them? However, also remember there was relatively little exchange of musicians because the American and British musicians unions took many years to come to mutual agreements about exchange of musicians, meaning little British music got played in the US  in the 50's (cf the amount of American music in the UK, but heavy restricted by "needle time"). However, UK/European jazz fans would have been aware of Jimmy Smith from the late 50's and Brother Jack McDuff from about 1960. Then  one website writes about Alan Price of the Animal using a Hammond with a Leslie cabinet, and at that point pop musicians wanting Hammonds with Leslies -  this with the Animals' first hit House of the Rising Sun (1964?). Graham Bond was playing a Hammond in 1963 - Georgie Fame is quoted as being inspired to get a Hammond by Bond. But again I believe we are talking Hammond with effects cabinets.
 
So Erik expect  an extended fusion of various snippets you have read here from me for your piece - and based on the question :when did specific models of Hammond (presumably with specific effect boxs) become  in demand and available and affordable this side of the Atlantic? 1960 seems a sensible start point. The picture suggested by Jazz Britannia wrt early British jazz fusion, increasingly seems over-simplified  the more I read around this subject. Interestingly read that Graham Bond  and others joined Blues Incorporated in 1962/3, with the idea of fusing the musics of Howlin' Wolf and Charles Mingus - so radical was the idea that one of the acknowledged godfathers of British blues was scared away - i.e. Cyril Davis.


Edited by Dick Heath - October 08 2007 at 13:09
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Direct Link To This Post Posted: October 08 2007 at 13:29

Dick, in my article I hope to clear a few questions from your post, that's why I take the time for my preparations. I am looking forward to your contribution, your ideas appeal to me. One of my chapters will be about the progrock Hammond pioneers like Mark Stein and Keith Emerson so this matches good with your contribution featuring 1960 as the starting point and your stories about the jazz and blues music Thumbs%20Up

About House Of The Rising Sun by The Animals, this was not a Hammond organ but a Vox Continental (with that distinctive red top), one of the most popular combo organs (less heavy and less expensive), also used by The Beatles and The Dave Clarke Five (source: Rock Hardware - Miller Freemann Books).
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Direct Link To This Post Posted: October 08 2007 at 18:03
Originally posted by erik neuteboom erik neuteboom wrote:


About House Of The Rising Sun by The Animals, this was not a Hammond organ but a Vox Continental (with that distinctive red top), one of the most popular combo organs (less heavy and less expensive), also used by The Beatles and The Dave Clarke Five (source: Rock Hardware - Miller Freemann Books).


I'm sure you are right wrt to Alan Price - Manfred Mann as well?. However, that website author states he saw the Animals on TV - I guess US TV - and therefore do we have a case of a British band breaking and touring the States and buying instruments (including Hammonds) whilst there on the money made? Alan Price (several year after leaving the  Animals) and Georgie Fame I think appeared in their own series on BBC TV in the late 70's, and I'm sure both played Hammonds as the normal by then.
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Direct Link To This Post Posted: October 08 2007 at 22:08
Back at the Chicken Shack anyone?
hooray for the Hammond!!!
Wish they were a bit cheaper ;)
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Direct Link To This Post Posted: October 08 2007 at 22:53
Love the hammond, and the keys in general Clap I personally play them. I love the underrated work by Steve Winwood in that kind of keyboard...

Nice work Erik, btw! Thumbs%20Up
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Direct Link To This Post Posted: October 08 2007 at 22:59
Excuse me for my utter blasphemy, but I am actually not to keen to a boatload of Hammond in an album. Actually, I'm just not a fan of a lot of organ in one sitting.
 
I'm a mellotron person!
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Direct Link To This Post Posted: October 08 2007 at 23:18
Hi Erik, I have been a big fan of Hammond players for a long time, jazz, rock, funk, blues, RnB, avante-garde and exotic lounge too.

I want to reccomend Larry Young as a very unique player. Towards the end of his career he really started to use the drawbars as a constantly shifting psychedelic soundscape. Check out his work on his own Lawrence of Newark or with Miles on Big Fun. His influence is highly evident on the Santana Caravanserai album.

I would also like to reccomend Jon Lord's solo during the long instrumental that comes after Space Truckin on the Deep Purple album Live in Japan. Except for maybe Sun Ra or the very young Chick Corea I have never heard a keyboard played with this much aggression, energy and imagination. He does to the Hammond what Jimi did to the guitar, and then some.



Edited by Easy Money - October 08 2007 at 23:20
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Direct Link To This Post Posted: October 09 2007 at 04:52
 
Thanks for your enthousiastic posts, fellow Hammond freaks but sorry for the pictures, they have disappeared, what a pity, I will ask my friend Angelo to help me out with this small disaster, it was so mouthwatering, now I have to cry Cry


Edited by erik neuteboom - October 09 2007 at 04:53
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