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Yorkie X ![]() Forum Senior Member ![]() ![]() Joined: July 04 2007 Status: Offline Points: 1049 |
![]() Posted: September 23 2007 at 21:02 |
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From a certain perspective I feel that sometimes a certain charm is lost in the remastering process, I was listening to yes close to the edge remastered recently and from a technical point of view it is superior however there's something lost from cleaning things up ... sometimes its hard to explain what I mean but lets just say the sound I grew up knowing is what I identify with and if its changed I`ll notice and maybe not adapt the same way to it even if its perfected. Anyway enough of my thoughts on this what do you think ?
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Easy Money ![]() Special Collaborator ![]() ![]() Honorary Collaborator / Retired Admin Joined: August 11 2007 Location: Memphis Status: Offline Points: 10686 |
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I actually prefer the old vinyl versions. CDs sound fake, the more doctored they are the faker they sound.
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ClassicRocker ![]() Forum Senior Member ![]() ![]() Joined: March 02 2007 Location: United States Status: Offline Points: 894 |
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I can't agree with that. You can't create a "fake" recording. Remastering is vital for cd releases so the music can be transferred to a digital format on PCs (couldn't live w/o that!), and most remasters clean up the sound and get rid of static/distortions, etc.
I know vinyl has sentimental value for many people, but if you can't hear half of what's going on in an album (i.e. a live record or something), then it's almost not worth it. Example that comes to my mind: Yessongs, which is in desperate need of remastering/cleaning-up. |
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Yorkie X ![]() Forum Senior Member ![]() ![]() Joined: July 04 2007 Status: Offline Points: 1049 |
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Yessongs is a great live album but as far as sound quality goes its never going to sound good even cleaned up. Yes were very dissapointed when they first heard that recording I read .
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The Doctor ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: June 23 2005 Location: The Tardis Status: Offline Points: 8543 |
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Yeah, I'm gonna have to give a shout for the remastered cd's. I grew up on LP's and once cds came out I was immediately taken by the improvement in sound quality on most of the cds. Of course, a few of them sounded tinny, but for the most part the cd's sounded much better. I had a crap turntable, but years after cd's made their debut, I had a friend who owned a $3,000 turntable, and I still thought cd's sounded better on a $100 cd player.
Generally, the remastered cd's have even better sound quality. I know some of my old VDGG sounded a little too high pitched in parts, but the remastering took care of that problem. Of course, we could get into a Star Wars problem, where the original is constantly being redone until it is no longer recognizable as the original, but so far I haven't noticed that problem. I prefer remastered all the way. Edited by The Doctor - September 23 2007 at 21:36 |
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I can understand your anger at me, but what did the horse I rode in on ever do to you?
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Easy Money ![]() Special Collaborator ![]() ![]() Honorary Collaborator / Retired Admin Joined: August 11 2007 Location: Memphis Status: Offline Points: 10686 |
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ProgBagel ![]() Prog Reviewer ![]() Joined: May 13 2007 Location: United States Status: Offline Points: 2819 |
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What can possibly be bad about increasing the quality?
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Walker ![]() Forum Senior Member ![]() ![]() Joined: May 20 2005 Location: Atlanta Status: Offline Points: 824 |
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There is a very real difference in the mastering process for CD's as opposed to LP's. Because LP's had more "rumble" the closer you got to the center, they had to compensate for this by rolling off the bass gradually as you got to the end of the side. These same masters were used for the first generation CD's. When a CD is "remastered", it means they are taking the original mix and optimaizing it for the CD format. Some people claim that low end is"boosted' during remastering. This is true. LP's couldn't handle the low frequencies as well as CD's can. People say that it's not natural, but there is nothing on the CD that wasn't there aon the original multitrack tapes. If LP's could have reproduced the low end properly, don't you think they would have left it on instead of rolling it off?
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Atavachron ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: September 30 2006 Location: Pearland Status: Offline Points: 65692 |
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^ interesting point... to me, if a recording is remastered, or 'reproduced', in a way that is closer to the original session - that is, close to what it sounded like in the studio when recorded, or after post-production - it is an improvement. That is after all what's meant by 'fidelity'.. a sound that is true and loyal to the original.
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BroSpence ![]() Forum Senior Member ![]() ![]() Joined: March 05 2007 Status: Offline Points: 2614 |
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Often the people remastering the albums cut things out or the mixing is done in poor taste. So yes I take the original LPs over the remastered CDs. |
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Melisma ![]() Forum Newbie ![]() Joined: October 18 2006 Location: Canada Status: Offline Points: 25 |
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I don't mind a remastering when the original version is not quite up to quality listening and needs noise reduction. As for remastering an original CD version, it depends: Take Rush's Vapor Trails for instance. That one needs a remastering Big time, well come to think of it, maybe a remix! However, I'm not a fan of remastering when the original recording is messed with, and changes are made to the original song. Steven Wilson cleaned up some of PT's older albums and I must admit being slightly disappointed in some of the instrumental changes... When I'm used to hearing a song played a certain way on a studio album, I like to have that kept in a way. You can clean it up all you want, but don't mess with the notes! Edited by Melisma - September 26 2007 at 22:33 |
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Melisma
Life is a trip! Death is an odyssey... |
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Atavachron ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: September 30 2006 Location: Pearland Status: Offline Points: 65692 |
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^ that would qualify as re-recording, and I agree with you
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Walker ![]() Forum Senior Member ![]() ![]() Joined: May 20 2005 Location: Atlanta Status: Offline Points: 824 |
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The situation you describe goes beyond the definition of mastering. I would not approve editing the music or remixing the music in any way, but I do think the remastering adds to the overall quality of sound. You can remaster an album without remixing it or editing it. Most remastered CD's on the market are NOT remixed. Please tell me some remastered CD's that you think sections have been cut out of or the mixing was done in poor taste please. I would be interested to know, because I've never found one.
Edited by Walker - September 24 2007 at 01:18 |
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Dean ![]() Special Collaborator ![]() ![]() Retired Admin and Amateur Layabout Joined: May 13 2007 Location: Europe Status: Offline Points: 37575 |
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Many remastered CDs use heavy compression to increase the apparent loudness - this is a modern trend that also affects new releases. This kills the dynamics of the recording - quiet passages are now louder than before and loud passages are often distorted - a effect noticable in bright sounds like crash cymbals. Because of this over compressed CDs can be hard-work to listen to. (for more on this subject see a very informative article here: http://www.spectrum.ieee.org/aug07/5429)
Most CDs are made from the master studio tapes (so no static/distortions, clicks or scratches - and eventhough there is some tape hiss ... it is barely noticable and nothing like what cassettes used to be like since studio tape is wider and runs at far higher speeds). The limitations of CD sampling-frequencies and the imposed bamdwithd (20Hz-20KHz) is less than that of the original master tape - CD is also limited to 16-bit resolution - tape and vinyl are not limited at all. Remastering has nothing to do with vinyl and the *love* of vinyl has nothing to do with sentimentality there aer inherrant physical differences in the two media that means some people prefer one over the other - CD is not the *perfect* digital media for historical reasons. No one can "clean-up" a live recording by remastering - if the original recording was poor it will remain poor.
I have never heard of rolling off the bass gradually towards the centre of the disc before and I am now intrigued because it doesn't make sense - reducing the bass in the recording would make the increased rumble in the medium even more noticable - do you have a source for this piece of information? |
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What?
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MikeEnRegalia ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: April 22 2005 Location: Sweden Status: Offline Points: 21622 |
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I think that people simply got used to the sound of their vinyls ... this sound defines "real" for them, and it's pretty hard to "undefine" something which you've known for decades. Oliverstoned calls it "overbumped" ... people who grew up listening to CDs might call vinyls "underbumped". ![]() |
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Slartibartfast ![]() Collaborator ![]() ![]() Honorary Collaborator / In Memoriam Joined: April 29 2006 Location: Atlantais Status: Offline Points: 29630 |
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Well, I grew up with vinyls and aside from the space that LPs provided for album art, I basically hate them. They were the best thing out there though until CD's came along. LP's suffer from bad pressings. My copy of PFM's the World Became The World sounded like it had dust caked on it. I also have copy of Cook that out of round toward the middle and you could see it noticeably when the needle got there and the music went wow. Even the best pressings were easily damaged. Though I have heard some audiophiles think they can hear something missing in the digital versions. Tim Gane of Stereolab comes to mind. I guess my ears just aren't that good.
There was a big problem when CD's first came out in that the record companys would often release stuff simply off the LP masters. There is something about the LP mastering process that really makes it unsuitable for CD. I believe Robert Fripp has something useful to say about this, but it's been a long time since I read it and haven't been able to put my hands on it. It does have something to do with the mechanics of the LP's grooves.
So it's basically remasters all the way for me, but I am glad to see there's a market for my used unremastered CDs that I've relplaced with remasters and my LPs I'm not hanging on to for the cover art. I've used half.com to sell CD's in the past. Might start listing some stuff there again soon if anyone is interested, hadn't even considered doing LPs there.
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Released date are often when it it impacted you but recorded dates are when it really happened...
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Yorkie X ![]() Forum Senior Member ![]() ![]() Joined: July 04 2007 Status: Offline Points: 1049 |
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All I am trying to convey by this topic is be careful getting rid of your original recording thinking that the remastered copy is automatically better Cd's like Kansas "Point Of Know Return" remastered are largely known as a botch job many people have expressed dissatisfaction from the job they did on Queensryche's Operation Mindcrime so I held onto the original recording and played it safe . ... I`m sure there are others to watch out for sometimes remastered doesn't mean better but its a sure way to get another dollar and sell the same item twice
Edited by Yorkie X - September 24 2007 at 06:59 |
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Slartibartfast ![]() Collaborator ![]() ![]() Honorary Collaborator / In Memoriam Joined: April 29 2006 Location: Atlantais Status: Offline Points: 29630 |
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I thought the Point Of Know Return remaster was decent. I've never replaced a remaster with another remaster.
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Released date are often when it it impacted you but recorded dates are when it really happened...
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sean ![]() Prog Reviewer ![]() ![]() Joined: April 02 2005 Location: United States Status: Offline Points: 1155 |
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overall, i prefer the sound of the original vinyl recordings, however for cds it's necessary to remaster to make it sound right on the cd format.
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Walker ![]() Forum Senior Member ![]() ![]() Joined: May 20 2005 Location: Atlanta Status: Offline Points: 824 |
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I read about in a mastering magazine several years ago... I'll see if I can dig up a copy..
EDIT: ok I have scoured the internet looking for a copy of that article and I can't find it. I used to have a subscription to MIX magazine back when I was working in a studio and doing live sound, and I think that's where I read it. I'll keep looking.
Edited by Walker - September 24 2007 at 22:12 |
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