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Topic ClosedPA does harm to music history!

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erik neuteboom View Drop Down
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Direct Link To This Post Posted: September 01 2007 at 13:01

You are right Bob, wrong title and I notice only more "where opposites meet", in fact I should have done what I did last year: no more discussions about categories so I stop posting and reading, to me it's OK to close this thread.

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Peter View Drop Down
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Direct Link To This Post Posted: September 01 2007 at 13:38
First, Erik, your passion for the music, and your long-standing dedication to PA is admirable and ever apparent. Clap

But: PA is a human system, thus, by definition, imperfect. Stern%20Smile

It also lacks a single, over- arching vision or direction -- "government by committee" often leads to too much compromise, and a lack of focus, when something must be "all things to all people" involved. There's a lot of "cooks" in the PA "kitchen" -- thus we predictably end up with a melange when supper's ready -- a stew, with each person's favourite flavours and ingredients thrown into the pot.

(As old Aesop would have it, I don't think it's possible to please all of the people, all of the time.)

Finally, to paraphrase old Sir Winston, PA is a terrible system, but it's still the best one there is....

I like the place -- inevitable warts, petty disagreements and all!  Nothing's perfect.

(With art and its criticism, interpretation and especially categorization, there will always be disagreement, and never 100% singularity of vision.)Smile

Wink Plus, progholes seem to be compulsive, almost obsessive categorizers. There's not a musical "hair" so fine, that we can't keep splitting it -- we love our little boxes, and boxes within boxes, within....

http://www.lwalton.co.uk/images/20060619191239_russian%20dolls.jpg


Edited by Peter - September 01 2007 at 13:56
"And, has thou slain the Jabberwock?
Come to my arms, my beamish boy!
O frabjous day! Callooh! Callay!'
He chortled in his joy.
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Peter View Drop Down
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Direct Link To This Post Posted: September 01 2007 at 14:08
Smile And, of course (to use a gemstone metaphor), one man's "flaw" is another's "facet."
"And, has thou slain the Jabberwock?
Come to my arms, my beamish boy!
O frabjous day! Callooh! Callay!'
He chortled in his joy.
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Direct Link To This Post Posted: September 01 2007 at 15:00
That's the argument I made when I first joined, while the site was adding Deep Purple and bands like that. Those bands were never considered a part of the prog genre, so yes, Prog Archives is rewriting music history, and personally I don't like that. My reason is that the supposed "innovations" of these Prog-Related, etc bands are mightily overrated: they were great rock bands, little more.
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Direct Link To This Post Posted: September 01 2007 at 15:21
Originally posted by Pafnutij Pafnutij wrote:

That's the argument I made when I first joined, while the site was adding Deep Purple and bands like that. Those bands were never considered a part of the prog genre, so yes, Prog Archives is rewriting music history, and personally I don't like that. My reason is that the supposed "innovations" of these Prog-Related, etc bands are mightily overrated: they were great rock bands, little more.


If you dont think that Deep Purple have any relation to Prog then you need to do a lot more research. As Proto-Prog Deep Purple are a shoe-in even the most basic knowledge of rock history would point to this. These arguments are bizarre,because they betray the initiators complete lack of knowledge,yet these people post as of they have some special wisdom.Confused
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Direct Link To This Post Posted: September 01 2007 at 16:04
Originally posted by Tony R Tony R wrote:

Originally posted by Pafnutij Pafnutij wrote:

That's the argument I made when I first joined, while the site was adding Deep Purple and bands like that. Those bands were never considered a part of the prog genre, so yes, Prog Archives is rewriting music history, and personally I don't like that. My reason is that the supposed "innovations" of these Prog-Related, etc bands are mightily overrated: they were great rock bands, little more.


If you dont think that Deep Purple have any relation to Prog then you need to do a lot more research. As Proto-Prog Deep Purple are a shoe-in even the most basic knowledge of rock history would point to this. These arguments are bizarre,because they betray the initiators complete lack of knowledge,yet these people post as of they have some special wisdom.Confused
 
The main reason for Deep Purple's inclusion were  probably the albums "Concerto for Group and Orchestra" and "Deep Purple". The former went by unnoticed and didn't influence anybody and was even later denounced by the band members. The second kinda holds up as "Proto-progressive" album, but again, it didn't received much attention (the Proto-prog tag suggests the album in question played some role in the evolution of prog music, at least in part) and wasn't an indication of were they were heading. If you could include those albums while removing all other DP records, that might make sense; otherwise they play a very small part in their discography.
 
Another group claimed they were prog because of their breakthrough album, DP in Rock: apparently, their willingness to make louder, heavier music was "progressive". This is what I was pointing at in my initial post: obsessing over a trivial thing like cranking up a bloody amp (and that to assist the creation of a totally different genre).
If that's a valid reason for inclusion, I look forward to seeing The Sex Pistols on this site (or are they here alreadyConfused?)
 
 
 
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Bilek View Drop Down
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Direct Link To This Post Posted: September 01 2007 at 17:39
All those who are speaking blatantly against Deep Purple (as for their progressiveness... whether they appreciate DP as an ordinary "rock band" or not...) are missing a point: DP might have been widely recognised a "heavy rock" band for a certain period of time, but this heaviness still included obvious "progressive" elements. And I'm not talking about Mark I period or the highly controversial Concerto here. I'm not talking about introducing heaviness to rock (a fact which artists like Jimi Hendrix done a couple of years ago anyway!) as a progressive characteristic, either! People are so overwhelmed by the popularity of tracks like Smoke on the Water & Child in time etc., that they easily overlook obviously progressive tracks such as "Fools" (from Fireball) or "Burn". Listen to Lazy (from Machine Head) with attention, for heaven's sake! And these are not just oddities in DP's overall style, or just a cream on the top of the cake: their entire seventies period is dominated by this kind of progressiveness, mainly thanks to their "classically trained" keyboardist Jon Lord. Well, not just him, as far as I know both Gillan and Blackmore have some classical connections (for instance, look at both men's first 3 or 4 post-DP albums!), which eventually gave Deep Purple a blend of classical music & rock (which became "heavy" in our example), a prominent characteristic of progressive music itself!!!
 
A Turkish friend wrote a very defining paragraph about the so-called "similarities" among the 3 bands which are often quoted as predecessors of heavy metal, Purple, Sabbath and Zeppelin, that is. He concludes that the seeming similarities are nothing but an illusion, giving examples from tribute albums to these 3 bands. I'll try to translate that as soon as possible and post here.
Listen to Turkish psych/prog; you won't regret:
Baris Manco,Erkin Koray,Cem Karaca,Mogollar,3 Hürel,Selda,Edip Akbayram,Fikret Kizilok,Ersen (and Dadaslar) (but stick with the '70's, and 'early 80's!)
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Direct Link To This Post Posted: September 01 2007 at 19:14
Originally posted by Bilek Bilek wrote:

And these are not just oddities in DP's overall style, or just a cream on the top of the cake: their entire seventies period is dominated by this kind of progressiveness
 
It isn't : the small classical interludes they did were brilliant, but were just little ornamental devices to "spice up" the music. They were fitted on top of songs with abasic pop structure driven by blues-rock riffs; the songs were never based around them. They were not that common either - in fact, I wished they would've done more of that stuff! But a few minutes total of classically-influenced music from otherwise pure hard rock  just doesn't cut it in terms of progressiveness.
 

Originally posted by Bilek Bilek wrote:

A Turkish friend wrote a very defining paragraph about the so-called "similarities" among the 3 bands which are often quoted as predecessors of heavy metal, Purple, Sabbath and Zeppelin, that is. He concludes that the seeming similarities are nothing but an illusion, giving examples from tribute albums to these 3 bands. I'll try to translate that as soon as possible and post here.

Initially, it was those bands that emerged as the leaders of heavy rock , so the press happily lumped them into a "Big 3", and, looking back now, they were more infuential than just about any of their peers. That doesn't mean they were similar. I'd say that Deep Purple ended up the most straightforward of the three (yes, despite their limited "progressiveness"), while Zep the most adventurous (though not quite prog either). Sabbath were a suprising success: fans really took to their Satanic themes and evil riffing, which were considered anything but commercial. My guess is that soon they'll be here as well: it's only a matter of time before someone points to "Superczar" or "The Writ" off Sabotage, or to their debut album, as proof that they had something to do with prog.
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Tony R View Drop Down
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Direct Link To This Post Posted: September 01 2007 at 19:24
Originally posted by Pafnutij Pafnutij wrote:

 
It isn't : the small classical interludes they did were brilliant, but were just little ornamental devices to "spice up" the music. They were fitted on top of songs with abasic pop structure driven by blues-rock riffs; the songs were never based around them. They were not that common either - in fact, I wished they would've done more of that stuff! But a few minutes total of classically-influenced music from otherwise pure hard rock  just doesn't cut it in terms of progressiveness.


These were the formative years of Prog, and rock with "knobs on" was basically where it was at. Where Yes and Genesis moved on from their early album toe-in-the-water attempts at moving the rock genre forward, Purple settled for hard rock. Doesnt make their Proto-Prog status any less valid though.
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Direct Link To This Post Posted: September 01 2007 at 19:31
Originally posted by Pafnutij Pafnutij wrote:

Originally posted by Tony R Tony R wrote:

Originally posted by Pafnutij Pafnutij wrote:

That's the argument I made when I first joined, while the site was adding Deep Purple and bands like that. Those bands were never considered a part of the prog genre, so yes, Prog Archives is rewriting music history, and personally I don't like that. My reason is that the supposed "innovations" of these Prog-Related, etc bands are mightily overrated: they were great rock bands, little more.


If you dont think that Deep Purple have any relation to Prog then you need to do a lot more research. As Proto-Prog Deep Purple are a shoe-in even the most basic knowledge of rock history would point to this. These arguments are bizarre,because they betray the initiators complete lack of knowledge,yet these people post as of they have some special wisdom.Confused
 
The main reason for Deep Purple's inclusion were  probably the albums "Concerto for Group and Orchestra" and "Deep Purple". The former went by unnoticed and didn't influence anybody and was even later denounced by the band members. The second kinda holds up as "Proto-progressive" album, but again, it didn't received much attention (the Proto-prog tag suggests the album in question played some role in the evolution of prog music, at least in part) and wasn't an indication of were they were heading. If you could include those albums while removing all other DP records, that might make sense; otherwise they play a very small part in their discography.
 
Another group claimed they were prog because of their breakthrough album, DP in Rock: apparently, their willingness to make louder, heavier music was "progressive". This is what I was pointing at in my initial post: obsessing over a trivial thing like cranking up a bloody amp (and that to assist the creation of a totally different genre).
If that's a valid reason for inclusion, I look forward to seeing The Sex Pistols on this site (or are they here alreadyConfused?)
 
 
 


I pretty much agree about the two DP albums you mentioned. For me DP are related to prog because on their latter albums quite a few songs were influenced by prog. Consider "Space Truckin'" for example, or Child in Time ... The Mule on DP Live in Japan, Jon Lord's organ solo on that album as the intro to Lazy ... many tracks of Fireball, the experimental organ track "A" 200 on Burn ...

It's not prog, but I see a definitive relation.
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Direct Link To This Post Posted: September 02 2007 at 06:38
Originally posted by erik neuteboom erik neuteboom wrote:

You are right Bob, wrong title and I notice only more "where opposites meet", in fact I should have done what I did last year: no more discussions about categories so I stop posting and reading, to me it's OK to close this thread.

 
Th'n you might want to change the thread title, the discussion can go on!!
 
On another point, I can see (and you're partly right) where Purple and Zep not being in the same category is misleading.
 
Let's move Purple to prog-related (and The Who, which is preposterous in PR as well) to get rid of this ambiguity! And I won't oppose Sabbath's addition to prog-related as well should it come dowqn to that! All three were influential in regards to prog.
 
This way, we won't be misleading or hurting music history
let's just stay above the moral melee
prefer the sink to the gutter
keep our sand-castle virtues
content to be a doer
as well as a thinker,
prefer lifting our pen
rather than un-sheath our sword
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Direct Link To This Post Posted: September 02 2007 at 09:57
Art Rock is synonymous with Prog Rock. Listing it as a sub-genre here made no sense at all.
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Direct Link To This Post Posted: September 02 2007 at 10:01
Originally posted by Philéas Philéas wrote:

Art Rock is synonymous with Prog Rock. Listing it as a sub-genre here made no sense at all.

Correct. It was daft. Just the same as entertaining Prog Rock and Progressive Rock as different genres....but the kids dont understand this!
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Direct Link To This Post Posted: September 02 2007 at 10:03
Originally posted by Tony R Tony R wrote:

Originally posted by Philéas Philéas wrote:

Art Rock is synonymous with Prog Rock. Listing it as a sub-genre here made no sense at all.

Correct. It was daft. Just the same as entertaining Prog Rock and Progressive Rock as different genres....but the kids dont understand this!


Obviously not. I'm glad it's gone. Smile
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Direct Link To This Post Posted: September 02 2007 at 10:23
Any thoughts on an alternate title Erik?
 
What are the views on Hugues proposals for reclassifying The Who and DP?
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Direct Link To This Post Posted: September 02 2007 at 10:37
^ I agree 100% that DP should be moved to prog-related. However, I don't think that the whole bunch of 70s rock bands in PR (Queen, LZ, DP, Who etc) influenced prog - rather the other way round.
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Direct Link To This Post Posted: September 02 2007 at 11:17
Just a correction: currently, Heavy Prog, Crossover Prog and Eclectic Prog are clearly a sub-genre of Progressive Rock, not of Art Rock.

The way it was all envisioned - as I understand it - was that the three new sub-genres, were to be a sub-genre of Art Rock.  This is currently not the case.  Will this be sorted out?  This is quite a big ambiguity, as the Art Rock team are saying they're sub-genres of Art Rock, when the site clearly shows they're not.
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Direct Link To This Post Posted: September 02 2007 at 12:17
Originally posted by Geck0 Geck0 wrote:

Just a correction: currently, Heavy Prog, Crossover Prog and Eclectic Prog are clearly a sub-genre of Progressive Rock, not of Art Rock.

The way it was all envisioned - as I understand it - was that the three new sub-genres, were to be a sub-genre of Art Rock.  This is currently not the case.  Will this be sorted out?  This is quite a big ambiguity, as the Art Rock team are saying they're sub-genres of Art Rock, when the site clearly shows they're not.


The fact that all the genres are listed on the same level doesn't mean that they are conceptually. It can be explained in the descriptions of these three genres that they together form what was previously listed as Art Rock.
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Direct Link To This Post Posted: September 02 2007 at 12:20
True, but nevertheless, it's a tad ambiguous to newcomers to the site.  I'm sure there's a way of indicating that all three sub-genres are a branch off of Art Rock (even if it's not an active hyperlink).
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Direct Link To This Post Posted: September 02 2007 at 12:25
^ the question is whether these three genres are intended to stay grouped together. My guess is that they'll become more and more independent, with the Art Rock team managing them. 
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