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Topic ClosedMy lesser known and unknown new prog bands thread

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erik neuteboom View Drop Down
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Direct Link To This Post Posted: August 27 2007 at 04:14
 
 
  Here's the review of Also Eden I forgot to publish on a previous page in this thread:
 
 
 
                                               ALSO EDEN – About Time (***)
 
 
                                                 
 
- This is a UK band with roots in the Nineties but it lasted until 2006 before Also Eden released their debut CD entitled About Time, the title is almost a self-parody! The album contains five compositions, most songs have a running time between 8 and 12 minutes. Listening to Also Eden I am delighted about their pleasant sound and the flowing shifting moods and accellarations: from dreamy with piano and warm vocals or mid-tempo with howling guitar to compelling with sensitive guitar or bombastic eruptions with flashy synthesizer flights. The singer has a strong, quite distinctive voice with a melancholical undertone. As references I would like to mention IQ and Marillion but with a more modern sound. If you are up to neo-prog, this is a band to discover!

 

                                                                Thumbs%20Up
 
Yesterday I listened to French band Motis (see page #8 of this thread), their 7th album is an unique musical experience, to me it sounds as a blend of early Ange, folk, classical and medieval with great French vocals and wonderful vintage keyboards (choir-Mellotron Approve ), I hope to review this band later this week, along the new Omni and Little Tragedies.
 
                                                 
 
 


Edited by erik neuteboom - August 27 2007 at 04:35
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Direct Link To This Post Posted: August 27 2007 at 08:26
I might have missed this band mentioned in this thread, but has anyone heard the new Leitmotiv album called Entangled (their 2007 debut)?
 
 
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Direct Link To This Post Posted: August 27 2007 at 10:33
Hope ALSO EDEN will be added...I already have everything needed for inclusion!
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Direct Link To This Post Posted: August 27 2007 at 10:57
ALSO EDEN are at pROCKfest Bünde, 10th of November   Clap

http://www.prockfest.com/lineup.htm




Edited by Rivertree - August 27 2007 at 10:58


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Direct Link To This Post Posted: August 27 2007 at 12:04
I would like to add on by mentioning a GREAT new band that gets almost no discussion and that is SALVA. Their first album is highly rated here on Progarchives and is a fantastic cd. They have just released their second album and they have proven that they are able to continue writing great music. Here is my review of their first CD:
 

SALVA — A Handful of Earth

Review by dalt99 (David C.)

5%20stars Heavy. Melodic. Pounding electric guitars. Acoustic beauty. Bombastic synth runs. Sweeping organ waves. Powerful vocals. Emotional singing. This is a band that has it all. This is what modern progressive rock is all about. Salva is a cross between symphonic prog ROCK, neo-prog, prog metal and art rock with an originality that is undeniable. I hear some techno influences every once in awhile in the synths and drums (similar to Ankh) but the guitars are almost always powerful, close to progressive metal and when they are not they are acoustic and beautiful with high emotion and feel. The melodies are everywhere. The songs are perfectly crafted. Each song is different than the other and a great pleasure to listen too. SO much to hear in each song. Constant yet always changing. My friends, this is seriously one of the best progressive rock albums of the new century. This music will NOT be heard enough. So many of you will never hear this album and that will be a shame. I am so happy to have this CD and hope that all prog fans can hear this one someday. Buy if you can find it. This is special.

Very special.

5 stars. For real. Amazing music.

Clap


Edited by dalt99 - August 27 2007 at 12:16
Best of 2006 that I've heard:
PFM-Stati Di Immaginazione
Zenit-Surrender (Best "unknown" album)
Oaksenham - Conquest of Pacific
2007:
Phideaux - Doomsday Afternoon
La Torre Del Alchimista - Neo
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Direct Link To This Post Posted: August 27 2007 at 12:32
Originally posted by avestin avestin wrote:

I might have missed this band mentioned in this thread, but has anyone heard the new Leitmotiv album called Entangled (their 2007 debut)?
 
 
 
Hi Avestin!!! Smile
 
I have not heard the CD yet but it's on order and I can't wait to hear it!
Best of 2006 that I've heard:
PFM-Stati Di Immaginazione
Zenit-Surrender (Best "unknown" album)
Oaksenham - Conquest of Pacific
2007:
Phideaux - Doomsday Afternoon
La Torre Del Alchimista - Neo
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Direct Link To This Post Posted: August 27 2007 at 17:15
 
Avestin: never heard of Leitmotiv, I will check out, thanks Thumbs%20Up
 
Prog-jester: in the New Suggested Bands thread I have mentioned Also Eden so I am also eager to post my review when they are added by the Neo-Prog team.
 
Rivertree: that http://www.prockfest.com/lineup.htm looks great and I am glad with the presence of Dutch symphonic prog band Mangrove, great Mellotron sound and wonderful Hackett- inspired guitarwork.
 
Dalt99: thanks for the recommendation of Salva, looks like a dynamic band Approve
 
 
 
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Direct Link To This Post Posted: August 27 2007 at 17:26
Originally posted by erik neuteboom erik neuteboom wrote:

Rivertree: that http://www.prockfest.com/lineup.htm looks great and I am glad with the presence of Dutch symphonic prog band Mangrove, great Mellotron sound and wonderful Hackett- inspired guitarwork.


Yes I'm very curious - so many bands ... There are also FOR ABSENT FRIENDS on the stage. So therefore we can say  - there's a great relationship to the dutch prog scene - last year we had FLAMBOROUGH HEAD which made a great gig Clap




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Direct Link To This Post Posted: August 27 2007 at 17:33
Well Rivertree, For Absent Friends were the support act for the Genesis tribute band The Musical Box last year, they did very well and their singer is very inspired with lots of gestures other non-verbal acts.
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Direct Link To This Post Posted: August 27 2007 at 17:49
OK - I think I have to open a new thread called

PA members to meet on pROCKfest?  Wink






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Direct Link To This Post Posted: August 28 2007 at 08:37
Sorry if I overlooked some posts here, but has the Latvian band Holy lamb and the Swiss band been mentioned in this thread?
The not  too many reviewers have a very positive opinion on some works by these bands.
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Direct Link To This Post Posted: August 28 2007 at 10:57
 
                     Never heard of Norbert but I will check out this band.
 
 
Tomorrow I will publish my reviews about the new Little Tragedies and Omni and the French band Motis in this thread.
 
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Direct Link To This Post Posted: August 28 2007 at 15:19
Here is a short write up on Leitmotiv's album Entangled from a web store (Kinesis) in the states.  Sounds intriguing.


The 2007 debut CD by this French-Canadian quintet is one of the best CDs to come out of Canada in ages, and in fact can stand with most of the progressive rock albums to come out of North America since the beginning of time. It is sung in English and is very much a 1970’s-style symphonic prog album, heavily instrumental. The key is the classical piano chops of the keyboardist. After the 1970’s, it became uncommon to hear classical chops like this in progressive rock. Leitmotiv don’t play rocked up classical though. The music is Gentle Giant complex, the kind of music requiring loads of rehearsal to be able to perform it. There is still room for improvement in terms of songwriting and more memorable themes, but a great start. The first Fireballet album is a decent reference point for the sound and style. 60-minutes.

Edited by johnobvious - August 28 2007 at 15:20
Biggles was in rehab last Saturday
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Direct Link To This Post Posted: August 28 2007 at 18:37
 
        That smells to quite complex prog, Johnobvious and how about the guitar?
 
Today I listened to the first album by Spanish progrock band Neverness, it contains lots of interesting shifting moods, breaks and exciting work on keyboards and guitar, the sounds is often towards neo-prog but more adventurous and less polished.
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Direct Link To This Post Posted: August 28 2007 at 21:59
Originally posted by erik neuteboom erik neuteboom wrote:

 
        That smells to quite complex prog, Johnobvious and how about the guitar?
 
Today I listened to the first album by Spanish progrock band Neverness, it contains lots of interesting shifting moods, breaks and exciting work on keyboards and guitar, the sounds is often towards neo-prog but more adventurous and less polished.


Erik, that's just their pitch to buy it.  I haven't heard it.  I saw you reviewed the first FireBallet album, so didn't know if that would help peak your interest.Smile
Biggles was in rehab last Saturday
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Direct Link To This Post Posted: August 29 2007 at 04:42
 
                     That's a funny development, Johnobvious, you haven't heard
                             Leitmotiv LOL but Fireballet is an interesting band Wink
 
 
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Direct Link To This Post Posted: August 29 2007 at 06:23
 
 
                              As promised here are my reviews about the new Omni
                                   and little Tragedies and French band Motis:
 
 

OMNI – Solo Fue Un Sueno (***1/5)

 
 
 
 
 
 
 
 
 
 
- Omni is a Spanish six piece band, rooted in the late Eighties. This is their third album, released in 2007 and again it contains pure instrumentally music.

The sound of Omni on Solo Fue Un Sueno has obvious echoes from Seventies Camel and also reminds me frequently of Dutch Camel-inspired bands Lady Lake and especially Odyssice (it could have been their new album!): very melodic, flowing and often sensitive guitar work (compelling in Noche En Malandar, fiery in Telescopio de Papel en biting wah-wah in Espíritu Libre), omnipresent interplay between guitar and keyboards, some pitchbend driven Minimoog sounding soli (like in Telescopio de Papel and the dreamy final song Salto al Abismo) and finally the use of saxophone (sultry in El Tren De Rota). Like Seventies Camel the sound by Omni is like a ‘warm bath’ as on the Camel albums Mirage and Moonmadness, my favorite Camel-era. Along the strong guitarwork, the keyboard player colours the compositions very tasteful with varied vintage keyboards like the Fender Rhodes electric piano, the violin-Mellotron (wonderful intro on Noche En Malandar), Minimoog synthesizer, Solina string-ensemble and the Hammond organ (swirling solo in the alternating highlight Espíritu Libre).

This is not very original symphonic prog but it sounds wonderful with very good work on guitar and keyboards and tasteful arranged compositions.

 

LITTLE TRAGEDIES – Chinese Songs Part II (***)

Chinese%20Songs%20II
 
- Russian progrock sensation Little Tragedies (I am absolutely delighted about their album Return and New Faust Clap) was founded in the late Eighties but it took a while before they released their debut album in 1999. However, the recent years Little Tragedies is more prolific by releasing every year at least one CD. In 2007 they even produced two albums entitled Chinese Songs Part 1 and Part II.

- On Chinese Songs Part II we can enjoy the typical Little Tragedies sound: from dreamy and mellow with almost whispering native vocals, soaring keyboards, harpsichord and warm piano runs to heavy with a fat synthesizer sound and a very propulsive rhythm-section, reminding me of Japanese ‘over-the-top-proggers’ Gerard (led by the keyboard wizard Toshio Egawa). In comparison with previous albums, Little Tragedies sound a bit more laidback and, like on The Sixth Sense, the band uses at some moments a saxophone player. My highlight is the long composition My Century’s Events are Worthless… featuring the Little Tragedies trademark: a more and more bombastic sound with flashy synthesizer flights, a thunderous rhythm-section and fiery guitar runs. I also like the wonderful sound of the ethnic Koto, blended with harp and keyboards in the final piece The Boat by the Lake is Only for Three. This is a decent effort but to me it sounds that Little Tragedies is a bit running out of ideas.

 

MOTIS – L’Homme-Loup (***)

 
- This is the unique French progrock band Motis their seventh album. The 11 compositions sound like a blend of folk/medieval music and early Ange with strong, typically theatrical French vocals (like Ange, Mona Lisa and Versailles). Motis uses a wide range of instruments, both acoustic (guitar, violin, flute) as vintage keyboards. This results in very interesting combinations like violin-Mellotronwaves and acoustic rhythm-guitar in P'tit Louis, trumpet and Hammond organ in Les Normands and runs on the acoustic guitar, accompanied by violin-Mellotron and the sound of the psychedelic organ like early Ange as in the captivating titletrack.

This is not really mainstream music but if you have an adventurous mind and you like folk, this is prog to discover!

 

                                       I hope you like it Thumbs%20Up

 

 

 

 



Edited by erik neuteboom - August 29 2007 at 06:32
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Direct Link To This Post Posted: August 29 2007 at 17:42
 
                                     My MIDWEEK RECOMMENDATION:
 
AFTER CRYING — Live (****)
 
After%20Crying%20-%20Live
- Halfway the Nineties I had my first musical encounter with the unique Hungarian formation After Crying when I got their album De Profundis as a promo CD while working for Dutch progrock paper Background Magazine. To me it still sounds as their most captivating progrock effort since their debut album Overground Music from 1990. A few years ago I witnessed a concert in The Netherlands (only 60 spectators, what a shame!), the lion’s share of the tracklist con be found back on this exciting live DVD, taken from a Periferic Music Festival in the Hungarian capital Budapest, late 2004.

After Crying their sound is not very accessible, you have to be up to the blend of classical, prog like Seventies King Crimson and ELP and the frequent explorations in avant-garde and experimental, often captivating but also often complex! The band succeeds to make impression from the very first second: excellent and versatile musicians and varied and captivating compositions, supported by a wonderful light show and a great sound. A few examples of their exciting and alternating music: fiery guitar, Emersonian keyboards and trumpet in Viaduct, a swirling and virtuosic piece feautring two musicians on one keyboard in Burlesque, a dynamic solo on cello in Stonehenge, a Latin-American atmosphere delivering keyboards, trumpet and strong soli on keyboards and guitar in the swinging Life Must Go On, a great duel between cello and guitar in Cello-Guitar Duet, followed by short compositions that contain soli on piano, drums and trumpet. At least half of the track list features the pleasant Hungarian voice of Zoltan Batky-Valentin (via the menu you can subtitle it into English), his vocals fits perfect to the sound of After Crying.

Again, this is not very easy music to experience (for me sometimes a bit too avant-garde and experimental) but in general I was carried away by this After Crying live performance!
                                                            Clap
 
 


Edited by erik neuteboom - August 29 2007 at 17:49
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Direct Link To This Post Posted: August 29 2007 at 17:51
Erik - I may be lazy, not wanting to browse back through this thread, but have you formed an opinion on Circa already?

Edited by Angelo - August 29 2007 at 17:51
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Direct Link To This Post Posted: August 29 2007 at 17:55

Angelo, this week I speak to Hans from Progwalhalla and I will ask him to check out all the bands that were recommended to me this week, including Circa, I am looking forward to listen to their sound Thumbs%20Up

By the way, with your PA omnipresence you have to be a little bit lazy, otherwise you become another infamous PA addict, like Tony R30 and Stonebeard and ...  Wink
 
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