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Dick Heath View Drop Down
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Direct Link To This Post Posted: April 13 2007 at 11:24
Originally posted by Chicapah Chicapah wrote:

 
I can't believe you mentioned Sebeski's Giant Box.  I have always loved the version of "Song for a Seagull" on there.  I'm not sure that the double LP is available on CD so I treasure my vinyl copy.


I had a friend back in the 70's working a record department of a large Brit retailer. We were both fans of CTI Records, and he got to hear of them well before UK release dates, then order them in for our mutual pleasure. Giant Box  - with its veritable who's who of the early jazz fusion movement  - (and Grover Washington's Soul  Box, was another) got grabbed and greatly enjoyed. The previously mentioned Colin Towns/Billy Cobham HR BIg Band release, includes in its liner notes the statement that nobody had arranged MO for big band before - clearly unaware and poorly researched wrt Sebesky's Firebird/Birds Of Fire (and with Billy Cobham playing drums on that too!)

Giant Box 
fits neatly into a single CD, and was released by CBS Records (off-shoot of Columbia Records) in the UK quite some time ago, catalogue no. EPC4505642
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Direct Link To This Post Posted: April 13 2007 at 14:50
Originally posted by Tony K Tony K wrote:

Originally posted by Ghandi 2 Ghandi 2 wrote:

Originally posted by Tony K Tony K wrote:

I really don't think they top Yes, and a whole slue of others...
And yet I think every other classic prog group tops Yes (with the exception of KC because for some reason I never liked them at all, but I do love Relayer). Such is the power of opinion.
 
I really should get more into jazz-rock.
 
 
Wellm I guess Yes isn't as "extreme" as say ELP, but still, stuff like Close To The Edge, you can't deny how much talent that band has.
I dislike ELP more than I dislike Yes (because Yes still has Relayer--I actually forgot about ELP and Rush when I wrote that. I should be more careful), and I think CTTE is a lazy, uninspired, rambling mess. So there. :P
 
But let's think positive. :)


Edited by Ghandi 2 - April 13 2007 at 14:51
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Direct Link To This Post Posted: April 13 2007 at 14:51
Their musicianship is truly superb. I have only Inner Mounting Flame so I should get more of their albums. Very exciting music but it demands a lot of attention. But that's not unusual for prog, I guess.
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Direct Link To This Post Posted: April 13 2007 at 15:52

Awesome fusion band my favorite I have all their albums. Their music is very appealing for any prog fan of any type of prog. Superb musicianship. I won't say they are better than a lot of porg-bands because music  is according of  what you like, but they're albums should be  way up to top of essentials prog music that we all need.

Also check the tribute band Mahavisnu project. They 're F " awesome. Reed my review on their latest album.
http://www.progarchives.com/album.asp?id=13981
http://darksideofcollages.blogspot.com/
http://www.metalmusicarchives.com/
https://www.facebook.com/pages/Darksideof-Collages/
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Direct Link To This Post Posted: April 13 2007 at 16:29
Originally posted by Tony K Tony K wrote:

Originally posted by Ghandi 2 Ghandi 2 wrote:

Originally posted by Tony K Tony K wrote:

I really don't think they top Yes, and a whole slue of others...
And yet I think every other classic prog group tops Yes (with the exception of KC because for some reason I never liked them at all, but I do love Relayer). Such is the power of opinion.
 
I really should get more into jazz-rock.
 
 
Wellm I guess Yes isn't as "extreme" as say ELP, but still, stuff like Close To The Edge, you can't deny how much talent that band has.


Skill of Mahavishnu Orchestra>>>>>>>>Skill of Yes
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Direct Link To This Post Posted: April 19 2007 at 06:36

Personally I'm not a big jazz fan, but Mahavishnu Orchestra blows me away!

I guess they are not strictly jazz fusion though, I can hear a lot of non jazz influences coming through in their work.
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Direct Link To This Post Posted: April 19 2007 at 08:54
Inner Mounting Flame has some stupendous music on it - and some truly awful and ill-conceived guitar playing. McLaughlin stands out in his awfulness on that album - but the rest of the musicians are brilliant.
 
Comparing them to the prog greats is pointless, as they didn't play "true" prog rock - I suppose fusion is a better term - but if you're going to compare them to Prog bands it should be on equal terms.
 
The musicianship in and of itself on "Inner Mounting Flame" is possibly as good as any prog band achieved - with the notable exception of McLaughlin (Bluff is never good in the context of technically proficient music), but none of the compositions are as strong as, say, "The Musical Box".
 
Noonward Race - the worst offender on "Inner Mounting Flame" for bad guitar - interestingly, minus the very poor "Hendrix" riff, but with added guitar bluff - note how Jerry Goodman improves things dramatically with his sensitively shaped violin solo - and when he and McLaughlin play in tandem it is impressive, but the direction starts to meander and feel a little lost. I feel like apologising for Jan Hammer's boxing gloves in places - the album version is better.
 
Thoroughly enjoyable and recommended piece on the whole, though - click the link above Smile
 
 
...although this is MUCH better; http://www.youtube.com/watch?v=NUOstyNQ5J8 Big%20smile


Edited by Certif1ed - April 19 2007 at 09:20
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Direct Link To This Post Posted: April 19 2007 at 09:06
I fell in love with the works of McLaughlin very early on..I think I was 16 and I was discovering the fusion end of the spectrum, Ponty, Mahavishnu, Gong (the later stuff), Holdsworth.  But since we are talking about John, is it worth it to check out In a Silent Way and Bitches Brew?  I am really not a jazz fan.  I appreciate the musicianship because i can see the work that goes in, but do these albums have anything like the Mahavishnu feel?
 
As for the Orchestra themselves...that is a monster that waits in my closet and every so often I will let it free to dement my mind yet again.
Listen to the best prog rock new and old at www.thedividingline.com and check out my show Soundscape at www.thedividingline.com/ss.
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Direct Link To This Post Posted: April 19 2007 at 10:43
I'm just getting into MO - I've got Inner Mounting Flame, which I think is outstanding, and have recently ordered Birds of Fire.  I also need to start collecting some Weather Report, but that's a different thread.  The first two jazz-rock albums I've purchased were IMF and Romantic Warrior - they both offer such different styles such that it holds great promise for me getting into this genre, sounds like there's plenty of diversity of sound to be had.
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Direct Link To This Post Posted: April 19 2007 at 16:32
Originally posted by Certif1ed Certif1ed wrote:

Inner Mounting Flame has some stupendous music on it - and some truly awful and ill-conceived guitar playing. McLaughlin stands out in his awfulness on that album - but the rest of the musicians are brilliant.
 


You don't listen to too much jazz, do you?  Comparing a highly composed piece like "The Musical Box" to a jazz piece just doesn't work, you know...  Generally jazz isn't about the composition so much.
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Direct Link To This Post Posted: April 19 2007 at 16:54
Yeah really, I don`t know what kind of drugs he`s on but comparing Focus to the MO? My wife is a music prof and she EVEN likes it more when I listen to stuff like the MO or UZEB  which requires a lot  more  initiative in the playing.
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Direct Link To This Post Posted: April 20 2007 at 04:34
Originally posted by Soundscape42 Soundscape42 wrote:

I fell in love with the works of McLaughlin very early on..I think I was 16 and I was discovering the fusion end of the spectrum, Ponty, Mahavishnu, Gong (the later stuff), Holdsworth.  But since we are talking about John, is it worth it to check out In a Silent Way and Bitches Brew?  I am really not a jazz fan.  I appreciate the musicianship because i can see the work that goes in, but do these albums have anything like the Mahavishnu feel?
 
As for the Orchestra themselves...that is a monster that waits in my closet and every so often I will let it free to dement my mind yet again.
 
Check also Mclauglin's solo works: "Extrapolation", "Electric guitarist" and "my goals beyond".
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Direct Link To This Post Posted: April 20 2007 at 05:25
Knowing I would be stuck on airplanes the early part of this week, I took along my freshly purchased Mahavishnu Orchestra biography, Walter Kolosky's Power Passion & Beauty (Abstract Logix). One objective was to compare this with the John McLaughlin biography by fellow PA member Paul Stump - Go Ahead John  (SAF).  And it made very good reading - indeed I most strongly recommend both books to provide details of music's evolution in 60's and 70's, as well as two author love and understanding of their subject. So reading Cert's  words within hours of completing the biography, I was wondering whether Cert had been referring to the same Mahavishnu Orchestra and John McLaughlin - especially being very familiar and originally gob-smacked with Inner Mounting Flame, from soon after its original release date (and familiar with John McLaughlin's earlier recordings), I don't recognise Cert's criticism.  Kolosky's initial approach to writing a biography is to interview musicians directly involved with the MO and those who were (and still are) impacted by MO's music. The comments provided are not 100% flattery, but none are at all are scathing of McLaughlin's playing on Inner Mounting Flame
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Direct Link To This Post Posted: April 20 2007 at 05:43
Originally posted by Dick Heath Dick Heath wrote:

I don't recognise Cert's criticism.  
 
Well, I don't like it...
 
And the plain facts behind my criticism are as stated; McLaughlin tends towards bluff in his improvisations on that album - which is why I posted the link to Mahavishnu playing "Noonward Race" live, so it can more easily be verified.
 
I also posted a link to Focus playing live, around the same time, so that the comparison between Akkerman's sensitive improvisations based on skill and technique could be compared to McLaughlin's significantly less sensitive improvisations that are based on the same techniques - but clearly demonstrating less skill.
 
The end result is, as ever, a question of taste - I'm not telling anyone not to like the music - on the contrary, it's superb and all who consider themselves proggers should listen to it.
 
All I'm saying is that what's happening "under the hood" is quantifiable and verifiable, independent of my tastes, and is something that can be used to objectively measure quality.
 
Quite obviously, the emotional content is not something that can be quantified as easily, and that affects different people in different ways.
 
I can quite imagine that, in 1972, anyone would be gobsmacked by such a performance - and rightly so - but possibly to a lesser extent, if they were familiar with the likes of Lennie Tristano and Billy Bauer (not to mention Jan Akkerman!)?
The important thing is not to stop questioning.
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Direct Link To This Post Posted: April 20 2007 at 06:03
I've always felt Birds of Fire is a much better starter than IMF for the average listener/proggie.. and Apocalypse is underappreciated.










Edited by Atavachron - April 20 2007 at 06:06
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Direct Link To This Post Posted: April 20 2007 at 06:38
Originally posted by Certif1ed Certif1ed wrote:

Originally posted by Dick Heath Dick Heath wrote:

I don't recognise Cert's criticism.  
 
Well, I don't like it...
 
And the plain facts behind my criticism are as stated; McLaughlin tends towards bluff in his improvisations on that album - which is why I posted the link to Mahavishnu playing "Noonward Race" live, so it can more easily be verified.
 
I also posted a link to Focus playing live, around the same time, so that the comparison between Akkerman's sensitive improvisations based on skill and technique could be compared to McLaughlin's significantly less sensitive improvisations that are based on the same techniques - but clearly demonstrating less skill.
 
The end result is, as ever, a question of taste - I'm not telling anyone not to like the music - on the contrary, it's superb and all who consider themselves proggers should listen to it.
 
All I'm saying is that what's happening "under the hood" is quantifiable and verifiable, independent of my tastes, and is something that can be used to objectively measure quality.
 
Quite obviously, the emotional content is not something that can be quantified as easily, and that affects different people in different ways.
 
I can quite imagine that, in 1972, anyone would be gobsmacked by such a performance - and rightly so - but possibly to a lesser extent, if they were familiar with the likes of Lennie Tristano and Billy Bauer (not to mention Jan Akkerman!)?


Cert

That's exactly how I interpreted what you were saying and explaining.  I have absolutely no problem with that, as a believer in anybody have the right to express their opinions, without me expected to believe in them. But I do have a belief that your opinion will have a lot of respect here, so felt  the need to provide a counter opinion. Here for those coming to MO with no knowledge of their music, recordings, performance, so a need  to say "not everybody hears McLaughlin's playing this way" - so listen/read both types of opinion, and then make your own decision (i.e. don't buy blind nor ignore).

I do believe MO, Miles Davis, Lifetime, Soft Machine (i.e. that handful of jazz rock  fusion pioneers known to the progressive music scene at the time of Inner Mounting Flame's release), were instrumental in directing  many rock fans to main stream jazz musicians, who had been previously known to only a small minority of jazz fans.


(Please note my second attempt at posting this!!!)
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Direct Link To This Post Posted: April 20 2007 at 07:01
Originally posted by Ghandi 2 Ghandi 2 wrote:

I dislike ELP more than I dislike Yes (because Yes still has Relayer--I actually forgot about ELP and Rush when I wrote that. I should be more careful), and I think CTTE is a lazy, uninspired, rambling mess. So there. :P
 
But let's think positive. :)
 
Well, as for CTTE, I don't think the album was made for oraginazation, it's music. It sounds good. ME LIKE. What's wrong with And You And I, Siberian Khatru, or Close To The Edge? There is some great work by Steve Howe on that album, his phrasing is crazy! Bill Bruford is... well, Bill Bruford, and Rick Wakeman is a genius. Don't flame me for taking this to personally, but I just want to know why you think it is a "lazy, uninspired, rambiling mess"...
 
And as for Mahavishnu, I also got Miles Davis' Live-Evil the other day to hear more John McLaughlin, and he can play. He deserves way more respect as a guitarist and song writer. What does everyone else think of him?
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Direct Link To This Post Posted: April 20 2007 at 08:27
Originally posted by Dick Heath Dick Heath wrote:

 (...) felt  the need to provide a counter opinion. Here for those coming to MO with no knowledge of their music, recordings, performance, so a need  to say "not everybody hears McLaughlin's playing this way" - so listen/read both types of opinion, and then make your own decision (i.e. don't buy blind nor ignore).

I do believe MO, Miles Davis, Lifetime, Soft Machine (i.e. that handful of jazz rock  fusion pioneers known to the progressive music scene at the time of Inner Mounting Flame's release), were instrumental in directing  many rock fans to main stream jazz musicians, who had been previously known to only a small minority of jazz fans.
 
Agree 100%, and don't want to make a meal of it, but most opinions on Mahavishnu/McLaughlin seem to verge on fanboyism in this thread, and I just want to provide a little "cold shower" - an informed alternative point of view to give a balance to the many unsubstantiated claims of near mythical prowess in this thread - yours are obviously the exception, and what is a discussion without opposing points of view?
 
A very few may have listened to the music and felt a bit short-changed, and hopefully, my observations might provide an answer as to why this might be - and hopefully guidance to accepting the real qualities in the music by learning where the distractions lie. 
 
I also find Soft Machine and even Miles guilty of aimless meandering sometimes - whereas Tristano is like the ultimate music machine - I suppose many might find his style cold and unrewarding, but to me, it's like the ultimate jazz hit. His self-titled album of 1955, and "The New Tristano" (1962) are must-haves.
 
There is absolutely no denying the importance of the former musicians, or the overall quality of their music (which is exceptional), however.


Edited by Certif1ed - April 20 2007 at 08:31
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Direct Link To This Post Posted: April 20 2007 at 10:18
John McLaughlin is an underrated guitar player. Gary Boyle of Isotope is the same.  Al DiMeola is pretty amazing too.
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Direct Link To This Post Posted: April 20 2007 at 10:35
That Focus clip was part of a studio run through of Eruption. This is the first time I`ve ever heard anyone putting McLaughlin down.Shocked. Even Segovia the arch enemy of the electric guitar was impressed with his playing. You guys just read TOO MUCH into this music.
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