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Dick Heath View Drop Down
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Direct Link To This Post Posted: August 24 2004 at 10:25
Originally posted by Trouserpress Trouserpress wrote:

I simply adore the Canterbury movement, but that doesn't stop me spotting flaws once in a while... Logically, I also dabble in RIO, despite the fact that I find it's a devillishly tricky bugger to get right. I've recently begun exploring Italian prog in a big way.



Hi Trouserpress you're not me are you and I've got a split personality, just realising it this moment?? I agree with your comments - being a major Soft Machine freak, I thinking some of the SM line-ups that never got recorded (except for the one track on the great BBC 1971 to 74 album) and Wyatts End Of An Ear point towards RIO. BTW Graham Bennett's forthcoming biog on Soft Machine will reinforce some of your opinions
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Direct Link To This Post Posted: August 24 2004 at 11:08

10 best Krautrock

Jane- Fire Water Earth& Air

Grobschnitt- Solar Music Live

Klaus Schulze- Audentity

Nue!- First album

Hoelderlin-clouds & Clowns

GuruGuru- Dance Of The Flames

GuruGuru- UFO

Octopus- Boat Of Thoughts

Amon Duul II- Made In Germany

Grobshnitt- Volle Molle

Well that`s my list. The German stuff I listen to the most.

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Direct Link To This Post Posted: August 24 2004 at 12:43

10 Best Notes

1. E

2. D

3. G

4. A

5. C

6. Eb/ D#

7. F

8. Bb/ A#

9. F# (but not Gb!)

10. H

 

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Direct Link To This Post Posted: August 24 2004 at 12:57
Originally posted by Dick Heath Dick Heath wrote:

Originally posted by threefates threefates wrote:

  I loved the orchestral PAAE also, but I love ELP's version better...



Meant to ask what do you make of PAAE as Mussourski's originally wrote, ie.e as a piano piece - good old Ravel did the best known orchestral transcription I believe?

Yes, I also prefer Ravel's version.. and I believe Keith used Ravel's version as his inspiration.  I can still remember the first time I saw the shorter version performed as an encore on the BSS tour.  It was like a preview of heaven for me.. and at the time Greg could still waiver up to that high note on the end.  Truly amazing!!

THIS IS ELP
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Direct Link To This Post Posted: August 24 2004 at 12:57

Trouser (sim. threefates and Dick Heath):

My older brother (who turned me on to prog) is a classical violinist and composer with a B.S. in Music from Mannes.  He would agree completely with your feelings re ELP: like you, he apparently can't get past the idea of "changing" anything re a classical piece; he considers it "heresy."

Personally, I think this is an unnecessarily narrow view.  I happen to think ELP's adaptation (a critical word here) of Pictures is brilliant.  After all, what makes classical music so "sacred" that it is absolutely verboten to "play around" with it?  My conception of "music" does not disallow for that possibility.  Clearly, ELP is not playing Pictures the way Moussourgsky intended it, perhaps.  But then, keep in mind that there wasn't "rock" music when Moussourgsky composed it, so how do we know he would not have been tickled to hear his work adapted (if somewhat freely) by a rock band?  To presume otherwise is to place every piece of classical music behind a chain-link, barbed-wire fence with a sign saying "no trespassing."  How utterly boring that would be!  Music is about creativity - whether in writing original music, or interpreting someone else's music.  (As an aside, at least ELP had the good taste to credit Moussourgky: they had to be sued to credit other classical composers from whom they "borrowed.")

I also love the standard orchestral version - though, as Dick points out, the piece was originally written for solo piano.  In this regard, the greatest recording ever made is by Sviatislov Richter, who played it live in what is unarguably one of the greatest, most brilliant live performances ever by anyone in any era.  Although the recording is "denigrated" somewhat by someone in the audience who has a very bad coughing spell at one point, Richter puts in a tour-de-force effort.

Anyway, ELP is one of those bands that one either loves or strongly dislikes.  But one person's "bombast" is another person's "excitement" - and one person's "hopeless rip-off" is another person's interpretive tribute.

Peace.

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Direct Link To This Post Posted: August 24 2004 at 13:40

just to add a little bit of emphasis to maani's point (as always, well done!)

if you enjoy the sound of the nylon-string classical guitar, keep in mind that any piece of classical music written before the 20th century had to be adapted to the instrument; many in the classical realm refused to even consider the guitar anything but an ethnic folk instrument before the efforts of Segovia (who, in turn, myopically considered the electric guitar an 'abomination'). It is through these variations of arrangement that the music retains its vitality- most classical music was never meant to be an affectation of the upper class and intellectuals and many of our most cherished works have enjoyed many popular interpretations. Emerson has definitely done his part to broaden both audiences. 

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Direct Link To This Post Posted: August 24 2004 at 14:11
Well, Pictures at an exhibition is technically excellent, but there are some dead fillers I think. It often happens that you hear only one instrument. ELP is at its best when everything is loaded!

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Direct Link To This Post Posted: August 24 2004 at 15:01

Ten bands who could have made a really good prog album if they'd tried.

  • Asia (Four prog masters together, why didn't they try just once?)
  • Magnum (They wouldn't have to develop their some of their tracks that much)
  • Boston (Most of the right ingredients are already there)
  • 10CC (Under achievers, they were capable of more)
  • Deep Purple ("Child in time", "Mistreated" etc. showed they could have done it)
  • Journey (Great voice, great guitar, but never went beyond melodic rock)
  • Rainbow ("Stargazer" is a masterpiece)
  • Dire Straits ("Telegraph road" shows they could do it)
  • Mountain ("Nantucket sleighride" was pretty close)
  • Wishbone Ash (Probably made it with "Argus")
  • Marillion (Only joking Certif1ed!!LOL)
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Direct Link To This Post Posted: August 24 2004 at 16:54
Originally posted by maani maani wrote:

Trouser (sim. threefates and Dick Heath):

My older brother (who turned me on to prog) is a classical violinist and composer with a B.S. in Music from Mannes.  He would agree completely with your feelings re ELP: like you, he apparently can't get past the idea of "changing" anything re a classical piece; he considers it "heresy."

Personally, I think this is an unnecessarily narrow view.  I happen to think ELP's adaptation (a critical word here) of Pictures is brilliant.  After all, what makes classical music so "sacred" that it is absolutely verboten to "play around" with it?  My conception of "music" does not disallow for that possibility.  Clearly, ELP is not playing Pictures the way Moussourgsky intended it, perhaps.  But then, keep in mind that there wasn't "rock" music when Moussourgsky composed it, so how do we know he would not have been tickled to hear his work adapted (if somewhat freely) by a rock band?  To presume otherwise is to place every piece of classical music behind a chain-link, barbed-wire fence with a sign saying "no trespassing."  How utterly boring that would be!  Music is about creativity - whether in writing original music, or interpreting someone else's music.  (As an aside, at least ELP had the good taste to credit Moussourgky: they had to be sued to credit other classical composers from whom they "borrowed.")

I also love the standard orchestral version - though, as Dick points out, the piece was originally written for solo piano.  In this regard, the greatest recording ever made is by Sviatislov Richter, who played it live in what is unarguably one of the greatest, most brilliant live performances ever by anyone in any era.  Although the recording is "denigrated" somewhat by someone in the audience who has a very bad coughing spell at one point, Richter puts in a tour-de-force effort.

Anyway, ELP is one of those bands that one either loves or strongly dislikes.  But one person's "bombast" is another person's "excitement" - and one person's "hopeless rip-off" is another person's interpretive tribute.

Peace.

 

Some good points - however, I did mention that I'm not against 'adaptation' of classical music. I pointed out the fact that I love Isao Tomita's take on Pictures at an Exhibition (which for those who are unfamilar was an extremely innovative early 70's recording solely using synthesisers). As for the Piano/Ravel Orchestration debate - the original piano suite is good, but lacks the oomph that an orchestra can undoubtedly bring to pieces like Hut of Baba Yaga and Great Gates of Kiev. I wouldn't call ELP's 'adaptation' a hopeless rip-off, merely a misguided attempt to rock up a classic in a wholly unnecessary fashion. Shall we all agree to differ?

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Direct Link To This Post Posted: August 24 2004 at 18:43

Most Overrated Prog Albums:

1.The Lamb Lies Down On Broadway.

(lyrical twaddle, not enough music, the Emperors New Clothes comes to mind.)

2.Pictures At An Exhibition.

(puts the pompous in pomp.This album is 100% drivel although not as embarrassing as the track Pirates on Works.)

3.Misplaced Childhood

(Side 2 is rubbish,no other way to describe it really,especially as side 1 is sublime)

4.Relayer

(Patrick Moraz-bah!)

5. Larks Tongues In Aspic

(makes Angelwitch sound musical)

6. Journey To The Centre Of The Earth

(just as God was about to rest on the 7th day, he wrote this and blew it!)

7. Myths And legends Of King Arthur..

(and then only trundled on for an 8th day and came up with this garbage!)

8.And Then There Were Three

(the poison dwarf on drums, vocals and my nerves)

9.Tubular Bells

(about as cool as Oxford Bags)

10.2112

(sublime rock album, but about as prog as Iron Maiden...

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Direct Link To This Post Posted: August 24 2004 at 18:57

ELP's - 'Pictures at an Exhibition' IS Overated actually but there are better versions by ELP of this peice - check out the bootleg box sets.There is one sensational performance on the 1973-1977 box at Richfield Colosseum

I also agree about DSOTM ,always found it bland personally

On the underated list I would put:

Kayak - Royal Bed Bouncer

Genesis - ATTWT

IQ - The Seventh House 

Martin Orford - Classical Music And Popular Songs

Magenta - Seven

Pink Floyd - The Wall

Yes - Tormato

Rush - Counterparts

Mike Oldfield - Crises

Vangelis - Direct

 

Undisputed masterpeices:

Yes - Close To The Edge

Genesis - Foxtrot

ELP - Brain Salad Surgery

IQ - Ever

King Crimson - In The Court Of The Crimson King

Jethro Tull - Aqualung

Rush - Moving Pictures

Anglagard - Hybris

Vangelis - Heaven and Hell

Rick Wakeman - Six Wives Of Henry V111

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Direct Link To This Post Posted: August 24 2004 at 18:59
Originally posted by Reed Lover Reed Lover wrote:

Most Overrated Prog Albums:

1.The Lamb Lies Down On Broadway.

(lyrical twaddle, not enough music, the Emperors New Clothes comes to mind.)

2.Pictures At An Exhibition.

(puts the pompous in pomp.This album is 100% drivel although not as embarrassing as the track Pirates on Works.)

3.Misplaced Childhood

(Side 2 is rubbish,no other way to describe it really,especially as side 1 is sublime)

4.Relayer

(Patrick Moraz-bah!)

5. Larks Tongues In Aspic

(makes Angelwitch sound musical)

6. Journey To The Centre Of The Earth

(just as God was about to rest on the 7th day, he wrote this and blew it!)

7. Myths And legends Of King Arthur..

(and then only trundled on for an 8th day and came up with this garbage!)

8.And Then There Were Three

(the poison dwarf on drums, vocals and my nerves)

9.Tubular Bells

(about as cool as Oxford Bags)

10.2112

(sublime rock album, but about as prog as Iron Maiden...

Do you like prog rock??!

 

 

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Direct Link To This Post Posted: August 24 2004 at 19:14

Best Prog Albums:

1.Close To The Edge

(Prog rock template, nuff said. God was having a good day, a very good day indeed)

2.Foxtrot

( a work of stunning beauty)

3.Script For A Jester's Tear

(loved it then hated it but 20 years on it still grabs you, a remarkable debut)

4.Moving Pictures

(The greatest album of all time but only very loosely prog. So good it has to be up there just for the proggy Red Barchetta and The Camera Eye)

5.The Wall

(Given that the "agenda" of punk was to bury all the dinosaurs, how come this spawned the last No1 single of the 70's? According to history as written by the NME this album didnt happen. Probably the most important Prog album of all time given the historical context.

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Direct Link To This Post Posted: August 24 2004 at 21:57

All quoted sections from Reed Lover post:

Quote 2.Pictures At An Exhibition.

(puts the pompous in pomp.This album is 100% drivel although not as embarrassing as the track Pirates on Works.)

  1. Pictures at an Exhibition (By Modest Mussorgski) is one of the peaks of the Nationalist late Romantic/early Modern Russian Classical Period, it was created to be pompous because MUSSORGSKI tried to express the proud he was about Russia and it's music in comparison with the rest of Europe. You can't blame ELP for what Mussorgski did.
  2. ELP is a pompous band (though they can be lyrical and romantic sometimes), and that's probably what I like most of them.
  3. Prog' Rock is a pompous genre.

So, What do you expected?

Quote 4.Relayer

(Patrick Moraz-bah!)

Patrick Moraz Bah????? I believe he's in the same level of the best keyboardist, some time try to watch the Yes at QPR DVD, the guy is spectacular and has a perfect style.

Quote 5. Larks Tongues In Aspic

(makes Angelwitch sound musical)

King Crimson is not my cup of tea, but LTIA is a classic album, probably the best KC released after ITCOCK.

Quote 6. Journey To The Centre Of The Earth

(just as God was about to rest on the 7th day, he wrote this and blew it!)

I'm starting to believe you have something against keyboardists, if you don't like pompous music, then Prog' is not the genre for you.

Quote 7. Myths And legends Of King Arthur..

(and then only trundled on for an 8th day and came up with this garbage!)

You can say you don't like this album, it's your opinion, but calling it garbage is way too much.

Quote 8.And Then There Were Three

(the poison dwarf on drums, vocals and my nerves)

I don't like Collins as vocalist (He also breaks my nerves), but to deny he's one of the best drummers is against reason. Anyway, I hate this album too.

Quote 9.Tubular Bells

(about as cool as Oxford Bags)

Taken from Merrian-Webster Online

Quote Cool: FASHIONABLE 1 <not happy with the new shoes... because they were not cool -- Celestine Sibley>

Fashionable: conforming to the custom, fashion , or established mode

Prog' is, was and will never be cool, prog' is intelligent, elaborated and complex, just the opposite of cool. Rap, Pop, Hip Hop and Dance can be considered cool music (By those who like this genres) because it's fashion.

Prog was never a fashion and in no way it's a genre conforming to the custom, in other ways Prog Rock is the opposite of cool, proggers usually are unpopular, the genre is too hard to understand to be considered cool.

Agree 100% with Threefates question DO YOU LIKE PROG ROCK???!

Iván



Edited by ivan_2068
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Direct Link To This Post Posted: August 24 2004 at 22:45

 

My fave top 10 Krautrock: GURU GURU - UFO ; COSMIC JOKERS - Galactic Supermarket ; AGITATION FREE - Second ; AGITATION FREE - Last ; TANGERINE DREAM - Ricochet ; AMON DUUL II - Phallus Dei ; AMON DUUL II - Yeti ; ASH RA TEMPEL - Ash Ra Tempel ; CAN - Future Days ; KRAFTWERK - Autobahn

 

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Direct Link To This Post Posted: August 25 2004 at 00:42

What I feel are prog masterpieces... and I'm sure you won't be surprised... thats why I haven't done this yet... but

  1. ELP - Brain Salad Surgery
  2. ELP - Tarkus
  3. ELP - Trilogy
  4. King Crimson:  ITCOTCK
  5. Pink Floyd - Animals
  6. Pink Floyd - Division Bell
  7. Yes - Close to the Edge
  8. ELP - ELP
  9. ELP - PAAE
  10. Yes - The Yes Album

Underrated:

  1. Jon Anderson - Olias of Sunhillow
  2. Gryphon - Red Queen to Gryphon Three
  3. Renaissance - Ashes are Burning
  4. Pink Floyd -  AMLOR
  5. David Gilmour - David Gilmour
  6. Alan Parsons Project - Try Anything Once
  7. ELP - Works 1
  8. Strawbs - Ghosts
  9. Porcupine Tree - In Absentia
  10. Alan Parsons Project - I Robot

 

 

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Direct Link To This Post Posted: August 25 2004 at 12:06

Originally posted by Trouserpress Trouserpress wrote:

10 Criminally Underrated Prog Classics:

2. Murplev - Io Sono Murple

I can agree or disagree in several points, but ---about the wonderful-almost unknown-masterpiece Io Sono Murple, perhaps the most underrated album ever--- Trouser is my new idol  

 

 

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Direct Link To This Post Posted: August 25 2004 at 17:54
Originally posted by ivan_2068 ivan_2068 wrote:

All quoted sections from Reed Lover post:

Quote 2.Pictures At An Exhibition.

(puts the pompous in pomp.This album is 100% drivel although not as embarrassing as the track Pirates on Works.)

  1. Pictures at an Exhibition (By Modest Mussorgski) is one of the peaks of the Nationalist late Romantic/early Modern Russian Classical Period, it was created to be pompous because MUSSORGSKI tried to express the proud he was about Russia and it's music in comparison with the rest of Europe. You can't blame ELP for what Mussorgski did.
  2. ELP is a pompous band (though they can be lyrical and romantic sometimes), and that's probably what I like most of them.
  3. Prog' Rock is a pompous genre.

So, What do you expected?

Quote 4.Relayer

(Patrick Moraz-bah!)

Patrick Moraz Bah????? I believe he's in the same level of the best keyboardist, some time try to watch the Yes at QPR DVD, the guy is spectacular and has a perfect style.

Quote 5. Larks Tongues In Aspic

(makes Angelwitch sound musical)

King Crimson is not my cup of tea, but LTIA is a classic album, probably the best KC released after ITCOCK.

Quote 6. Journey To The Centre Of The Earth

(just as God was about to rest on the 7th day, he wrote this and blew it!)

I'm starting to believe you have something against keyboardists, if you don't like pompous music, then Prog' is not the genre for you.

Quote 7. Myths And legends Of King Arthur..

(and then only trundled on for an 8th day and came up with this garbage!)

You can say you don't like this album, it's your opinion, but calling it garbage is way too much.

Quote 8.And Then There Were Three

(the poison dwarf on drums, vocals and my nerves)

I don't like Collins as vocalist (He also breaks my nerves), but to deny he's one of the best drummers is against reason. Anyway, I hate this album too.

Quote 9.Tubular Bells

(about as cool as Oxford Bags)

Taken from Merrian-Webster Online

Quote Cool: FASHIONABLE 1 <not happy with the new shoes... because they were not cool -- Celestine Sibley>

Fashionable: conforming to the custom, fashion , or established mode

Prog' is, was and will never be cool, prog' is intelligent, elaborated and complex, just the opposite of cool. Rap, Pop, Hip Hop and Dance can be considered cool music (By those who like this genres) because it's fashion.

Prog was never a fashion and in no way it's a genre conforming to the custom, in other ways Prog Rock is the opposite of cool, proggers usually are unpopular, the genre is too hard to understand to be considered cool.

Agree 100% with Threefates question DO YOU LIKE PROG ROCK???!

Iván

It seems to me that some of you play right into the hands of those that would sneer at prog rock. This po-faced attitude just makes you sound like nerds. I have been listening to prog develop since 1971, some of the albums I have derided used to be big favourites but sound almost ridiculous now. Rick Wakeman is my hero, his Yes stuff still exhilerates me now, but the King Arthur, Journey To The Centre Of The Earth stuff is almost cringe-inducing to listen to.I have seen ELP live umpteen times in the 70's and they were awesome. That nonesense about Mussorgsky is just patronising, and makes you sound like a character in "Spinal Tap"! No doubt if ELP released a skiffle version of Beethoven's 5th you'd blame that on Beethoven>

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Direct Link To This Post Posted: August 25 2004 at 18:32

Every type of music has an element of the ridiculous- human nature almost requires it. Whatever music you like can be attacked (pointlessly) on those grounds. Prog's particular silliness just happens to be out of style (hence the 'cool' definition). If you don't care for pompous music, that's a matter of taste; if you imply that pomposity (or any other element of human expression) has no place in music, you're unlikely to have your opinions taken seriously. Simply making music at all- the hubris to get up and say "listen to me, I have something worth hearing"- requires an act of pomposity on the part of the artist.

I don't think a factual and accurate reference to Mussorgsky can be termed "nonesense", no matter how you spell it; in addition, the Russian composer dedicated himself to bringing art to "the masses" and would have likely appreciated the concept (if not the form) of bringing "Pictures" to a rock audience.

I've done my share of criticizing the pretentious leanings of prog acts; it's a useless point to make. 'Ideal' music will never happen or has yet to be created, so in the meantime, ask yourself: Would you prefer great music with a few obvious shortcomings or mediocre music with no faults?

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Direct Link To This Post Posted: August 25 2004 at 18:42
Originally posted by James Lee James Lee wrote:

Every type of music has an element of the ridiculous- human nature almost requires it. Whatever music you like can be attacked (pointlessly) on those grounds. Prog's particular silliness just happens to be out of style (hence the 'cool' definition). If you don't care for pompous music, that's a matter of taste; if you imply that pomposity (or any other element of human expression) has no place in music, you're unlikely to have your opinions taken seriously. Simply making music at all- the hubris to get up and say "listen to me, I have something worth hearing"- requires an act of pomposity on the part of the artist.

I don't think a factual and accurate reference to Mussorgsky can be termed "nonesense", no matter how you spell it; in addition, the Russian composer dedicated himself to bringing art to "the masses" and would have likely appreciated the concept (if not the form) of bringing "Pictures" to a rock audience.

I've done my share of criticizing the pretentious leanings of prog acts; it's a useless point to make. 'Ideal' music will never happen or has yet to be created, so in the meantime, ask yourself: Would you prefer great music with a few obvious shortcomings or mediocre music with no faults?

I am just saying that you could see the point of the argument about the over-blown nature of some of this work and the fact that tastes move on.

and yes clever clogs we all know Mussorgsky was an inveterate drunk

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