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russellk View Drop Down
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Direct Link To This Post Posted: March 21 2007 at 06:52
I think it's a sensibility. When a musician takes a theme and makes something unexpected from it, something beyond normal expectations, that's the progressive sensibility.

Edited by russellk - March 21 2007 at 06:53
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Direct Link To This Post Posted: March 21 2007 at 07:37
^ I think that it takes more than just being experimental ... you also need outstanding musicianship or high artistic standards. For example, I don't think that the "Einstürzende Neubauten" are prog ... they're extremely experimental, but not very good musicians.
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Direct Link To This Post Posted: March 21 2007 at 07:55
Originally posted by MikeEnRegalia MikeEnRegalia wrote:

^ I think that it takes more than just being experimental ... you also need outstanding musicianship or high artistic standards. For example, I don't think that the "Einstürzende Neubauten" are prog ... they're extremely experimental, but not very good musicians.


wouldn't that exclude most of modern post rock?
-music is like pornography...

sometimes amateurs turn us on, even more...



-sometimes you are the pigeon and sometimes you are the statue...
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Direct Link To This Post Posted: March 21 2007 at 08:36
^ not necessarily ... it is just more difficult to determine the "artistic level" of minimalistic music than with flashy, "in your face" technical music.
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Direct Link To This Post Posted: March 21 2007 at 08:57
Originally posted by MikeEnRegalia MikeEnRegalia wrote:

^ I think that it takes more than just being experimental ... you also need outstanding musicianship or high artistic standards. For example, I don't think that the "Einstürzende Neubauten" are prog ... they're extremely experimental, but not very good musicians.


I dont think good musicianship is a prerequisite. I think progressiveness in music is in the ideas. It just so happens that most known prog bands can play to a very high standard too. Luckily many execelltn musos were drawn to prog. Hawkwind are a good example of a progressive band who musicianship has at best always been average and at worst been appalling; certainly when compared alongside other prog bands.

Also, a lot of Brian Eno's music was very 'progressive' but there was little evidence of virtuosity in his playing (I dont know if he is virtuoso standard or not)
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Direct Link To This Post Posted: March 21 2007 at 10:14
Originally posted by Blacksword Blacksword wrote:

Originally posted by MikeEnRegalia MikeEnRegalia wrote:

^ I think that it takes more than just being experimental ... you also need outstanding musicianship or high artistic standards. For example, I don't think that the "Einstürzende Neubauten" are prog ... they're extremely experimental, but not very good musicians.


I dont think good musicianship is a prerequisite. I think progressiveness in music is in the ideas. It just so happens that most known prog bands can play to a very high standard too. Luckily many execelltn musos were drawn to prog. Hawkwind are a good example of a progressive band who musicianship has at best always been average and at worst been appalling; certainly when compared alongside other prog bands.

Also, a lot of Brian Eno's music was very 'progressive' but there was little evidence of virtuosity in his playing (I dont know if he is virtuoso standard or not)
 
and not just good musicianship but the complexity of the composition itself as well. 
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Direct Link To This Post Posted: March 21 2007 at 10:19
Originally posted by NotSoKoolAid NotSoKoolAid wrote:

As this topic proves, progressive rock is anything anyone wants it to be. Nobody agrees, and everybody has a different definition, so they fight.
 
I am really beginning to see the chicken and egg thing here, but I don't see fighting. Just difference of opinion. It may very well be something that can not be answered because of the liberal use of the terminology over many years.


Edited by StyLaZyn - March 21 2007 at 10:20
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Direct Link To This Post Posted: March 21 2007 at 10:20
Originally posted by Blacksword Blacksword wrote:

Originally posted by MikeEnRegalia MikeEnRegalia wrote:

^ I think that it takes more than just being experimental ... you also need outstanding musicianship or high artistic standards. For example, I don't think that the "Einstürzende Neubauten" are prog ... they're extremely experimental, but not very good musicians.


I dont think good musicianship is a prerequisite. I think progressiveness in music is in the ideas. It just so happens that most known prog bands can play to a very high standard too. Luckily many execelltn musos were drawn to prog. Hawkwind are a good example of a progressive band who musicianship has at best always been average and at worst been appalling; certainly when compared alongside other prog bands.

Also, a lot of Brian Eno's music was very 'progressive' but there was little evidence of virtuosity in his playing (I dont know if he is virtuoso standard or not)


I don't care much for Hawkwind ... but I have no problems accepting them as a prog band. I think that "Prog" has many different forms and criteria, and a lack in one criteria can be compensated by others ... up to a certain point. And of course there's a historic component as well - if a band was always considered to be prog for several decades, then they are, no matter what we think about the music today.

About Brian Eno: Like I said before - minimalistic music is rarely about virtuosity ... in this genre there are other criteria than for example in "standard prog metal" like Dream Theater or Symphony X, where virtuosic playing is one of the cornerstones.
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Direct Link To This Post Posted: March 21 2007 at 10:44
I believe I can answer the question of "What is prog?" once and for all:

What ever is on Prog Archives is Prog.

....
          The Holy Trinity of Symphonic Progressive Rock
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Direct Link To This Post Posted: March 21 2007 at 11:08
^ except when it's prog-related, proto-prog or various artists ... WackoWink
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Direct Link To This Post Posted: March 21 2007 at 11:18
THE PROG IS ART!!!

This is another art:

http://www.toscanaviva.com/Firenze/david_michelangelo.jpg

http://www.uwm.edu/People/bendiner/colorILL/86%20Manet.jpg
http://www.studiopesci.it/download/photoes/kostabibramante06.jpg

http://www.miaferrovia.it/foto/etr/etr200.jpg


Edited by Mandrakeroot - March 21 2007 at 11:20
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Direct Link To This Post Posted: March 21 2007 at 12:34
Originally posted by clarke2001 clarke2001 wrote:

  Furthermore, if an fictional band releases an album, let's say, 60 minutes longs with 8 tracks on it...

Track 01: average country with spices of rock in Garth Brooks style
Track 02: a blues piece utilising slide
Track 03: a heavy metal number in Megadeth style
Track 04: a short folkish protest tune, with mouth organ (harmonica)
Track 05: a collaboration with a tenor in "Pavarotti meets Bono Vox for world peace" style
Track 06: alternative piece between Stereolab and Sonic Youth
Track 07: pure contemporary classical, short piano piece, because keyboardist is classically trained and insisted on inclusion of his work on this album. Just unaccompanied Steinway piano.
Track 08: (longest track, 10 mins) electronic piece, typical acid-house, no live instruments, because guitarist is toying with computers in his free time, and wanted to include his piece on this album.


...this album is diverse and eclectic. Is it prog?


 
 
The band's name is Estradasphere and yes, they are included on this site under RIO/avant prog. Check them out - they are totally worth your time. Wink
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Direct Link To This Post Posted: March 21 2007 at 12:36
Originally posted by MikeEnRegalia MikeEnRegalia wrote:

^ except when it's prog-related, proto-prog or various artists ... WackoWink
 
.. or titled "Ababcab" or "Invisible touch" or...
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Direct Link To This Post Posted: March 21 2007 at 12:38
^LOL
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Direct Link To This Post Posted: March 21 2007 at 12:52
Oh dear... what a conundrum. What about just cutting off the albums that get below 2.00? They're obviously not prog and everyone hates them anyway. LOL Seriously, I think Prog Archives needs to prioritize its album selections and not just throw in the whole discography. At least keep the meaning of prog that you've laid down "sacred" and keep only the progressive recordings. I mean, why does "91205" stand alongside Close to the Edge (just because it's by Yes)?
          The Holy Trinity of Symphonic Progressive Rock
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Direct Link To This Post Posted: March 21 2007 at 12:58
Originally posted by Penumbra Penumbra wrote:

I mean, why does "91205" stand alongside Close to the Edge (just because it's by Yes)?
 
You are right. CTTE is subpar and should be removed.    j/k
 
I enjoy 90125 much more. Really. And I do find it to be Progressive because it contains non-standard time sigs, non-standard song format, songs >5minutes long, and excellent musicianship with pieces that an average musician could not play.
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Direct Link To This Post Posted: March 21 2007 at 13:04
^ maybe CttE is "very progressive" and 90125 is "moderately progressive". Lamp
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Direct Link To This Post Posted: March 21 2007 at 13:07
Originally posted by MikeEnRegalia MikeEnRegalia wrote:

^ maybe CttE is "very progressive" and 90125 is "moderately progressive". Lamp
 
Mike,
It's one of those things that sets your webpage apart from and above the rest. Your Prog rating is great.  Wink
 
There is just not enough time to rate all those albums. Confused
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Direct Link To This Post Posted: March 21 2007 at 13:42
"I enjoy 90125 much more. Really. And I do find it to be Progressive because it contains non-standard time sigs, non-standard song format, songs >5minutes long, and excellent musicianship with pieces that an average musician could not play."StyLaZyn
Funny comment that gets to the root of the matter. 
 
There is an unsaid racial element lurking just below the surface as well.  There is a distinct bias toward western or at the very least European derived artists on this site and in the so-called "Prog" genre(if there actually is one).  For instance: Time signatures and virtuosity? Then where are Miles Davis and Herbie Hancock?  Nucleus and Passport are listed though.  Osabisa is listed, but there are many many more amazing black artists not considered like Sun Ra.  Also Native America and other aboriginally inspired music like that recorded by Cusco is not considered. 
 
Music can be described as being jazzy, bluesy, or even classical and is understood by pretty much everyone.  To call something "proggy" or proggish" is awkward and imprecise as this discussion proves.  Even those of us who love this site (like me) can not agree on what "Prog" is.  I suggest a broader acceptance of what can be listed and thus studied and discussed within this forum.  Available minds and adventurous ears would lead to more openess to artist additions and less hobbyhorses to ride.
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Direct Link To This Post Posted: March 21 2007 at 14:26
Originally posted by vingaton vingaton wrote:

"I enjoy 90125 much more. Really. And I do find it to be Progressive because it contains non-standard time sigs, non-standard song format, songs >5minutes long, and excellent musicianship with pieces that an average musician could not play."StyLaZyn

 
Funny comment that gets to the root of the matter. 
 
There is an unsaid racial element lurking just below the surface as well.  There is a distinct bias toward western or at the very least European derived artists on this site and in the so-called "Prog" genre(if there actually is one).  For instance: Time signatures and virtuosity? Then where are Miles Davis and Herbie Hancock?  Nucleus and Passport are listed though.  Osabisa is listed, but there are many many more amazing black artists not considered like Sun Ra.  Also Native America and other aboriginally inspired music like that recorded by Cusco is not considered. 
 
One thing to consider, at least from what I have understood, is that the earliest Prog also tried to incorporate Classical music elements. For the most part, if not entirely, Classical Music is European.  But was it an adaption from jazz as well? I personally consider Jazz to be the next logical step for the musician who wishes to move forward with his/her abilities, possibly to the idea that Jazz requires greater talent than Prog.
 
 


Edited by StyLaZyn - March 21 2007 at 14:27
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