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Topic ClosedShould Miles Davis be in the archives

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Poll Question: Should Miles Davis be in the Archives
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37 [57.81%]
22 [34.38%]
5 [7.81%]
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Direct Link To This Post Posted: November 19 2006 at 05:41
Originally posted by Cheesecakemouse Cheesecakemouse wrote:

Basically if there was no Miles Davis, there was no fusion. Groups from Mahavishnu Orc to King Crimson owe a huge amount to Miles. KC'S album Starless and Bible Black  was heavily influenced by Miles Davis album "A Tribute to Jack Johnson." - (not the guitarist, but rather the boxer)
Sveral sources classify his fusion albums are progressive rock, ie the Coloumbia music catalogue I recieved classified Bitches Brew as progressive Rock. On a Miles Davis dvd I watched that had a documentary about Bitchs Brew; the band memebers said that they were no longer playing jazz on Bitches Brew, that it was something else. Also a album sleeve book I read listed Miles Davis album On the Corner as prog.

What more can I say? [IMG]height=17 alt="Thumbs Up" src="http://www.progarchives.com/forum/smileys/smiley20.gif" width=23 align=absMiddle>So vote and discuss.


Nobody denies his huge impact on jazz-rock/fusion, but he himself was a jazz artist not rock!    
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Direct Link To This Post Posted: December 17 2006 at 13:05
let's bring this discussion up again.... I wholeheartly agree for his inclusion... since I learnt that people like Chick Corea, Lenny White, Billy Cobham, John McLaughin and others were Davis' alumnis, I understood his influence on fusion. At first i was familiar with his jazz work, but I got a hold of Bitches Brew (which strangely enough I dismissed before) and, although I found it still to be an acquired taste, deserves a place in the archives
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Direct Link To This Post Posted: December 18 2006 at 22:49
What would we do with the majority of his albums that have absolutely nothing to do with rock in any way?
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Direct Link To This Post Posted: December 19 2006 at 11:29
Originally posted by Sasquamo Sasquamo wrote:

What would we do with the majority of his albums that have absolutely nothing to do with rock in any way?

    
I know what you mean by rock... Return To Forever's first albums had little to do with rock either... they were latin jazz primarily... Gryphon's early albums neither were too much rock.. Genesis made little prog in the 80's; I know the vast majority of his work is pure jazz... But I think his direct influence on jazz fusion deserves to be recognized.. there must be a place for people like him here on the archives, perhaps not in a subgenre but in a special section like Dick recommended... I just can't imagine Bitches Brew or In A Silent Way not being here


    
    

Edited by Chus - December 19 2006 at 11:34
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Direct Link To This Post Posted: December 19 2006 at 21:19
Originally posted by Chus Chus wrote:

Originally posted by Sasquamo Sasquamo wrote:

What would we do with the majority of his albums that have absolutely nothing to do with rock in any way?

    
I know what you mean by rock... Return To Forever's first albums had little to do with rock either... they were latin jazz primarily... Gryphon's early albums neither were too much rock.. Genesis made little prog in the 80's; I know the vast majority of his work is pure jazz... But I think his direct influence on jazz fusion deserves to be recognized.. there must be a place for people like him here on the archives, perhaps not in a subgenre but in a special section like Dick recommended... I just can't imagine Bitches Brew or In A Silent Way not being here


    
    


Yes, but could you imagine Kind of Blue or Birth of the Cool on here too?
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Direct Link To This Post Posted: December 27 2006 at 07:33
No, a Jazz artist with two or three Jazz-Rock albums
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Direct Link To This Post Posted: January 04 2007 at 20:34
I was thinking arn't E.S.P, Miles Smiles, Sorceror etc proto-fusion, thus being proto- prog. That means every miles davis album from E.S.P onwards deserves to be considered here. After all if the Beatles are proto prog what about Davis's proto fusion albums. I'm not debating all prior Jazz albums are proto fusion I'm talking about his jazz in the 1960s alongside John Coltranes that took significant strides to develop fusion, they wern't electric but the embryo and structure (or lack of) was in place.



  
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Direct Link To This Post Posted: January 04 2007 at 20:53
Originally posted by akin akin wrote:

No, a Jazz artist with two or three Jazz-Rock albums
 
Your looking at least  dozen Davis did fusion right up till his death. I only found this out recently his alums in the 80s are categorised as fusion and are electric although they nowhere as good as his 70s works. Also if you look at his albums in the 60s (E.S.P onwards) prior to In a Silent Way they are all proto-fusion therefore proto-prog meaning Miles davis career from  1965 onwards has relevance to this website - half of his career.
1949-1964 Jazz
1965-1990 Proto-prog/Prog


Edited by Cheesecakemouse - January 04 2007 at 20:55



  
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Direct Link To This Post Posted: January 04 2007 at 20:55
^^I forgot to mention that... good that you did
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Direct Link To This Post Posted: January 04 2007 at 21:02
Let's not forget the ROCK part of the term progressive-rock. Even though Miles Davis' music is excellent, I think this is not an all-genre music website, it's a prog-rock website. I think, even though he may have done some work with rock elements, his music should not be part of the archives.
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Direct Link To This Post Posted: January 04 2007 at 21:06
I love Miles and he did *bring together* the players that later invented jazz-rock fusion, but none of his records in the 60s present whole-heartedly the direction and sound that it would shortly take. Essentially I agree with Dick and in fact the first true jazz-rock band leader was Tony Williams, in particular the 'Emergency' LP. Sometimes it feels as if many have not thoroughly listened to these records in order to make the connections and comparisons so important to musical history. Miles Davis Proto-prog or Prog-related? No, I don't think so. When carefully examined, the music in context with the time it was recorded shows Miles did not create fusion though he did create an environment in which it later flourished. We owe him a great deal, but more as an *instigator* of jazz rock not a participant. Perhaps an honorary position with a bio and discog but no album reviews by members.

Miles Davis was progressive jazz, not jazz-rock. There is a huge difference.


    
    

Edited by Atavachron - January 04 2007 at 21:16
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Direct Link To This Post Posted: January 04 2007 at 21:15
Originally posted by The T The T wrote:

Let's not forget the ROCK part of the term progressive-rock. Even though Miles Davis' music is excellent, I think this is not an all-genre music website, it's a prog-rock website. I think, even though he may have done some work with rock elements, his music should not be part of the archives.
 
According to your logic then neither should Univers Zero, Art Zoyd Jean Michel Jarre, Mike Oldfield and Tangerine Dream be allowed on this website.



  
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Direct Link To This Post Posted: January 04 2007 at 21:19
^^or Gryphon
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Direct Link To This Post Posted: January 04 2007 at 21:22
Originally posted by Atavachron Atavachron wrote:

I love Miles and he did *bring together* the players that later invented jazz-rock fusion, but none of his records in the 60s present whole-heartedly the direction and sound that it would shortly take. Essentially I agree with Dick and in fact the first true jazz-rock band leader was Tony Williams, in particular the 'Emergency' LP. Sometimes it feels as if many have not thoroughly listened to these records in order to make the connections and comparisons so important to musical history. Miles Davis Proto-prog or Prog-related? No, I don't think so. When carefully examined, the music in context with the time it was recorded shows Miles did not create fusion though he did create an environment in which it later flourished. We owe him a great deal, but more as an *instigator* of jazz rock not a participant. Perhaps an honorary position with a bio and discog but no album reviews by members.

Miles Davis was progressive jazz, not jazz-rock. There is a huge difference.


    
    
 
Sorry but yo're the first person I've heard state Davis fusion  was not fusion, all the magazines, films websites state his fusion as fusion, so in my eyes your argument carries very little weight.



  
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Direct Link To This Post Posted: January 04 2007 at 21:22
Originally posted by Cheesecakemouse Cheesecakemouse wrote:

Originally posted by The T The T wrote:

Let's not forget the ROCK part of the term progressive-rock. Even though Miles Davis' music is excellent, I think this is not an all-genre music website, it's a prog-rock website. I think, even though he may have done some work with rock elements, his music should not be part of the archives.

 

According to your logic then neither should Univers Zero, Art Zoyd Jean Michel Jarre, Mike Oldfield and Tangerine Dream be allowed on this website.



Actually there is an excellent argument to be made for just that. None of the artists you mention are rock except for maybe UZ. The exclusion of Jarre, Oldfield and Tangerine Dream would be entire logical and appropriate. I like all of them and am glad they are here, they made huge impacts. But if they were not here it would also make sense.
    
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Direct Link To This Post Posted: January 04 2007 at 21:26
Originally posted by Cheesecakemouse Cheesecakemouse wrote:

Originally posted by Atavachron Atavachron wrote:

I love Miles and he did *bring together* the players that later invented jazz-rock fusion, but none of his records in the 60s present whole-heartedly the direction and sound that it would shortly take. Essentially I agree with Dick and in fact the first true jazz-rock band leader was Tony Williams, in particular the 'Emergency' LP. Sometimes it feels as if many have not thoroughly listened to these records in order to make the connections and comparisons so important to musical history. Miles Davis Proto-prog or Prog-related? No, I don't think so. When carefully examined, the music in context with the time it was recorded shows Miles did not create fusion though he did create an environment in which it later flourished. We owe him a great deal, but more as an *instigator* of jazz rock not a participant. Perhaps an honorary position with a bio and discog but no album reviews by members. Miles Davis was progressive jazz, not jazz-rock. There is a huge difference.          

 

Sorry but yo're the first person I've heard state Davis fusion  was not fusion, all the magazines, films websites state his fusion as fusion, so in my eyes your argument carries very little weight.


You take your cues from magazines, films and websites? Much information about these artists is gathered by people who are not musicologists or players in an effort to archive them with the best of intentions but questionable conclusions. An *independant* analysis is what is important, make up your *own* mind based on all available evidence, not on some writer or filmmaker.


    
    

Edited by Atavachron - January 04 2007 at 21:27
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Direct Link To This Post Posted: January 04 2007 at 21:30
Originally posted by Atavachron Atavachron wrote:

Originally posted by Cheesecakemouse Cheesecakemouse wrote:

Originally posted by The T The T wrote:

Let's not forget the ROCK part of the term progressive-rock. Even though Miles Davis' music is excellent, I think this is not an all-genre music website, it's a prog-rock website. I think, even though he may have done some work with rock elements, his music should not be part of the archives.

 

According to your logic then neither should Univers Zero, Art Zoyd Jean Michel Jarre, Mike Oldfield and Tangerine Dream be allowed on this website.



Actually there is an excellent argument to be made for just that. None of the artists you mention are rock except for maybe UZ. The exclusion of Jarre, Oldfield and Tangerine Dream would be entire logical and appropriate. I like all of them and am glad they are here, they made huge impacts. But if they were not here it would also make sense.
    
 
No it wouldn't since books and websites  that I read categorise them all as Prog rock. The word 'rock' in prog rock is a little inaccurate since it is so much more than that, but that is the problem when you start putting labels on music. But nevertheless your definition of prog needs to be re-examined, because you'll find many more prog artists out there that are not rock.



  
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Direct Link To This Post Posted: January 04 2007 at 21:35
Originally posted by Cheesecakemouse Cheesecakemouse wrote:

Originally posted by Atavachron Atavachron wrote:

Originally posted by Cheesecakemouse Cheesecakemouse wrote:

Originally posted by The T The T wrote:

Let's not forget the ROCK part of the term progressive-rock. Even though Miles Davis' music is excellent, I think this is not an all-genre music website, it's a prog-rock website. I think, even though he may have done some work with rock elements, his music should not be part of the archives.

 

According to your logic then neither should Univers Zero, Art Zoyd Jean Michel Jarre, Mike Oldfield and Tangerine Dream be allowed on this website.
Actually there is an excellent argument to be made for just that. None of the artists you mention are rock except for maybe UZ. The exclusion of Jarre, Oldfield and Tangerine Dream would be entire logical and appropriate. I like all of them and am glad they are here, they made huge impacts. But if they were not here it would also make sense.     

 

No it wouldn't since books and websites  that I read categorise them all as Prog rock. The word 'rock' in prog rock is a little inaccurate since it is so much more than that, but that is the problem when you start putting labels on music. But nevertheless your definition of prog needs to be re-examined, because you'll find many more prog artists out there that are not rock.



Again with books and websites?...forget that stuff. Listen to the music, listen to other music of the same era, listen to who took from whom and what styles wre being imitated or expanded on. THAT"S music history, not the endless slew of media information, or some journalist or "expert" who heard that Miles invented fusion and so assumes it must be true.


    
    

Edited by Atavachron - January 04 2007 at 21:35
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Direct Link To This Post Posted: January 04 2007 at 21:35
Originally posted by Atavachron Atavachron wrote:

Originally posted by Cheesecakemouse Cheesecakemouse wrote:

Originally posted by Atavachron Atavachron wrote:

I love Miles and he did *bring together* the players that later invented jazz-rock fusion, but none of his records in the 60s present whole-heartedly the direction and sound that it would shortly take. Essentially I agree with Dick and in fact the first true jazz-rock band leader was Tony Williams, in particular the 'Emergency' LP. Sometimes it feels as if many have not thoroughly listened to these records in order to make the connections and comparisons so important to musical history. Miles Davis Proto-prog or Prog-related? No, I don't think so. When carefully examined, the music in context with the time it was recorded shows Miles did not create fusion though he did create an environment in which it later flourished. We owe him a great deal, but more as an *instigator* of jazz rock not a participant. Perhaps an honorary position with a bio and discog but no album reviews by members. Miles Davis was progressive jazz, not jazz-rock. There is a huge difference.          

 

Sorry but yo're the first person I've heard state Davis fusion  was not fusion, all the magazines, films websites state his fusion as fusion, so in my eyes your argument carries very little weight.


You take your cues from magazines, films and websites? Much information about these artists is gathered by people who are not musicologists or players in an effort to archive them with the best of intentions but questionable conclusions. An *independant* analysis is what is important, make up your *own* mind based on all available evidence, not on some writer or filmmaker.


    
    
Sorry magazines films and websites written by musicologists. And if we just go by whats in our heads then this website will fall to pieces since each one of us would not have a consistent idea of prog.
And please don't get personal about me, were discussing Miles Davis here not mudslinging each other.



  
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Direct Link To This Post Posted: January 04 2007 at 21:46
Originally posted by Atavachron Atavachron wrote:

Originally posted by Cheesecakemouse Cheesecakemouse wrote:

Originally posted by Atavachron Atavachron wrote:

Originally posted by Cheesecakemouse Cheesecakemouse wrote:

Originally posted by The T The T wrote:

Let's not forget the ROCK part of the term progressive-rock. Even though Miles Davis' music is excellent, I think this is not an all-genre music website, it's a prog-rock website. I think, even though he may have done some work with rock elements, his music should not be part of the archives.

 

According to your logic then neither should Univers Zero, Art Zoyd Jean Michel Jarre, Mike Oldfield and Tangerine Dream be allowed on this website.
Actually there is an excellent argument to be made for just that. None of the artists you mention are rock except for maybe UZ. The exclusion of Jarre, Oldfield and Tangerine Dream would be entire logical and appropriate. I like all of them and am glad they are here, they made huge impacts. But if they were not here it would also make sense.     

 

No it wouldn't since books and websites  that I read categorise them all as Prog rock. The word 'rock' in prog rock is a little inaccurate since it is so much more than that, but that is the problem when you start putting labels on music. But nevertheless your definition of prog needs to be re-examined, because you'll find many more prog artists out there that are not rock.



Again with books and websites?...forget that stuff. Listen to the music, listen to other music of the same era, listen to who took from whom and what styles wre being imitated or expanded on. THAT"S music history, not the endless slew of media information, or some journalist or "expert" who heard that Miles invented fusion and so assumes it must be true.


    
    
According to you I should 'think for myself' by just following your opinion even if its at odds with everyone. This isn't just some journalist who shaped my opinion, it was a consistent theme that was unanimous.Much like this website, why are you here, since all the styles of prog have been labelled by others according to you music should not be named because its all opinion, hey why stop there we could say the same with mathematics, physics, chemistry. According to you I shouldn't take my doctors advice even when I get a second opinion since I'm not 'thinking for myself'. There are informed and uninformed opinions, I listen to those with informed opinions not those who are uninformed.
 Other musicians contributed to fusion sure Zappa, Tony Williams Soft Machine. But Davis is the one that gave its direction.



  
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