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Topic ClosedWhy many people dislike The Flower Kings

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The T View Drop Down
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Direct Link To This Post Topic: Why many people dislike The Flower Kings
    Posted: October 24 2006 at 23:35
Why don't many old proggers like (or why do you hate) The Flower Kings so much? They are wonderful...Maybe they didn't invented it, maybe they had a lot of influence by Yes, but thay have their unique sound (now that i've heard all Yes records, all genesis records, most ELp, GentleG records, couple by Camel) I can see that THEY DO HAVE their unique sound... and they are great!! I saw them playing live 3 weeks ago...Stolt is a genius.... They have one of the better technically speaking rhythm section (Reingold, Lillequist) in all of today's prog.... they have mammoth songs but full of melody and still with some ROCk in their prog-ROCk....yes, sometimes they kind of suffer from what I call elephantism (4 double cds, each with more than 130 minutes of music, with a lot of 20+ minutes songs), but other than that, they are marvelous....They are, in this day and age, the only SYMPHONIC rock ala Yes that sti;ll survives and carries that torch with pride...
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Direct Link To This Post Posted: October 25 2006 at 00:21
I'm with you "The T", The Flower Kings is one of my favorite bands and i don't understand why they don't have good recognition in the prog world.
 
Geek Stolt rocksˇˇˇ
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Direct Link To This Post Posted: October 25 2006 at 00:22
yeah, that's the attitude...
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Direct Link To This Post Posted: October 25 2006 at 00:25

 

         1.   I don't like singers who sound like dozens of other singers.

         2.   Let's say there are two people listening to a Flower Kings album.  One is 53 years old, has been listening to prog (as well as other types of rock) since he was a kid, has been playing music since the late 60's, etc.  The other is 25 or 30 years old.  Over the years, the old guy has heard the keyboard sound on the album hundreds of times on other albums, the drumming style hundreds of times on other albums, the guitar chords, similar lyrics....   you get the idea.  The younger guy hears the same album, and it all sounds fresh and new.

         This raises the question:  is it plagiarism (and I'm not saying the Flower Kings have ever engaged in that; this is just a general observation I've made about recent rock music) if the listener has never heard the original song that has been copied?  And what if the new band has never heard the music that they've managed to replicate?  I always tell would-be composers to listen to as much music as possible, since that will reduce the chances that they'll end up duplicating what's already been done.  Sorry to go off-topic there, I just wanted to get that off my chest; it has nothing to do with the Flower Kings.

 
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Direct Link To This Post Posted: October 25 2006 at 00:58
I love the flower kings , I listen to them all the time  and get so much enjoyment from them , I don`t care what anybody else thinks I love em. Smile 
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Direct Link To This Post Posted: October 25 2006 at 00:59
You are somewhat right...but....two points:
 
1. Isn't this more of the pretensiousness they accuse prog-rockers of having, actually believing that Genesis, Yes, Tull, Crimson, were so out of this earth original? Let me explain: Yes, they were INCREDIBLY original, for they created a new genre, its foundations....but to say they were 100% new... they, too, learned form somebody... they DIDn't invent rock, that's for sure, and, isn't rock a part of their sound, too? MAny, MANy of their ideas are straight translations of jazz and classical works, subtly camouflaged, too... so, pure originality? No... Man, even Bach learned and even copied at times from Vivaldi, Beethoven from Mozart, Haydn, these two fro the Eisenach master.... so MUSIC is a perpetual copy-work (it was Handel or Bach or some other grandiose master who said something in that vein).... Please...
 
2. A year ago, your argument would've silenced me.... but since then i've bought every Yes record, every genesis record (but the poppy ones), more than 3 each from Tull, Crimson, Giant, VDGG, Pink floyd, ELP, and I still can't find one where I can say: "man, The Flower Kings sound exactly like that". They may sound like amixture of some of those but with their own UNIQUE sound, too. That's music, being influenced but adding your own ideas into the mix.... So, please tell me, for I still haven't heard EVERY classic prog album, where's the one that will make me cry "PLAGIARISM, UOU SWEDES!!"
 
But, anyway, good answer.
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Direct Link To This Post Posted: October 25 2006 at 01:50

I am 49 years old and I hardly listen to "modern prog", despite I have a few records . I owe one from The Flower Kings ( Space Revolver ) and it is one of few I enjoy and listen regularly . In the end, the answer is always the same: everything is just a matter of taste.

What is hard for me to understand is: all the negative things some people say about TFK can be said about most bands nowadays, even the ones which are the so easily worshipped. It is clear there are some people who really hate the band with passion and are very active showing it ( a bit like what happens with ELP )  but, really, the reasons given are commonplaces and don't justify such a hate.
 
Greetings.
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Direct Link To This Post Posted: October 25 2006 at 02:08
Far too easy to call something copied or plagiarised when it is merely influenced. No group on the Archives (with the possible exception of Starcastle) has plagiarised to the extent Led Zeppelin did. What made Zep's theft worse was they stole from black musicians who hadn't made much from the industry.

So - yes, The Flower Kings have been influenced by other progressive acts. So what? I'm 45 and have heard it all. I refuse to miss a chance to enjoy something just because someone tells me it's not original. I think 'Stardust We Are' is one of the very best epic songs ever written.

I can imagine listeners to Beethoven's first public performance getting up and leaving. Pah! He's using the same sounds as Bach! Look, he's using violins!
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Direct Link To This Post Posted: October 25 2006 at 02:15
Originally posted by soundsweird soundsweird wrote:

 

         1.   I don't like singers who sound like dozens of other singers.

         2.   Let's say there are two people listening to a Flower Kings album.  One is 53 years old, has been listening to prog (as well as other types of rock) since he was a kid, has been playing music since the late 60's, etc.  The other is 25 or 30 years old.  Over the years, the old guy has heard the keyboard sound on the album hundreds of times on other albums, the drumming style hundreds of times on other albums, the guitar chords, similar lyrics....   you get the idea.  The younger guy hears the same album, and it all sounds fresh and new.


                                                           Ying Yang  


What does age have to do with what music you've heard? The only obvious difference between a 60 years old and a 30 years old person is that they perceive the "classic" bands (or indeed any music they hear) differently. The older person "was there", and may have a more authentic view on the classic bands ... but on the other hand that person might be biased towards them, as they represent their youth. The young person on the other hand may never be able to grasp the feeling of the 70s ... but on the other hand they can hear the new music of the 90s without any preconceptions about how prog should sound like.

BTW: Roine Stolt was an active musician in the 70s, let's not forget that ... they're hardly a "young" band.


Edited by MikeEnRegalia - October 25 2006 at 02:25
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Direct Link To This Post Posted: October 25 2006 at 02:37
Yes, Kaipa, you're right. he was almost there...
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Direct Link To This Post Posted: October 25 2006 at 02:52
Originally posted by Masque Masque wrote:

I love the flower kings , I listen to them all the time  and get so much enjoyment from them , I don`t care what anybody else thinks I love em. Smile 
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Direct Link To This Post Posted: October 25 2006 at 03:32
The Flower Kings are my favorite band of all time, and I'm into tons of diverse stuff.  I completely appreciate classic prog on so many levels, and it's -because- of that I can appreciate TFK's innovations.
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Direct Link To This Post Posted: October 25 2006 at 04:15
i don't like them. i find their stuff technically good but boring, hackneyed
and dated. it leaves me completely cold. at age 37, thus being the "neo
prog" generation, so to speak, i guess i have just moved on.

saw roine stolt with transatlantic five years ago and the guy's arrogant
"headmaster of prog lecturing the ignorant" stance on stage plus some of
the stuff he says in interviews completely turns me off. compared to him
steve howe comes across like johnny ramone (R.I.P.)! mind you, sitting
down with him over a beer and a chat is probably a good experience ---
progressive rock and rural tranquility don't match. true or false?
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Direct Link To This Post Posted: October 25 2006 at 05:03
Hi the T,

I've been enjoying symphonic prog since 1975, and I'm very glad that bands such as the Flower Kings exist. Even though they are often derivative, I admire the fact that they are trying to (re-)create the thrills that only prog can give you. Some of their pieces, 'Stardust we are', for example, I find really exciting.

But let's try to find an honest way to answer your question. One thing that often irritates me about TFK is their lyrics, and the way they are sung. As far as I can tell, most of their lyrics are full of echoes from old Yes and Genesis material, used in a rather inept way. Try as he might, Roine Stolt just isn't Peter Gabriel. Part of the problem is that he's not a native speaker of English. Part is that he keeps spouting the most annoying flower power nonsense. As for his singing, at first I was impressed by his voice (Wow, someone who sounds like John Wetton!) and I can imagine that he carries you away when you see him live. But on CD his never-ending ENTHUSIASM quickly gets on my nerves. (I've got exactly the same problem with Neal Morse.) Some moderation (and a hired lyricist) might do TFK good.

I understand you're a huge fan, so please don't feel offended by this. You asked the question, and I tried to answer it. Meanwhile, I'm definitely going to keep watching TFK's career!
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Direct Link To This Post Posted: October 25 2006 at 05:14
Iguana said:
 
"saw roine stolt with transatlantic five years ago and the guy's arrogant
"headmaster of prog lecturing the ignorant" stance on stage plus some of
the stuff he says in interviews completely turns me off. "
 
Well, talking about arrogance and acting as a headmaster etc.... what about Mr. Fripp ???
 
That's not a reason to like/hate the music.l
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Direct Link To This Post Posted: October 25 2006 at 05:45
They are just outrageously cheesy.
 
It hurts me to listen to them....I physically recoil at the thought.
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Direct Link To This Post Posted: October 25 2006 at 05:48
Well, talking about arrogance and acting as a headmaster etc.... what about Mr. Fripp ???

 

That's not a reason to like/hate the music.l
[/QUOTE]
    


probably not ––– but el frippo is a true originator and still a visionary artist
who pushes boundaries and has done more than enough to reinvent the
way the guitar is played. one certainly cannot say that about mr. stolt,
although he is by all means a gifted player. but what is the point? i'm sorry,
but playing relatively mundane guitar and acting like it is manna from
above does in fact influence my opinion on the music.

ah, mustn't grumble, let's not dwell on that... good on yer, roine, keep
playing, because after all it is important that this is kind of music is played!
progressive rock and rural tranquility don't match. true or false?
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Direct Link To This Post Posted: October 25 2006 at 06:23
I just don't like them(as well as Spock's Beard),they're pretty boring and each album sound almost the same as others.There are hundreds of other Retro-Prog bands which are more talented and less PRed - Matthew Parmenter's DISCIPLINE, SINKADUS, SIMON SAYS etc
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Direct Link To This Post Posted: October 25 2006 at 06:44
I really liked 'Paradox Hotel' which saw a far, far greater focus than any previous album of theirs I owned, even though it's a double. I don't take to 'The Rainmaker' or even less 'Unfold The Future'- they are full of long, long jazzy ambles that just don't register in my memory bank no matter how much I play them.
And there's the rub. For me it's not the lyrics (which were never the genre's strong point for many old bands either) or the fact they are very derivative. I personally think their whole career can be summed up by two albums- TFTO and 'Focus III'. Both Yes and Focus are obvious influences but it's those two albums with all their slothfulness that seem to form the basis of The Flower Kings sound. That issue aside, myself I very much like that 70s style of symphonic prog. (I however would have rather turned to the 80s neo prog bands than either these or Spock's Beard.)
The biggest problem for me was always the songwriting- there's too few hooks to latch upon and too much noodling. I love solos but not gratuitous ones. And it's THIS band, more than any other of the symphonic acts then and now, that have songs that exist solely for soloing. Most of their albums seem to have long winded, almost jam like instrumentals that don't show great skill to me but rather a sheer lack of quality control, imho.
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Direct Link To This Post Posted: October 25 2006 at 07:29
Fascinating. Some people speak as though not to be original is a crime. I reserve no special respect for innovators: the vast majority of so-called 'original' stuff is awful, doomed to die, just like the vast majority of mutations in the natural world. Occasionally something sticks and we all copy it, and improve upon the original. I'd honestly rather listen to the copies, which are almost invariably better than the original. Or perhaps humans should have stayed exactly as they were when the first one dropped out of the tree?
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