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Yukorin
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Posted: September 16 2006 at 11:38 |
Does
anyone have these two cassettes by Happy Family ? Would love to
hear them as well as the Xaal cassette release !
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Yukorin
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Posted: September 16 2006 at 12:23 |
edit: double post
Edited by Yukorin - September 16 2006 at 12:25
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Yukorin
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Posted: September 16 2006 at 12:24 |
Interestin interview with Mr an' Mrs Vander:
Christian Vander interview
by Jason Gross
Not particularly relishing it, I unwittingly
became a club employee and a band manager at the same time when I arrived
to interview the masters of Zeuhl music for their first New York show (July
1999) in over a quarter of a century. I had long been enamored by
drummer/mastermind Christian Vander, who was/is so committed to his own
mythologies which he created in the late sixties/early seventies.
Even though the group originated out of France and created a new language
(Kobaian) to tell their tales, they might as well have been some interstellar
visitors as such.
Arriving early to the club, to meet Christian,
his wife Stella (also a singer in the group) thought I was part of the
club management and asked me about payment for the show. I dutifully
passed the message along to the owners, who then wanted to know if I was
their manager. Slipping out of this slippery slope, I was then commandeered
by Stella to get mineral water for the band. Being so accommodating
(not to mention a fan), I dutifully went out to a deli and lugged back
a dozen bottles to the club. At the end of the rehearsal, Stella
(who I had been in touch with only by phone previously) called out from
the stage for me, saying that we should do our interview now. I came
to say hello and it dawned on her that I was the writer she spoke to before
and not a club employee. We both had a good laugh over that one (mostly
her actually).
If that wasn't confusing enough, the problem
then came with doing the interview herself. While Stella was gloriously
bi-lingual, Christian only knew French and I only knew the Queen's English
(or gibberish, to be more exact). She agreed to translate my questions
but since time was tight, she said that I'd have to find someone else to
translate Christian's answers. Not a problem, I thought. I
ended our chat by blurting out the few words of French I remembered from
high school: 'au revoir,' 'merci beaucoup' (I also remembered how to ask
where the bathroom is but I didn't think that was appropriate).
Sadly, several people who seemed willing
to help with this didn't come through and I was left with an interview
tape gathering dust, wondering what to do. I suppose that it's appropriate
that the reason an interview I had done over a year ago languished for
that long because of a language problem- after all, this is a group that
invented their own language.
When all hope seemed to be lost, a plea
was made in the Progressive Rock newsgroup. Amazingly, we got back
numerous responses to help. The kind and wonderful person who did
the honors in the end was Steven Hegede, who we owe a great deal of debt,
needless to say. Thanks also to Olivier Jouan, who helped to formulate
some of the questions below. Also 'merci beaucoup' to Shawn Ahearn
and Pascal Zelcer for helping to arrange the interview itself.
And so, without further adieu...
PSF: Can you talk about you musical background
before Magma?
Well, honestly I didn't really know what
was happening in France musically at that time. I had some idea of what
was going on. But I was mostly attracted to other types of music. Especially
the music of John Coltrane, which occupied me, and served as my "daily
bread." It's a long story, but the music of Magma started one day because,
in my opinion, it had to come out. I would call it a revelation. The music
came out of me naturally, without the need to compose it. The music had
a need to come out, whether it was through me or someone else.
PSF: The story behind Kobaia, was it influenced
alot by science-fiction?
No, not at all. It was more of a transposition.
We were looking for something new. We baptised that other world "Kobaia".
But, looking back at this today, Kobaia refers to Earth.
PSF: What was the intention for inventing
a new language?
The language itself came parallel with
composing. Meaning that when I was composing on piano, certain sounds would
appear. And, at the same time, we had words in use that we baptised as
Kobaian. The first word that I ever pronounced was "Kobaia." The other
words came as a result of the music, it was a natural process.
PSF: There was some talk that the whole
concept was supposed to be a nine-album set?
No, I think that there is some confusion
with Zess. I mentioned one day that Zess would probably fill
5 records. At the time, 5 records was equal to about 3 hours of music.
So I imagined Zess to be 3 hours long. So I probably mentioned "5
albums" one day. But it wasn't about Theusz Hamtaahk but rather
Zess.
45-minutes is already an LP. But it's possible that I also said 5 hours,
instead of 5 hours.
PSF: For Zess?
Yes, Zess I was refering to Zess.
But we never talked about 9 albums. Maybe 5 albums? I probably said 5.
PSF: By the time of Mekanik Destruktiw
Kommandoh, things seems to be changing for the group. How did the changes
in personnel change the music?
Well, we were allowed to go further musically.
Jannick's (Top, bassist) sound, and spirit, allowed us to advance further
and faster. Now, I'm not saying that the previous musicians were not excellent
musicians. But Jannick brought along with him a sound which was musical
on the one hand, but on top of that he superimposed melodies (translator
note: Christian is refering to countermelodies). Jannick brough a new level
to the band. And he was the bassist that we had hoped for at the time.
PSF: Was the story of Kobaia changed by
the time of Kohntarkosz?
As I mentioned earlier, we had transposed
the story a bit. Progressively, we were finding ourselves within the story.
Anyway, we were finding that we were actually talking about the story of
planet Earth. Whether the story happened here or somewhere else, it really
didn't matter. We were finding sources to try to explain that which supports
us. The importance was that Kontark had to be told in a profound manner.
It's a story that many people look for when trying to find their meaning
in life. To know our place within the world, and in a manner that is positive.
It's in reference to Earth and life.
PSF: The version of Kohntarkosz
that appears on the BBC release is very different. Especially the first
half. I was wondering if it envolved into the final version. Or did you
rework it quickly?
No, Kohntarkosz at that time was
a work in progress. It wasn't finished. At the time, I was trying to finish
the theme while, at the same time, we were playing a version it. The colors
were somewhat there, but it wasn't finished. As soon as I finished writing
the structure, we recorded it. It was ready, but not totally finished.
The finale wasn't yet composed when we recorded Kohntarkosz. But
it was finished at the time of "Kohntark".
PSF: Why were there many band members joining
and leaving Magma?
Bands change personnel due to natural occurrences.
Many musicians become exhausted by fatigue. We would do 25 concerts a month
with little free time in between. Musicians would drop out due to exhaustion
even when they weren't interested in changing bands. But we were fortunate
to find a few musicians who had the will to continue.
PSF: Why did Magma stop in the '80's?
First of all, he were offered very little
work. But at the same time, it allowed us to work on other projects. For
example, during that period we started a new group called Offering. Which
permitted us to create a lot of new ideas that later went back in Magma.
It's two different ways of reaching the same goal. The goal of taking music
further and discovering new sounds.
PSF: What inspired you to start Magma again?
We could have done it before because we
were always ready. It was after a suggestion from a friend, Bernard Ivan,
who proposed a tour. Thanks to him we rebuilt the band again. It had been
proposed several times in the past, but nothing was solid. This time it
was thanks to Bernard Ivan. But we were always ready.
PSF: It is important to reprise your older
material or to play new compositions now?
It is important that we replay the older
compositions for a newer generation of Magma fans. But we are going to
quickly move to newer music. Hopefully.
PSF: What do you think of the bands that
play Zeuhl music?
I don't know all of them. There are certainly
a lot of good ideas (out there), but there are also a lot of bad ones.
The idea isn't to copy our sound, but rather to feel something deeper within.
But, as the founders of Zeuhl, we also have the responsibility to make
the idea clearer and expressive. Once that idea is clearer and more expressive,
people will be able to create something real out of it without misinterpreting
the message.
PSF: How do you see the future of Magma?
I live day to day. I can't talk about things
that haven't happened yet. I work so that Magma can continue. In my opinion,
music and spirit co-exists together. The idea is to continue and progress.
PSF: Over the years, have you seen another
band that you consider contemporaries, brothers and/or sisters?, fellow
travelers?
No, I can't say that. Maybe I haven't heard
anything new from Univers Zero, but their music sounds diluted on a spiritual
level.
Stella Vander: No, not just about Univers
Zero. Any band, really.
Christian: A brother-like band... nothing
at this moment.
PSF: How about Xaal?
There were some correspondence between
both bands, but very little outside of them.
PSF: I know that you're a big John Coltrane
fan. Which of his records would he recommend Magma fans?
Well, there are different fans of Magma.
If you're looking for a certain sort of obsessional "dance"... "My Favorite
Things." It wasn't written by Coltrane, but he made it immortal. If not,
Expression.
http://www.furious.com/perfect/
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Syzygy
Special Collaborator
Honorary Collaborator
Joined: December 16 2004
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Posted: September 16 2006 at 12:31 |
^^^^^^^^^^^^^^^^^^^^^^^^
Interesting - I hadn't read that one before. Thanks!
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'Like so many of you
I've got my doubts about how much to contribute
to the already rich among us...'
Robert Wyatt, Gloria Gloom
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Yukorin
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Joined: November 21 2005
Location: Japan
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Posted: September 16 2006 at 12:39 |
Magma nori !
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Yukorin
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Joined: November 21 2005
Location: Japan
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Posted: September 16 2006 at 12:55 |
(from Q magazine...)
"Interesting
?"
Steve Davis flies the flag for... Magma.
The
posters announced : "Steve Davis and Interesting Promotions Present Magma".
Music lovers the worldwide chorused : "The Steve Davis ? The consummately
professional number one ranking snooker player ? The oft-called Ginger Magician
who looks like the man you might complain to in Sainsburys and loses frames
as often as panda bears achieve sexual congress ?"
Swiftly followed by : "The Magma ? The uncategorisable 12-piece ensemble
of French and early '70s disposition ? The brainchild of the highly peculiar
Christian Vander whose name is frequently accompanied by the word 'otherness'
? The band who write concept tracks and sing in Kobaian - a language of their
own device ?"
"Yep, Magma", says Davis, 30. "I can't even begin to articulate
why I like them. They've had a big effect on... my life."
Most people had you down as a Shakatak boy.
"Pur-lease !"
he grimaces. "No. When I was in sixth form all the kids were into Led
Zeppelin and Black Sabbath and Deep Purple which was pleasant enough but I
felt I wanted something more complicated. I was into Gentle Giant - yeah,
the Giant, Caravan, Soft Machine, Isotope, Hatfield And The North all that
Canterbury jazz rock scene."
Gong ?
Yeah, a bit of Gong. I bought Camembert Electrique when it was 59p. I saw
that recently in a record collectors' shop for £5. What a rip-off !
The Cow?
"T'Pau ?! "
No, The Cow - Henry
Cow.
"Yeah, I heard a couple of his records. Didn't he do the one with the
pair of socks on the cover ?"
Your musical tastes appear
to stop around 1975. Do you listen to anything contemporary ?
"Some of that punk stuff was pretty rancid. I didn't get on with much
of that. But I listen to a bit of pop. I listen to Radio One before matches.
That way I've got nothing in my head when I go out to play."
Was it a spiritual experience
seeing Magma for the first time ?
"It was at The Roundhouse in 1974. They were the support band. I was
there in my afghan which used to stink when it rained. But they were just
... the best thing I'd ever seen. And I've collected everything they've ever
done since and been to see them as much as I could. But I've been busy recently
and I couldn't see them in Europe which is why I decided to put them on in
London."
It turned out to be an
inspiring couple of weeks for Steve "Interesting" Davis. Three nights
of Magma at the 560 seater Bloomsbury Theatre and one Mercantile Credit Classic
victory worth £50,000. Of course, there was no question in his mind
which event was the more satisfying.
Next month : Eric Bristow
talks about his Incredible String Band fixation.
Adrian
Deevoy
"Q"
- April 1988
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Yukorin
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Joined: November 21 2005
Location: Japan
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Points: 1589
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Posted: September 16 2006 at 13:08 |
Syzygy wrote:
^^^^^^^^^^^^^^^^^^^^^^^^
Interesting - I hadn't read that one before. Thanks! |
You're welcome !
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Yukorin
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Joined: November 21 2005
Location: Japan
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Posted: September 16 2006 at 13:09 |
Holy shiitake !
I managed to work the quote function !
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Yukorin
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Joined: November 21 2005
Location: Japan
Status: Offline
Points: 1589
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Posted: September 16 2006 at 13:15 |
some great memories here:
http://ilx.wh3rd.net/thread.php?msgid=3506867
an' Magma get a mention too !
(spose there's no way we can get Tubeway Army added heh) ?
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Yukorin
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Posted: September 16 2006 at 13:35 |
Wish I hadn't slept through all me French classes :
http://tubulamarok.free.fr/magma/magma.htm
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Yukorin
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Posted: September 16 2006 at 13:49 |
Bay City Magma ?
It's a teenage dream, to be seventeen
And to find you're all wrapped up in love
And I've found that you, made a dream come true
Now I do believe in what they say
You've got to
Ioss mitlait da felt dos funker uts stik reis stits klowits
Owile wisoi, owile wisoi
Take a little love
Be prepared to forsake a little
Do werï wisehndo worai
Do werï wisehndo worai
Eleweso, eleweso, eleweso, elowi sund
And when the sun comes shining through
We'll know what to do
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Yukorin
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Posted: September 16 2006 at 13:52 |
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Yukorin
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Posted: September 16 2006 at 14:03 |
...from another great French Magma site
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Yukorin
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Posted: September 16 2006 at 14:04 |
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Yukorin
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Location: Japan
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Posted: September 16 2006 at 14:19 |
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Yukorin
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Posted: September 16 2006 at 14:27 |
Fun guys. Could almost be written about The Sugarhill Gang:
Imagine a world, many centuries into the future, when society as we
know it has decayed into chaos and degradation, void of spiritual guidance. The
colonization of space is well underway, and space travel has become commonplace. It is in
this setting that a handful of enlightened Earth people seeking a better existence finance
the construction of a private spacecraft and leave the planet in search of a new world
where a new, more spiritually guided civilization can be reborn. They finally find that
new home after a long and hazardous journey on the distant planet Kobaia, where the party
settles and begins anew
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Yukorin
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Posted: September 16 2006 at 14:34 |
Would
love to hear this in Kobaian. Not sure if this is the 15 minute version
but if it is see it on here soon:
Sugar Hill Gang, "Rapper's Delight" (1979)
I said a hip hop the hippie the hippie to the hip hip hop, a you dont stop the rock it to the bang bang boogie say up jumped the boogie to the rhythm of the boogie, the beat
Now what you hear is not a test i'm rappin to the beat and me, the groove, and my friends are gonna try to move your feet see i am wonder Mike and i like to say hello to the black, to the white, the red, and the brown, the purple and yellow but first i gotta bang bang the boogie to the boogie say up jump the boogie to the bang bang boogie let's rock, you dont stop rock the riddle that will make your body rock Well so far youve heard my voice but i brought two friends along and next on the Mike is my man Hank come on, Hank, sing that song
Check it out, i'm the c-a-s-an-the-o-v-a and the rest is f-l-y ya see i go by the code of the doctor of the mix and these reasons i'll tell ya why ya see i'm six foot one and i'm tons of fun and i dress to a t ya see i got more clothes than muhammad ali and i dress so viciously i got bodyguards, i got two big cars that definitely aint the wack i got a lincoln continental and a sunroof cadillac so after school, i take a dip in the pool which really is on the wall i got a color tv so i can see the knicks play basketball hear me talkin bout checkbooks, credit cards more money than a sucker could ever spend but i wouldnt give a sucker or a bum from the rucker not a dime til i made it again everybody go hotel motel whatcha gonna do today (say what) ya say im gonna get a fly girl gonna get some spankin drive off in a def oj everybody go, hotel motel holiday inn say if your girl starts actin up, then you take her friend master gee, am I mellow its on you so what you gonna do
Well it's on n on n on on n on the beat dont stop until the break of dawn i said m-a-s, t-e-r, a g with a double e i said i go by the unforgettable name of the man they call the master gee well, my name is known all over the world by all the foxy ladies and the pretty girls i'm goin down in history as the baddest rapper there could ever be now i'm feelin the highs and ya feelin the lows the beat starts gettin into your toes ya start poppin ya fingers and stompin your feet and movin your body while youre sittin in your seat and the damn ya start doin the freak i said damn, right outta your seat then ya throw your hands high in the air ya rockin to the rhythm, shake your derriere ya rockin to the beat without a care with the sureshot m.c.s for the affair now, im not as tall as the rest of the gang but i rap to the beat just the same i dot a little face and a pair of brown eyes all i'm here to do ladies is hypnotize singin on n n on n on n on the beat dont stop until the break of dawn singin on n n on n on on n on like a hot buttered a pop da pop da pop dibbie dibbie pop da pop pop ya dont dare stop come alive yall gimme what ya got i guess by now you can take a hunch and find that i am the baby of the bunch 'but that's okay i still keep in stride cause all i'm here to do is just wiggle your behind singin on n n on n on n on the beat dont stop until the break of dawn singin on n n on n on on n on rock rock yall throw it on the floor im gonna freak ya here im gonna feak ya there im gonna move you outta this atmosphere cause im one of a kind and ill shock your mind ill put t-t-tickets in your behind i said 1-2-3-4, come on girls get on the floor a-come alive, yall a-gimme what ya got cause im guaranteed to make you rock i said 1-2-3-4 tell me wonder mike what are you waitin for?
i said a hip hop the hippie to the hippie the hip hip hop, a you dont stop the rock it to the bang bang boogie say up jumped the boogie to the rhythm of the boogie, the beat skiddlee beebop a we rock a scoobie doo and guess what america we love you cause ya rock and ya roll with so much soul you could rock till you're a hundred and one years old i dont mean to brag i dont mean to boast but we like hot butter on our breakfast toast rock it up baby bubbah baby bubbah to the boogie da bang bang da boogie to the beat beat, its so unique come on everybody and dance to the beat
I said a hip hop the hippie the hippie to the hip hip hop, a you dont stop rock it out baby bubbah to the boogie da bang bang the boogie to the boogie da beat I said i cant wait til the end of the week when i'm rappin to the rhythm of a groovy beat and attempt to raise your body heat just blow your mind so that you cant speak and do a thing but a rock and shuffle your feet and let it change up to a dance called the freak and when ya finally do come in to your rhythmic beat rest a little while so ya dont get weak i know a man named Hank he has more rhymes than a serious bank so come on Hank sing that song to the rhythm of the boogie da bang bang da bong
Well, im imp the dimp the ladies pimp the women fight for my delight but im the grandmaster with the three mcs that shock the house for the young ladies and when you come inside, into the front you do the freak, spank, and do the bump and when the sucker mcs try to prove a point we're treacherous trio, we're the serious joint a from sun to sun and from day to day i sit down and write a brand new rhyme because they say that miracles never cease i've created a devastating masterpiece i'm gonna rock the Mike til you cant resist everybody, i say it goes like this well i was comin home late one dark afternoon a reporter stopped me for a interview she said she's heard stories and she's heard fables that i'm vicious on the Mike and the turntables this young reporter i did adore so i rocked a vicious rhyme like i never did before she said damn fly guy im in love with you the casanova legend must have been true i said by the way baby what's your name said i go by the name of Lois Lane and you could be my boyfriend you surely can just let me quit my boyfriend called superman i said he's a fairy i do suppose flyin through the air in pantyhose he may be very sexy or even cute but he looks like a sucker in a blue and red suit i said you need a man who's got finesse and his whole name across his chest he may be able to fly all through the night but can he rock a party til the early light? he cant satisfy you with his little worm but i can bust you out with my super sperm i go do it, i go do it, i go do it, do it , do it an i'm here an i'm there i'm big bang Hank, i'm everywhere just thro/w your hands up in the air and party hardy like you just dont care let's do it dont stop yall a tick a tock yall you dont stop go hotel motel what you gonna do today(say what) im gonna get a fly girl gonna get some spank drive off in a def oj everybody go hotel motel holiday inn you say if your girl starts actin up then you take her friend i say skip, dive, what can i say i cant fit em all inside my oj so i just take half and bust them out i give the rest to master gee so he could shock the house
It was twelve o'clock one friday night i was rockin to the beat and feelin all right everybody was dancin on the floor doin all the things they never did before and then this fly fly girl with a sexy lean she came into the bar, she came into the scene as she traveled deeper inside the room all the fellas checked out her white sasoons she came up to the table, looked into my eyes then she turned around and shook her behind so i said to myself, its time for me to release my vicious rhyme i call my masterpiece and now people in the house this is just for you a little rap to make you boogaloo now the group ya hear is called phase two and let me tell ya somethin we're a helluva crew once a week we're on the street just a-cuttin' the jams and making it free for you to party ya got to have the movies so we'll get right down and give you the groove for you to dance you gotta get hype so we'll get right down for you tonight now the system's on and the girls are there ya definitely have a rockin affair but let me tell ya somethin there's still one fact that to have a party ya got to have a rap so when the party's over you're makin it home and tryin to sleep before the break of dawn and while ya sleepin ya start to dream and thinkin how ya danced on the disco scene my name appears in your mind yeah, a name you know that was right on time it was phase two just a doin a do rockin ya down cause ya know we could to the rhythm of the beat that makes ya freak come alive girls get on your feet to the rhythm of the beat to the beat the beat to the double beat beat that it makes ya freak to the rhythm of the beat that says ya go on on n on into the break of dawn now i got a man comin on right now he's guaranteed to throw down he goes by the name of wonder Mike come on wonder Mike do what ya like
like a can of beer that's sweeter than honey like a millionaire that has no money like a rainy day that is not wet like a gamblin fiend that does not bet like dracula with out his fangs like the boogie to the boogie without the boogie bang like collard greens that dont taste good like a tree that's not made out of wood like goin up and not comin down is just like the beat without the sound no sound to the beat beat, ya do the freak everybody just rock and dance to the beat have you ever went over a friends house to eat and the food just aint no good i mean the macaroni's soggy the peas are mushed and the chicken tastes like wood so you try to play it off like you think you can by sayin that youre full and then your friend says momma he's just being polite he aint finished uh uh that's bull so your heart starts pumpin and you think of a lie and you say that you already ate and your friend says man there's plenty of food so you pile some more on your plate while the stinky foods steamin your mind starts to dreamin of the moment that it's time to leave and then you look at your plate and your chickens slowly rottin into something that looks like cheese oh so you say that's it i got to leave this place i dont care what these people think im just sittin here makin myself nauseous with this ugly food that stinks so you bust out the door while its still closed still sick from the food you ate and then you run to the store for quick relief from a bottle of kaopectate and then you call your friend two weeks later to see how he has been and he says i understand about the food baby bubbah but we're still friends with a hip hop the hippie to the hippie the hip hip a hop a you dont stop the rockin to the bang bang boogie say up jump the boogie to the rhythm of the boogie the beat i say hank can ya rock can ya rock to the rhythm that just dont stop can ya hip me to the shoobie doo i said come on make the make the people move
I go to the halls and then ring the bell because i am the man with the clientele and if ya ask me why i rock so well a big bang, i got clientele and from the time i was only six years old i never forgot what i was told it was the best advice that i ever had it came from my wise dear old dad he said sit down punk i wanna talk to you and dont say a word until i'm through now there's a time to laugh a time to cry a time to live and a time to die a time to break and a time to chill to act civilized or act real ill but whatever ya do in your lifetime ya never let a mc steal your rhyme so from sixty six til this very day ill always remember what he had to say so when the sucker mcs try to chump my style i let them know that i'm versatile i got style finesse and a little black book that's filled with rhymes and i know you wanna look but there's a thing that separates you from me and that's called originality because my rhymes are on from what you heard i didnt even bite and not a god d--m word and i say a little more later on tonight so the sucker mc's can bite all night a tick a tock yall a beat beat yall a lets rock yall ya dont stop ya go hotel motel whatcha gonna do today (say what) ya say im gonna get a fly girl gonna get some spankin drive off in a def oj everybody go hotel motel holiday inn ya say if your girl starts actin up then you take her friends a like that yall to the beat yall beat beat yall ya dont stop a master gee am I mellow? its on you so whatcha gonna do
Well like johnny carson on the late show a like frankie croker in stereo well like the barkay's singin holy ghost the sounds to throw down they're played the most its like my man captain sky whose name he earned with his super sperm we rock and we dont stop get off yall im here to give you whatcha got to the beat that it makes you freak and come alive girl get on your feet a like a perry mason without a case like farrah fawcett without her face like the barkays on the mike like gettin right down for you tonight like movin your body so ya dont know how right to the rhythm and throw down like comin alive to the master gee the brother who rocks so viciously i said the age of one my life begun at the age of two i was doin the do at the age of three it was you and me rockin to the sounds of the master gee at the age of four i was on the floor givin all the freaks what they bargained for at the age of five i didnt take no jive with the master gee its all the way live at the age of six i was a pickin up sticks rappin to the beat my stick was fixed at the age of seven i was rockin in heaven dontcha know i went off i got right on down to the beat you see gettin right on down makin all the girls just take of their clothes to the beat the beat to the double beat beat that makes you freak at the age of eight i was really great cause every night you see i had a date at the age of nine i was right on time cause every night i had a party rhyme goin on n n on n on on n on the beat dont stop until the break of dawn a sayin on n n on n on on n on... like a hot buttered de pop de pop de pop a saying on n n on n on on n on cause i'm a helluva man when i'm on the mike i am the definate feast delight cause i'm a helluva man when i'm on the mike i am the definate feast delight come to the master gee you see the brother who rocks so viciously
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Yukorin
Forum Senior Member
Joined: November 21 2005
Location: Japan
Status: Offline
Points: 1589
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Posted: September 16 2006 at 15:19 |
Old list of zeuhl from http://www.geocities.com/SunsetStrip/Alley/8366/ :
- Abus Dangereux - Le Quatrieme Mouvement
( 1980 , AJ records 1001 , France )
- Altais - Altais/Promenade.../Gravitation Zaro (Maxi SP)
(
1986 , 1021 , France )
- Altmayer, Michel - Troll Vol. II
( 1988 , Musea FGBG 2010
, France )
- Anaid - Belladonna
( 1989 , Anaid 03JM , France )
- Bertram, Dominique - Chinese Paradise
( 1984 , String 33.858
, France )
- Bondage Fruit - Live:1993.6.8.Pit Inn
( 1993 , Maboroshi No Sekai W 0002,
Japan )
- Bondage Fruit - Bondage Fruit
( 1994 , Maboroshi No Sekai ISIS-0111,
Japan )
- Bringolf, Serge - Strave
( 1980 , Omega OM 67016 , France
)
- Bringolf, Serge - Vision
( 1981 , Omega OM 67028 , France
)
- Bringolf, Serge - Live
( 1983 , RBO R.1383 D , France
)
- Bringolf, Serge - Lelila/Lelila instrumental(SP)
( 1990
, MSR 54129 , France )
- Bringolf, Serge/Kessler, Siegfried - Agboville
( 1983 ,
Omega OM 67044 , France )
- Cahen, Francois - Great Winds
( 1979 , Trema 310 069 , France
)
- Cahen, Francois/Lockwood, Didier - Thank You Friends
( 1978
, WEA 50489 , France )
- Ceccarelli, Andre - Ceccarelli
( 1977 , Carla CAR 500 002
, France )
- Coeur Magique - Wakan Tanka
( 1971 , BYG 529.018 , France
)
- Cortex - Troupeau Bleu
( 1975 , Esperance ESP 155 524 ,
France )
- Cruciferius - A Nice Way Of Life
( 1970 , Egg 940 011 ,
France )
- Dugrenot, Joel - Boomerang
( 1982 , Mantra COM 6036 , France
)
- Dugrenot, Joel - Mosaiques
( 1991 , Mantra COM 6037 , France
)
- Dun - Eros
( 1981 , Ouest Atlantique SAB 001 , France
)
- Eider Stellaire - Eider Stellaire
( 1981 , ?? K 001 , France
)
- Eider Stellaire - 3
( 1989 , Musea FGBG 2009 , France
)
- Eskaton - 4 Visions
(1979, ??, France)
- Eskaton - Le Chant De La Terre/If(SP)
( 1979 , ?? E01 ,
France )
- Eskaton - Ardeur
( 1980
, Musique Post-Atomique E38001 , France )
- Eskaton - Fiction
( 1983
, Musique Post-Atomique E38301 , France )
- Ethnic Duo - Ethnic Duo
( 1981 , Blue Morge BM 1004 , France
)
- Gauthier, Patrick - Bebe Godzilla
( 1981 , CY 733 612 ,
France )
- Godding, Brian - Slaughter On Shaftesbury
( 1988 , Reckless
RECK 16 , France )
- Gong - Flying Teapot
( 1973 , BYG 529 027 , France
)
- Goude, Jean-Philippe - Drones
( 1980 , Polydor 2473 108 , France )
- Happy Family - Flying Spirit Dance
( 1994 , ?? ?? , Japan
)
- Happy Family - Happy Family
( 1995 , Cuneiform Rune73, Japan
)
- Honeyelk - Stoyz Vi Dozeveloy
( 1979 , Oxygene OXY 047 ,
France )
- Jeanneau, Francois - Ephemere
( 1977 , Owl 07 , France
)
- Kessler, Siegfried/Seffer, Yochk'o - Dialogue Water-Fire
(
1986 , Moshe-Naim MN O 12071 , France )
- Koenji Hyakkei - Koenji Hyakkei
( 1995 , God Mountain GMCD 012 , Japan
)
- Lasry, Teddy - E=MC2
( 1976 , RCA FPL 10148 , France
)
- Lasry, Teddy - Seven Stones
( 1979 , RCA PL 37257 , France
)
- Lockwood Vander Top Widemann - Fusion
( 1981 , Polydor 2473
948 , France )
- Lockwood, Didier - Jazz-Rock
( 1976 , Music Zag 773.001
, France )
- Lockwood, Didier - Surya
( 1979 , Arcade 302801 , France
)
- Lockwood, Didier Quartet - Live At The Olympia Hall
( 1982
, JMS 040 , France )
- Moze, Francis - Naissance
( 1982 , FM 1082 , France
)
- Musique Noise - Fulmines Regularies
( 1989 , Musea FGBG
2028 , France )
- Nyl - Nyl
( 1976 , Urus Records 000.013 , France )
- Paganotti, Bernard - Paga
(
1985 , Cream 120 , France )
- Paga - Haunted
( 1988 ,
Bleu Citron BLC-D 004 , France )
- Paga - Gnosis
( 1993 , Bleu
Citron BLC-D 016 , France )
- Perathoner-Top - Music Film Scoring
( 1990 , Baillemont
CD 918 , France )
- Perception - Perception
( 1971 , Futura Records GER.19 ,
France )
- Perception - Mestari
( 1974 , Le Chant Du Monde LDX 74555
, France )
- Perception & Friends - Perception & Friends
( 1973
, A.D.M.I. ADMI 01 , France )
- Prat, Jean-Paul - Masal
( 1984 , Stand By 831 201 , France
)
- Rose, David - Distance Between Dreams
( 1977 , Gratte-Ciel
ZL 37094 , France )
- Seffer, Yochk'o - Magyar-Lo
( 1976 , Le Chant Du Monde LDX
74604 , France )
- Seffer, Yochk'o - Chromophonie 1 La Diable Angelique
( 1982
, G.C.GC 2101 , France )
- Seffer, Yochk'o - Chromophonie 2 Le Livre De Bahir
( 1984
, G.C.GC 2102 , France )
- Seffer, Yochk'o - Adama
( 1986 , Moshe-Naim MN 12069 , France
)
- Seffer, Yochk'o - Prototype
( 1989 , Kid Records 590 462
, France )
- Seffer, Yochk'o Neffesh Music - Delire
( 1976 , Moshe-Naim
MN 12008 , France )
- Seffer, Yochk'o Neffesh Music - Ima
( 1977 , Moshe-Naim
MN 12010 , France )
- Seffer, Yochk'o Neffesh Music - Ghilgoul
( 1978 , Garou Garou SR 116 , France )
- Shub Niggurath - Les Morts Vont Vites
( 1986 , Musea FGBG
2002 , France )
- Shub Niggurath - Live
( 1989 , Auricle ??, France )
- Shub Niggurath - C'etaient De Tres
Grands Vents
( 1991 , Musea FGBG 4042 , France )
- Speed Limit - Speed Limit
( 1974 , Le Chant Du Monde LDX
74575 , France )
- Speed Limit - Speed Limit
( 1975 , RCA FLP1 0101 , France
)
- Szajner, Bernard - Some Deaths Take Forever
( 1980 , Pathe
Marconi 2C 070 14863 , France )
- Thibault, Laurent - Mais On Ne Peut
Pas Rever Tout Le Temps
( 1979 , Ballon Noir BAL 13009 , France
)
- Thollot, Jacques - Cinq Hops
( 1978 , Free Bird FLY 03 ,
France )
- Top, Jannick - Utopia/Viva
( 1975 , Utopia 42519 , France
)
- Uppsala - Uppsala
( 1984 , KI Records UPPS 1114 , France
)
- V.A. - Puissance 13+2
( 1971 , Theleme 6641 037 , France
)
- V.A. - Music Is My Honey
( 1973 , Theleme 6 332 752 , France
)
- V.A. - Enneade
( 1987 , Musea FGBG 4005 , France )
- Weidorje - Weidorje
( 1978 , Cobra COB 37.014 , France
)
- Widemann, Benoit - Stress
(
1977 , Ballon Noir BAL 13002 , France )
- Widemann, Benoit - Tsunami
( 1979 , Ballon Noir BAL 13014 , France )
- Widemann, Benoit - 3
( 1984 , CY Records 733614 , France
)
- Zao - Z=7L
( 1973 , Vertigo 6499
738 , France )
- Zao - Osiris
( 1974 , Disjuncta
000004 , France )
- Zao - Shekina
( 1975 , RCA
Balance FLP1 0097 , France )
- Zao - Kawana
( 1976 , RCA
Balance FLP1 0178 , France )
- Zao - Typhareth
( 1977 , RCA Balance PL 37121 , France
)
- Zao - Akhenaton
( 1994 , Musea FGBG 4116 , France
)
- Zorgones - Her Doktor Reich/Mon Velo Est Bleu
( 1968 , Mercury
154.658 , France )
^^^^^ anyone got this Zorgones
album ?
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Apsalar
Forum Senior Member
Joined: June 06 2006
Location: gansu
Status: Offline
Points: 2888
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Posted: September 16 2006 at 17:42 |
I'm not farmiliar with this album, but for the searching I did there didn't seem to be too much information of this release. It does seem though, some of the member went on to Magma, maybe we could even called this one a proto-zeuhl release
Formation of Magma 1969
From ZORGONES------------> Francis Moze (keys) --------> Natl.Service From ZORGONES------------> Lucien Zabuski (voc) From ZORGONES------------> Laurent Thibault (bs)
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Yukorin
Forum Senior Member
Joined: November 21 2005
Location: Japan
Status: Offline
Points: 1589
|
Posted: September 16 2006 at 22:25 |
^^^^^^^^
Proto-Zeuhl hehe !
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