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MikeEnRegalia View Drop Down
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Direct Link To This Post Posted: April 14 2006 at 04:30

@Iván: I found a translation of German copyright law:

http://www.iuscomp.org/gla/statutes/UrhG.htm

 Only the latest amendments are missing - mainly that it is now illegal to circumvent copy protection in order to make a (even private) copy.

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Direct Link To This Post Posted: April 14 2006 at 11:45

Thanks Mike, as i thought there was something strange with Germany Law, because there's an international Convention  (WIPO Copyright Treaty) adopted in Geneva on December 20, 1996,  signed by almost every country (I believe Germany also as most countries from Europe, until today 123 countries signed the treaty). Plus there's a Convention for all Europe countries

It was extrange that a country may limit so much the publisher's rights, because no label would ever set their address in Germany.

The laws I read yesterday were almost as Sci Fi for me, too restrictive in comparison with the rest of the world.

They have some articles that can bypass the limitations:

Quote

2. Exploitation Rights

Article 31 Granting of Exploitation Rights

(1) The author may grant a right to another to use the work in a particular manner or in any manner (exploitation right). An exploitation right may be granted as a non-exclusive right or as an exclusive right.

There's a chance to agree in exclusive exploitation rights by contract. This is a bypass as I told you, only that is different to the rest of the world's case that this exclusive transfer must be literal not automatic.

(...)

(3) An exclusive exploitation right shall entitle the right holder to use the work, to the exclusion of all other persons, including the author, in the manner permitted to him, and to grant non-exclusive exploitation rights. Article 35 remains unaffected.}

Tjis one is harder than anywhere else in the world, the right holder can exclude any person EVEN THE AUTHOR.

So the holder can prohuibit the author to perform his music if he has exclusive rights.

(...)

Article 34 Transfer of Exploitation Rights

(1) An exploitation right may be transferred only with the author's consent. The author may not unreasonably refuse his consent.

The owner of he right needs the author permission to sell the copyright, and the author can only refuse with a valid reason.

(4) The holder of an exploitation right and the author may agree on different terms.

This rule gives total freedom if different terms are included in a contract.

So the limits to transfer of property are only ficticious, because there are ways to avoid this limits.

Even if this laws could have been modified there could be another way, like making the publisher co-author of the work as in the 50's in USA, that's why Little Richard's songs (Tutti Frutti and Long Tall Sally) were sung by Pat Boone with a 1/2 cent (Yes, 50% of a USA cent ) royalty per 45 RPM disk for Little Richard. The label's owner was credited as co-author.

Believe me, Music Industry is like the casinos, they never loose, there are thousands of ways in which even a mediocre lawyer can avoid restrictive laws.

Iván

 



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MikeEnRegalia View Drop Down
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Direct Link To This Post Posted: April 14 2006 at 12:36

In my opinion the most important difference between German law and other countries is that personal copies are explicitly allowed (see the section about copyright limitations). So no matter what the publisher forbids us consumers, we can ignore it and make copies. The recent changes are in conflict with that ... no copy protection mechanisms may be broken in order to make the copy. So right now there is a debate going on about which of these two conflicting rules is "stronger". The consensus is that it is not a criminal offense to break copy protection in order to make a personal copy, but civil lawsuits may arise. But no such lawsuits exist, and there are no announcements or speculations in the press about such lawsuits.

Coming back to the initial topic - the sale of a used DVD: I wouldn't worry about that ... there are less far-fetched legal problems that IMO would cause problems far more likely than that. Example: The use of album cover art. See Roger Dean's website's legal notice:

http://www.rogerdean.com/copyright.htm

Quote: "The owner of a registered copyright can enforce his rights by bringing a civil lawsuit in Federal District Court. In addition, the Federal government itself can act. Criminal actions can be brought by the U.S. Attorney; and Customs and Postal officials may seize and impound infringing articles that are being imported. Recovery of attorneys' fees is possible if the suit is successful. The penalties for infringement can be substantial. In civil actions brought by the copyright owner, the court may order forfeiture and/or destruction not only of all infringing articles, but also of any implements used to manufacture the infringing articles. The court may even order seizure and impoundment of such articles prior to trial, and in some cases, without prior notice to the alleged infringer. In addition to obtaining an order stopping the infringement and ordering destruction of infringing articles, the court can order payment of any provable damages, including lost profits. The copyright owner can elect to receive "statutory damages". The minimum amount of statutory damages that can be awarded for copyright infringement is $500; and the maximum is $20,000. If the infringement was willful, the potential statutory damage award is increased to $100,000 for each act of infringement. In addition, attorneys' fees may be awarded. In addition to civil penalties, copyright infringers can be prosecuted under the federal criminal laws. All willful copyright infringement is a criminal offense. The lowest penalty is conviction of a federal misdemeanor, with a prison sentence of up to one year and a fine of up to $5000.

More serious penalties are levied against infringers who make multiple copies of a work, or who copy expensive works. It is a felony, punishable by up to five years in prison and a fine of up to $250,000 to willfully infringe copyrights of others by making, during a 180-day period, ten or more copies of a work which have a cumulative value of $2500 or more. Second and subsequent offenses carry a prison term of up to ten years in addition to the fine. Companies which willfully infringe can be assessed up to $500,000 in fines."

Correct me if I'm wrong, but unless the archives have a written permission by Roger Dean to display his album covers, those responsible could be in serious trouble ...

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Direct Link To This Post Posted: April 14 2006 at 12:54

One would imagine that the law would say that the legal notice only applies to the actual artwork on his site.

The whole situation is begging for some commonsense - I mean unless you clear the Internet Cache on your PC everytime you finish surfing you are technically in breach of his copyright rules as you will have a copy of all the images on your hard drive!

 

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Direct Link To This Post Posted: April 14 2006 at 12:59
Originally posted by Tony R Tony R wrote:

One would imagine that the law would say that the legal notice only applies to the actual artwork on his site.

Sure, but the legal status of cover artwork is clearly defined. These pictures are a work of art like any other, and may technically not be published without prior written permission of the artist (or publisher).

Originally posted by Tony R Tony R wrote:

The whole situation is begging for some commonsense - I mean unless you clear the Internet Cache on your PC everytime you finish surfing you are technically in breach of his copyright rules as you will have a copy of all the images on your hard drive!

I only wanted to show that these legal disclaimers can make you paranoid once you start to read them in detail, but usually authorities apply commonsense and don't rip your head off.

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Direct Link To This Post Posted: April 14 2006 at 13:28
Originally posted by MikeEnRegalia MikeEnRegalia wrote:

Correct me if I'm wrong, but unless the archives have a written permission by Roger Dean to display his album covers, those responsible could be in serious trouble ...

IMO no, the art of an album is copyrighted with all the album lyrics and text, is part of it, in other words, the author of the art (Roger Dean, inthis case) allows his art to be used to promote the album, The art is an integral part of the album.

All the sites in the Net publish the album photos to promote an album, including ALLMUSIC and 1,000 more places, but they are not promoting the drawing, they are promoting the music of the album for wich the picture has been created and for which the artist has been paid.

He can't prohibit the use of the COVER to promote the album, because Yes or the label bought that art work to be a cover of the album, not an individual and different work.

If you go to Roger Dean's site, he has original pictures of his artwork without the title of the album, that's another thing, all the photos of his site are his private property.

And even in the utopic and absurd case that Roger Dean (Who works with Prog Archives), decided to make a problem (He's a brilliant man so it's impossible) this site is subject to Canada Law, and Canadian Law clearly considers legal the use of an artistic work for citicism and review purpose:

Quote

Copyright Act (CANADA)

C-42

PART III

INFRINGEMENT OF COPYRIGHT AND MORAL RIGHTS AND EXCEPTIONS TO INFRINGEMENT

EXCEPTIONS

 

Fair Dealing

 

 

29.1 Fair dealing for the purpose of criticism or review does not infringe copyright if the following are mentioned:

(a) the source; and

(b) if given in the source, the name of the

(i) author, in the case of a work,

(ii) performer, in the case of a performer’s performance,

(iii) maker, in the case of a sound recording, or

(iv) broadcaster, in the case of a communication signal.

1997, c. 24, s. 18.

http://lois.justice.gc.ca/en/C-42/230478.html

Prog Archives is a page created for REVIEWING albums, so it's fair deal, no infringement commited.

Even USA law has a similar regulation:

Quote
TITLE 17 > CHAPTER 1 > § 107 Prev | Next

§ 107. Limitations on exclusive rights: Fair use

Release date: 2005-08-01

Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright. In determining whether the use made of a work in any particular case is a fair use the factors to be considered shall include—
(1) the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes;
(2) the nature of the copyrighted work;
(3) the amount and substantiality of the portion used in relation to the copyrighted work as a whole; and
(4) the effect of the use upon the potential market for or value of the copyrighted work.
The fact that a work is unpublished shall not itself bar a finding of fair use if such finding is made upon consideration of all the above factors.
 

Prog Archives is not subject to USA law, but the cover of an album is absolutely not significative in the content of an album (The album has been  copyrighted as an integral work, a whole unity, even in the case in which the  phonogram symbol  protecs the sound itself and © protects the Artwork, lyrics, credits and written material, a partial image of the cover represents almost nothing), but if you add the fact that this partial copy is being used  only for criticism and review purpose, there should not be a problem in any case, Canadian Law is clear.

Even newspapers who sell their copies are authorized to review an album using the cover. The stores have copies of the album in posters, and I'm sure Roger Dean doesn't give written consent to none of them.

But again, I'm not a USA or Canadian lawyer, but the analysis is clear IMO.

BTW: Personal copies are allowed in almost any part of the world, Canda admits it, USA is not clear (Prohibited when the work has copy protection systems) and Australia doesn't allow it.

So if you're in Canada, there's no problem, in USA probably won't, but there's a risk with CDR's and in Australia you're in touble, so if you're going to travel, better take your original albums with a DISKMAN instead of CDR's and MP3.

The question is why in hell is it legal toi sell Ipods or similar if the concept iis not clear?

Iván



Edited by Ivan_Melgar_M
            
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Direct Link To This Post Posted: April 14 2006 at 13:39

I have no problem with publishers reaping partial profits from artists they take a risk on, but the artist should have most control over what happens to his music. Obviously the publishers have access to outlets that the artist needs, but the whole idea of "singing a contract" that implies that the company "owns" the artist for X amount of years is bloody insane!

Of course, the prog side of the music industry, not being concerned with radio play or incredible record sales, relies more on live performances and word-of-mouth than mainstream music. Therefore, it's much more leniant on most matters.

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Direct Link To This Post Posted: August 25 2006 at 19:53
The FBI only have jurisdiction in the USA, so any laws applicable to them stay with in that countries borders. Unless allowed to by other worldwide countries, but that is only usually app;ied to terrorists.
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Direct Link To This Post Posted: August 26 2006 at 06:05
Again, no timeto read the whole thread today
 
What is really at stake here for those awful record companies is that they hate the fact that people are hearing the music by buying used without/avoiding  having to buy a new copy. This is great losses for them too.
 
Of course most of us thrive on paying a much lesser price for used copies.
 
But remember, that if we do buy or sell used records, the multi-national record companies are not getting a dime >>> Thumbs Up, but neither are the artistes >>>Thumbs Down.
 
 
So buying used records or trading them can be considered as piracy or a form of bootlegging or sorts.
 
 
Not that I agree on this last statement.
let's just stay above the moral melee
prefer the sink to the gutter
keep our sand-castle virtues
content to be a doer
as well as a thinker,
prefer lifting our pen
rather than un-sheath our sword
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Direct Link To This Post Posted: August 26 2006 at 06:29
They're not directly getting money, perhaps, but if I buy the last used copy then the next person has to buy a new one!
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Direct Link To This Post Posted: August 26 2006 at 06:34
Originally posted by Ivan_Melgar_M Ivan_Melgar_M wrote:

Originally posted by MikeEnRegalia MikeEnRegalia wrote:

Correct me if I'm wrong, but unless the archives have a written permission by Roger Dean to display his album covers, those responsible could be in serious trouble ...

IMO no, the art of an album is copyrighted with all the album lyrics and text, is part of it, in other words, the author of the art (Roger Dean, inthis case) allows his art to be used to promote the album, The art is an integral part of the album.

All the sites in the Net publish the album photos to promote an album, including ALLMUSIC and 1,000 more places, but they are not promoting the drawing, they are promoting the music of the album for wich the picture has been created and for which the artist has been paid.

He can't prohibit the use of the COVER to promote the album, because Yes or the label bought that art work to be a cover of the album, not an individual and different work.



In the meantime I consulted with German lawyers - I wanted to find out whether or not I'm allowed to show album cover art on my website. The result: It's not allowed. It *might* be allowed if I was selling the albums - shops are usually allowed to show pictures of the products they're selling.

But the point is: Using these pictures on a website like mine (or the archives) promotes the website, not the artist who created the picture. The lawyers meant that unless I have a written confirmation by the creator of the album covers, I cannot use them.

Of course that really sucks. And I can't understand it - on one hand all big sites (also German ones) use album cover art without even mentioning the copyright situation and obviously they get away with it. But every lawyer tells me that if I do it I can be sued for thousands of Euros just for *one* of these images.

Confused
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Direct Link To This Post Posted: August 26 2006 at 14:49
But only a fool would deny us the right to display album sleeves...

...its called "cutting your nose to spite your face"

Mike you are obviously correct but I wouldnt obsess about this. Easy for me to say because I'm not you or responsible for your site but c'mon!
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Direct Link To This Post Posted: August 26 2006 at 15:27
Originally posted by Tony R Tony R wrote:

But only a fool would deny us the right to display album sleeves...

...its called "cutting your nose to spite your face"

Mike you are obviously correct but I wouldnt obsess about this. Easy for me to say because I'm not you or responsible for your site but c'mon!
 
site like ours or Mike make free publicity for the albums and the groups: the last thing they would do is bother sites like ours unless we start offering ways to bootleg the albums.
let's just stay above the moral melee
prefer the sink to the gutter
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as well as a thinker,
prefer lifting our pen
rather than un-sheath our sword
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Direct Link To This Post Posted: August 27 2006 at 01:56
Originally posted by MikeEnRegalia MikeEnRegalia wrote:



In the meantime I consulted with German lawyers - I wanted to find out whether or not I'm allowed to show album cover art on my website. The result: It's not allowed. It *might* be allowed if I was selling the albums - shops are usually allowed to show pictures of the products they're selling.
 
Very interesting, I'm not an expert in German law (It's far more co,mplex than anywhere else), but at least in Canada where  Prog Archives is formed,  it's ABSOLUTELY LEGAL TO USE COPYRIGHTED MATERIAL FOR PURPOSE OF COMMENT OR CRITICISM.
 
Quote  
Copyright Act (CANADA)

C-42

PART III

INFRINGEMENT OF COPYRIGHT AND MORAL RIGHTS AND EXCEPTIONS TO INFRINGEMENT

EXCEPTIONS

 

Fair Dealing

 

 

29.1 Fair dealing for the purpose of criticism or review does not infringe copyright if the following are mentioned:

(a) the source; and

(b) if given in the source, the name of the

(i) author, in the case of a work,

(ii) performer, in the case of a performer’s performance,

(iii) maker, in the case of a sound recording, or

(iv) broadcaster, in the case of a communication signal.

You just have to fill the requirements in literals "a" and "b".
 

But the point is: Using these pictures on a website like mine (or the archives) promotes the website, not the artist who created the picture.
 
In the case of Germany it's possible because the author keeps some rights that  are given to the publisher in the rest of the world, but it sounds ilogic because:
 
  1. The painter SOLD HIS WORK TO YES (In the case of Roger Dean) FOR THE USE WITHIN THE ALBUM FOR A PAYMENT.
  2. The album (LP, CD or Casette) is an integral work and art cover is part of it.
  3. The owner however keeps the right over the original work, as a fact Roger Dean offerd recently the original Relayer painting (Without names and/or credits) in several hundreed of thousand dollars.
 
 
 
This beautiful Serigraph of Tales (WITHOUT TITLES OR CREDITS) by Roger Dean is sold in US$ 2,500.00 (the origoinal may cost 1,000 times more) while the original Relayer painting is availlable in the San Francisco Art Exchange ( http://www.sfae.com/images/spacer.gif ) for only US$ 1,850,000.00
 
 
The lawyers meant that unless I have a written confirmation by the creator of the album covers, I cannot use them.
 
I believe that outside Germany this doesn't work because if that was the case, Yes should pay Roger Dean a Royalty for each album.

Of course that really sucks. And I can't understand it - on one hand all big sites (also German ones) use album cover art without even mentioning the copyright situation and obviously they get away with it. But every lawyer tells me that if I do it I can be sued for thousands of Euros just for *one* of these images.
 
Thanks God Prog Archives is not in Germany, but still I believe your site promotes the album when reviewing it.
 
Iván



Edited by Ivan_Melgar_M - August 27 2006 at 02:05
            
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Direct Link To This Post Posted: August 27 2006 at 19:23
Originally posted by Ivan_Melgar_M Ivan_Melgar_M wrote:

I believe that outside Germany this doesn't work because if that was the case, Yes should pay Roger Dean a Royalty for each album.


 
buying the rights to an artwork is not the same as buying the artwork. when yes asks roger dean to do an album cover, one of a couple of things happens:
 
1. yes buys the artwork outright, in which yes would own the artwork to use as they please, since the artwork would be done by the artist, but is the intellectual property of yes. this often happens in commercial art-the artist creates an artwork or a display as a service to the person who pays them to create it.
 
2. yes buys rights to a roger dean artwork. it means yes might ask him to create it, but he retains the rights. yes merely pays him to use the artwork on albums and related items and promotions. roger dean might get a flat fee for this, but retains the rights to use the artwork elsewhere without having to get permission from yes and pay them.
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Direct Link To This Post Posted: August 27 2006 at 19:37
Originally posted by darksinger darksinger wrote:

Originally posted by Ivan_Melgar_M Ivan_Melgar_M wrote:

I believe that outside Germany this doesn't work because if that was the case, Yes should pay Roger Dean a Royalty for each album.


 
buying the rights to an artwork is not the same as buying the artwork. when yes asks roger dean to do an album cover, one of a couple of things happens:
 
This is how it works in the rest of the world, but as we seen pages before, the case of Germany is special,. being that the copyright owner needs specific authorization of the author for certain acts unless a specific clause is included in the original contract.
 
 
1. yes buys the artwork outright, in which yes would own the artwork to use as they please, since the artwork would be done by the artist, but is the intellectual property of yes. this often happens in commercial art-the artist creates an artwork or a display as a service to the person who pays them to create it.
 
This is not the case of Yes, because Roger Dean sells hois original artworks in a lot of money but without the album name and credits.
 
2. yes buys rights to a roger dean artwork. it means yes might ask him to create it, but he retains the rights. yes merely pays him to use the artwork on albums and related items and promotions. roger dean might get a flat fee for this, but retains the rights to use the artwork elsewhere without having to get permission from yes and pay them.
 
This is most surely the case of Yes and Roger Dean in reference with the artworks, but most surely is the case with the Logo, because Yes sells memorabilia with their name and Roger Dean's logo.
 
The key is that once the NAME, CREDITS AND PHOTOS are added, that product is different from the one Roger Dean owns, it can be used for different puirposes by the copyright owner, the band and even the sites that promotion the album.
 
So according to Canadian and apparently to USA law, using the music or cover for criticism and review is called FAIR DEAL and is absolutely legal.
 
But again and despite I work with international copyrights very often it's better to check with a lawyer who has license in the country where the site is based because there could be modifications (Like the Patriot Act) that limit those rights.
 
Iván
 
 
 
 
 


Edited by Ivan_Melgar_M - August 27 2006 at 19:39
            
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Direct Link To This Post Posted: August 28 2006 at 19:53
Everyone feel better now?  How anal can you lot get?
 
Christ , if we followed copyright down to the tee, then we should ask all the big sports companies for money for showing of their logos.
 
No doubt some saddo, will explain why we can't.
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Direct Link To This Post Posted: August 28 2006 at 23:01
Originally posted by spacecraft spacecraft wrote:

Everyone feel better now?  How anal can you lot get?
 
Christ , if we followed copyright down to the tee, then we should ask all the big sports companies for money for showing of their logos.
 
No doubt some saddo, will explain why we can't.
 
Because of your opinions in the reviews thread I guess you don't care too much about Prog Archives, but most of us do care and a lot.
 
We want to keep this site alive and Mike en Regalia's fears are valid, so it's better to be informmed and take the precautions.
 
Iván
            
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Direct Link To This Post Posted: August 28 2006 at 23:04
I'd rather the FBI worry about keeping us safe than to worry about this crap- pathetic.



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Direct Link To This Post Posted: August 28 2006 at 23:06
Originally posted by Drew Drew wrote:

I'd rather the FBI worry about keeping us safe than to worry about this crap- pathetic.
 
In this I agree with you.
 
Iván
            
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