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Leningrad View Drop Down
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Direct Link To This Post Topic: Odd Time Signatures
    Posted: August 15 2006 at 16:37
One of the reasons I listen to prog is for the crazy time signatures. For some reason, the more changes, the better. I like to be challenged by my prog. A year ago, I actually sat down after listening to Foxtrot and tried to decipher Apocalypse in 9/8 on paper. Anyone else feel the same? Probably not, but it's worth a check...
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Direct Link To This Post Posted: August 15 2006 at 17:15
The apocalype breaks donw to an actual division of 4 + 2 + 3 /8, but since the 4, 2, 3 groupings repeat consistently throughout the section the time signature is given as 9/8.

Yeah, odd meters are fun.
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Direct Link To This Post Posted: August 15 2006 at 17:18
Really? Well, what I found was something like this...
 
 
                           bum
              bum                                   bum
bum bum        bum       bum bum bum
 
 
repeated over and over.
But your way's cooler.
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Direct Link To This Post Posted: August 15 2006 at 17:18
I remember listening to Rush when I was real young, before I knew about time signatures and just figured that everything was in 4, but that they either added or subtracted a beat here and there.  Since then, I've learned to look for the patterns and it is a lot of fun.
 
I've taught my kids how much fun they are because you can dance to them when you figure them out.  For intance, in 5 you can dance to it like it is in 4 and then you get a pose at the end; they like that one. 
 
To me, the key is when an odd time signature sounds natural, not like it is in the time signature for the sake of complexity.  I thought Rush was really good at that.  I think it is because their drum could rock out.  So, yeah, I love'em.
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Direct Link To This Post Posted: August 15 2006 at 17:22
Oh yeah I like odd meters (being a drummer, I very much like to play them).
 
Today I listened to UK's 'in the dead of night, by the light of day', and that's a very cool song with all the time changes. BB is a master of odd meters.
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Direct Link To This Post Posted: August 15 2006 at 17:36
Chameleon,

My mistake. You were right it should be 3+2+4 / 8. I apologize for the confusion.

If you look at how you set it up you can see it. Two bass drum and one snare=3. One bass drum and one snare= 2. Three bass drum and one snare=4. 3+2+4/8 with each beat being an eigth note.

If you're determined enought you can count all the way throughit, but Phil gets all off the beats as the thing progresses and makes it harder than you think to count. I gotta believe that Tony and Mike probably wanted to hurt him at times for stuff like that.
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Direct Link To This Post Posted: August 27 2006 at 02:18
Yeah, I've simply just begun getting into odd meters, but tomorrow...AKA MONDAY MORNING, Ï'll be going to my first day of junior year in highschool, I'm taking a college music thery class, and the only 3 kids who it listen to prog as much as me are in it! All i know is, This awesome kid was in a hardcore punk band, and when he finished that class, started a math rock band, and they were amazing...recently split up Cry.
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Direct Link To This Post Posted: August 27 2006 at 03:06
lol if you want crazy time signatures and ryhthm patterns to put your head in a spin

listen to Meshuggah- I


or Future Breed Machine is another good choice



basically they make Genesis look like fools when it comes to time signatures, actually they pretty much make everyone look like fools in that regard.


oh and a disclaimer:

You probably wont like them because you will be closed - minded since they have the world "metal" as a genre title. As I normally say to such people, anyone who think metal is simplistic needs only to listen to Meshuggah intently to understand metal is not always that way, and you are stereotyping an entire genre of interesting music, making yourself look like an idiot.

pick up Chaosphere, I, or Future Breed Machine for some crazy use of time signatures.


Edited by OpethGuitarist - August 27 2006 at 03:10
back from the dead, i will begin posting reviews again and musing through the forums
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Direct Link To This Post Posted: August 27 2006 at 09:45
As a drummer (of limited skills) it took me years to work out what was going on in Suppers Ready - Apocolypse in 9/8. However, there is a few bars in the midlle of 'Fading Lights' from 'We Can't Dance' where the timing goes berserk and I just can't work out what's going on. Anybody know the bit I mean?
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Direct Link To This Post Posted: August 27 2006 at 11:09
how about the dillinger escape plan for some wacky time signatures?
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Direct Link To This Post Posted: August 27 2006 at 11:46
Originally posted by OpethGuitarist OpethGuitarist wrote:


lol if you want crazy time signatures and ryhthm patterns to put your head in a spinlisten to Meshuggah- Ior Future Breed Machine is another good choicebasically they make Genesis look like fools when it comes to time signatures, actually they pretty much make everyone look like fools in that regard.

    Or they make themselves look like fools because they spent so long working on time signatures that they forgot to make it interesting? I'll leave that up to you
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Direct Link To This Post Posted: August 27 2006 at 11:49
The Middle Section Of "Keep it Greasey" By Frank Zappa is mind blowing Pinch
It's a bar of 4/4 followed by a bar of 3/16.
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Direct Link To This Post Posted: August 27 2006 at 11:59
Originally posted by goose goose wrote:

Originally posted by OpethGuitarist OpethGuitarist wrote:


lol if you want crazy time signatures and ryhthm patterns to put your head in a spinlisten to Meshuggah- Ior Future Breed Machine is another good choicebasically they make Genesis look like fools when it comes to time signatures, actually they pretty much make everyone look like fools in that regard.

    Or they make themselves look like fools because they spent so long working on time signatures that they forgot to make it interesting? I'll leave that up to you


O rrry?

I find them very interesting, but of course, its not for everyone.
back from the dead, i will begin posting reviews again and musing through the forums
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Direct Link To This Post Posted: August 27 2006 at 14:31
I love odd time sigs and the sort. I always look for them in music.
 
Meshuggah is wild, but I think they are a bit too relentless and often uninteresting. I do enjoy them periodically. Other bands who implicate them well are Dream Theater and Pain of Salvation, who have surprisingly not been yet mentioned.  There's plenty of great examples though.
 
 
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Direct Link To This Post Posted: August 27 2006 at 16:34
Originally posted by OpethGuitarist OpethGuitarist wrote:


Originally posted by goose goose wrote:

Originally posted by OpethGuitarist OpethGuitarist wrote:


lol if you want crazy time signatures and ryhthm patterns to put your head in a spinlisten to Meshuggah- Ior Future Breed Machine is another good choicebasically they make Genesis look like fools when it comes to time signatures, actually they pretty much make everyone look like fools in that regard.

    Or they make themselves look like fools because they spent so long working on time signatures that they forgot to make it interesting? I'll leave that up to you
O rrry?I find them very interesting, but of course, its not for everyone.

    For sure, it's a matter of taste, but I find Thorenda(a?)l's Special Defects considerably more to mine
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Direct Link To This Post Posted: August 27 2006 at 19:51

earlier caravan makes great use of odd times, most of the time you can't even tell, i like that.

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Direct Link To This Post Posted: August 27 2006 at 21:42
The weirder the time sig, the more prog


I'm kidding of course, but I really love a good time signature change every once in a while. It's more difficult to pull off successfully than a key signature change, and it shows that the musicians have a the ablilty to handle music outside the scope of 4 or 3 (you'd be surprised at how many   'musicians' cannot for the life of them think in odd times)

Edit: You want strange time sigs, something incomprehensible? Try anything by The Mahavishnu Orchestra. Melodies in x/16 and the like.

On another forum we talked about which song contained the most time signature changes, and we decided that 'Dance of Eternity' by Dream Theater is the reigning champ, although I forget the exact figures.
    

Edited by Deadwing12 - August 27 2006 at 21:44
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Direct Link To This Post Posted: August 28 2006 at 12:52
Most of what I heard from Meshuggah is in 4/4 with way over the top syncopation

One thing I can't stand is bands using time signatures with little or no melodic development and just tastelessly pounding out the time signature almost as if to say "hey look we're playing in 7/8!", anyone can add or take away an eighth note or two, the real skill comes in actually feeling the time signature and playing comfortably. The musical phrasings should dictate what type of rhythms should be used, not the other way around - it's no wonder that many bands wind up sounding like droning machines rather than actually conveying musical ideas. I'm not refering to any band in particular here, but it seems to be like some sort of trend - to grind out those weird time signatures without the music to back it up.
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Direct Link To This Post Posted: August 28 2006 at 14:20
Originally posted by Deadwing12 Deadwing12 wrote:

The weirder the time sig, the more prog


I'm kidding of course, but I really love a good time signature change every once in a while. It's more difficult to pull off successfully than a key signature change, and it shows that the musicians have a the ablilty to handle music outside the scope of 4 or 3 (you'd be surprised at how many   'musicians' cannot for the life of them think in odd times)

Edit: You want strange time sigs, something incomprehensible? Try anything by The Mahavishnu Orchestra. Melodies in x/16 and the like.

On another forum we talked about which song contained the most time signature changes, and we decided that 'Dance of Eternity' by Dream Theater is the reigning champ, although I forget the exact figures.
    
 
Indeed. I won't type out the whole thing, but it uses these times: 4/4, 7/8, 3/4, 6/8, 13/16, 15/16, 17/16, 14/16, 5/4, 2/4, 5/8, 11/4, 7/16, 6/16, 5/16, 10/16, 9/8, 15/8,  and a couple others that I thought were kind of extranneous. These of course are used sporadiccaly throughout the piece. I know some of those can be simplified and all that, but it's how they are implimented that make the difference.
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Direct Link To This Post Posted: August 28 2006 at 14:24
Originally posted by Hierophant Hierophant wrote:

Most of what I heard from Meshuggah is in 4/4 with way over the top syncopation

One thing I can't stand is bands using time signatures with little or no melodic development and just tastelessly pounding out the time signature almost as if to say "hey look we're playing in 7/8!", anyone can add or take away an eighth note or two, the real skill comes in actually feeling the time signature and playing comfortably. The musical phrasings should dictate what type of rhythms should be used, not the other way around - it's no wonder that many bands wind up sounding like droning machines rather than actually conveying musical ideas. I'm not refering to any band in particular here, but it seems to be like some sort of trend - to grind out those weird time signatures without the music to back it up.
 
Yea. Meshuggah likes to do wild polyrhythms over 4/4. Like 5 mesures of 23/8 and 1 measure of 13/8 over 16 measures of 4/4.
 
I also agree with your second statement, but I don't notice that poor of a use of odd times often...zt least in the stuff I listen to.
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