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YouthfulTheTid
Forum Newbie
Joined: August 06 2006
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Points: 23
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Posted: August 08 2006 at 10:14 |
crimson thing wrote:
^ I think you underestimate the proclivity of 13/14 year old boys to "invent" slang - we didn't waste all those valuable seconds enunciating "progressive rock music" every time we boasted about our music collections - it was prog!!! [IMG]height=17 alt=Cool src="http://www.progarchives.com/forum/smileys/smiley16.gif" width=17 align=absMiddle> |
Maybe it was! But it didn't get into NME, Melody Maker, or Rolling Stone, or concert programmes, or reviews, or documentaries. Somehow the informal slang of 13/14 year old boys didn't make it out of their bedrooms...
Unless of course you can prove it?
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prog may be great but it is also a complete myth
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crimson thing
Forum Senior Member
Joined: April 28 2006
Location: United Kingdom
Status: Offline
Points: 848
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Posted: August 08 2006 at 11:22 |
Typical early 70s conversation between two 14 year old boys:
"I say old chap, have you heard the most recent excellent offering from that super progressive rock band and popular beat combo, Pink Floyd ?"
"Can't say I have, old boy - but I'll discuss the matter further with your good self when I've finished masticating and imbibing this imitation-chocolate covered, chain-shaped caramel refreshment snack...."....
Does anyone have access - either online, or via a library - to the Oxford English Dictionary? They're generally the bee's knees -although always subject to updating -as regards first use of English words. (I'm not really prepared to take out a mortgage to subscribe just for one word - albeit the word....)
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"Every man over forty is a scoundrel." GBS
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captainbeyond
Forum Groupie
Joined: December 05 2005
Status: Offline
Points: 84
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Posted: August 08 2006 at 11:48 |
I'm feeling the presence of a dozen red herrings swimming around and have lost, regained, and lost the point of this conversation a few times over.
Youthfulthetid: I'm not sure I'm getting your point, nor do I see why it is important whether the word "prog" came to use in 1973, 76, or 2006. Is your whole point that, because the word prog may have been invented after the initial flowering of progressive rock to apply to a specific type/genre/sound embodied by groups such as Yes, Genesis, etc, that other artists such as Frank Zappa and Stevie Wonder and Magazine were denied the use of the word "progressive," despite being very progressive, innovative artists, ultimately resulting in a wide underappreciation for their innovations?
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Yukorin
Forum Senior Member
Joined: November 21 2005
Location: Japan
Status: Offline
Points: 1589
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Posted: August 08 2006 at 13:49 |
One does like to indulge in a Curly-Wurly every so often when the mood pleases one.
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Rando
Forum Senior Member
Joined: April 08 2006
Location: Bay Area
Status: Offline
Points: 472
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Posted: August 08 2006 at 16:04 |
YouthfulTheTid wrote:
"Oh no!", you are thinking, "not another history of prog, and by a newbie who should know better..."
Actually, this newbie intends to write his own history of prog (one day), and much of it is already alive and living inside his head. Sites like this one (which looks great to my eyes) will help in my research, as it is not possible to know about EVERY band and EVERY trend and EVERY pioneering musician, and I'm sure I will find some answers here...
...I just wanted to give a short history of "prog". Yes, I mean the word itself, not the music which I've always loved. A few facts: Well that's my toe into these prog waters. I guess I will soon learn if I have inadvertently trodden on any toes when I read the replies (if indeed there are any.) |
Well, yes, very interesting. Although I still have to credit The Beatles as putting anything that sounded "Prog" on the map because they were a rock band, that commercially put out these influences in a way no other band had up to that point. And it sold. They were the Fab Four that changed the musical world, if not the rest of it.
I still feel George Harrison is one of the most underated guitarists in Rock. No, not because he didn't play a million or more notes per second, or because he didn't fill two Lp sides of gut-wrenching blues improvisations, but because he introduced to us, (to the Rock world), World Music. In his case, Indian Ragas. There was the use of the early Mellotrons in various albums and songs. Sampling, "found sounds," and other eclectic sundries throughout their repertoire. Just listen to "I Am The Walrus," or "Tomorrow Never Knows," as examples. Most of the artists you mentioned came after the event. Well, maybe Pink Floyd were parallel. And so forth, and so forth...
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- Music is Life, that's why our hearts have beats -
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Certif1ed
Special Collaborator
Honorary Collaborator
Joined: April 08 2004
Location: England
Status: Offline
Points: 7559
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Posted: August 08 2006 at 17:18 |
YouthfulTheTid wrote:
Certif1ed - I did a HUGE response to your big post at the top of page 3 - I did nested replies to all your points, using different colours etc, it took me an hour to do, but when I hit the 'post reply' button, I must have got logged off because it disappeared without trace. You made some very good points and I made some very good replies, but sorry, I don't have the heart to do it all again.
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That's happened to me all too often - I feel your pain
Thanks for the kind comments and thanks for taking the time and investing the energy to reply, even if it didn't quite get here.
My current big musical interest is in electronic music and its development from the invention of the Theremin to the present day - and I really think that this is the most progressive area of music in the whole of the 20th Century, hence my particular line of questioning in that department.
I think that the most creative period in Rock music was 1965-1973, but there's so much between 1968 and 1971, that I haven't exhausted my research of that small timeframe yet.
I'll check out that book - and Magazine, who are already on my "will investigate soon" list.
I would recommend in return the 3CD set "Ohm" - which also comes with a DVD, if you can find the limited edition version - but it's not cheap!
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The important thing is not to stop questioning.
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YouthfulTheTid
Forum Newbie
Joined: August 06 2006
Status: Offline
Points: 23
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Posted: August 09 2006 at 12:51 |
captainbeyond wrote:
I'm feeling the presence of a dozen red herrings swimming around and have lost, regained, and lost the point of this conversation a few times over.
Youthfulthetid: I'm not sure I'm getting your point, nor do I see why it is important whether the word "prog" came to use in 1973, 76, or 2006. Is your whole point that, because the word prog may have been invented after the initial flowering of progressive rock to apply to a specific type/genre/sound embodied by groups such as Yes, Genesis, etc, that other artists such as Frank Zappa and Stevie Wonder and Magazine were denied the use of the word "progressive," despite being very progressive, innovative artists, ultimately resulting in a wide underappreciation for their innovations? |
No, it's mainly because all you guys (any women here?) are swimming around in your glorious prog universe, which is colourful and bright and rich and oh so many good things, while 'out there' is a world of media (broadsheet newspapers, magazines, TV, radio) where 'prog' is simply a dirty word and looked down on even now. Take a magazine like MOJO - the only magazine I subscribe to. They are brilliant, covering music from the past. present, and almost future too. But if you scratch the surface even of a good magazine like that, you will find an intolerance of prog that almost borders on the obsessive. Their demigods? 1. The Ramones 2. Iggy Pop 3. The Ramones 4. The Sex Pistols 5. The Ramones 6. The White Stripes... well, you get the picture. So I did a bit of digging around, and combined this with the fruits of my own memory as I lived through the era in question. Biggest mystery - why doesn't recorded rock history agree with my memories? Why doesn't it also agree with the few copies of contemporary music papers I could find? Then I began to see what has happened... As briefly as possible - what we call 'prog' now was called 'rock' in the late 60s eraly 70s. You could go out and buy albums by The Stones, King Crimson, Yes, Humble Pie, Black Sabbath, Genesis, and The Groundhogs, all in one go, and no-one back then thought you were 'mixing genres' or 'can't make up your mind, eh?'. It was all just rock. It wasn't till punk was leering on the scene in the mid-70s that 'prog' became classified, categorised, compartmentalised, and then loathed. The echoes of that change in perspective sstill echo today, which is why I try to help people see (or remember) how it really was. Punk really did change the world - not the world they wanted to change, but certainly how rock history is now told.
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prog may be great but it is also a complete myth
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YouthfulTheTid
Forum Newbie
Joined: August 06 2006
Status: Offline
Points: 23
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Posted: August 09 2006 at 13:06 |
Certif1ed wrote:
That's happened to me all too often - I feel your pain
Thanks for the kind comments and thanks for taking the time and investing the energy to reply, even if it didn't quite get here.
My current big musical interest is in electronic music and its development from the invention of the Theremin to the present day - and I really think that this is the most progressive area of music in the whole of the 20th Century, hence my particular line of questioning in that department.
I think that the most creative period in Rock music was 1965-1973, but there's so much between 1968 and 1971, that I haven't exhausted my research of that small timeframe yet.
I'll check out that book - and Magazine, who are already on my "will investigate soon" list.
I would recommend in return the 3CD set "Ohm" - which also comes with a DVD, if you can find the limited edition version - but it's not cheap! |
Ok thanks for that. I will try another method (copy and paste) to have a go at something you said yesterday. _______________________________________________________________________________ Originally posted by YouthfulTheTid
Psychedelia is basically British freakbeat / RnB but with
added things like weird instruments for the time (sitars, flutes,
mellotrons, harpsichords etc) plus a whimsical lyrical approach.
Why do you think that psychedelia was a British
invention? I don't think that it necessarily had weird instruments
either - witness the Great Society for one.
_______________________________________________________________________________ I was too ambiguous - I was talking about British psych, which I'm sure you know was a different animal than the US variety. British psych used exotic instrumentation (sitars and flutes, harpsichords etc), and weird production effects (backward tapes, phasing, multi-tracking etc). But its foundation was pretty solid freakbeat RnB as laid down from 1965. The US psych was more based on folk and jazz (Byrds, Jefferson Airplane, The Dead) - it used less gimmicks, but its structure was much more free-form and unstructured, more improvisational if you like (more Eight Miles High and Dark Star than Sunshine Superman and Strawberry Fields Forever). I'll try to be more specific next time (it's difficult when you're furiously trying to get an idea from your brain, through fevered fingers, onto an online forum... not enough proofreading.)
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prog may be great but it is also a complete myth
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salmacis
Forum Senior Member
Content Addition
Joined: April 10 2005
Status: Offline
Points: 3928
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Posted: August 09 2006 at 15:16 |
I would have said the British psych of the later 60s wasn't particularly akin to freakbeat- there were bands that obviously were, such as The Game, The Creation, John's Children, Small Faces, Who et al., but by and large these were the bands that had been around in the 'mod' or R & B era anyway. IMO, the UK psych was a far tamer beast. I got Kaleidoscope's 'Tangerine Dream' the other day. Fantastic album I must say, but hardly 'maximum R & B' so to speak. It owed more to the poppier, whimsical and occasionally twee (and I say that as a compliment! ) of Donovan, Barrett era Floyd etc. I have various compilations of UK psych singles/bands and most of the tracks are quite tame when you compare it to freakbeat.
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captainbeyond
Forum Groupie
Joined: December 05 2005
Status: Offline
Points: 84
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Posted: August 09 2006 at 20:11 |
[/QUOTE] It wasn't till punk was leering on the scene in the mid-70s that 'prog' became classified, categorised, compartmentalised, and then loathed. The echoes of that change in perspective sstill echo today, which is why I try to help people see (or remember) how it really was. Punk really did change the world - not the world they wanted to change, but certainly how rock history is now told. [/QUOTE]
OK, so let me try to summarize your thesis: pro-punk journalists and media invented the word "prog" in order to create a bogey-man against which to define themselves and make themselves feel superior and cool. Is that about the extent of it? If so, I'm sure you'll find plenty of people who agree with you. However, I think you might find more who do not really care what the pro-punk journalists thought or continue to think.
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Yukorin
Forum Senior Member
Joined: November 21 2005
Location: Japan
Status: Offline
Points: 1589
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Posted: August 09 2006 at 20:58 |
I find this thread very interesting,
Whether or not the word prog was bandied about means little to me.
Young music journalists appropriating words or slang is neither here
nor there. They are doing their job. And their job is to inform us of
the latest thing. Because, let's face it, it doesn't come around too
often.
Sit around the office all
day waitin' for a
scene....
Maybe a coupla years
passes
Still nothin'
happening.
Oh bollocks ! Missed it
I know these guys are paid well
but I would rather have Mickys' testicles lightly roasted for a
fortnight than have to come up with the new trend in music.
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Cheesecakemouse
Forum Senior Member
Joined: April 05 2006
Location: New Zealand
Status: Offline
Points: 1751
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Posted: August 09 2006 at 21:54 |
YouthfulTheTid wrote:
Cheesecakemouse wrote:
I don't know what Youthfulthetid means by prog being dead in 1973, if he/she means but not being innovative or breaking new groung I think he is quite incorrect the following albums took prog into new directions:after 1973, look at King Crimson with Starless & Bible Black and Red, also Genesis the Lamb was pushing it into new territorys, Kraftwerk really pulled it off in the late 1970s breaking ground in electronic music, Brian Eno in the late 70s with ambient albums and his collaborations with David Bowie, Univers Zero and Art Zoyd although never big broke ground by making prog scary. New Zeuhl bands were popping up in France in the late 70s. Return Forever's groundbreakingMasterpiece Romantic Warrior was released after 1975
ELP not prog? Keith Emerson was an innovator with the keyboards always getting the latest technology, the fact ELP was a three piece performing covers of classical music is quite astounding, they created a hyperactive intensity like no one else anyone can see that in Toccata on Brain Salad Surgery. I think Youthfulthetid's defintion of prrog is rather narrow/misguided?
Of course I mean no offence to you Youthfulthetid, just giving my views[IMG]height=17 alt=Smile src="http://www.progarchives.com/forum/smileys/smiley1.gif" width=17 align=absMiddle> |
I did overstate the case about 'prog being finished in 1973'. What I meant was, there a definite break between the golden age (1969-1973) and the later progressive movements in all sorts of genres. What I was trying to say was that the oft-stated 'fact' that punk rock killed off prog is wrong. As fans of rock music in the 70s, we didn't even know there was a 'prog rock' to die as the term wasn't coined until 1976. What we did see was that rock music in all its infinite and diverse forms became somewhat less infinite and less diverse between 1973 and 1976. (Pub rock? Oh please - the 'great new rock idea of 1973' was neither great, nor new, and is now largely forgotten except as a footnote in rock histories. Glam rock? Great fun, but what significant albums ever emerged from it, Bowie and Roxy Music excepted?)
What is true is that there was a lot of good work being done that LATER came to be seen as hugely influential, Kraftwerk for example, laying the foundations of the whole electronica genre; Roxy Music and more especially Eno and Phil Manzanera. At the time though, it seemed like the great days of rock were over and we were turning to reggae and soul and disco where there was real action going on in those 3 or 4 years.
As for the ELP debate, I guess I'm going to be outvoted on this. What I personally feel is that all their classical 'nurdlings' (Pictures At An Exhibition and other) is exactly the trap that The Nice fell into and fell back on after the guitarist Dave O'List left the band (their first album Emerlist Davjack was strongly psychedelic, you could even say progressive, and also their working of Bernstein's 'America'.) But what is even remotely progressive about churning out classical music in a rock form? I will agree that ELP are among the early pioneers of metal. Ultimately its down to personal opinion though. Which I am beginning to find out there is a whole lot of in this forum! (All over the Internet in fact). I'm just adding my four cents (oh ok, then, 444 cents...) |
Well it sounds like you've got some ideas worth considering about, I'll have to explore this, but I do disagree with you about ELP.
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Yukorin
Forum Senior Member
Joined: November 21 2005
Location: Japan
Status: Offline
Points: 1589
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Posted: August 09 2006 at 22:58 |
Very interested to read this if it gets published.
And I hope it does.
YouthfulTheTid I didn't check where you are from but I really hope you write this book in your regional accent.
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Certif1ed
Special Collaborator
Honorary Collaborator
Joined: April 08 2004
Location: England
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Points: 7559
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Posted: August 10 2006 at 05:22 |
^Juzt arz laarng arz 'e ain't fraam Daaarzet!
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The important thing is not to stop questioning.
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crimson thing
Forum Senior Member
Joined: April 28 2006
Location: United Kingdom
Status: Offline
Points: 848
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Posted: August 10 2006 at 09:36 |
Certif1ed wrote:
^Juzt arz laarng arz 'e ain't fraam Daaarzet! |
...but "Daaarzet" is surely the spiritual home of prog? Think of the alumni.....
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"Every man over forty is a scoundrel." GBS
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Certif1ed
Special Collaborator
Honorary Collaborator
Joined: April 08 2004
Location: England
Status: Offline
Points: 7559
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Posted: August 10 2006 at 17:05 |
crimson thing wrote:
Certif1ed wrote:
^Juzt arz laarng arz 'e ain't fraam Daaarzet! [IMG]smileys/smiley2.gif" align=middle> |
...but "Daaarzet" is surely the spiritual home of prog? Think of the alumni.....[IMG]height=17 alt=Cool src="http://www.progarchives.com/forum/smileys/smiley16.gif" width=17 align=absMiddle> |
Ah yes, the Wurzels...
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The important thing is not to stop questioning.
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crimson thing
Forum Senior Member
Joined: April 28 2006
Location: United Kingdom
Status: Offline
Points: 848
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Posted: August 10 2006 at 18:35 |
Certif1ed wrote:
Ah yes, the Wurzels... |
Nice try, , but the mighty Wurzelistas hail from Zummmerzet........
I was thinking more of A Certain Band which drew many of its finest members from Hardy Country...... ....and I know you know I know you know which one......
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"Every man over forty is a scoundrel." GBS
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Tony R
Special Collaborator
Honorary Collaborator / Retired Admin
Joined: July 16 2004
Location: UK
Status: Offline
Points: 11979
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Posted: August 11 2006 at 07:38 |
Anyone got any on-topic suggestions?
Mr Heath???
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crimson thing
Forum Senior Member
Joined: April 28 2006
Location: United Kingdom
Status: Offline
Points: 848
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Posted: August 11 2006 at 12:52 |
I was on topic when I asked if anyone could check the date of origin of the word "prog" in the big OED - but no-one replied....I can't believe there are no tweedy academics in the audience here who have access to a university copy....
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"Every man over forty is a scoundrel." GBS
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Dick Heath
Special Collaborator
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Joined: April 19 2004
Location: England
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Points: 12816
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Posted: August 12 2006 at 14:54 |
Cheesecakemouse wrote:
Kraftwerk really pulled it off in the late 1970s breaking ground in electronic music,
Return Forever's groundbreaking Masterpiece Romantic Warrior was released after 1975
ELP not prog? |
Our radio station was acknowledged by Phonogram (KW's label) as the one
that gave the band its initial break - after the Beeb ignored them -
and this was mid 70's. I can assure you Kraftwerk was an
antedote to prog, at the time not thought as prog. The band's first few
albums were heard as avant garde industrial electronics, but with their
third (or was it the 4th) album Autobahn, they had simplied matters.
As one who has bought all RTF's albums (including the dire 4 LP Live set), and one of many who much prefer Hymn of The 7th Galaxy, IMHO RTF's Romantic Warrior was
not ground breaking (in deed you'll have to explain "ground-breaking"
in this context because I don't get it); I recommend you hear
their much earlier eponymous album for that.
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