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Topic ClosedBest Chord In prog?

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Poll Question: Best Chord In prog?
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proger View Drop Down
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Direct Link To This Post Topic: Best Chord In prog?
    Posted: June 01 2006 at 10:38

    well, here is a question for the musicians of us.
what is The Best chord in prog, the chord that allways gonna fit perefect to every prog song.
I love the Fmag7, infact all the mag7 are great in prog...
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Direct Link To This Post Posted: June 01 2006 at 11:05
Diminished seventh always adds energy.
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Direct Link To This Post Posted: June 01 2006 at 11:58
I love Sus chords and use them alot in my writing and also diminished fifths of course Big smile
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Direct Link To This Post Posted: June 01 2006 at 12:17
Dm9 is very good... it's in the intro of pink floyd's "Dogs".
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Direct Link To This Post Posted: June 01 2006 at 12:18
the neapolitan!
(e.g. f-minor after C maj)
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Direct Link To This Post Posted: June 01 2006 at 12:35
Originally posted by Marwin Marwin wrote:

I love Sus chords and use them alot in my writing and also diminished fifths of course Big smile


I fully agree! As a quick reference for non-musicians, check out Rush's/Alex Lifeson's "Show don't Tell" (highlight to the perfectly fit 'A7sus4' chord in the middle-section [bar no. 87] - prior to the part where Geddy performs very powerful bass riffs) as well as Howe's intro of Yes' "Perpetual Change".
 
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Direct Link To This Post Posted: June 01 2006 at 12:59
well I love all the chords the fits into Minor Harmony(thats the name in hebraw...) great chords...
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Direct Link To This Post Posted: June 01 2006 at 13:10
"It's in D minor, which, of course is the saddest of all keys, really..."
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Direct Link To This Post Posted: June 01 2006 at 13:12
the dominant 7 chord is my favorite to play. Could be used for a nice funk rhythm or blues (1, 4, 5) or for a strange intro. Very nice chord.
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Direct Link To This Post Posted: June 01 2006 at 13:19
I love suspended chords, and of course those Crimson jems...the tritone!
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Direct Link To This Post Posted: June 01 2006 at 13:30
Originally posted by Abstrakt Abstrakt wrote:

Dm9 is very good... it's in the intro of pink floyd's "Dogs".


Agreed.

Also, sequences of bafflingly complicated chords followed by one triumphant major chord, the first of the key ... that's always good.

I like the sequence F#, Gmaj7, A6 in Pyramid Song, too. Not one particular chord there, it's just the use of that constant F# note even as the chord changes and the rhythm stutters.
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Direct Link To This Post Posted: June 01 2006 at 14:59
 
The Moody Blues are still searching for it... Wink
 
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Direct Link To This Post Posted: June 01 2006 at 16:00
Definately D Minor - such an emotional chord
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Direct Link To This Post Posted: June 01 2006 at 18:02
Originally posted by eddietrooper eddietrooper wrote:

 
The Moody Blues are still searching for it... Wink
 
 
hahaha LOL
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Direct Link To This Post Posted: June 01 2006 at 18:05
Meh...I like major 7th chords and suspended 2nds, but that's just me. Smile
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Direct Link To This Post Posted: June 01 2006 at 19:23
As far as triads are concerned I've always been intrigued by the augmented chords. Even nowadays people really shy away from using them, so they are quite shocking to hear. For extended harmonies I really like a major 6 9 chord. Major 7 with a 9 is also nice. In a recent performance I was playing a couple duets, My partner and I were playing 2 Bach inventions. In order to spice things up a bit, rather than end on the tonic triads I decided to end on tastier chords. The invention in Dm I decided to end on a D major 6-9 chord, and the invention in C I ended on C7 with a sharp 9. The audience didn't know what the hell was going on. How sweet it was.
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Direct Link To This Post Posted: June 03 2006 at 15:47
This is a pretty weird topic, but I'm generally a fan of a good sharp 9 every once and a while. Of course the minor 9 is classic.
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Direct Link To This Post Posted: June 03 2006 at 18:47
diminished 7 and flat 5!
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Direct Link To This Post Posted: June 03 2006 at 18:54
Minor eleventh chords are beautiful and underused. It sounds like a cross between a minor seventh and a sus4.
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Direct Link To This Post Posted: June 03 2006 at 21:43
C-major. Bright and brillant. Just listen to the use of it in Haydn's "Creation" after "Und es ward Licht". Unfortunately C-major is not one of the most convincing chords on guitar though.


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