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Snow Dog View Drop Down
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Direct Link To This Post Posted: May 27 2006 at 10:37
AS I said...my monry's on it being Flowerchild.
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Direct Link To This Post Posted: May 27 2006 at 10:38
Originally posted by Snow Dog Snow Dog wrote:

Must be Flowerchild back.



Probably
"Art is not imitation, nor is it something manufactured according to the wishes of instinct or good taste. It is a process of expression."

-Merleau-Ponty
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Direct Link To This Post Posted: May 27 2006 at 10:40
Tony you should report the matter to the Police.
 
now it's gone thank goodness


Edited by mystic fred - May 27 2006 at 10:41
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Direct Link To This Post Posted: May 27 2006 at 10:43
Angry
Guigo

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Direct Link To This Post Posted: May 27 2006 at 16:31
Originally posted by glass house glass house wrote:

 
QUEEN A Night At The Opera progressive rock album and reviews Prog Related
(Studio Album, 1975)
Avg: 4.29/5
from 74 ratings
QUEEN — A Night At The Opera
Review by PinkPangolin

1 stars UUUURRRRRGGGGHHHHHH!!!

How can you say this is MAsterpiece of Prog Rock?

It's too horrible - it's a masterpiece of yuk rock

Surely !!!!
 
Oh My God.... !! LOL How did this get past the censors ?
 
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Direct Link To This Post Posted: May 27 2006 at 16:37
Originally posted by erik neuteboom erik neuteboom wrote:

I just noticed that horrible review with the insults against Tony R, can't this reviewer Angry be prosecuted, what an awful language!!
 
 
Shocked NOOO !!
 
 Angry
 
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Direct Link To This Post Posted: May 30 2006 at 03:00
 
this "review" makes personal comments to another reviewer,and in general tells me nothing about the album.
 
 
 
CARAVAN — In The Land Of Grey And Pink
Review by Fido73 (Etienne Brousseau)

5 stars I just read a review of the album saying that "Nine Feet Underground" wrecks the album... HELLO, IS IT PROG YOU WHERE TALKING ABOUT????? Because "Nine Feet Underground", is one of the best prog epic i've eard in my life !!!!! Only 3 other epic beats that one IMO and they are, "Close To The Edge" and "The Gates of Delirium" by Yes and "Supper's Ready" by Genesis.

So, this album is everything i like about prog music, a incredibly amazingly beautiful cover, a great song as a opener, "Golf girl" with a mellotron solo, cool ! A wonderful, beautiful and groovy 7+ min song, "Winter wine". Then you have, "Love to Love You (And Tonight Pigs Will Fly)" very good song too, even if it is a more simple song. Next is the groovy title track with a very good keyboards solo, "In the Land of Grey and Pink" and in the end, the piece of resistance, "Nine Feet Underground" with amazing keyboards solos all over the track. By the way, i can listen to "Nine Feet Underground" in loop all night long without being board, there is so mutch incredible keyboards solo in that song that for me, it is impossible to get tired of earing a song like "Nine Feet Underground" :)

5 stars, essential: a masterpiece of progressive music. If you don't own that album, shame on you, you are missing one hell of a musical trip !!! ;)

Posted Tuesday, May 30, 2006, 02:47 EST | Permanent link

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Direct Link To This Post Posted: May 30 2006 at 03:04
 
if i'd never heard this album before this review tells me nothing.
 
 

from 193 ratings
RUSH — Moving Pictures
Review by MadcapLaughs84 (Hector Hernandez)

5 stars Have you ever dream about being in the outter space??? Definitely an album to fly.Excellent lyrics accomplich the impressive instrumentation by this Canadian Guys. Hard to explain what this album means to me, this is definitely my favorite Rush Album, this also was an album that trapped me since the first listen, songs aren't that intrincate as in their previous works. Simply an album that you gotta listen. Excellent drums and magical lyrics.

Posted Monday, May 29, 2006, 23:50 EST | Permanent link

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Direct Link To This Post Posted: May 30 2006 at 03:37
more nonsense.....??? LOL
 
 
 
 
GENTLE GIANT — Giant For A Day
Review by Ricochet (Victor "Philip" Parau)
Prog Reviewer

2 stars Are Gentle Giant “giants” during this day? Are we, the listeners, the melomaniacs, the people who desire more, much more and so much more,the ears of both subjectivity and straightness, becoming giants through this day?Both questions get no for an answer.



They have loosened badly,not to the extreme of mockerism, as to the extreme of unpardonable creational deficits (for such a brand as Gentle Giant) and to the extreme of unmaterialized (anymore) heights.Future tense is the point of magnitude at this unfortunately reached level.Signals of “this” were long before flamed;right now it has become a mere fact and a perspective end point.They are burning out rapidly.In just two years, Gentle Giant will come to final words.And these final words are of a standard too cruel.Experiencing this final word will only make the real fans wonder “where were th’old good special times”…(I don’t even want to think of people considering “this” the real Gentle Giant,ouch!).And “Giant For A Day” perpetuates the too cruel standard message of the closing act “drawing curtains” of Gentle Giant;actually it does it even more than the other similar manifests of the late ‘70s.I do remember appreciating “The Missing Piece” more.Plus I also think of “Civilian” as a quite succesful (!) album.Anyway, we deal with what we have.There is a Fading Trilogy (a term I also used for Focus’ burning out period) of Gentle Giant,sadly to say,and “Giant For A Day” is a big part of that (if not the biggest).Makes room more for downgradings and deppreciations than for worthyness or applauses.Don’t get me wrong,as I’m not really trashing the concept,it’s not “puke”y,it’s just unreal for the Gentle Giant character,it’s mellow un-artifact material.When you come face to face with “Giant For A Day”,it’s best to both discredit any true colour quality and to treat it as frivolious as you can (frivolious meaning to treat it lightly, just listening to it and after that…end!)



Weathers on vocals?!



“The Missing Piece” > “Giant For A Day” < “Civilian”. Both “>” and “<” point towards a strong negative factor.What has to suffer deeply in here is basically some of the major facts that made Gentle Giant giants and important aspects (if not the most inportant) that (usually) corelate with Gentle Giant.No complexity.Zero complexity.This is not just unacceptable,but almost unbearable.No spark.Zero autenticity.Sour interpretation really.A moderate presentation in something that makes simplicity ambiguous.No mindscaping.Zero soundblasting.Low vision,earthly movements.Too natural becomes unperfectioned. Style.No salt and no pepper.Zero artish maneuvers.I listened to “Giant For A Day” about three-four times and everytime concerning all aspects of construction,expression and impression it starts from a point and it lowers piece by piece.I can’t even describe the lowest point that is reached.”Words from the wise” goes acceptable and even makes a decent Gentle Giant impression for me.And as cheesy as it presents itself,”Thank You” did managed to put a smile arch on my face (there’s an armonic figuration there that touches a sensible chord to me).But in the rest,nothing.Every context or sense loosens and loses itself into this amalgam of unclear voices.About the rest, they go so plain,I can barely keep one piece in mind after it’s over.It’s hardly even an album of momento.And this is not a great effect,nor a beautiful (heck,I’m talking about beautiful connotations?! Here?!) experience,nor a positive sign.”Giant For A Day” interprets a very light rock (if not pseudo-rock),going from standard (a point of direction given by the previous “Missing Piece”) to mellow (a new point implemented here) and,in some cases,to irritating (“Little Brown Bag- aargh!).Only for listening,it could survive;but for Gentle Giant materia(l), a clear no and a skip recommended.



Confronted with a simply glorious past, but also with a predictable-by now-burning out point of Gentle Giant,it’s merely a bruise and a short moment of sadness and acute nostalgia panic accent;still regretable.Personally,I wish no Gentle Giant project would reach the “for completists only” tag.But c’est la vie.Gentle Giant were giants for not just a day,but for whole years,still that was “another day”.Once more,either aboid it completely or treat it distantly as to not endanger yourselves in experiening a “loud depression” from this “Giant For A Day”…better off…

Posted Tuesday, May 30, 2006, 00:47 EST | Permanent link



Edited by mystic fred - May 30 2006 at 03:38
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Direct Link To This Post Posted: May 30 2006 at 09:00
I don't know if it's really inappropriate, but it sure doesn't say much about the album:

CAMEL — The Snow Goose
Review by arnaldosmp

5 stars What can I say more about this masterpiece of seventies? Everything is perfect: the recording, the sound of guitar, the mix, the orchestral sounds, the very good taste of melodies. Camel made your testament in history of prog rock! Is one of my favourite albums of all time.


Yes, it says it's very good... The thing is, I personally expect a bit more from a review. BTW, I always seem to pick Camel reviews...Wink
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Direct Link To This Post Posted: May 30 2006 at 09:09

Unintelligible, from a reader standpoint.  I'm sure the record is VERY good, but until the review is in plain English, is anyone likely to know?

PREMIATA FORNERIA MARCONI (PFM) — Come Ti Va in Riva alla Città
Review by MANDRAKEROOT (Andrea Salvador)

4 stars 80's PFM

"Come Ti Va In Riva Alla Città" it is not a Prog album. Nevertheless it is a very convincing album. Certainly in 1981 the AOR was a genre a lot to the fashion. The ours, however, they adapt themeselves proper their. Seeking, that is to say, of to create something of very personal.

"Come Ti Va", "Quartiere Otto2and "Chi Ha Paura Della Notte?" are three large songs, very attractive and convincing, where Franz Di Cioccio shows to be beyond that a large drummer also a good singer. Other strong piece in this album is "Meno Male Che Ci Sei", excellent ballad, a lot of 80's, but always exciting.

Not only for fans of PFM. Surely one of the better album of 80's and in this sense is to understand itself the vow.

For always yours, Mandrakeroot.

Posted Tuesday, May 30, 2006, 08:41 EST | Permanent link

Some world views are spacious, and some are merely spaced...
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Direct Link To This Post Posted: May 30 2006 at 09:19
I don't really know whether he uses an online translator or he just writes in Italian-influenced English - in this particular case, I'm inclined to believe the second option. Some of the mistakes are quite typical ("large" instead of "great").
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Direct Link To This Post Posted: May 30 2006 at 09:37
WHAT'S THE PROBLEM WITH MY REVIEW?! Shocked
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Direct Link To This Post Posted: May 30 2006 at 09:37

not at all offensive, but these reviews really say nothing

CAMEL The Snow Goose progressive rock album and reviews Symphonic Prog
(Studio Album, 1975)
Avg: 4.41/5
from 202 ratings
CAMEL — The Snow Goose
Review by arnaldosmp

5 stars What can I say more about this masterpiece of seventies? Everything is perfect: the recording, the sound of guitar, the mix, the orchestral sounds, the very good taste of melodies. Camel made your testament in history of prog rock! Is one of my favourite albums of all time.

Posted Tuesday, May 30, 2006, 07:47 EST | Permanent link

CAMEL Rain Dances progressive rock album and reviews Symphonic Prog
(Studio Album, 1977)
Avg: 3.86/5
from 56 ratings
CAMEL — Rain Dances
Review by arnaldosmp

5 stars This is one of the best albums of Camel! In "Rain Dances", with Mel Collins (of King Crimson) and Richard Sinclair (of Caravan) the band made a album with new sound. More jazzy feel ("One of These Day..."), more beautiful vocals (the Rick vocals in "Tell Me") and new-age ("Elke"" with Brian Eno). The rest is typical Camel. Andy Latimer and Peter Bardens in fine form (the keyboards in "Skylines" is a must).For me is a five stars album!

Posted Tuesday, May 30, 2006, 07:40 EST | Permanent link

MAGMA 1001° Centigrades progressive rock album and reviews Zeuhl
(Studio Album, 1971)
Avg: 4.00/5
from 16 ratings
MAGMA — 1001° Centigrades
Review by braindamage

5 stars The second work "1001℃ entigrades" released in 1971. Eerie style that repeats dash of angry waves in enchantment. It is a sound in which the first work is developed. An Oriental melody was multiused. The wind instrument was strengthened by Jeff SEFFER. The latter half of the album is jazz-rock of Electric that approaches SOFT MACHINE. The power of the drum and the brass is overwhelming here. It is sublime music.

The second album became more progressive.Five stars.Essential: a masterpiece of progressive music.

Posted Tuesday, May 30, 2006, 07:36 EST | Permanent link

 
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Direct Link To This Post Posted: May 30 2006 at 09:41
Originally posted by Ricochet Ricochet wrote:

WHAT'S THE PROBLEM WITH MY REVIEW?! Shocked
 
don't take it personally mate, but you are a very experienced reviewer,and with this one i  just really can't make out at all what you mean, it is rather muddled!Confused
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Direct Link To This Post Posted: May 30 2006 at 09:45
Hey, busy today!!! Tongue
 
Fido's review may be slightly edited.
Arnaldo's review to be handled with.
Hector's is OK for me, but I believe he can do better.
Victor's is OK for me too and he is also aware about the comments made.
 
Mandrake's and braindamage's are a 'study of case'... more to be revealed soon. Embarrassed  
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Direct Link To This Post Posted: May 30 2006 at 09:47
Originally posted by mystic fred mystic fred wrote:

Originally posted by Ricochet Ricochet wrote:

WHAT'S THE PROBLEM WITH MY REVIEW?! Shocked
 
don't take it personally mate, but you are a very experienced reviewer,and with this one i  just really can't make out at all what you mean, it is rather muddled!Confused


Sorry, but I agree...incomprehensible for a casual read.
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Direct Link To This Post Posted: May 30 2006 at 09:49
well........Unhappy....I understand and will see what went wrong.


still for next time one of my reviews appears here...one hint: I don't write for casual read (or just for it).I write for analysis and perception.


Edited by Ricochet - May 30 2006 at 09:51
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Direct Link To This Post Posted: May 30 2006 at 09:55
Originally posted by Ricochet Ricochet wrote:

well........Unhappy....I understand and will see what went wrong.


still for next time one of my reviews appears here...one hint: I don't write for casual read (or just for it).I write for analysis and perception.


Thats fair enough Rico, but for me at least, after the half the first paragraph, I completely lost interest.
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Direct Link To This Post Posted: May 30 2006 at 13:44
Originally posted by mystic fred mystic fred wrote:

Originally posted by Ricochet Ricochet wrote:

WHAT'S THE PROBLEM WITH MY REVIEW?! [IMG]height=28 alt=Shocked src="smileys/smiley3.gif" width=28 align=absMiddle>

 

don't take it personally mate, but you are a very experienced reviewer,and with this one i  just really can't make out at all what you mean, it is rather muddled![IMG]height=17 alt=Confused src="http://www.progarchives.com/forum/smileys/smiley5.gif" width=17 align=absMiddle>

    as a Prog Reviewer and highly-valued memnber of Prog Archives,I would expect Ricochet to get more respect than someone simply posting:
"more nonsense.....??? "
How would you like it Mystic Fred if someone was so casually dismissive of something you had put so much effort into,as Victor obviously has?
I will not sit idly by without comment whilst Collaborators are insulted in this manner.
In future it would be a common courtesy to PM the member involved, not try to humiliate him like this!
    

Edited by Tony R - May 30 2006 at 13:45
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