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Topic ClosedInternet.. P2P.. A saviour or a killer?

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tortellino View Drop Down
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Direct Link To This Post Posted: April 03 2006 at 14:17
Legal-Illegal, Moral-Immoral... This is interesting.

I personally use a P2P program to download files, but if I like an album I try to get it new or second hand; much of the music I download is unavailable elsewhere, so I don't feel guilty to get music I couldn't
otherwise find.

Also, second-hand records are regularly sold on e-bay as well as on amazon or any good record shop, and from those copies the artists are not getting any money, right?; and then again, at record fairies (organized in my town by local administration) bootlegs of live recordings and unavailable material are sold without nobody complaining, even if they are not exactly legal, but to kill that market would be to kill collectors and fans' interest...
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Direct Link To This Post Posted: April 03 2006 at 14:46
Originally posted by TheProgtologist TheProgtologist wrote:

Originally posted by ivansfr0st ivansfr0st wrote:

Originally posted by TheProgtologist TheProgtologist wrote:

And another question......

How do you think the record companies are going to look if they start headhunting??

What would you think of a company that is suing a 13 year old kid that has thousands of mp3s on their puter?

Who would appear to be the bad guy in that scenario?

To most of the general public......not the kid.

The situation you just described sounds a lot like the Metallica Napster accident.

 -- Ivan



Yes,and Metallica and mainly Lars Ulrich were villified because of it.

I know many,many Metallica fans that turned their backs on them after that .
 

That's true. But then again that just showed that most Metallica fans were casual, paying more attention to the image not the actual music. It's undeniable since Metallica became a part of the pop music industry. Imagine them not making all the fuss and, for example, providing a "hot video clip" instead - they would get more popular that way.

 -- Ivan

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Direct Link To This Post Posted: April 03 2006 at 14:48
I've learned massively through this, and like many else I'm also buying more records (legally) this way, after first having a first listen through a downloaded exract or an album. If this "illegal" kind of activity didn't exist I would certainly not have spend a high amount of my income on cd's.

Have been said before and contrary to what the moral-police may think; most downloaders are also the ones who're promoting the financial aspect of the music industry the most.
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Direct Link To This Post Posted: April 03 2006 at 15:01
I hate what P2P has done to music.  MP3s are far inferior to CDs, which in turn are inferior to vinyl.  Itunes, etc. have killed the album.  People just download one song they heard on the radio.

Personally, though, I would never have gotten into prog without Napster, Kazaa, etc.  I downloaded every Tull album, and liked them so much that I bought every album.  2 years later, I'm back to downloading new artists all the time.  P2P would be fine if everybody bought the music they downloaded if they enjoyed it.  But not everyone does that.
My recent purchases:
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Direct Link To This Post Posted: April 03 2006 at 15:23

Originally posted by TheProgtologist TheProgtologist wrote:

And another question......

How do you think the record companies are going to look if they start headhunting??

What would you think of a company that is suing a 13 year old kid that has thousands of mp3s on their puter?

Who would appear to be the bad guy in that scenario?

To most of the general public......not the kid.

They did just that. Of course they sued the kid's mother, who also confessed that she used filesharing. The case was in the media about half a year ago - you must have heard of it?

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akin View Drop Down
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Direct Link To This Post Posted: April 03 2006 at 15:26
Well, if it is illegal, it is illegal, doesn't matter that me and almost everybody listened to a song downloaded from P2P and then bought the album. Though I never download entire albuns, I have done this lots of times, and if I find the album, I always buy it.

The problem to record companies is cultural. Great part of the mass audience doesn't like the artist, the genre. They like the fashion, so they only like songs that recieve lots of airplay. This fact kills the record companies because all artists could put three or four (or 20, like does Steve Hackett) songs for free on their websites. People would download, listen and if they like, they would buy the album.

But what happens? If the artists did this, the mass audience would download the two or three songs they like from each artist and never buy a cd (as they never does, except compilations of many artists with top 10 songs).

In my country there's a greater problem: illegal cds represent more than 50% of the cd sales. This is very bad because a person who bought a fake cd will never buy the original.


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Direct Link To This Post Posted: April 03 2006 at 15:28
Originally posted by tortellino tortellino wrote:

Legal-Illegal, Moral-Immoral... This is interesting.

I personally use a P2P program to download files, but if I like an album I try to get it new or second hand; much of the music I download is unavailable elsewhere, so I don't feel guilty to get music I couldn't
otherwise find.

Also, second-hand records are regularly sold on e-bay as well as on amazon or any good record shop, and from those copies the artists are not getting any money, right?; and then again, at record fairies (organized in my town by local administration) bootlegs of live recordings and unavailable material are sold without nobody complaining, even if they are not exactly legal, but to kill that market would be to kill collectors and fans' interest...


Selling second-hand itens is not a problem because the artist had company earned the money from that copy and after the selling, there will be only one owner of that copy, If the sellers wants it again, he will have to buy a new (or used) one.
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Direct Link To This Post Posted: April 03 2006 at 16:19
Originally posted by MikeEnRegalia MikeEnRegalia wrote:

Originally posted by Man Made God Man Made God wrote:

Heck, I even download a lot of music just to see if it is any good, so I don't buy any crappy albums! There are a lot of (legal) internetsites where you can listen to cd's but not download them. I don't really see the difference as long as you support the artists by buying the original cd's!

The difference between legal download sites and illegal ones is that with the legal ones you also support the artist even if you decide not to buy the album.

 



Yes, ofcourse, but when I want to download music (through legal sites) which is unknown to me, and thus I have to pay for it, I still am paying for music which I might not like. And that's the biggest pro for me: downloading for free, learning to love music(ians) I don't know, and buying their albums!



Originally posted by chopper chopper wrote:

Originally posted by Man Made God Man Made God wrote:

Well, to me it is absolutely a saviour.
I've learned about a lot of good bands through the internet, and bought cd's online which I wouldn't know without the internet.

Heck, I even download a lot of music just to see if it is any good, so I don't buy any crappy albums! There are a lot of (legal) internetsites where you can listen to cd's but not download them. I don't really see the difference as long as you support the artists by buying the original cd's!

I think you've hit on the nub of the problem there. A lot of people will just download a load of music and the artist will never see a penny of it. I too have discovered a load of bands via the Internet that I never would have heard of otherwise and have been buying their CDs, but not everybody does this.



What's wrong with these people!
I don't even like the look of a blank copy, I want the original in my collection!

Focus on the music... Focus!
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Direct Link To This Post Posted: April 03 2006 at 16:19

Woah, reading this thread, I wonder how I have managed to get by with any kind of "downloading program" (gee, I donīt even know the proper term for this device, lol)  whatsoever for the last three years since I got into music for real...! Heck, I donīt even have a sound system on my computer so I canīt even listen to any samples before going out and expanding on my collection. Yet I have already scraped together a 200 + CD collection and can't recall more than a few of them having been truly disappointing. Either I have been damn lucky or my taste in music is very forgiving

"Internet essential, downloading redundant" has been my motto so far. I wonīt even accept any burned copies anymore, unless the product is a rare one that has either not been released on CD or is out of print. Thanks to my ex I have too many burned copies of records that I really like but sadly the motivation to go and buy them legally is not that great when there are so many other records, which I donīt have in any format, to be bought. It's wonderful that he introduced me to all that great music but in the long run I wish I hadnīt had access to those CD-R's and had just gone and purchased the real thing instead at some point... I mean, I don't know if there is a qualitative difference between burned copies and those so called mp3-files but there must be, since CD-Rs to my ears don't sound that inferior to legal CD's.

I would never have found prog without the net, that is for sure, but it had nothing to do with downloading the actual music, it had to do with discussions on forums like this, and having access to all those reviews online. I prefer to read my way through to music, rather than listening to samples beforehand -it's more fun and exciting, and so far, I haven't been burned, really! (knocks on wood three times...............................)  

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Direct Link To This Post Posted: April 03 2006 at 16:23

Originally posted by lunaticviolist lunaticviolist wrote:

I hate what P2P has done to music.  MP3s are far inferior to CDs, which in turn are inferior to vinyl.  Itunes, etc. have killed the album.  People just download one song they heard on the radio.

That has nothing to do with mp3. Even 30 years ago popular music was song oriented ... that's why genre labels like AOR (Album Oriented Music) were created.

Originally posted by lunaticviolist lunaticviolist wrote:



Personally, though, I would never have gotten into prog without Napster, Kazaa, etc.  I downloaded every Tull album, and liked them so much that I bought every album.  2 years later, I'm back to downloading new artists all the time.  P2P would be fine if everybody bought the music they downloaded if they enjoyed it.  But not everyone does that.

When you use legal subscription based services like the new Napster, you can download as much as you want and listen as often as you want, and don't need to buy it.

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Direct Link To This Post Posted: April 03 2006 at 17:06

A lot has been said about how much an artist makes on a CD sale.

I submit...

The following is a breakdown of where the money goes when we buy a CD. Typically, the artist earns just over $1 on every CD sold. Promotion, video, recording and touring costs are often subtracted from that figure, leaving the artist with very little after every one else has been paid.

Royalty Math
Consider this hypothetical example based on realistic figures. Suppose a new band signs a contract stipulating a royalty rate of 14%, which applies to cassette sales. The CD rate is 85% of that. The band records its first album on a $300,000 budget with a producer who gets a standard 3% royalty share.
CD suggested retail price $18.98
Less packaging (25%) - $4.74
Royalty base = $14.24

Royalty rate

14% minus 3% for the product, multiplied by .85 to determine CD rate

= 9.35%
Royalty rate per CD = $1.33
Royalty amount x 500,000 CDs - $665,000

Less 15% free goods

(Copies given away to retailers, distributors, radio stations and reviewers)

- $99,750
Less recording costs - $300,000

Less 50% of independent promotion

(Cost of hiring outside agents to secure radio airplay. Multi-format campaigns can run $350,000 to $700,000 per single)

- $100,000
Less 50% of video costs - $75,000

Less tour support

(Losses accrued on tour. Few new acts break even on the road)

- $50,000

Total

(Before managers, agents, etc. take their cut)

= $40,250
Source: All You Need to Know About the Music Business By Donald S. Passman (Simon & Schuster)

So, that's $40,250 / 500,000 CD's = $0.08 per CD

If the group has 4 members that's $0.02 per member per CD sold - before the managers, agents, etc. take their cut.

 

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Direct Link To This Post Posted: April 03 2006 at 17:08

For those who utilize P2P to expand their music collection you will be pleased to find out that:

A 2005 survey of 600 UK music fans, reported in the Guardian Online, (July 27, 2005) found that those who illegally share tracks over the internet also spend four and a half times as much on digital music as those who do not.

FOUR AND A HALF TIMES!!!

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Direct Link To This Post Posted: April 03 2006 at 17:12

Do I use P2P - yes.

Am I afraid of reprecussions? - no.

I AM CANADIAN

And in Canada today...

The Copyright Act contains a special exception for "private copying": it permits the copying of music files "onto an audio recording medium for the private use of the person who makes the copy", but does not permit copying for the purpose of "distributing" or "communicating to the public by telecommunication" (s.80). It is generally accepted that downloading music for personal use is legal under this section. However, the record industry disputes this on the basis that a computer's hard drive does not constitute an "audio recording medium".

According to the Federal Court, in a decision issued by Justice von Finckenstein on March 31, 2004, neither downloading a song for personal use nor merely making that file available to others to download from your computer (without some more active sharing activity) amounts to infringement under Canadian copyright law. The court ruled that "the mere fact of placing a copy on a shared directory in a computer where that copy can be accessed via a P2P service does not amount to distribution" or "authorization of the reproduction of sound recordings" under the Copyright Act. However, this decision has been appealed to the Federal Court of Appeal, so the issue remains in legal limbo.

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Direct Link To This Post Posted: April 03 2006 at 17:12
Hey, I'm a SENIOR MEMBER!!!
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Direct Link To This Post Posted: April 03 2006 at 18:39
Savior.

Without it I wouldn't have explored a lot of bands that I am huge fans of today. I of course bought the albums afterward. I find that a lot of the music on P2P programs is of poor quality, but on Bittorrent it is marginally better.
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Direct Link To This Post Posted: April 03 2006 at 18:47
Originally posted by Firepuck Firepuck wrote:

A lot has been said about how much an artist makes on a CD sale.

I submit...

The following is a breakdown of where the money goes when we buy a CD. Typically, the artist earns just over $1 on every CD sold. Promotion, video, recording and touring costs are often subtracted from that figure, leaving the artist with very little after every one else has been paid.

Royalty Math

Consider this hypothetical example based on realistic figures. Suppose a new band signs a contract stipulating a royalty rate of 14%, which applies to cassette sales. The CD rate is 85% of that. The band records its first album on a $300,000 budget with a producer who gets a standard 3% royalty share.
CD suggested retail price
$18.98
Less packaging (25%) - $4.74
Royalty base = $14.24

Royalty rate

14% minus 3% for the product, multiplied by .85 to determine CD rate

= 9.35%
Royalty rate per CD = $1.33
Royalty amount x 500,000 CDs - $665,000

Less 15% free goods

(Copies given away to retailers, distributors, radio stations and reviewers)

- $99,750
Less recording costs - $300,000

Less 50% of independent promotion

(Cost of hiring outside agents to secure radio airplay. Multi-format campaigns can run $350,000 to $700,000 per single)

- $100,000
Less 50% of video costs - $75,000

Less tour support

(Losses accrued on tour. Few new acts break even on the road)

- $50,000

Total

(Before managers, agents, etc. take their cut)

= $40,250
Source: All You Need to Know About the Music Business By Donald S. Passman (Simon & Schuster)

So, that's $40,250 / 500,000 CD's = $0.08 per CD

If the group has 4 members that's $0.02 per member per CD sold - before the managers, agents, etc. take their cut.

 





Thanks for pointing that out.

Months ago I said bands get about 8 cents on the dollar in a similar thread,and that has to be split between all the members.
 


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Direct Link To This Post Posted: April 03 2006 at 19:03
One of the best threads I've seen recently in PA. Congrats for the starter and for all participants.  

Edited by Atkingani
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Direct Link To This Post Posted: April 03 2006 at 19:06
Originally posted by Firepuck Firepuck wrote:

Hey, I'm a SENIOR MEMBER!!!


and now i am one post closer.

Edit: your post about the distribution of money between artists and other people is impressive.

On a more serious level i don't believe the situation will stay as it is now. Record companies have a lot of power and there is something fishy about downloading stuff. It is not only (prog) music but games, movies, software too. I think judges will come to this conclusion too in the future.

I think a download service that has all the albums on this site and some to spare for say 20 euro a month would be ideal.It would make me feel better about the whole thing. I don't know too much about this sort of services though. It might well be that they're all too specialized and that you have to subscribe to 5 services to get what you want. Obviously this will not do. 

In the meantime i've tried Napster but it doesn't seem to be available here  in the Netherlands. Have mailed them if this is really the case and i'm awaiting their reply.





Edited by Dirk
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Direct Link To This Post Posted: April 03 2006 at 19:06

Originally posted by YYZed YYZed wrote:

Savior.

Without it I wouldn't have explored a lot of bands that I am huge fans of today. I of course bought the albums afterward. I find that a lot of the music on P2P programs is of poor quality, but on Bittorrent it is marginally better.

In Spain thousands of people use a program called e-mule, based on e-donkey and Kad networks, and you can find in a few seconds virtually ANY album with good quality (MP3 at least 192 kbps, or better formats like .ogg or .mpc).

 

 

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Direct Link To This Post Posted: April 03 2006 at 19:07
First, not P2P but generally, computers are killers - if your friend has collection of 10 000 best rock albums, you need only one 300-400 euros hard disk to copy all of them. Surely, even after one owns 10 000 rock albums, one might continue to buy same amount of music ... but very few will do so. And in 5-10 years or so, zip files containing selections of 10 000 or 100 000 albums will float around like SMS messages today. Only very extreme police state can prevent that.

Second, computers are not killers of music, they are killers of the market economy of music. Market of scientific information is largely died on the same way long time ago - if one want to make a living from science, the best chance he has is to find the job at University, where he is payed to produce articles and distribute them for free. And it is not that strange as it look like on the first sight: a lot of classical music and practically all avant guard classical music is already produced on the exactly same model ...
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