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Atkingani View Drop Down
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Direct Link To This Post Posted: March 01 2006 at 19:12
Originally posted by The Miracle The Miracle wrote:

MR. BUNGLE Disco Volante
Review (Permanent link) by Retrovertigo @ 10:52:59 PM EST, 6/18/2005

PROG REVIEWER
5 stars  —  Mr. Bungle are truly a legendary group. Their impact and influence is usually more than one realizes. Their sound is often duplicated, you can hear it in The Mars Volta, Primus and Incubus among other bands.

...

Twisted techno, gritty surf, poetry, and pure noise bliss are among the themes of Disco Volante. Mike Patton's chameleon-like throat can compliment just about anything that Mr. Bungle pulls off, and very well, and Mr. Bungle touches a LOT of sounds. Desert Search For Techno Allah is a dirty funky mixture remeniscent of Eastern music and Herbie Hancock funk breakdancing music, while None of Them Knew They Were Robots proves to be a sludging doom chant, bursting into Chemical Marriage where each member of the band in the same key plays the words of an Edgar Allen Poe poem. Then comes Carry Stress in the jaw, which features virtuoso playing all over with great melody, and then seguing into "The Secret Song" where are a throaty sounding character remeniscent of Buckethead's Bucketheadland gravekeeper (it might be Patton!) gets kicked out of the band. All of this is pulled off with flying colors!

The middle section of the album kicks off with Violenza Domestica, replete with eating utensils scraping against eachother, jittering, Black Sabbath doom chords, and horror polka. "Pasta pasta!" the unnamed character of this mini-story exclaims as doomy Italian restaurant music blasts throughout the background. After School Special is definitely hilarious, serious music combined with the most random theme, a teenager bragging about his parents (is it that?) Those two combined make a pleasantly uneasy song. Now we're led to Phlegmatics, a thrash metal extravaganza, but only for a few seconds of course due to Mr. Bungle's bipolar nature. The song then segues into a drudging pirate-like anthem hinting back at None of Them Knew They Were Robots, but then slightly touching on free jazz before jumping back to thrash. Ma Meeshka Mow Skwoz features more avant-garde vocals from Patton combined with bubbly high-octane funk with instruments you have never heard before traveling upstream in a fast funky melody, remeniscent of the first Bungle album.

...

...
 
 
 
This is a great review, except None Of Them Knew They Were Robots is actually off of California, not Disco Volante, this may confuse people
 
Maybe you could edit it?
 
The two paragraphs with the unnecesary info removed(I didn't add anything):
 
 
Twisted techno, gritty surf, poetry, and pure noise bliss are among the themes of Disco Volante. Mike Patton's chameleon-like throat can compliment just about anything that Mr. Bungle pulls off, and very well, and Mr. Bungle touches a LOT of sounds. Desert Search For Techno Allah is a dirty funky mixture remeniscent of Eastern music and Herbie Hancock funk breakdancing music. Chemical Marriage, where each member of the band in the same key plays the words of an Edgar Allen Poe poem. Then comes Carry Stress in the jaw, which features virtuoso playing all over with great melody, and then seguing into "The Secret Song" where are a throaty sounding character remeniscent of Buckethead's Bucketheadland gravekeeper (it might be Patton!) gets kicked out of the band. All of this is pulled off with flying colors!

The middle section of the album kicks off with Violenza Domestica, replete with eating utensils scraping against eachother, jittering, Black Sabbath doom chords, and horror polka. "Pasta pasta!" the unnamed character of this mini-story exclaims as doomy Italian restaurant music blasts throughout the background. After School Special is definitely hilarious, serious music combined with the most random theme, a teenager bragging about his parents (is it that?) Those two combined make a pleasantly uneasy song. Now we're led to Phlegmatics, a thrash metal extravaganza, but only for a few seconds of course due to Mr. Bungle's bipolar nature, then slightly touching on free jazz before jumping back to thrash. Ma Meeshka Mow Skwoz features more avant-garde vocals from Patton combined with bubbly high-octane funk with instruments you have never heard before traveling upstream in a fast funky melody, remeniscent of the first Bungle album.
 
 

Done, Miracle, and thanks.

 

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Direct Link To This Post Posted: March 01 2006 at 19:15
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Direct Link To This Post Posted: March 01 2006 at 21:47
KING CRIMSon Islands progressive rock album and reviews Symphonic Prog
(Studio Album, 1971)
Avg: 4.03/5
from 112 ratings
KING CRIMSON "Islands"
Review (Permanent link) by Jesus
Posted 9:40:44 PM EST, 3/1/2006

4 stars   To sum up this album, all I can say is awesome. Why isn't it in the top ten is what I am asking all of you. If you don't have this album go out and pick it up.

Seriously I want to know why it isn't very popular with the peeps. Like is it just that people haven't heard it?

Buy this if you like King Crimson.
 
Not very helpful review, IMO. And it doesn't mention the music at all!
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Direct Link To This Post Posted: March 01 2006 at 21:56

Dealt with... unfortunately I had to delete an action of Jesus.

Thanks, Bj.



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Direct Link To This Post Posted: March 01 2006 at 23:46
jesus wept
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Direct Link To This Post Posted: March 02 2006 at 10:32
RIO/AVANT/ZEUHL - The best thing you can get with yer pants on!
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Direct Link To This Post Posted: March 02 2006 at 16:05
He'll have his word in Judgement day...
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Direct Link To This Post Posted: March 02 2006 at 16:10
HIGH TIDE Sea Shanties progressive rock album and reviews Art Rock
(Studio Album, 1969)
Avg: 4.46/5
from 13 ratings
HIGH TIDE "Sea Shanties"
Review (Permanent link) by keith
Posted 3:59:48 PM EST, 3/2/2006

4 stars   I bought this album back in 69/70 because I kept being drawn to the cover got it home and it blew me away

shot round to my mates and put it on his dads exepensive hi fi celestion speakers no less at it blew us both away

in truth 2 tracks were the album Death warmed up a phenomenal duel between guitar and simon house on elec violin

and what is in my top all time tracks ever

walking down lifes out look an amazing song with jim morrison type vocals

I am still trying to work out what the lyrics are all about

I thinkit is about vampires in some way

ie we shall live and never die

I lost the original vynal it got nicked at a party somewhere

managed to get hold of the cd on import about 8 yrs ago

I saw them live at maidsone college in 70/71 did not play one track of either thier two albums of the time but were total hypnotic to watch and listen two


--------------------------



I




don't





really like







this












do


you?


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Direct Link To This Post Posted: March 02 2006 at 17:18

 

Incomprehensivible.

I made a "little" edition, Ric... see if it's readable now.  Thanx pal.

BTW, does someone know if this reviewer is also a PA member? Unfortunately I had to delete another review he did.

 

HIGH TIDE Sea Shanties progressive rock album and reviews Art Rock
(Studio Album, 1969)
Avg: 4.46/5
from 13 ratings

HIGH TIDE "Sea Shanties"
Review (Permanent link) by keith
Posted 3:59:48 PM EST, 3/2/2006

4 stars   I bought this album back in 69/70 because I kept being drawn to the cover got it home and it blew me away. Shot round to my mates and put it on his dad's expensive hi fi celestion speakers no less at it blew us both away.

In truth, 2 tracks were the album 'Death warmed up', a phenomenal duel between guitar and Simon House on elec violin and what is in my top all time tracks ever 'Walking down their outlook', an amazing song with Jim Morrison type vocals.

I am still trying to work out what the lyrics are all about I think it is about vampires in some way, ie, we shall live and never die.

I lost the original vynil; it got nicked at a party somewhere. Managed to get hold of the cd on import about 8 yrs ago.

I saw them live at Maidsone College in 70/71; they did not play one track of either their two albums of the time but were total hypnotic to watch and listen to.


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Direct Link To This Post Posted: March 02 2006 at 17:25

Well, I can safely say that the review needs a LOT more punctuation.

 

How about these? Talk about making someone confused.

YES 9012 Live: The Solos  progressive rock album and reviews Symphonic Prog
(Live, 1985)
Avg: 2.27/5
from 11 ratings

YES "9012 Live: The Solos "
Review (Permanent link) by MANDRAKEROOT
Posted 5:12:06 PM EST, 3/2/2006

1 stars   I put it down tender, given that it insults not. But how it is done to make to die a myth in this manner? That are necessary there it was to do to go out this live? To promote the VHS? It was better to do less than a like one found. Also because already "90125" sufficed... I hope of not to have offended the fans of the Yes... But otherwise I do not know to review this product.

For always yours, Mandrakeroot.

 

 

 

ELECTRIC LIGHT ORCHESTRA* Strange Magic Sonotec GMBH progressive rock album and reviews Prog Related
(Boxset / Compilation, 2003)
Avg: 3.00/5
from 1 ratings

ELECTRIC LIGHT ORCHESTRA* "Strange Magic (Sonotec GMBH)"
Review (Permanent link) by MANDRAKEROOT
Posted 4:02:39 PM EST, 3/2/2006

3 stars   This compilation is not too indicative to enter in the ELO world. In fact the pure "Rockabilly" of Rock'n'Roll Is King" or "Witness" (I swear that still now I believe have written by Bruce Springsteen!), the "pure Rock" "Do Ya" (Tom Petty or Bruce Springsteen, if you are beat us a blow), "Roll Over Beethoven" with his parts written by Beethoven, "The Last Train To London" best "Disco Music" and best radio success, or, still, the conclusive (and well-known) "Don't Bring Me Down" are not that a version of ELO. They are lacking, in this compilation, the references to the "Symphonic Prog", to the true "Art Rock" all typical things of the "false Prog" of the ELO. For the remainder not badly.

For always yours, Mandrakeroot.
 
 
And, while I'm firing on all cylinders...thius dude CAN'T be serious!
 
OPETH Blackwater Park
Review (Permanent link) by Chinwag Shall We @ 7:33:04 AM EST, 11/29/2005

5 stars  —  BLACKWATER PARK by OPETH is a concept album, and their debut with DREAM THEATER. The album includes the presence of STEVEN WILSON, of PORCUPINE TREE who also influences the band. He is very innovative.

Unlike OPETH's previous efforts(without STEVEN WILSON), this shows no sign of concept - the tracks are seperated and not tied up together like it was in MY ARMS YOUR HEARSE, and you have to read the lyrics to get the message, and sometimes even think about it yourself. The album tells us about the real, cruel, brutal world. It isn't just an imaginery story, because our today's world is really cruel and brutal, and real. Personally, I always imagine two little yellow-haired children going to a DEATH METAL concert. They are not special children, just normal two kids with yellow hair and love for true powerful music that possesses power. Of course, no story is without adventure and danger, and two children die during THE FUNERAL PORTRAIT and are buried during BLACKWATER PARK.

The songs are very diverse, yet follow a certain depressing mood. They show deep influence of such bands such as KING CRIMSON. The lyrics are deep and meaningful, showing all aspects of today's cruel, brutal and real life. Yellow-haired kids who like DEATH METAL are confronted with lepers, who they are forced to enter winter naked with, and I think it is a very evil song, that shows how children must avoid strangers. Bleak, the second song, has STEVEN WILSON who sings together with OPETH LEADER. The ending is very violent, very real and brutal, and the parts in the middle sometimes make me cry, being so emotional. However, this is the only song where DREAM THEATER and OPETH sing together. This is explained by the difference in style of the two bands. Harvest has no DEATH METAL in it, and is a big surprise. It shows diversity, the genre has inherited from KING CRIMSON and ETC. The next two songs are also surprising, as DEATH METAL only appears only later. And the last two real songs are tragic and brutal, and they are full of DEATH METAL with powerful guitars. I also find it funny that the drummer is called "LOPEZ". I think that way OPETH try to say how they despise POP MUSIC, that was created by beatles and other stupid hippys.

Overall, this is a masterpiece, very consistent and very diverse
 
 


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Direct Link To This Post Posted: March 02 2006 at 18:00

Yes's review had gone. ELO's review was slightly edited since it says something about the songs.

Opeth's review to be edited (maybe).

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Direct Link To This Post Posted: March 03 2006 at 03:08
BEATLES, THE Sergeant Pepper's Lonely Heart's Club Band progressive rock album and reviews Proto-Prog
(Studio Album, 1967)
Avg: 4.19/5
from 32 ratings
BEATLES, THE "Sergeant Pepper's Lonely Heart's Club Band"
Review (Permanent link) by Bruno Geraidine
Posted 11:53:07 PM EST, 3/2/2006

1 stars   I fail to see the genial music of the Beatles, I fail to see their so important influence over the rock and roll universe, I fail to see the masterpiece that is made of this album. It is not truly ahead of their time; Pink Floyd's debut in the same year was just very close to the ''achievements'' of this album, and even closer to progressive music. This album is entirely filled of mediocre pop songs, with poors arrangements, and mainstream purposes, as well as all other beatles' albuns. Experimentalism? A Reprise is a waste of time, I think, if you want, just listen again to the track, it does not require to occupy 2 tracks with the same song.

Apart from the fact that this guy obviously doesn't know what he's talking about, I think ths 'review' doesn't meet any PA-standards and should be removed.
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Direct Link To This Post Posted: March 03 2006 at 08:01
Originally posted by Guzzman Guzzman wrote:

BEATLES, THE Sergeant Pepper's Lonely Heart's Club Band progressive rock album and reviews Proto-Prog
(Studio Album, 1967)
Avg: 4.19/5
from 32 ratings
BEATLES, THE "Sergeant Pepper's Lonely Heart's Club Band"
Review (Permanent link) by Bruno Geraidine
Posted 11:53:07 PM EST, 3/2/2006

1 stars   I fail to see the genial music of the Beatles, I fail to see their so important influence over the rock and roll universe, I fail to see the masterpiece that is made of this album. It is not truly ahead of their time; Pink Floyd's debut in the same year was just very close to the ''achievements'' of this album, and even closer to progressive music. This album is entirely filled of mediocre pop songs, with poors arrangements, and mainstream purposes, as well as all other beatles' albuns. Experimentalism? A Reprise is a waste of time, I think, if you want, just listen again to the track, it does not require to occupy 2 tracks with the same song.

Apart from the fact that this guy obviously doesn't know what he's talking about, I think ths 'review' doesn't meet any PA-standards and should be removed.

Much more a matter to be posted in our forums than to make a review. Review to be erased, rating to remain.

Thanx, Guzz.



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Direct Link To This Post Posted: March 03 2006 at 09:38
 
SUPERTRAMP Crime of the Century progressive rock album and reviews Art Rock
(Studio Album, 1974)
Avg: 4.49/5
from 72 ratings
SUPERTRAMP "Crime of the Century"
Review (Permanent link) by GetInvolved
Posted 9:07:46 AM EST, 3/3/2006

2 stars   After reading the reviews of this album I felt compelled to rush out and buy a copy, as I felt that it would fill a whole in my expanding prog collection. From the reviews I wasn't expecting pure prog rock, but a more gentle and simple style of music. What I wasn't expecting, however, was boredom.

After listening to this album four times, I cannot rouse any interest in it at all. It is by no means terrible, but after a year of listening to the greats such as Genesis, Yes, Jethro Tull and King Crimson, I found the music on offer here so simple and unchallenging. Much of the music is piano driven, yet I feel Roger Hodgson is at best an adequate piano player.

Many of the songs here seem based around the repetitive playing of keyboard or piano chords, which are simply layered upon one another to create the illusion of a complex song. The lyrics are unchallenging and uninteresting and many of the tracks seem devoid of direction or structure.

The only track on this album worthy of any real mention is Dreamer, which at least has a fairly interesting sound. However, this song is typical of the entire album as it simply consists of layers of bog-standard keyboard chords repeated over and over.

____________________________________________________

 

 

The man is entitled to his opwn opinions of course, even after only four listenings ,  but unchallenging lyrics to a superb concept album and the only interesting song being  the least prog one of them all (Dreamer) and telling us that Hodgson is the piano player when he is the guitarist (and also plays some KB)

Should we not mail him about such a hastily written review?

If there is one album that has a clear structure and musical direction COTC is it!! No matter how prog it is

let's just stay above the moral melee
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keep our sand-castle virtues
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Direct Link To This Post Posted: March 03 2006 at 10:26

Difficult one Hugues. As I've mentioned before, I (and my colleague Atkingani) can't patrol the accuracy of reviews, just the compliance with the guidelines. The problem as I see it is that members have no means of responding to reviews other than through the forum, which the reviewer may or may not participate in. This should be addressed to some extent when a common log-in to the reviews and forum is put in place. 

I'll e-mail the reviewer in this case drawing their attention to the comment in this thread.

(I suppose since Hodgson is the guitarist then the assertion that he "is at best an adequate piano player" is probably true.ConfusedLOL

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Direct Link To This Post Posted: March 03 2006 at 11:05

^^^^^^^^^^^^^^^^^

I will not lose sleep over this review, though!!!

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Direct Link To This Post Posted: March 03 2006 at 13:17
Originally posted by Sean Trane Sean Trane wrote:

 
SUPERTRAMP Crime of the Century progressive rock album and reviews Art Rock
(Studio Album, 1974)
Avg: 4.49/5
from 72 ratings
SUPERTRAMP "Crime of the Century"
Review (Permanent link) by GetInvolved
Posted 9:07:46 AM EST, 3/3/2006

2 stars   After reading the reviews of this album I felt compelled to rush out and buy a copy, as I felt that it would fill a whole in my expanding prog collection. From the reviews I wasn't expecting pure prog rock, but a more gentle and simple style of music. What I wasn't expecting, however, was boredom.

After listening to this album four times, I cannot rouse any interest in it at all. It is by no means terrible, but after a year of listening to the greats such as Genesis, Yes, Jethro Tull and King Crimson, I found the music on offer here so simple and unchallenging. Much of the music is piano driven, yet I feel Roger Hodgson is at best an adequate piano player.

Many of the songs here seem based around the repetitive playing of keyboard or piano chords, which are simply layered upon one another to create the illusion of a complex song. The lyrics are unchallenging and uninteresting and many of the tracks seem devoid of direction or structure.

The only track on this album worthy of any real mention is Dreamer, which at least has a fairly interesting sound. However, this song is typical of the entire album as it simply consists of layers of bog-standard keyboard chords repeated over and over.

____________________________________________________

 

 

The man is entitled to his opwn opinions of course, even after only four listenings ,  but unchallenging lyrics to a superb concept album and the only interesting song being  the least prog one of them all (Dreamer) and telling us that Hodgson is the piano player when he is the guitarist (and also plays some KB)

Should we not mail him about such a hastily written review?

If there is one album that has a clear structure and musical direction COTC is it!! No matter how prog it is

Only four listenings? The following review is from a "prog-reviewer"... what about it then?

BANCO DEL MUTUO SOCCORSO Capolinea
Review (Permanent link) by rick petersen @ 1:19:16 AM EST, 4/19/2005

PROG REVIEWER

1 stars  —  I seem to remember hearing (in 1979) that this live album was a commercial sellout, but I went ahead and bought it anyway. How bad is it? I listened to it ONCE (in utter disbelief, I might add), and immediately got rid of it. So, it's hard for me to remember exactly how each song was changed, but I do remember a distinct DISCO beat on at least one song. Of course, now we can all laugh and breathe a sigh of relief because that was long ago, and Banco (and PFM) have returned to their prog roots. But, at the time this was a very depressing development for my friends and me. I feel better having exorcised this demon.

I don't want criticize anyone... Just let me know what do you think about this kind of reviews...

Bye! 

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Direct Link To This Post Posted: March 03 2006 at 13:28

Fair point Andea! Two wrongs however do not make a right.

Bear in mind that many reviews by Prog Reviewers were written and posted before they became PRs. Most of us will have skeletons in our closets.

Perhaps Rick would like to revisit his review?

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Direct Link To This Post Posted: March 03 2006 at 14:20

I've wandered through old reviews and noted that their quality have improved greatly specially in the case of veteran reviewers. In general, the first reviews are weak and timid growing as soon as the reviewers get experience and confidence - obviously this rule does not apply to fanboys and some odd types.

Maybe in the future PA should allow our official reviewers to revisit some of their old stuff.

 

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Direct Link To This Post Posted: March 03 2006 at 15:27
Originally posted by Atkingani Atkingani wrote:

Yes's review had gone. ELO's review was slightly edited since it says something about the songs.  IMO, the review doesn't make much regardless.  It'd take a LOT of editing work to make it make sense.

Opeth's review to be edited (maybe).   PLEASE?  Dream Theater joining Opeth?  HUH?  Talk about a mindf**k.

 

 

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