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Direct Link To This Post Posted: February 11 2006 at 00:44

Originally posted by soundspectrum soundspectrum wrote:

I think that people are just not as open minded while listening to ELP as they should be.

I believe that saying that if you don't like a determined band you're not open minded, is a terrible approach. We're not pop fans that like an album only because of the name of the band.

We have different tastes, and people don't have to like everything any prog band released. I read many ELP fans saying Triumvirat is crap (with this exact word) and I don't believe they are close minded, maybe harsh and offensive with Triumvirat fans but they're entitled to their taste.

I consider ELP a great band until a determined point in their evolution (As I consider Genesis my favorite band only until Wind & Wuthering), and this doesn't make me close minded.

People in this same page who applaud this post, use this forum to criticize Genesis repeteadly, so according to them if you don't like ELP you're close minded, but if you hae Genesis it's ok. This is at least contradictory.

I like all of their stuff (well almost all) but here are a large percentage of people who bash them because they are not consistently throwing neo classical compositions in your face, and take breaks with songs like jeremy bender, and the sheriff.

This is not my problem with ELP, I like almost everything theydid up to Brain Salad Surgery, including Jeremy Bender, The Sheriff and most of Lake's ballads up to that point.

My problem with ELP starts with Works I, IMO a less than average album, with only one good side (Palmer's) and an acceptable side 4  (too long and repetitive but not bad).

Everything goes downhill from this point, Works II is less than imaginative containing material rejected from previous albums, Love Beach is the cheasiest album ever released, Black Moon is pretty decent, but In The Hot Seat sucks and Re-Works (Brain Salad Perjury is CRAP.

Just read this song list and tell me if they weren't trying to fill their pockets with the money of the poor fans and selling a fifth class material?:

9. Re-Works One [Fanfare 2002-Extended Golden Jubilation Mix] (7:26)
Track Listing - Disc 3
14. Fanfare 2002 [Digger's Mix] (9:43)
15. Fanfare 2002 [Earth Loop Mix] (8:42)
16. Fanfare 2002 [Public Order Mix] (6:28)
17. Fanfare 2002 [the Pilgrim Mix] (8:28)
18. Fanfare 2002 [X-Ert's Esoteria Mix] (3:57)}

Six different dance versions of Fanfare for the Common Man...And ELP fans ask why some people don't like the band

Even still you turn me on is hated by some....I dont think as those tunes as filler, really they are making the band not so 1 dimensional

Nope, until BSS they were very versatile, the soft Lake sound blended perfectly with the late Romantic/Early Modern Clasical influence present in Emo and Palmer.

But after that, well...I can live without any later release.

Iván



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Direct Link To This Post Posted: February 11 2006 at 10:31

you've misinterpreted everything i said Ivan.

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Direct Link To This Post Posted: February 11 2006 at 11:23

Right, i've tried to read down through every post on this thread but I have to reply NOW!!

If there is one thing I HATE when it comes to ELP (or prog itself) is that people call it 'Emotionless', that pisses me off more than I can put into words. Songs like From the Beginning, Trilogy, The Endless Enigma, even Karn Evil 9!! have a LOT of emotion in them, and when I listen to songs like those I can FEEL it, I mean Lake is an exceptional singer, and when he sings certain lines like 'Why do you think I believe what you say, few OF your words ever enter my head', that line actually sends shivers down my spine. It's not as if he's READING is he, he's SINGING!!!! I mean he's not melodramatic, he doesn't over do it, he seems very 'honest' when he sings. And the melodies are just so nice a lot of the time, I love his choirboy like voice, it's beautiful.

To me ELP have always felt like 'An always arguing family', but a FAMILY none the less, I think there is still a lot of love between the guys (Emerson actually said it, that's something) even if they were never in constant agreement.

ELP were one of the first prog bands I got into, the first time I heard Brain Salad Surgery I thought 'Did I just watch a film?!!', It was such a different world. ELP unfortunately did not last as long as other Prog giants, however I feel they gave us two 5 star masterpieces 'Trilogy' and 'Brain Salad Surgery', with three excellent albums before it. They were outrageous yet absolutely magnificent (especially live). It's a shame that the record companies are releasing so many crap boxsets and useless garbage under the ELP name. To me it's a crying shame that they have such a bad reputation, all fuelled by the 'everything must be standard' media. When I bought the Q special edition mag I cannot tell you how delighted I was to see Brain Salad Surgery' in five, I was so over the moon.

Kieth Emerson is as talented as they come and gave it one thousand percent in the early days, I love those lush sounding keyboards on Trilogy, he is one of the only keyboardists to have a sound recognisable within 10 seconds of hearing it. And Palmer, christ, what another major talent, i've never seen such a breathtaking drummer, watch him live, he just looks amazing playing some of those solo pieces.

ELP are in the 'Top 5' because, in their day, they had huge success, they were innovative and stunning, and even if they are not appreciated as much today as they were then, they still DESERVE to be in that 'Top 5'

I apologise for my post being so long, but this is a band that means a lot to me and I feel I should defend them, there are so many people who just slate them for no real reason. And i'll pretty much fight to the death in doing so.

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Direct Link To This Post Posted: February 11 2006 at 13:01
Originally posted by Winter Wine Winter Wine wrote:

Right, i've tried to read down through every post on this thread but I have to reply NOW!!

If there is one thing I HATE when it comes to ELP (or prog itself) is that people call it 'Emotionless', that pisses me off more than I can put into words. Songs like From the Beginning, Trilogy, The Endless Enigma, even Karn Evil 9!! have a LOT of emotion in them, and when I listen to songs like those I can FEEL it, I mean Lake is an exceptional singer, and when he sings certain lines like 'Why do you think I believe what you say, few OF your words ever enter my head', that line actually sends shivers down my spine. It's not as if he's READING is he, he's SINGING!!!! I mean he's not melodramatic, he doesn't over do it, he seems very 'honest' when he sings. And the melodies are just so nice a lot of the time, I love his choirboy like voice, it's beautiful.

Don't hate me Winter Wine, I don't think ELP is emotionless, I said a BIT emotionless, because in certain songs I believe Greg could add a lot of drama, the lyrics of Lucky Man for example are very powerful (I believe Greg wrote that song when he was 12!!!! Great merit), but he doesn't exploit the wide range of chances he had.

But songs like Lend Your Love To Me Tonight (Which is not among my favorites) is an incredible performance of Greg that almost brings me to tears.

To me ELP have always felt like 'An always arguing family', but a FAMILY none the less, I think there is still a lot of love between the guys (Emerson actually said it, that's something) even if they were never in constant agreement.

That's the problem when all the members of a band are stars, EMO came from being The Nice (He was 90% of the band IMO) Greg was a crucial member of King Crimson and played with Hensley and Kerslake in The Gods, Carl came from being the new wonder kid in one of the best albums ever heard (The Crazy World of Arthur Brown).

So all of them were stars and all of them good songwritters and arrangers. I imagine they had a great problem deciding who's material was going to be included in an album, and made the only album (I believe) in which each artist has one side.

This is good competence and I like it, they gave their best up to BSS and were an icon of the genre.

ELP were one of the first prog bands I got into, the first time I heard Brain Salad Surgery I thought 'Did I just watch a film?!!', It was such a different world. ELP unfortunately did not last as long as other Prog giants, however I feel they gave us two 5 star masterpieces 'Trilogy' and 'Brain Salad Surgery', with three excellent albums before it.

If you read my ratings, I gave 5 stars toi both albums, the only one I don't like too much is Tarkus, but that's personal taste. They had the second best debut album from a big 5 band after ITCOTCK.

They were outrageous yet absolutely magnificent (especially live). It's a shame that the record companies are releasing so many crap boxsets and useless garbage under the ELP name. To me it's a crying shame that they have such a bad reputation, all fuelled by the 'everything must be standard' media. When I bought the Q special edition mag I cannot tell you how delighted I was to see Brain Salad Surgery' in five, I was so over the moon.

I only saw them a couple of times in the 90's and still were a great show. Better than the earlier, because Keith was much more sober than when he was younger.

Kieth Emerson is as talented as they come and gave it one thousand percent in the early days, I love those lush sounding keyboards on Trilogy, he is one of the only keyboardists to have a sound recognisable within 10 seconds of hearing it. And Palmer, christ, what another major talent, i've never seen such a breathtaking drummer, watch him live, he just looks amazing playing some of those solo pieces.

Palmer is a great drummer, top ten but still I find him a bit weak with the metals.

ELP are in the 'Top 5' because, in their day, they had huge success, they were innovative and stunning, and even if they are not appreciated as much today as they were then, they still DESERVE to be in that 'Top 5'

There's alwqays room for Trilogy and BSS in my stereo.

I apologise for my post being so long, but this is a band that means a lot to me and I feel I should defend them, there are so many people who just slate them for no real reason. And i'll pretty much fight to the death in doing so.

Don't apologize, this place is to express what you feel despite the lenght.

Iván

            
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Direct Link To This Post Posted: February 11 2006 at 13:17
Originally posted by ivan_2068 ivan_2068 wrote:

Originally posted by Winter Wine Winter Wine wrote:

Right, i've tried to read down through every post on this thread but I have to reply NOW!!

If there is one thing I HATE when it comes to ELP (or prog itself) is that people call it 'Emotionless', that pisses me off more than I can put into words. Songs like From the Beginning, Trilogy, The Endless Enigma, even Karn Evil 9!! have a LOT of emotion in them, and when I listen to songs like those I can FEEL it, I mean Lake is an exceptional singer, and when he sings certain lines like 'Why do you think I believe what you say, few OF your words ever enter my head', that line actually sends shivers down my spine. It's not as if he's READING is he, he's SINGING!!!! I mean he's not melodramatic, he doesn't over do it, he seems very 'honest' when he sings. And the melodies are just so nice a lot of the time, I love his choirboy like voice, it's beautiful.

Don't hate me Winter Wine, I don't think ELP is emotionless, I said a BIT emotionless, because in certain songs I believe Greg could add a lot of drama, the lyrics of Lucky Man for example are very powerful (I believe Greg wrote that song when he was 12!!!! Great merit), but he doesn't exploit the wide range of chances he had.

But songs like Lend Your Love To Me Tonight (Which is not among my favorites) is an incredible performance of Greg that almost brings me to tears.

To me ELP have always felt like 'An always arguing family', but a FAMILY none the less, I think there is still a lot of love between the guys (Emerson actually said it, that's something) even if they were never in constant agreement.

That's the problem when all the members of a band are stars, EMO came from being The Nice (He was 90% of the band IMO) Greg was a crucial member of King Crimson and played with Hensley and Kerslake in The Gods, Carl came from being the new wonder kid in one of the best albums ever heard (The Crazy World of Arthur Brown).

So all of them were stars and all of them good songwritters and arrangers. I imagine they had a great problem deciding who's material was going to be included in an album, and made the only album (I believe) in which each artist has one side.

This is good competence and I like it, they gave their best up to BSS and were an icon of the genre.

ELP were one of the first prog bands I got into, the first time I heard Brain Salad Surgery I thought 'Did I just watch a film?!!', It was such a different world. ELP unfortunately did not last as long as other Prog giants, however I feel they gave us two 5 star masterpieces 'Trilogy' and 'Brain Salad Surgery', with three excellent albums before it.

If you read my ratings, I gave 5 stars toi both albums, the only one I don't like too much is Tarkus, but that's personal taste. They had the second best debut album from a big 5 band after ITCOTCK.

They were outrageous yet absolutely magnificent (especially live). It's a shame that the record companies are releasing so many crap boxsets and useless garbage under the ELP name. To me it's a crying shame that they have such a bad reputation, all fuelled by the 'everything must be standard' media. When I bought the Q special edition mag I cannot tell you how delighted I was to see Brain Salad Surgery' in five, I was so over the moon.

I only saw them a couple of times in the 90's and still were a great show. Better than the earlier, because Keith was much more sober than when he was younger.

Kieth Emerson is as talented as they come and gave it one thousand percent in the early days, I love those lush sounding keyboards on Trilogy, he is one of the only keyboardists to have a sound recognisable within 10 seconds of hearing it. And Palmer, christ, what another major talent, i've never seen such a breathtaking drummer, watch him live, he just looks amazing playing some of those solo pieces.

Palmer is a great drummer, top ten but still I find him a bit weak with the metals.

ELP are in the 'Top 5' because, in their day, they had huge success, they were innovative and stunning, and even if they are not appreciated as much today as they were then, they still DESERVE to be in that 'Top 5'

There's alwqays room for Trilogy and BSS in my stereo.

I apologise for my post being so long, but this is a band that means a lot to me and I feel I should defend them, there are so many people who just slate them for no real reason. And i'll pretty much fight to the death in doing so.

Don't apologize, this place is to express what you feel despite the lenght.

Iván

Well Ivan that's a fair analysis of my post. I'm happy someone decided to read it all to be honest

I misjudged what you said earlier about ELP having no emotion and I apologize. I am glad you gave Both 'Trilogy' and 'Brain Salad Surgery' five stars.

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Direct Link To This Post Posted: February 11 2006 at 17:27

If there's any album I admire by ELP (Even when it's not my favorite), is Pictures at an Exhibition.

Imagine, a supergroup in front of several thousand of fans asking for Prog Rock, and this guys play a relatively obscure Mussorgsky work (I say relatively obscure because the Russian Nationalist Movement was not so appreciated in the 70's as it is today, despite I've always been a hardcoire fan of the Mighty Handfull).

I'm sure 90% of the kids (if not more) that were watching that concert had never heard the original Mussorgsky masterpiece, and I believe they were expecting something different, but all left the show delighted.

You need balls to do that and ELP had enough, they dared to try something so outrageous and so innovative (Not the music, but the Prog arrangement of an entire late Romantic/early Modern Classical work) and the result was wonderful (except for the ribbon in Keith's butt ).

If they had done an entire arrangement of Beethoven's Fifth or Ninth Symphony, it would have been easier because everybody is familiar with them, biut to take a risk with somethibng so complex and exquisit as Pictures at an Exhibition, requires great skills and courage.

Iván

            
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Direct Link To This Post Posted: February 11 2006 at 21:46

Jethro Tull put out consistently good albums all through th seventies, Yes had at least four great albums and a bunch of really good albums, Genesis had seven great albums (one of which was a double), and all of King Crimson's albums are good (though I don't think any of them reached the calibre of Yes or Genesis in their prime). >>>


The legacy of Yes cannot be overstated. Those three early albums are classical.  The Yes Album, still my favorite.  The followup, with those four mega pieces, defined the genre.  That's all it did. CTTE, not one of my favorites, but I recognize it as one of the classics of the genre because I know it has affected do many people. 

Honestly, I have not listened to Relayer in 30 years, but will pick it up because it is so highly talked about and listed on this site.  Then there's Going for the One.  another 5 star album.

They are so popular and were huge in the 1970s although never reaching mega-stardom; but they were huge because they were great. Do not take that away from them.

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Direct Link To This Post Posted: February 11 2006 at 21:54
Originally posted by ivan_2068 ivan_2068 wrote:

If there's any album I admire by ELP (Even when it's not my favorite), is Pictures at an Exhibition.

Imagine, a supergroup in front of several thousand of fans asking for Prog Rock, and this guys play a relatively obscure Mussorgsky work (I say relatively obscure because the Russian Nationalist Movement was not so appreciated in the 70's as it is today, despite I've always been a hardcoire fan of the Mighty Handfull).

I'm sure 90% of the kids (if not more) that were watching that concert had never heard the original Mussorgsky masterpiece, and I believe they were expecting something different, but all left the show delighted.

You need balls to do that and ELP had enough, they dared to try something so outrageous and so innovative (Not the music, but the Prog arrangement of an entire late Romantic/early Modern Classical work) and the result was wonderful (except for the ribbon in Keith's butt ).

If they had done an entire arrangement of Beethoven's Fifth or Ninth Symphony, it would have been easier because everybody is familiar with them, biut to take a risk with somethibng so complex and exquisit as Pictures at an Exhibition, requires great skills and courage.

Iván



damn straight...   well said Ivan!
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Direct Link To This Post Posted: February 11 2006 at 22:01
Originally posted by ken4musiq ken4musiq wrote:

Jethro Tull put out consistently good albums all through th seventies, Yes had at least four great albums and a bunch of really good albums, Genesis had seven great albums (one of which was a double), and all of King Crimson's albums are good (though I don't think any of them reached the calibre of Yes or Genesis in their prime). >>>


The legacy of Yes cannot be overstated. Those three early albums are classical.  The Yes Album, still my favorite.  The followup, with those four mega pieces, defined the genre.  That's all it did. CTTE, not one of my favorites, but I recognize it as one of the classics of the genre because I know it has affected do many people. 

Honestly, I have not listened to Relayer in 30 years, but will pick it up because it is so highly talked about and listed on this site.  Then there's Going for the One.  another 5 star album.

They are so popular and were huge in the 1970s although never reaching mega-stardom; but they were huge because they were great. Do not take that away from them.



hahahah not a fan of the quote pyramids are you..

The Yes Album is still my favorite, not only Yes album, but album period and hundreds...maybe thousands of listens over the years has done nothing to change that.  I also feel the same way as you about CttE, actually find the similar in tone TFTO more interesting of an album, thus amoung my top favorites.  What do you think of Drama?   Another album I'm looking forward to reviewing...


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Direct Link To This Post Posted: February 12 2006 at 18:41



hahahah not a fan of the quote pyramids are you..

The Yes Album is still my favorite, not only Yes album, but album period and hundreds...maybe thousands of listens over the years has done nothing to change that.  I also feel the same way as you about CttE, actually find the similar in tone TFTO more interesting of an album, thus amoung my top favorites.  What do you think of Drama?   Another album I'm looking forward to reviewing...
[/QUOTE]

 

I do not have Drama in my collection anymore;  I have not heard it in 26 years. I do remember it though.  . . "I am a camera, camera, camera" and "I asked my love to give me shee-e-e-e-lter, but all she offered my was dreams."  It had some good hooks, if I can remember them after 26 years. I saw the tour, the last in the round.  thenround was a grat idea and showed that Yes even though they had become an arena act, was trying to stay connected to their fans.

About the Yes album I have often asked myself, Ken is this your favorite album of all time, so I know what you mean.  The lyricism that Anderson achieves on this album is beatiful, especially in the transition section of Starship Trooper, "Speak to me of summers . . ." The lyricism of this album may not be matched in anything I have heard in prog and that is one of the things that I like about the album.  Anderson's voice is unique and maybe not for everyone's taste.  He and Geddy Lee are the last of the castrati. But he could acheive marvelous shades of beauty, optimism, humanity and transcendence.  My favorite part of this album is the end of Perpetual Change when they have that part that Bruford wrote in the ensemble and then the guitar riff comes in against it. Great Stuff and showed the band fully working together before the fracture of Fragile, yet another wonderful album, full of drama and symphonic gestures.

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Direct Link To This Post Posted: February 12 2006 at 18:58
Originally posted by ken4musiq ken4musiq wrote:



hahahah not a fan of the quote pyramids are you..

The Yes Album is still my favorite, not only Yes album, but album period and hundreds...maybe thousands of listens over the years has done nothing to change that.  I also feel the same way as you about CttE, actually find the similar in tone TFTO more interesting of an album, thus amoung my top favorites.  What do you think of Drama?   Another album I'm looking forward to reviewing...

 

I do not have Drama in my collection anymore;  I have not heard it in 26 years. I do remember it though.  . . "I am a camera, camera, camera" and "I asked my love to give me shee-e-e-e-lter, but all she offered my was dreams."  It had some good hooks, if I can remember them after 26 years. I saw the tour, the last in the round.  thenround was a grat idea and showed that Yes even though they had become an arena act, was trying to stay connected to their fans.

About the Yes album I have often asked myself, Ken is this your favorite album of all time, so I know what you mean.  The lyricism that Anderson achieves on this album is beatiful, especially in the transition section of Starship Trooper, "Speak to me of summers . . ." The lyricism of this album may not be matched in anything I have heard in prog and that is one of the things that I like about the album.  Anderson's voice is unique and maybe not for everyone's taste.  He and Geddy Lee are the last of the castrati. But he could acheive marvelous shades of beauty, optimism, humanity and transcendence.  My favorite part of this album is the end of Perpetual Change when they have that part that Bruford wrote in the ensemble and then the guitar riff comes in against it. Great Stuff and showed the band fully working together before the fracture of Fragile, yet another wonderful album, full of drama and symphonic gestures.

[/QUOTE]

I like what you say about Yes. I think that not enough people give The Yes Album the credit it deserves, from start to finish every second is amazing, and I love that lyrics to Yours is no Disgrace, 'On a sailing ship to nowhere leaving any place, if the summer changed to winter YOURS IS NO DISGRACE' the album is so cohesive and fun! hehe, in my opinion it's slightly better than Fragile, but that to is a masterpiece.

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Direct Link To This Post Posted: February 12 2006 at 19:57

I'm not too experienced in prog yet, but I feel, after listening to Karn Evil 9 in its entirety for the first time a few days ago and then repeating that experience about 20 times, that Emerson was a master composer. Just based off those 4 tracks, it is obvious to me. There wan't a single part where I was not completely into the music. I quite enjoyed the other tracks as well, though I had heard them on a best of CD already (with the exception of Benny the Bouncer).

The structure is perfect, the progression of melody is perfect, the interplay between the instruments (especially keyboard and bass) is amazing, the vocals only serve to enhance the feeling even more (especially the last 4 lines of 3rd Impression).

Funnily enough, some parts reminded me of musicals, and many more were reminiscent of old video game soundtracks - I'm sure many composers shared influences with and were influenced by ELP.

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Direct Link To This Post Posted: February 12 2006 at 20:00
Originally posted by Walri Walri wrote:

I'm not too experienced in prog yet, but I feel, after listening to Karn Evil 9 in its entirety for the first time a few days ago and then repeating that experience about 20 times, that Emerson was a master composer. Just based off those 4 tracks, it is obvious to me. There wan't a single part where I was not completely into the music. I quite enjoyed the other tracks as well, though I had heard them on a best of CD already (with the exception of Benny the Bouncer).

The structure is perfect, the progression of melody is perfect, the interplay between the instruments (especially keyboard and bass) is amazing, the vocals only serve to enhance the feeling even more (especially the last 4 lines of 3rd Impression).

Funnily enough, some parts reminded me of musicals, and many more were reminiscent of old video game soundtracks - I'm sure many composers shared influences with and were influenced by ELP.

Brain Salad Surgery is a masterpiece, all the way through it never loses my attention. Karn Evil 9 is a piece of music that will be remembered for a hundred years

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Direct Link To This Post Posted: February 12 2006 at 20:05
Originally posted by ken4musiq ken4musiq wrote:




 

I do not have Drama in my collection anymore;  I have not heard it in 26 years. I do remember it though.  . . "I am a camera, camera, camera" and "I asked my love to give me shee-e-e-e-lter, but all she offered my was dreams."  It had some good hooks, if I can remember them after 26 years. I saw the tour, the last in the round.  thenround was a grat idea and showed that Yes even though they had become an arena act, was trying to stay connected to their fans.

About the Yes album I have often asked myself, Ken is this your favorite album of all time, so I know what you mean.  The lyricism that Anderson achieves on this album is beatiful, especially in the transition section of Starship Trooper, "Speak to me of summers . . ." The lyricism of this album may not be matched in anything I have heard in prog and that is one of the things that I like about the album.  Anderson's voice is unique and maybe not for everyone's taste.  He and Geddy Lee are the last of the castrati. But he could acheive marvelous shades of beauty, optimism, humanity and transcendence.  My favorite part of this album is the end of Perpetual Change when they have that part that Bruford wrote in the ensemble and then the guitar riff comes in against it. Great Stuff and showed the band fully working together before the fracture of Fragile, yet another wonderful album, full of drama and symphonic gestures.



Drama... actually one of my favorite Yes albums.  A fresh perspective and not so anal to think that something minus Jon Anderson is somehow the less the album.  If anything it spotlights the lesser known but highly critical component to the Yessound....  Squire and Howe's backing vocals. With the only critical component.. Squire's bass also highly prominent.. see Tempus Fugit and Does It Really Happen. Downes more modern keyboard sound was a VAST improvement over Wakeman circa Tormato. A hint of what was to come a couple of years down the road.  The root of prog..... progressing.....

The Yes Album.  No real insight on that.  Just an album full of great songs.. spotlighted by the single song that has shaped not only my future musical tastes but my choice of instrument...the Rickenbacker bass. The song.. Yours Is No Disgrace.  It hit me like a 2x4 when I first heard it, and still to this day reminds me of why I got into Yes and prog rock.  Clap inspires me to act the fool and make my wife die of laughter by breaking out the 'air' accoustic every time I play it. Starship Trooper... musical perfection. I agree totally with your take on it.  Your Move/I've seen all good people....  a perfect sing along with a great kick-ass workout at the end.  A Venture..... obviously the weakest track on the album, but being a Squire fanatic... still very interesting interplay with Kaye, and Bruford at the end of that one. Prepetual Change.... probably the underrated one of the group, more so today,  amazing to compare this to say anything off of Time and A Word. A vast difference and growth in their compostion skills. Love the moody Howe bit right after his solo after the 2nd verse.  Beautiful stuff.
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Direct Link To This Post Posted: February 12 2006 at 20:09
Originally posted by Winter Wine Winter Wine wrote:

Originally posted by Walri Walri wrote:

I'm not too experienced in prog yet, but I feel, after listening to Karn Evil 9 in its entirety for the first time a few days ago and then repeating that experience about 20 times, that Emerson was a master composer. Just based off those 4 tracks, it is obvious to me. There wan't a single part where I was not completely into the music. I quite enjoyed the other tracks as well, though I had heard them on a best of CD already (with the exception of Benny the Bouncer).

The structure is perfect, the progression of melody is perfect, the interplay between the instruments (especially keyboard and bass) is amazing, the vocals only serve to enhance the feeling even more (especially the last 4 lines of 3rd Impression).

Funnily enough, some parts reminded me of musicals, and many more were reminiscent of old video game soundtracks - I'm sure many composers shared influences with and were influenced by ELP.

Brain Salad Surgery is a masterpiece, all the way through it never loses my attention. Karn Evil 9 is a piece of music that will be remembered for a hundred years



Karn Evil 9.... hmmmm.... blown away by the musicianship (hey it's ELP what else is new hahahah) but the choppiness I feel in it brings it below say Tarkus which has much better flow and continuity IMO than KE9 does. I thought it's structure was it's weakness.  That might be just me.
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Direct Link To This Post Posted: February 12 2006 at 20:12

 

  We don´t have to agree w/ the others ... and we can´t say that there are 17 bands batter than ELP .... rating an raking are all bullsh*ts

 


1 - The Dark Side of the Moon - PINK FLOYD

2 - Crime of the Century - Supertramp

3- Close to the Edge - YES
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Direct Link To This Post Posted: February 12 2006 at 20:18
Originally posted by dunguinha dunguinha wrote:

 

  We don´t have to agree w/ the others ... and we can´t say that there are 17 bands batter than ELP .... rating an raking are all bullsh*ts

 



seriously no one is saying there are any bands better than ELP,  there are some.....err... many groups more popular hahahhah. 
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Direct Link To This Post Posted: February 12 2006 at 20:20
Originally posted by dunguinha dunguinha wrote:

 

  We don´t have to agree w/ the others ... and we can´t say that there are 17 bands batter than ELP .... rating an raking are all bullsh*ts

 

Yes - for example, Dream Theater's best is listed as SFAM, and Pain of Salvation's as The Perfect Element. That's just insulting - Images and Words and Entropia, respectively, are far better. The Perfect Element is utterly unremarkable and the story is terrible. Sorry, I went off on a tangent there.

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Direct Link To This Post Posted: February 13 2006 at 21:40
Originally posted by Winter Wine Winter Wine wrote:

Right, i've tried to read down through every post on this thread but I have to reply NOW!!

If there is one thing I HATE when it comes to ELP (or prog itself) is that people call it 'Emotionless', that pisses me off more than I can put into words. Songs like From the Beginning, Trilogy, The Endless Enigma, even Karn Evil 9!! have a LOT of emotion in them, and when I listen to songs like those I can FEEL it, I mean Lake is an exceptional singer, and when he sings certain lines like 'Why do you think I believe what you say, few OF your words ever enter my head', that line actually sends shivers down my spine. It's not as if he's READING is he, he's SINGING!!!! I mean he's not melodramatic, he doesn't over do it, he seems very 'honest' when he sings. And the melodies are just so nice a lot of the time, I love his choirboy like voice, it's beautiful.

To me ELP have always felt like 'An always arguing family', but a FAMILY none the less, I think there is still a lot of love between the guys (Emerson actually said it, that's something) even if they were never in constant agreement.

ELP were one of the first prog bands I got into, the first time I heard Brain Salad Surgery I thought 'Did I just watch a film?!!', It was such a different world. ELP unfortunately did not last as long as other Prog giants, however I feel they gave us two 5 star masterpieces 'Trilogy' and 'Brain Salad Surgery', with three excellent albums before it. They were outrageous yet absolutely magnificent (especially live). It's a shame that the record companies are releasing so many crap boxsets and useless garbage under the ELP name. To me it's a crying shame that they have such a bad reputation, all fuelled by the 'everything must be standard' media. When I bought the Q special edition mag I cannot tell you how delighted I was to see Brain Salad Surgery' in five, I was so over the moon.

Kieth Emerson is as talented as they come and gave it one thousand percent in the early days, I love those lush sounding keyboards on Trilogy, he is one of the only keyboardists to have a sound recognisable within 10 seconds of hearing it. And Palmer, christ, what another major talent, i've never seen such a breathtaking drummer, watch him live, he just looks amazing playing some of those solo pieces.

ELP are in the 'Top 5' because, in their day, they had huge success, they were innovative and stunning, and even if they are not appreciated as much today as they were then, they still DESERVE to be in that 'Top 5'

I apologise for my post being so long, but this is a band that means a lot to me and I feel I should defend them, there are so many people who just slate them for no real reason. And i'll pretty much fight to the death in doing so.

 

First of all, you're right.

second of all, who said music necessarily had anything to do with emotion.

Thirdly, Sorry for the abruptness but I'm listening to the live version of KE #9 and its pretty emotional for me.  Forgive me while a dry my eyes.

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Direct Link To This Post Posted: February 13 2006 at 21:44
ELP wrote quite a few of Lord Qwerty's favorite songs, so he doesn't mind at all how much of it is unlistenable crap.
Lord Qwerty is remarkably pretentious.
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