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sbrushfan
Forum Senior Member
Joined: November 07 2005
Location: United States
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Points: 1177
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Posted: January 26 2006 at 16:51 |
plstipus143 wrote:
Personally I feel Mike and Tony are as much to blame as Phil
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THANK YOU!!!!!!!! I LOVE YOU!!!!!! ![](smileys/smiley32.gif) ![](smileys/smiley32.gif)
People....just because Phil sang for post-Gabriel Genesis does NOT mean he owned the group! Not one damn bit! He might have had a say in what the band played, but the people who were there from the onset were Tony and Mike. They tend to get a lot of short shrift for "selling out", but, truth be told, the group by that time was a 3-piece and everyone had equal say (the songwriting credits were to all of them). Let's not blame Phil for bringing a pop sensibility to what might otherwise have been regarded as "old hat". Does the world really need another "Stagnation? or "Supper's Ready"? IMO, no.
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Some world views are spacious, and some are merely spaced...
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pakish
Forum Senior Member
Joined: April 02 2005
Location: Mexico
Status: Offline
Points: 166
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Posted: January 26 2006 at 17:27 |
You people talk as if Collins was the only one in the band. Didn't the other guys had any brains at all to make anything?
Plus everything has it's cicle of life. Born, Growth, Reproduction, Ageing, Death.
I think they did their contibution to the music and it was so important that it will trascend. That's the important thing. And collins contibuted
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TOEFL in latin america = neolanguage
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The Wizard
Prog Reviewer
Joined: July 18 2005
Location: United States
Status: Offline
Points: 7341
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Posted: January 26 2006 at 17:46 |
I just think of pop and prog Genesis as too different bands and not worry about Collins at all.
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ken4musiq
Forum Senior Member
Joined: January 14 2006
Location: United States
Status: Offline
Points: 446
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Posted: January 26 2006 at 19:31 |
Another band would be Soft Machine, their debut also has most components of prog (and was released before ITCOTCK), yet it wasn't the big breakthrough in rock music KC made a year later.
You are probably right here about SM . . . My argument is that KC did not hold a 'special place' in the history of prog. until much later and although they may have turned many people on to prog, it does not mean that they were the first 'prog' band.
The jazz sophistication of the first album lay not only in the improvisation but the orchestrations, which are Ian McDonald, although compositional credit is given to all on the two tracks that are most well- orchestrated: 21st and Epitaph. This may have something to do with the bands recognition of the interest of the orchestrations. The use of the bass clarinet seems to have reference to Miles Davis Bitches Brew, which came out earlier in the year. Also some of the harmonic vocabulary at the beginnning of The Court seems to come out of BB. The first KC was an incredible ensemble.
. . .to put it in perspective of Genesis. From my reading it seems that Genesis held a very distinct place among fans of early prog. I think a big part of it must have been the theatrics or maybe the lyrics, which are not mutually exclusive. There seems to be an important place that theatrics held in early prog. ELP was also a very theatrical band, but the theatrics lay in musical virtuosity, destroying organs, spinning pianos and revolving drums sets. Genesis relied more on mood than virtuosity and destruction. I think that mood was an important element to the escapist notions of early prog. For Genesis as for KC, the destruction of this world was inevitable. KC sees this reality through the expressionistic eyes of terror. Genesis is more resolved to the reality and creates an escapist fantasy. ELP, like the Who and Hendrix were acting it out. (Radiohead really picks up where they left off with that theme.)
Edited by ken4musiq
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Losendos
Forum Senior Member
Joined: June 03 2005
Location: Australia
Status: Offline
Points: 571
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Posted: January 27 2006 at 06:40 |
By the late 70s and early 80s noone was really making full prog. What was selling was pop/prog of the likes of Alan Parsons,the Genesis of ATTW3, Jon and Vangelis.90125 and Mike Oldfield had a big hit in Crises which was one side pop one side prog.
Camel also had some dismal attempts at cracking the charts.
Other tastes of the early 70s were also derided by the late 70s , think the Carpeneters, America , Bread or early 70s Bee Gees.
It seems most styles have their day but then have to move on be it prog,glamrock, disco, pop, punk , West Coast,grunge ,new wave , new romantics, rap,electronic.
The next generation of kids want their own heroes and idols.
Krishna says in Bhagavad Gita Time I am the destroyer of all things.
By the late 80s prog was gone completely.
So let us celebrate Phil Collins contribution to prog with the understanding that the direction music took into the 80s had nothing at all to do with him.
Three cheers for Dr Bogenbroom
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How wonderful to be so profound
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BebieM
Forum Senior Member
Joined: November 01 2004
Location: Germany
Status: Offline
Points: 854
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Posted: January 27 2006 at 17:26 |
richardh wrote:
Sorry but Pete Sinfield wrote the lyrics on In The Court Of The Crimson King NOT Greg Lake. |
Oh, you're right of course! How could I forget ...
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BebieM
Forum Senior Member
Joined: November 01 2004
Location: Germany
Status: Offline
Points: 854
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Posted: January 27 2006 at 17:33 |
ken4musiq wrote:
Another band would be Soft Machine, their debut
also has most components of prog (and was released before ITCOTCK), yet
it wasn't the big breakthrough in rock music KC made a year later.
You are probably right here about SM . . . My argument is
that KC did not hold a 'special place' in the history of prog. until
much later and although they may have turned many people on to prog, it
does not mean that they were the first 'prog' band.
The jazz sophistication of the first album lay not only in the
improvisation but the orchestrations, which are Ian McDonald, although
compositional credit is given to all on the two tracks that are most
well- orchestrated: 21st and Epitaph. This may have something to
do with the bands recognition of the interest of the orchestrations.
The use of the bass clarinet seems to have reference to
Miles Davis Bitches Brew, which came out earlier in the year. Also some
of the harmonic vocabulary at the beginnning of The Court seems to come
out of BB. The first KC was an incredible ensemble.
. . .to put it in perspective of Genesis. From my
reading it seems that Genesis held a very distinct place among fans of
early prog. I think a big part of it must have been the theatrics
or maybe the lyrics, which are not mutually exclusive. There
seems to be an important place that theatrics held in early prog.
ELP was also a very theatrical band, but the theatrics lay in musical
virtuosity, destroying organs, spinning pianos and revolving drums
sets. Genesis relied more on mood than virtuosity and
destruction. I think that mood was an important element to the
escapist notions of early prog. For Genesis as for KC, the destruction
of this world was inevitable. KC sees this reality through the
expressionistic eyes of terror. Genesis is more resolved to the
reality and creates an escapist fantasy. ELP, like the Who and
Hendrix were acting it out. (Radiohead really picks up where they
left off with that theme.)
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I think i got your point now.
I'm afraid I don't know much about the actual mentality of the time and
the development of prog in that regard being way too young and not
having read much about it.
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dralan
Forum Senior Member
Joined: December 29 2005
Location: United States
Status: Offline
Points: 339
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Posted: January 27 2006 at 18:31 |
You cant really single out Collins, all of them jumped on the pop bandwagon at one time or another. But on Duke with Phils real first attempts at songwriting -- i.e. "Misunderstanding", you can see the direction they were heading.
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sbrushfan
Forum Senior Member
Joined: November 07 2005
Location: United States
Status: Offline
Points: 1177
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Posted: January 28 2006 at 16:12 |
True, Dralan...pop though it was, it was DEAD catchy! Still, we gotta single everyone out. I can't help but wonder if Collins was picked on because, whether we know it or not, he was still the "New guy"...he didn't join Genesis til they had 2 records out.
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Some world views are spacious, and some are merely spaced...
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Hemispheres
Forum Senior Member
Joined: December 22 2004
Location: Canada
Status: Offline
Points: 533
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Posted: January 28 2006 at 16:47 |
i think people blame him Because he was the frontman and his solo stuff is really bland pop and they just assume it was him and hes such an easy target just look at the guy
![](http://phil-collins.site.voila.fr/Phil_Collins92.jpg)
This picture scares me ![](smileys/smiley6.gif)
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[IMG]http://www.wheresthatfrom.com/avatars/miguelsanchez.gif">[IMG]http://www.rockphiles.com/all_images/Act_Images/TheMothersOfInvention/mothers300.jpg">
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sbrushfan
Forum Senior Member
Joined: November 07 2005
Location: United States
Status: Offline
Points: 1177
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Posted: January 28 2006 at 16:58 |
Certainly not his most flattering pose, I'll say.
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Some world views are spacious, and some are merely spaced...
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alan_pfeifer
Forum Senior Member
Joined: December 05 2004
Status: Offline
Points: 823
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Posted: January 28 2006 at 17:13 |
ivan_2068 wrote:
alan_pfeifer wrote:
You know, musicans have to eat too. |
- Peter Gabriel
- Steve Hackett
- Dave Gilmour
- Roger Waters
- Ian Anderson
- Robert Fripp
- Bill Bruford
- Tony Levin
- Steve Howe
- Rick Wakeman
Are not exactly poor ![](smileys/smiley2.gif)
Iván
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Indeed, and Let's hope they're not![](smileys/smiley17.gif)
But seriously, why do we blame Collins? If he destryoed the band and all, then wouldn't the Rutherford and Banks have left the band as well?
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Under
Forum Senior Member
Joined: June 02 2005
Location: Netherlands
Status: Offline
Points: 389
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Posted: January 31 2006 at 08:52 |
erik neuteboom wrote:
I was as agressive as your 'Medieval moving picture' .. , mr. Under!
By the way, where do you live in Holland?
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Sorry for the late reply, Erik. Problems with my ADSL Provider. I live near Utrecht.
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