I suppose I'm a bit biased, here, but I certainly think they're deserving of being in the archive. They were a lot like Genesis, making a bunch of great albums at first and then, all of the sudden, releasing albums comparable to fecal matter. For those of you who doubt Chicago being prog, I challenge you to listen to CTA, Chicago II and Chicago III, their first three albums, all of which were two LPs. Some notable things to add....
Introduction-This song goes through so many phases in 7 minutes it's hard to not call this prog. Starts intense and slowly molds into a truly classical jazz number, before returning to the main song.
Does Anybody Really Know What Time It Is?-The most popular single version left out the improv piano number. Take a listen.
Free Form Guitar-Terry Kath expirementing on a Strat. Not really a song, but a performance.
August 29, 1969-Includes a 2 minute 'Prologue' which is merely a recording from the riot at the Democratic Nat'l Convention in Chicago on the specified date. The actual song is very defined.
Liberation-15 minute instrumental, with heavy expirementation and lots of phases.
Ballet For A Girl In Buchanon-15 minute piece divided into several movements, of which 'Make Me Smile' and 'Colour My World' were of.
It Better End Soon-10 minute piece divided into 4 movements in the classical fasion-first movement being the intense beginning, slower 2nd movement, slowly intesifying 3rd, and a return to the 1st with the 4th movement. The song itself is very 'early Zappa' style. Some of the instrumental bits sound like something from 'Hot Rats.'
Travel Suite-Another lengthy piece divided up into 6 movements. Of them only 'Free' became popular, but it includes some very prog sounding songs, like the drum solo 'Motorboat to Mars.'
An Hour In The Shower-Yet another segmented piece that goes through movements. By this point it had become tradition for Chicago.
Elegy-Profoundly classically influenced political number, yet all instrumental, save the poem at the beginning. 'The Approaching Storm' comes forward as the most prog-ish.
In all fairness, I can understand how one can reject Chicago being inducted becuase of their 80's stuff like 'Hard To Say I'm Sorry.' Yes, it's crap. But looking back on their first 9 studio albums, these 3 premiere albums in particular, it's hard to not find progressive influence. I'd say that Chicago is definitely worthy of being in the Jazz Rock section of the archive.
Edited by B3Brad