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MikeEnRegalia
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Joined: April 22 2005
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Posted: November 14 2005 at 14:36 |
^ Anglagard are a regressive prog band. Just like Wobbler!
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Lindsay Lohan
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Location: Norway
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Posted: November 14 2005 at 14:39 |
well metal and rap have been tried out...did not work
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Manunkind
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Joined: February 02 2005
Location: Poland
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Points: 2373
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Posted: November 14 2005 at 14:46 |
So true ^
Jazz and rap do work, though. Steve Coleman's band recorded a very cool album with three MCs, and he wasn't the only jazz musician to do so.
Prog rap's a good idea, I'm quite certain it could exist (and probably it exists already, I don't really know enough about rap)
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"In war there is no time to teach or learn Zen. Carry a strong stick. Bash your attackers." - Zen Master Ikkyu Sojun
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RoyalJelly
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Joined: September 29 2005
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Points: 582
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Posted: November 14 2005 at 15:03 |
Genesisprog wrote:
Some have gone insane.Ok one
day some wacko comes out with idea to mix prog with punk.
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Where have you been? Punk has already been mixed with
progressive elements as early as 1981, on Fred Frith's Gravity,
then his power punk trio with Bill Laswell and Fred Maher
called Massacre, around 1984, who regularly punked in 5/8
and 7/8. So that was all over 20 years ago! John Zorn's Naked
City had a healthy dose of punk, and that's influenced most of
the new progressive that's of any interest. The new progressive
music worthy of the name doesn't live in a 70s time capsule, it
uses elements of any all musical styles and forges something
new out of them.
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Ivan_Melgar_M
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Posted: November 14 2005 at 15:46 |
MikeEnRegalia wrote:
^ Anglagard are a regressive prog band. Just like Wobbler! |
No Mike, I disagree, Anglagard is a Progressive Symphonic band here and everywhere, nothing more and nothing less.
IMO much better than many Progressive Symphonic bands of the 70's, I place them right after Genesis or maybe Pink Floyd, but again, that's only my taste.
About being part of the Progressive Rock genre, they are and that's a fact nobody in the world can deny.
Iván
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BebieM
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Joined: November 01 2004
Location: Germany
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Points: 854
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Posted: November 14 2005 at 16:22 |
I don't know if it could exist, and I certainly don't "need" prog rap.
There's way too much stuff I'd check out before buying a rap album
hoping to find prog elements
I guess It'd be interesting for some people, but not for me.
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Badabec
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Joined: November 14 2005
Location: Germany
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Points: 1313
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Posted: November 14 2005 at 16:48 |
I don't think
that rap will ever reach such a high complexity as progressive rock
ever did because it's damn monotonous (believe me I even know the
rap-songs that are not palayed in the radio and they are all
monotonous). I have a friend who writes rap-songs and when I asked him
"Why is every damn song written in 4/4" he answered: "Oh, it has to be
so. You couldn't rap on 5/4.".
So I conclude that the rappers don't even think about doing any new
"progressive" stuff. I'm sure that you can rap on 5/4 or 11/8 or
something like that (even it may be more difficult than on 4/4) but
nobody (or nearly nobody) is trying it seriously. I would be glad if
someone tried it (allthough I don't like rap that much).
So here comes my result: Prog-rap is a good idea, but in my opinion it
could never be as brilliant as the good old classical prog-rock.
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genesis24601
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Joined: November 14 2005
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Points: 57
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Posted: November 14 2005 at 17:53 |
My god, what are you thinking? That's like insane! I'm not sure if prog
is a black man's thing(not meant to offend.) I mean, they usually lean
towards the music that make people dance and songs that you can sing
along with. Prog rock contains neither of those. That's not to say I
don't like either one, but still, it's not quite there. However, prog
funk?
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"It is impossible to achieve the aim without suffering." - Robert Fripp, from the title track of Exposure
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Man Overboard
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Joined: November 07 2004
Location: Austin, TX
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Points: 3830
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Posted: November 14 2005 at 19:29 |
genesis24601 wrote:
My god, what are you thinking? That's like insane! I'm not sure if prog
is a black man's thing(not meant to offend.) I mean, they usually lean
towards the music that make people dance and songs that you can sing
along with. Prog rock contains neither of those. That's not to say I
don't like either one, but still, it's not quite there. However, prog
funk?
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Many of the more brilliant elements of prog came from so-called "black man's music". f**king racist.
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Trotsky
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Posted: November 14 2005 at 21:16 |
genesis24601 wrote:
My god, what are you thinking? That's like insane! I'm not sure if prog is a black man's thing(not meant to offend.) I mean, they usually lean towards the music that make people dance and songs that you can sing along with. Prog rock contains neither of those. That's not to say I don't like either one, but still, it's not quite there. However, prog funk? |
Who invented the "rock" part in prog rock? ...
I think its generally accepted that people of African descent were responsible for blues, jazz (another crucial forefather of prog-rock), reggae, rock'n'roll, soul, disco, funk ... and Hendrix was a major influence on the hard rock/heavy metal brigade ...
I find it strange nowadays that mushy tuneless R&B and aggressive posturing thuggish rap are deemed "black people's music" ... and that's something that happens from both within and outside the community ...
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"Death to Utopia! Death to faith! Death to love! Death to hope?" thunders the 20th century. "Surrender, you pathetic dreamer.”
"No" replies the unhumbled optimist "You are only the present."
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Alagithil
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Joined: November 10 2005
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Points: 122
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Posted: November 14 2005 at 21:29 |
Man Overboard wrote:
Many of the more brilliant elements of prog came from so-called "black man's music". f**king racist.
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That's uncalled for. He was stereotyping, but he wasn't being nasty. You, on the other hand... restrain yourself!
I think, unfortunately, black kids think they have to listen to rap because that's what they're told they should be listening to.
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Life is like an avantgarde play because tuna.
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GoldenSpiral
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Posted: November 14 2005 at 21:53 |
The whole race thing is cultural, it shouldn't matter much so don't
bring it into this argument. stereotypes don't really hold up in
real life (as you'll see a good number of white kids listen to rap, and
a good number of black kids like rock).
That said, the link between prog and hip-hop would have to be
jazz. Much [good] hip-hop (notice I say hip-hop, which is a
musical style as opposed to rap which is a vocal style) is heavily
influenced by jazz. However, it is influenced more by the
rhythmic aspects of jazz, rather than the virtuosic instrumentation
(which is a big part of what prog takes from jazz, among other
things). If you really think about it, though, it really would
not be that hard to reconcile the genres. I can clearly see that
many people are basing their arguments on the rap they hear on the
radio, but hip hop goes much farther into music than just
rapping. There are such things as virtuoso turntablists, as well
as instrumental hip hop. someone earlier mentioned the Roots, a
hip hop group made up of very talented musicians. it really would
not take much for them to push their instrumentation and composing
style to the next level and progress.
I'm not holding my breath for it, though.
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Ivan_Melgar_M
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Posted: November 14 2005 at 21:55 |
genesis24601 wrote:
My god, what are you thinking? That's like insane! I'm not sure if prog is a black man's thing(not meant to offend.) I mean, they usually lean towards the music that make people dance and songs that you can sing along with. Prog rock contains neither of those. That's not to say I don't like either one, but still, it's not quite there. However, prog funk? |
You're right, prog is a white men thing but we have to be white nerds and at the same time dirty pigs who never take a bath with long beards, weed smokers who have nothing better to do with our live than to watch Star Trek and play Dungeons and Dragons in the basement of our parents house where we live even if we're 60 years old.
No women allowed, no blacks (maybe as drummers because they have rhythm) or latins (those only like salsa). Sometimes can be admited some second or third generation oriental guys if they play bass in a Prog Metal band.
HOLY SH!T, I hate Rap and I think I stated my opinion in this thread, but hate racism and stereotypes more.
Iván
Edited by ivan_2068
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greenback
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Posted: November 14 2005 at 23:18 |
what ivan tries to tell us is that he daily has to deal with criminal rappers who try to convince the judge that they are innocent. one day, a prosecuted rapper put some rap music in the court room, and suddenly, ivan grabbed the radio and threw it violently into the wall: he said to the rapper: YOU ARE GUILTY!
Edited by greenback
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[HEADPINS - LINE OF FIRE: THE RECORD HAVING THE MOST POWERFUL GUITAR SOUND IN THE WHOLE HISTORY OF MUSIC!>
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Ivan_Melgar_M
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Posted: November 14 2005 at 23:45 |
greenback wrote:
what ivan tries to tell us is that he daily has to deal with criminal rappers who try to convince the judge that they are innocent. one day, a prosecuted rapper put some rap music in the court room, and suddenly, ivan grabbed the radio and threw it violently into the wall: he said to the rapper: YOU ARE GUILTY! |
LOL, that's not a stereotype, I only pointed one case
Iván
BTW: Everybody is writting stories today, just read one hilarious about a Genesis reunion and now Greenback also.
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goose
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Joined: June 20 2004
Location: United Kingdom
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Posted: November 15 2005 at 08:30 |
Dick Heath wrote:
goose wrote:
Fusion is a mixture of jazz and rock, . |
Be careful with your definitions. Fusion is not solely jazz and rock, it is jazz and any other musical form. ( e.g. see Syz's thread about Joe Harriott/Johnh Mayers Indo Jazz Fusions). It is just bloody lazy jazz critics (and indeed eminent ones) and record industry, have corrupted the term since the mid-80's without respecting the history of the genre. Nice explanation of the misrepresentation of jazz rock in Graham Bennett's Soft Machine biography - and subsequent neutering into radio friendly fusion/fusak. According to the latest Miles Davis biog covering his last years, he was most interested in incorporating rap into his jazz. In jazz rock fusion you keep stumbling over rap in jazz e.g. Boomish, Jamaladeen Tacuma, even Randy Brecker, Glen Miller (the simple one line rap of Pennsylvania 5000 for instance). |
Ok, I should have said " within the context of prog rock, fusion is a mixture of jazz and rock"
Ivan wrote:
Melody plays an important part in Fusion and/or Space Rock, of course there are different textures, improvisations and conception of music, but all this differences surround a basic and central melody, only some kinds of experimental Jazz use improvisation without almost no melody (Not part of the Prog Rock genre), but even those have a central melodic idea worked with improvisations.
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I have to disagree there - I'm not saying at all that melody isn't important for, say, Pink Floyd as music, but I don't think how melodic they are is relevant to them as a space rock band.
In the same way, there are rap songs with melodic bases (the samples of A Tribe Called Quest, for example, often taken from old jazz records). There doesn't have to be a melody from a rap point of view, but the added melody adds interest to it as a piece of music.
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Ivan_Melgar_M
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Posted: November 15 2005 at 10:57 |
Goose wrote:
I have to disagree there - I'm not saying at all that melody isn't important for, say, Pink Floyd as music, but I don't think how melodic they are is relevant to them as a space rock band. |
I really don't know how relevant we can consider the melody for Space Rock, but for Pink Floyd members it nust be relevant because they add it to: Lets say almost all their songs?
Even in the endless Psyche/space oriented or guitar keyboards solos from their early albums and behind all those crazy sounds on DSOTM you have a melody, so it's important and very relevant for them.
But this is Bizantine discussion, don't really care if it's relevant or not , the point is that their music has melody, and in the case of rap I don't believe it's very often we can listen complex melodies.
Iván
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Peace Frog
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Joined: October 17 2005
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Posted: November 15 2005 at 11:40 |
Listen to K-os. He's from Canada and he's pretty big over here. I don't know if any of you non-Canadians have heard of him, but he's definitely worth a listen if you want to hear something outside the mainstream sound. His lyrics are genius and he combines elements of Jazz and reaggae into his music. I like his songs Crabbuckit, Hallelujah, and Superstarr pt. zero. The closest to prog-rap out of mainstream hip hop artists in Canada. There aren't many anyway that I know of, because I'm not too into that kind of music.
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magog
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Posted: November 15 2005 at 12:56 |
Man Overboard wrote:
magog wrote:
Fantastic idea!! After prog-metal now we have prog-rap...why don't you
accept you don't like prog and listen what you want without involving
this noble genre?
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Prog is my genre of choice, and has been since I became an active music
listener. Why can't you accept that I'm happy being
forward-thinking, and feel no need to try to lock a genre as broad and
brilliant as prog into some pigeonhole?
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Because each time has its music, and prog, -like it or not, for
hundreds of reasons- has some precise characters which has gone with
seventies...I have nothing against original opinions like yours, and
this lounge raised a great interest (9 pages till now, congratulations)
but sometimes I have the impression that limits of this wonderful music
we all love are too enlarged
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sm sm
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Joined: November 02 2005
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Points: 155
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Posted: November 15 2005 at 15:32 |
It the 1950's White kids were told not to listen to that (insert racist black name) rock and roll.
In 2000's, Black kids are told not to listen to that (insert racist white name) progressive rock.
Pity because prog would make Rap more musical, which it sadly lacks, especially the music background
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